Throughout cinema’s history, gangster life has often been depicted in glamorous fashion with an endless access to drugs, guns, women, sports cars, and mansions. Even if these lives are short-lived, filmmakers have long venerated their excess, and one glance at popular culture confirms audiences have reciprocated the fascination. For the characters of Dayveon, however, this way of life is grounded in economic necessity. With the ensemble of mostly non-actors never less than utterly convincing, Amman Abbasi’s debut drama is captivating in its immediacy, despite a script that doesn’t feel fully formed.
Following the gang-related death of his brother, the 13-year-old Dayveon (Devin Blackmon) is feeling like a lost soul, not wanting his sister Kim’s (Chasity Moore) live-in boyfriend, Bryan (Dontrell Bright) to replace his recently deceased family member.”Everything stupid,” our lead remarks in the opening scene as he bikes through his decaying Arkansas town. Although he’s quick to smile,...
Following the gang-related death of his brother, the 13-year-old Dayveon (Devin Blackmon) is feeling like a lost soul, not wanting his sister Kim’s (Chasity Moore) live-in boyfriend, Bryan (Dontrell Bright) to replace his recently deceased family member.”Everything stupid,” our lead remarks in the opening scene as he bikes through his decaying Arkansas town. Although he’s quick to smile,...
- 1/21/2017
- by Jordan Raup
- The Film Stage
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