I can't tell you exactly when I first saw David Fincher's Se7en. I definitely saw it in theaters on or around when it was released on September 22, 1995, and after seeing it I know I quickly ran to purchase the film's soundtrack, not because I necessarily loved Howard Shore's score, but because that's what I did back then. In the days before short theatrical windows and immediate DVD releases, purchasing the score was my way of preserving the experience of seeing a movie I truly loved. In this case I could listen to Shore's "Suite from Se7en" or "Portrait of John Doe" and immediately find myself back in the seedy, noir world Fincher envisioned, Andrew Kevin Walker scripted (read it here*) and Darius Khondji photographed. It was the films of David Fincher that first caused me to start looking at movies differently. Se7en and then Fight Club were...