Camila Morrone’s emergence as a red carpet star experienced an interruption in 2023 with the SAG-AFTRA strike, but her evolution is back in full force with the 2024 awards season, as evidenced by the ethereal look the Daisy Jones & The Six co-star wore to the 29th Critics Choice Awards on Sunday, Jan 14.
“I had my eye on this look forever [and] was waiting for the perfect moment to wear it,” Morrone explains of her chosen red carpet ensemble. “I always opt for something timeless and classic and feminine, but also youthful. The beading and silhouette bring the right amount of detail and dimension. It feels delicate and sophisticated.”
Working with star stylist Sandra Amador to walk the 2024 Critics Choice Awards red carpet, Morrone wore a design from creative director Virginie Viard’s Chanel Spring 2022 haute-couture collection: a white silk-chiffon top and long skirt. Both are pleated and are embroidered within the...
“I had my eye on this look forever [and] was waiting for the perfect moment to wear it,” Morrone explains of her chosen red carpet ensemble. “I always opt for something timeless and classic and feminine, but also youthful. The beading and silhouette bring the right amount of detail and dimension. It feels delicate and sophisticated.”
Working with star stylist Sandra Amador to walk the 2024 Critics Choice Awards red carpet, Morrone wore a design from creative director Virginie Viard’s Chanel Spring 2022 haute-couture collection: a white silk-chiffon top and long skirt. Both are pleated and are embroidered within the...
- 1/15/2024
- by Laurie Brookins
- The Hollywood Reporter - Movie News
“Tonight we have special news for you: we closed all the exits. You can’t escape,” Claudio Simonetti deadpanned in his Italian accent to the enthusiastic crowd at the Somerville Theatre in Somerville, Massachusetts on October 3. Clad in something like a ringmaster jacket over a Deadpool T-shirt, a smile beamed across the maestro’s face.
The audience erupted into laughter chased by cheers, as they knew they were about to experience something special: the 1985 cult classic Demons on the big screen with a live score performed by Claudio Simonetti’s Goblin, a modern tribute to the prolific Italian prog-rock composers Goblin fronted by the founding keyboardist.
Produced by Italian master of horror Dario Argento — for whom Goblin had previously composed several scores — Demons is directed by Lamberto Bava from a script written by Bava, Argento, Dardano Sacchetti (The Beyond), and Franco Ferrini (Phenomena). The plot finds attendees at a mysterious...
The audience erupted into laughter chased by cheers, as they knew they were about to experience something special: the 1985 cult classic Demons on the big screen with a live score performed by Claudio Simonetti’s Goblin, a modern tribute to the prolific Italian prog-rock composers Goblin fronted by the founding keyboardist.
Produced by Italian master of horror Dario Argento — for whom Goblin had previously composed several scores — Demons is directed by Lamberto Bava from a script written by Bava, Argento, Dardano Sacchetti (The Beyond), and Franco Ferrini (Phenomena). The plot finds attendees at a mysterious...
- 10/9/2023
- by Alex DiVincenzo
- bloody-disgusting.com
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Asteroid City (Wes Anderson)
Wes Anderson has done it all: India by train, Rhode Island by foot, the Mediterranean by sub, France by bike, faux-Germany by hotel, apple-orchard America by fox, animated Japan by dog, motel Texas by friends, New York City by family. But––despite the feeling that this couldn’t possibly be true––he’s never told a story in western America. In setting he hasn’t gone further west than Houston. Until Asteroid City: Arizona desert by quarantine. – Luke H. (full review)
Where to Stream: Peacock
Beatrix (Lilith Kraxner & Milena Czernovsky)
One of the best films in recent years––still without U.S. distribution––is streaming for free the next two weeks on Le Cinéma Club. It...
Asteroid City (Wes Anderson)
Wes Anderson has done it all: India by train, Rhode Island by foot, the Mediterranean by sub, France by bike, faux-Germany by hotel, apple-orchard America by fox, animated Japan by dog, motel Texas by friends, New York City by family. But––despite the feeling that this couldn’t possibly be true––he’s never told a story in western America. In setting he hasn’t gone further west than Houston. Until Asteroid City: Arizona desert by quarantine. – Luke H. (full review)
Where to Stream: Peacock
Beatrix (Lilith Kraxner & Milena Czernovsky)
One of the best films in recent years––still without U.S. distribution––is streaming for free the next two weeks on Le Cinéma Club. It...
- 8/11/2023
- by Jordan Raup
- The Film Stage
Rewear, repeat, three-peat … The verbiage summing up what’s new on the red carpet in the past year happens to center on what’s old, or at least previously worn. Sustainability and vintage were at the forefront of Hollywood fashion throughout awards season. THR‘s Stylist of the Year Elizabeth Stewart worked with Tár best actress nominee Cate Blanchett to create a red carpet campaign with the smallest environmental footprint possible. “The theme is Cate’s closet and celebrating it,” says Stewart, “and being as conscious as possible of the impact our choices can have.” Law Roach, who made worldwide headlines when he announced his retirement from styling March 14, outfitted Zendaya in internet-shattering 2002 Versace for the NAACP Image Awards. Also trending? A return to megawatt glamour, as evidenced by both Anne Hathaway with stylist Erin Walsh and Gucci glamazon Jodie Turner-Smith, who turned the Venice International Film Festival canals into her own catwalk,...
- 3/29/2023
- by Carol McColgin
- The Hollywood Reporter - Movie News
45 years after its release, Dario Argento‘s Suspiria remains one of the most breathtaking horror films ever committed to celluloid. Its unparalleled visuals – vibrantly colored lighting, unconventional camerawork, opulent production design, extravagant death scenes – are complemented by a memorable score from frequent Argento collaborators, Goblin.
Goblin founding keyboardist Claudio Simonetti now performs with a new manifestation of the prolific Italian instrumental act – officially branded as Claudio Simonetti’s Goblin to avoid confusion with the other incarnation of Goblin featuring different legacy members that remains active concurrently.
Simonetti is accompanied by guitarist Daniele Amador, bassist Cecilia Nappo, and drummer Federico Maragoni. Together they’re celebrating Suspiria‘s 45th anniversary with a tour in which they perform the score live to the film followed by a set of other Goblin classics. I caught the sold-out stop at the Somerville Theatre in Somerville, Ma on November 8.
I’m unsure what source was used...
Goblin founding keyboardist Claudio Simonetti now performs with a new manifestation of the prolific Italian instrumental act – officially branded as Claudio Simonetti’s Goblin to avoid confusion with the other incarnation of Goblin featuring different legacy members that remains active concurrently.
Simonetti is accompanied by guitarist Daniele Amador, bassist Cecilia Nappo, and drummer Federico Maragoni. Together they’re celebrating Suspiria‘s 45th anniversary with a tour in which they perform the score live to the film followed by a set of other Goblin classics. I caught the sold-out stop at the Somerville Theatre in Somerville, Ma on November 8.
I’m unsure what source was used...
- 11/11/2022
- by Alex DiVincenzo
- bloody-disgusting.com
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.