Exclusive: Showmax content chief Yolisa Phahle has revealed how co-producing with international partners has helped the South Africa-based streamer compete with fierce SVoD competition, as a first trailer for its epic fantasy drama Blood Psalms is today unveiled. You can watch it here below.
Blood Psalms, from creators Layla Swart and Jahmil X.T. Qubeka from Yellowbone Entertainment, is a big budget co-production with France’s Canal+ — the latest in several collaborations between the companies — and is billed as Showmax’s “biggest and most ambitious series, completely unlike any other African series you’ve ever seen” by Nomsa Philiso, Executive Head of Programming at the streamer’s parent MultiChoice. The fantasy drama, shot entirely in African languages, has touches of Game of Thrones, set 11,000 years ago in ancient Africa in a world of warring factions and magic.
The synopsis reads: “In Ancient Africa, one thousand days after the fall of Atlantis,...
Blood Psalms, from creators Layla Swart and Jahmil X.T. Qubeka from Yellowbone Entertainment, is a big budget co-production with France’s Canal+ — the latest in several collaborations between the companies — and is billed as Showmax’s “biggest and most ambitious series, completely unlike any other African series you’ve ever seen” by Nomsa Philiso, Executive Head of Programming at the streamer’s parent MultiChoice. The fantasy drama, shot entirely in African languages, has touches of Game of Thrones, set 11,000 years ago in ancient Africa in a world of warring factions and magic.
The synopsis reads: “In Ancient Africa, one thousand days after the fall of Atlantis,...
- 8/17/2022
- by Jesse Whittock
- Deadline Film + TV
It’s 1994 and young Dudu and Duke have little in the way of inspiring role models to build lives for themselves in Mdantsane, South Africa. Apartheid is over and Nelson Mandela is president, but they’re taking notes from a father (Zolosa Xaluva’s Art Nyakama) raving about how “real men” take care of their family despite cheating on his wife with teenagers and barely knowing what his sons are doing or where they are at any moment. What he means by “protection” is the willingness to steal, cheat, and kill—to prove himself better than the next man trying to follow the law or daring to interfere with what he has ownership over. When escape is only possible through the boxing ring, jail, or death, possessions become identity.
Nobody should then be surprised about where these boys find themselves in 2019 as two halves of the same chip off the old block.
Nobody should then be surprised about where these boys find themselves in 2019 as two halves of the same chip off the old block.
- 9/8/2019
- by Jared Mobarak
- The Film Stage
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