Click here to read the full article.
Malaika Hennie-Hamadi and Hannan Younis have grabbed the lead roles in the Canadian streaming TV comedy Bria Mack Gets A Life.
Hennie-Hamadi has TV credits with Age of the Living Dead, The Handmaid’s Tale and the Fear Thy Roomate crime drama. Younis’ small screen credits include Ruby and the Well, TallBoyz, Firestarter and The Boys.
The cameras will start rolling this week on the half-hour comedy from creator and showrunner Sasha Leigh Henry; New Metric Media, the producer of Letterkenny and Shoresy; and the Crave streaming TV service.
Hennie-Hamadi will play Bria “Mack” McFarlane, a 25-year-old Black woman and university graduate in a mainly white world, a journey made both difficult and tolerable by Black Attack, her invisible hype girl played by Younis who helps her navigate life’s frustrations and hurdles.
As Bria balances being the most educated family member and her overdue credit card bill,...
Malaika Hennie-Hamadi and Hannan Younis have grabbed the lead roles in the Canadian streaming TV comedy Bria Mack Gets A Life.
Hennie-Hamadi has TV credits with Age of the Living Dead, The Handmaid’s Tale and the Fear Thy Roomate crime drama. Younis’ small screen credits include Ruby and the Well, TallBoyz, Firestarter and The Boys.
The cameras will start rolling this week on the half-hour comedy from creator and showrunner Sasha Leigh Henry; New Metric Media, the producer of Letterkenny and Shoresy; and the Crave streaming TV service.
Hennie-Hamadi will play Bria “Mack” McFarlane, a 25-year-old Black woman and university graduate in a mainly white world, a journey made both difficult and tolerable by Black Attack, her invisible hype girl played by Younis who helps her navigate life’s frustrations and hurdles.
As Bria balances being the most educated family member and her overdue credit card bill,...
- 10/11/2022
- by Etan Vlessing
- The Hollywood Reporter - Movie News
Click here to read the full article.
Guillermo del Toro’s Nightmare Alley, David Cronenberg’s Crimes of the Future and Danis Goulet’s Night Raiders lead nominees for the upcoming Dgc Awards with three each.
The Directors of Guild of Canada unveiled nominations for its 21st Dgc Awards on Nov. 5 on Friday. Del Toro, who shot Nightmare Alley mostly in and around Toronto, did not receive a nomination for best feature film direction.
But del Toro’s tribute to the film noir genre, which starred Bradley Cooper and Cate Blanchett, did earn Oscar-nominated production designer Tamara Deverell a Dgc Awards nod in the same category, Cam McLauchlin a nomination for feature best picture editing, and best sound editing nominations for Nathan Robitaille, Jill Purdy, Dashen Naidoo, Josh Brown, Nelson Ferreira, Kayla Stewart, Craig MacLellan and Kevin Banks.
Cronenberg received a best film director nomination for Crimes of the Future,...
Guillermo del Toro’s Nightmare Alley, David Cronenberg’s Crimes of the Future and Danis Goulet’s Night Raiders lead nominees for the upcoming Dgc Awards with three each.
The Directors of Guild of Canada unveiled nominations for its 21st Dgc Awards on Nov. 5 on Friday. Del Toro, who shot Nightmare Alley mostly in and around Toronto, did not receive a nomination for best feature film direction.
But del Toro’s tribute to the film noir genre, which starred Bradley Cooper and Cate Blanchett, did earn Oscar-nominated production designer Tamara Deverell a Dgc Awards nod in the same category, Cam McLauchlin a nomination for feature best picture editing, and best sound editing nominations for Nathan Robitaille, Jill Purdy, Dashen Naidoo, Josh Brown, Nelson Ferreira, Kayla Stewart, Craig MacLellan and Kevin Banks.
Cronenberg received a best film director nomination for Crimes of the Future,...
- 9/23/2022
- by Etan Vlessing
- The Hollywood Reporter - Movie News
As Toronto director Clement Virgo and the cast of “Brother” took the stage at the Princess of Wales Theatre on the night of Sept. 9 to soak in the hometown standing ovation after film’s world premiere, a delegation of Black producers from across Canada was settling in for a week of networking ops curated by the Black Screen Office (Bso).
This year has seen Black-led CBC and BET+ historical drama series “The Porter” (recently renewed for Season two) connect with audiences and critical kudos beyond Canada; Black talent empowerment and training organizations extend their reach; and the Bso forge platforms and alliances to strengthen and amplify its advocacy, research and funding development work.
