The revolutionary vision of “Neptune Frost” – a politically charged Afrofuturist musical odyssey where Neptune, an intersex runaway, becomes part of an insurgent collective – plays like a social justice dream. For its intrepid filmmakers, hip-hop artist Saul Williams and Rwandan playwright Anisia Uzeyman, the journey to bring their alternative world into reality took nearly a decade and required a band of like-minded artisans capable of translating the narrative’s activist roots into cinematic wonder. “Neptune Frost” isn’t merely a film. It’s an aesthetic statement of intent.
That declaration draws from more than your usual science fiction fare. The Arab spring, African Diaspora movements, centuries of music, and the present blossoming of the continent’s art all influence “Neptue Frost,” a film that fights against exploitation, colonialism, and anti-gay laws.
Following the death of their aunt, Neptune (Elvis “Bobo” Ngabo/Cheryl Isheja) flees from their Rwandan village, crossing bodies of...
That declaration draws from more than your usual science fiction fare. The Arab spring, African Diaspora movements, centuries of music, and the present blossoming of the continent’s art all influence “Neptue Frost,” a film that fights against exploitation, colonialism, and anti-gay laws.
Following the death of their aunt, Neptune (Elvis “Bobo” Ngabo/Cheryl Isheja) flees from their Rwandan village, crossing bodies of...
- 11/11/2022
- by Robert Daniels
- Indiewire
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