This is not simply a moment, say the Toronto filmmakers, it’s accelerated momentum.
“When I first started out, making a film about the Black experience in Canada was fairly new, but over the last 25 years that has changed,...
This year has seen Black-led CBC and BET+ historical drama series “The Porter” (recently renewed for Season two) connect with audiences and critical kudos beyond Canada; Black talent empowerment and training organizations extend their reach; and the Bso forge platforms and alliances to strengthen and amplify its advocacy, research and funding development work.
This is not simply a moment, say the Toronto filmmakers, it’s accelerated momentum.
“When I first started out, making a film about the Black experience in Canada was fairly new, but over the last 25 years that has changed,...
- 9/12/2022
- by Jennie Punter
- Variety Film + TV
Click here to read the full article.
As the Toronto Film Festival marks a big post-pandemic return to the physical realm with something almost normal for its 47th edition, the biggest sighs of relief may well come from local Canadian filmmakers and premiere party organizers.
“You cannot launch a festival film digitally. You need to build up hype in person. You need to meet people in person to be able to forge relationships to launch your film,” Markhor Pictures producer Shehrezade Mian, who is launching Antoine Bourges’ Concrete Valley immigrant drama in Toronto as part of the Wavelengths sidebar, told The Hollywood Reporter.
Mian insists fellow filmmakers who screened their films at scaled-down Toronto festivals in 2020 and 2021 had their launch plans undermined by play on digital platforms. “The buzz this year is so much more hyped and so much more intense,” she added.
Director Kelly Fyffe-Marshall, who is bringing her...
As the Toronto Film Festival marks a big post-pandemic return to the physical realm with something almost normal for its 47th edition, the biggest sighs of relief may well come from local Canadian filmmakers and premiere party organizers.
“You cannot launch a festival film digitally. You need to build up hype in person. You need to meet people in person to be able to forge relationships to launch your film,” Markhor Pictures producer Shehrezade Mian, who is launching Antoine Bourges’ Concrete Valley immigrant drama in Toronto as part of the Wavelengths sidebar, told The Hollywood Reporter.
Mian insists fellow filmmakers who screened their films at scaled-down Toronto festivals in 2020 and 2021 had their launch plans undermined by play on digital platforms. “The buzz this year is so much more hyped and so much more intense,” she added.
Director Kelly Fyffe-Marshall, who is bringing her...
- 9/11/2022
- by Etan Vlessing
- The Hollywood Reporter - Movie News
TIFF: ‘Riceboy Sleeps’ Director Talks Minimal, Single Camera Coverage: “That Was The Scariest Thing”
Click here to read the full article.
Hollywood directors routinely capture on a movie set extra camera footage and angles, or “coverage,” to later give them options in the edit suite.
Not Anthony Shim, director of Riceboy Sleeps. He avoided shooting coverage when his single camera rolled on the set for his Korean and English language immigrant drama having its world premiere at the Toronto Film Festival.
“We didn’t shoot any coverage. That was the scariest thing,” Shim told The Hollywood Reporter about he and director of photography Christopher Lew’s single camera going instead for one-take, choreographed and continuous wide camera shots that cover all the dialogue and visuals in a scene.
In the hands of a master director, such as Martin Scorsese and his opening Copa shot in Goodfellas, minimal camera coverage could be the making of cinematic legend. But for a second feature director like Shim,...
Hollywood directors routinely capture on a movie set extra camera footage and angles, or “coverage,” to later give them options in the edit suite.
Not Anthony Shim, director of Riceboy Sleeps. He avoided shooting coverage when his single camera rolled on the set for his Korean and English language immigrant drama having its world premiere at the Toronto Film Festival.
“We didn’t shoot any coverage. That was the scariest thing,” Shim told The Hollywood Reporter about he and director of photography Christopher Lew’s single camera going instead for one-take, choreographed and continuous wide camera shots that cover all the dialogue and visuals in a scene.
In the hands of a master director, such as Martin Scorsese and his opening Copa shot in Goodfellas, minimal camera coverage could be the making of cinematic legend. But for a second feature director like Shim,...
- 9/11/2022
- by Etan Vlessing
- The Hollywood Reporter - Movie News
TIFF announced its Short Cuts section today comprised of 39 live-action narrative, documentary, and animated short films from directors repping 18 countries.
Further broken down, the section includes 21 World Premieres and 15 North American Premieres presented in 20 different languages from countries such as Portugal, China, Colombia, Mongolia, Kenya, Ukraine, US, UK, and Canada.
“We’re thrilled to be returning with one of our strongest ever selections of short films by directors from all over the world,” says Jason Anderson, International Programmer for Short Cuts. “We’re always amazed by the breadth, depth, and diversity of the talents working in short-form cinema, whether they’re filmmakers who we’ve already had the privilege of presenting at TIFF or emerging storytellers who we can’t wait to introduce to our audiences. And however different these new works may be, what they share is an incredible sense of clarity and economy – these are films that don...
Further broken down, the section includes 21 World Premieres and 15 North American Premieres presented in 20 different languages from countries such as Portugal, China, Colombia, Mongolia, Kenya, Ukraine, US, UK, and Canada.
“We’re thrilled to be returning with one of our strongest ever selections of short films by directors from all over the world,” says Jason Anderson, International Programmer for Short Cuts. “We’re always amazed by the breadth, depth, and diversity of the talents working in short-form cinema, whether they’re filmmakers who we’ve already had the privilege of presenting at TIFF or emerging storytellers who we can’t wait to introduce to our audiences. And however different these new works may be, what they share is an incredible sense of clarity and economy – these are films that don...
- 8/17/2022
- by Anthony D'Alessandro
- Deadline Film + TV
The WhaleWAVELENGTHS - FEATURESConcrete Valley (Antoine Bourges)De Humani Corporis Fabrica (Véréna Paravel, Lucien Castaing-Taylor)Dry Ground BurningHorse Opera (Moyra Davey)Pacifiction (Albert Serra)Queens of the Qing Dynasty (Ashley McKenzie)Unrest (Cyril Schäublin)Will-o’-the-Wisp (João Pedro Rodrigues)Wavelenghths - SHORTSAfter Work (Céline Condorelli, Ben Rivers)Bigger on the Inside (Angelo Madsen Minax)Eventide (Sharon Lockhart)F1ghting Looks Different 2 Me Now (Fox Maxy)Fata Morgana (Tacita Dean)Hors-titre (Wiame Haddad)I Thought the World of You (Kurt Walker)Moonrise (Vincent Grenier)The Newest Olds (Pablo Mazzolo)Puerta a Puerta (Jessica Sarah Rinland, Luis Arnías )The Time That Separates Us (Parastoo Anoushahpour)What Rules the Invisible (Tiffany Sia)Gala PRESENTATIONSAlice, Darling (Mary Nighy)Black Ice (Hubert Davis)The Greatest Beer Run Ever (Peter Farrelly)Butcher’s Crossing (Gabe Polsky)The Hummingbird (Francesca Archibugi)Hunt (Jung-jae Lee)A Jazzman’s Blues (Tyler Perry)Kacchey Limbu (Shubham Yogi)Moving On (Paul Weitz)Paris Memories...
- 8/4/2022
- MUBI
The Toronto International Film Festival lineup continues to unfold, with TIFF announcing the programs for its Midnight Madness, Discovery, and Wavelengths programs on Thursday. The festival runs September 8 through 18.
“For TIFF audiences in the know, the Discovery, Midnight Madness and Wavelengths programmes are where you’re rewarded for taking risks and being adventurous,” offered Anita Lee, TIFF’s chief programming officer. “Whether it’s the discovery of an audacious new auteur, a brilliant visionary work that reimagines storytelling or the most wicked cinematic experience you will ever have, this is where you will find it.”
Discovery
“TIFF’s Discovery program is a showcase of cinema and talent from around the world — a place to unearth work that is bold, distinctive, and, above all, passionate,” said Dorota Lech, Discovery lead and international programmer, TIFF. “This year’s robust program offers 24 films that shook us to the core, filled us with joy,...
“For TIFF audiences in the know, the Discovery, Midnight Madness and Wavelengths programmes are where you’re rewarded for taking risks and being adventurous,” offered Anita Lee, TIFF’s chief programming officer. “Whether it’s the discovery of an audacious new auteur, a brilliant visionary work that reimagines storytelling or the most wicked cinematic experience you will ever have, this is where you will find it.”
Discovery
“TIFF’s Discovery program is a showcase of cinema and talent from around the world — a place to unearth work that is bold, distinctive, and, above all, passionate,” said Dorota Lech, Discovery lead and international programmer, TIFF. “This year’s robust program offers 24 films that shook us to the core, filled us with joy,...
- 8/4/2022
- by Ryan Lattanzio
- Indiewire
Click here to read the full article.
The Toronto Film Festival’s Midnight Madness sidebar will open with Weird: The Al Yankovic Story, with Daniel Radcliffe playing the prolific musician behind humorous songs like “Eat It” and “Amish Paradise.”
Eric Appel directs the biopic for The Roku Channel that also stars Evan Rachel Wood and will have a world premiere Sept. 8 at TIFF at the Royal Alexandra Theater.
“I couldn’t have hoped for a more appropriate opening night film than Weird: The Al Yankovic Story — a beautifully deranged biopic made in the great Midnight movie tradition of challenging conventions and forging one’s own path, no matter how weird,” Midnight Madness curator Peter Kuplowsky said in a statement Thursday.
The latest additions to the Toronto Film Festival also include the lineups for the Discovery and Wavelengths programs unveiled Thursday.
The gore-filled Midnight Madness program has world bows for Tim Story...
The Toronto Film Festival’s Midnight Madness sidebar will open with Weird: The Al Yankovic Story, with Daniel Radcliffe playing the prolific musician behind humorous songs like “Eat It” and “Amish Paradise.”
Eric Appel directs the biopic for The Roku Channel that also stars Evan Rachel Wood and will have a world premiere Sept. 8 at TIFF at the Royal Alexandra Theater.
“I couldn’t have hoped for a more appropriate opening night film than Weird: The Al Yankovic Story — a beautifully deranged biopic made in the great Midnight movie tradition of challenging conventions and forging one’s own path, no matter how weird,” Midnight Madness curator Peter Kuplowsky said in a statement Thursday.
The latest additions to the Toronto Film Festival also include the lineups for the Discovery and Wavelengths programs unveiled Thursday.
The gore-filled Midnight Madness program has world bows for Tim Story...
- 8/4/2022
- by Etan Vlessing
- The Hollywood Reporter - Movie News
Chicago – Groundbreaking filmmakers often start at the South by Southwest Festival. Influencers like the Duplass brothers, Chicago’s Joe Swanberg and Lena Dunham got their first prominent notices at the fest. In that spirit, the 2022 SXSW Grand Jury Awards were announced on March 15th.
The top film in Narrative Features was “I Love My Dad” by writer/director James Morosini, featuring Patton Oswalt and Morosini himself as father and son reconnecting under odd circumstances. The Documentary Feature awardee was “Master of Light” by Rosa Ruth Boesten, an unusual profile of painter George Anthony Morton, as he struggles to render his mother. And the Narrative Short deemed best is by writer/director Tang Yi, entitled “All the Crows in the World,” with its “inventive story and critiques of patriarchal culture.”
The following is the list of top honorees …
Grand Jury Prize - Narrative Feature
I Love My Dad
Photo credit: SXSW.
The top film in Narrative Features was “I Love My Dad” by writer/director James Morosini, featuring Patton Oswalt and Morosini himself as father and son reconnecting under odd circumstances. The Documentary Feature awardee was “Master of Light” by Rosa Ruth Boesten, an unusual profile of painter George Anthony Morton, as he struggles to render his mother. And the Narrative Short deemed best is by writer/director Tang Yi, entitled “All the Crows in the World,” with its “inventive story and critiques of patriarchal culture.”
The following is the list of top honorees …
Grand Jury Prize - Narrative Feature
I Love My Dad
Photo credit: SXSW.
- 3/17/2022
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Back together in person after two years of going virtual during the pandemic, the Austin-based SXSW Film Festival has announced its juried prizes. As in previous editions, the awards show happened at the midpoint of the nine-day event, before SXSW’s music events suck much of the attention away from film screenings.
The top prize in narrative feature competition went to “I Love My Dad,” written and directed by James Morosini, who also stars as a younger version of himself in this uncomfortable retelling of how he was catfished by his father (played by Patton Oswalt).
“Morosini displays massive empathy as a filmmaker to get into the mind of the father he feels betrayed by, and also as an actor portraying the impact of that betrayal,” said the jury, who also gave special jury prizes to the cast and crew of “It Is in Us All” and Elizaveta Yankovskaya, star of the Russian film “Nika.
The top prize in narrative feature competition went to “I Love My Dad,” written and directed by James Morosini, who also stars as a younger version of himself in this uncomfortable retelling of how he was catfished by his father (played by Patton Oswalt).
“Morosini displays massive empathy as a filmmaker to get into the mind of the father he feels betrayed by, and also as an actor portraying the impact of that betrayal,” said the jury, who also gave special jury prizes to the cast and crew of “It Is in Us All” and Elizaveta Yankovskaya, star of the Russian film “Nika.
- 3/16/2022
- by Peter Debruge
- Variety Film + TV
The 2022 jury and special award winners of the 29th SXSW Film Festival were unveiled on Tuesday night out of Austin, Texas. Feature films receiving jury awards were selected from the narrative and documentary competitions. Juried awards for shorts, design, and Xr experience were also announced.
Special awards announced included: Louis Black “Lone Star” Award, Adobe Editing Award, Adam Yauch Hörnblowér Award, Zeiss Cinematography Award, the Mailchimp Support the Shorts Award, and the Fandor New Voices Award.
All 2022 film categories will be eligible for category-specific audience awards, which will be certified by the accounting firm of Maxwell Locke & Ritter. Online screenings and audience award voting will conclude 9 a.m. Ct on Monday, March 21. Winners will be announced via sxsw.com that week.
“It was extraordinary to gather together in person again after so long and we are so grateful to the filmmakers and audience who joined us at SXSW 2022 in...
Special awards announced included: Louis Black “Lone Star” Award, Adobe Editing Award, Adam Yauch Hörnblowér Award, Zeiss Cinematography Award, the Mailchimp Support the Shorts Award, and the Fandor New Voices Award.
All 2022 film categories will be eligible for category-specific audience awards, which will be certified by the accounting firm of Maxwell Locke & Ritter. Online screenings and audience award voting will conclude 9 a.m. Ct on Monday, March 21. Winners will be announced via sxsw.com that week.
“It was extraordinary to gather together in person again after so long and we are so grateful to the filmmakers and audience who joined us at SXSW 2022 in...
- 3/16/2022
- by Ryan Lattanzio
- Indiewire
Sundance Film Festival: London has revealed that “Zola” and “Coda” will be among the 2021 lineup, when the festival returns to Picturehouse Central next month.
“Coda” — an acronym meaning “Child of Deaf Adults” — features Marlee Matlin (“The West Wing”) and 19-year-old Emilia Jones (“Locke & Key”) navigating their relationship, while “Zola” is based on a 148-tweet viral Twitter thread from 2015 by Aziah “Zola” Wells. It stars Taylor Paige (“Ma Rainey’s Black Bottom”) and Riley Keough (“Max Max: Fury Road”) and will close the 4-day festival.
Edgar Wright’s rockumentary “The Sparks Brothers,” described as a “musical odyssey,” opens the festival on July 29.
Other feature film offerings, which have been selected from the longer line-up shown at the Sundance Film Festival, include “The Nest,” starring Jude Law (“Sherlock Holmes”), animation “Cryptozoo,” which features Lake Bell (“BoJack Horseman”) and Michael Cera (“Arrested Development”), and documentary “Writing With Fire,” about a female-run Indian newspaper, which...
“Coda” — an acronym meaning “Child of Deaf Adults” — features Marlee Matlin (“The West Wing”) and 19-year-old Emilia Jones (“Locke & Key”) navigating their relationship, while “Zola” is based on a 148-tweet viral Twitter thread from 2015 by Aziah “Zola” Wells. It stars Taylor Paige (“Ma Rainey’s Black Bottom”) and Riley Keough (“Max Max: Fury Road”) and will close the 4-day festival.
Edgar Wright’s rockumentary “The Sparks Brothers,” described as a “musical odyssey,” opens the festival on July 29.
Other feature film offerings, which have been selected from the longer line-up shown at the Sundance Film Festival, include “The Nest,” starring Jude Law (“Sherlock Holmes”), animation “Cryptozoo,” which features Lake Bell (“BoJack Horseman”) and Michael Cera (“Arrested Development”), and documentary “Writing With Fire,” about a female-run Indian newspaper, which...
- 6/2/2021
- by K.J. Yossman
- Variety Film + TV
“Schitt’s Creek” and “Blood Quantum” were the big winners in the television and film categories, respectively, at the 2021 Canadian Screen Awards.
“Schitt’s Creek” led television honors with eight awards for it’s sixth and final season, including best comedy series; best direction, comedy for Andrew Cividino and Daniel Levy; and the sixth win in a row for Catherine O’Hara as best lead actress in comedy. “Canada’s Drag Race” follows with five wins, including best reality/competition program or series.
Jeff Barnaby’s “Blood Quantum” topped film honors with seven Canadian Screen Awards, including Michael Greyeyes in the performance by an actor in a leading role category. Tracey Deer’s first feature “Beans” won best motion picture, while Deepa Mehta was awarded best achievement in direction for “Funny Boy.” Michelle Pfeiffer won actress in a leading role for “French Exit.”
Recently departed Canadian thespian Christopher Plummer was the recipient of best...
“Schitt’s Creek” led television honors with eight awards for it’s sixth and final season, including best comedy series; best direction, comedy for Andrew Cividino and Daniel Levy; and the sixth win in a row for Catherine O’Hara as best lead actress in comedy. “Canada’s Drag Race” follows with five wins, including best reality/competition program or series.
Jeff Barnaby’s “Blood Quantum” topped film honors with seven Canadian Screen Awards, including Michael Greyeyes in the performance by an actor in a leading role category. Tracey Deer’s first feature “Beans” won best motion picture, while Deepa Mehta was awarded best achievement in direction for “Funny Boy.” Michelle Pfeiffer won actress in a leading role for “French Exit.”
Recently departed Canadian thespian Christopher Plummer was the recipient of best...
- 5/21/2021
- by Naman Ramachandran
- Variety Film + TV
Funny Boy, Posessor, Inconvenient Indian also make cut.
Toronto International Film Festival (TIFF) has announced its list of top 10 Canadian films for 2020, with Beans, The Nest, and Nadia, Butterfly among the selection.
The list includes Canada’s international feature film submission Funny Boy from Deepa Mehta and is compiled by the TIFF programming team comprising artistic director and TIFF co-head Cameron Bailey, senior director, film, Diana Sanchez, and TIFF programmer Steve Gravestock.
In order to qualify, selections must have screened at a Canadian or international film festival.
The list appears below, followed by TIFF’s top 10 Canadian shorts of the year,...
Toronto International Film Festival (TIFF) has announced its list of top 10 Canadian films for 2020, with Beans, The Nest, and Nadia, Butterfly among the selection.
The list includes Canada’s international feature film submission Funny Boy from Deepa Mehta and is compiled by the TIFF programming team comprising artistic director and TIFF co-head Cameron Bailey, senior director, film, Diana Sanchez, and TIFF programmer Steve Gravestock.
In order to qualify, selections must have screened at a Canadian or international film festival.
The list appears below, followed by TIFF’s top 10 Canadian shorts of the year,...
- 12/9/2020
- by Jeremy Kay
- ScreenDaily
Chloé Zhao’s beloved road odyssey “Nomadland” took home the coveted Toronto International Film Festival 2020 People’s Choice Award on Sunday, often a precursor to an eventual Best Picture Academy Award nomination. Last year’s People’s Choice Award went to Taika Waititi’s “Jojo Rabbit,” which sealed the deal at the 2020 Oscars with a Best Adapted Screenplay win, along with a Best Picture nomination. Over the last eight years, every top TIFF winner has gone on to be nominated for Best Picture. “Nomadland” also won the Golden Lion at the Venice Film Festival — making it the first film in history to win both festival prizes. Searchlight will release the movie on December 4.
All this year’s winners were directed by women. The first runner up was “One Night in Miami,” directed by Regina King. The second runner up was “Beans,” directed by Tracey Deer. The TIFF 2020 People’s Choice...
All this year’s winners were directed by women. The first runner up was “One Night in Miami,” directed by Regina King. The second runner up was “Beans,” directed by Tracey Deer. The TIFF 2020 People’s Choice...
- 9/20/2020
- by Ryan Lattanzio
- Indiewire
Fifty percent of selections directed by women.
Telefilm Canada announced on Tuesday (August 18) the 16 filmmaker teams and first feature and narrative web projects selected for 2020-21 Talent To Watch programme.
Telefilm and Talent Fund will invest more than Usd $1663,000 (C$2.2m) in the English- and French-language work. Thirteen of the 16 teams are culturally diverse, with one who self-identifies as gender diverse. Fifty percent of the stories are directed by women.
For the first time, feature film projects will receive Usd $113,389, up from Usd $94,490 in support. Talent Fund is backed by private donations and launched in 2012 and to date has raised...
Telefilm Canada announced on Tuesday (August 18) the 16 filmmaker teams and first feature and narrative web projects selected for 2020-21 Talent To Watch programme.
Telefilm and Talent Fund will invest more than Usd $1663,000 (C$2.2m) in the English- and French-language work. Thirteen of the 16 teams are culturally diverse, with one who self-identifies as gender diverse. Fifty percent of the stories are directed by women.
For the first time, feature film projects will receive Usd $113,389, up from Usd $94,490 in support. Talent Fund is backed by private donations and launched in 2012 and to date has raised...
- 8/18/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
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