Un silence
Working at approximately a film per every three years pace, Joachim Lafosse who last gave us the relationship drama The Restless (a Main Competition title at the tail-end of Cannes in 2021 starring Leila Bekhti and Damien Bonnard), turns to difficult abuse terrain for his tenth feature. Formerly titled “Le Fils de la loi” and co-written with Thomas Van Zuylen, the Belgian filmmaker enlisted Daniel Auteuil, Emmanuelle Devos, Larisa Faber and Salomé Dewaels for what will be a difficult film about the inability to speak out but also the power of remaining silent. Production on Un silence took place in August, and he reteamed with cinematographer Dp Jean-François Hensgens.…...
Working at approximately a film per every three years pace, Joachim Lafosse who last gave us the relationship drama The Restless (a Main Competition title at the tail-end of Cannes in 2021 starring Leila Bekhti and Damien Bonnard), turns to difficult abuse terrain for his tenth feature. Formerly titled “Le Fils de la loi” and co-written with Thomas Van Zuylen, the Belgian filmmaker enlisted Daniel Auteuil, Emmanuelle Devos, Larisa Faber and Salomé Dewaels for what will be a difficult film about the inability to speak out but also the power of remaining silent. Production on Un silence took place in August, and he reteamed with cinematographer Dp Jean-François Hensgens.…...
- 1/13/2023
- by Eric Lavallée
- IONCINEMA.com
Markus Schleinzer is a filmmaker who knows how to wait for a payoff: Take the dry in-joke, for example, of waiting seven years to follow his 2011 debut “Michael” with a film called “Angelo.” His tartly brilliant second feature is awash with slow-building irony, though as with his first, there’s precious little mirth in its devastating kicker. An interpretive biopic of Angelo Soliman — an African man kidnapped into slavery as a child, who subsequently rose and fell through the ranks of 18th-century Viennese high society — Schleinzer’s film takes a chillingly but aptly clinical view of a life treated as an amusing human experiment by all but the man living it. Behavior is painstakingly observed and notes are extensively taken, before “Angelo” tersely delivers its own findings on the toxicity of the culture that colonized its title character.
Lest the “Michael”/”Angelo” segue lead viewers to expect a clear partner piece to Schleinzer’s debut,...
Lest the “Michael”/”Angelo” segue lead viewers to expect a clear partner piece to Schleinzer’s debut,...
- 9/29/2018
- by Guy Lodge
- Variety Film + TV
Films from Valeria Sarmiento, Benjamín Naishtat, Markus Schleinzer and Simon Jaquemet also selected.
The first films to compete for the Golden Shell at the 2018 San Sebastian Film Festival (Sept 21-29) have been announced.
They include Claire Denis’ English-language sci-fi title High Life, which stars Juliette Binoche, André Benjamin and Robert Pattinson, Naomi Kawase’s Vision, which also stars Binoche alongside Masatoshi Nagase, and South Korean director Kim Jee-woon’s Illang: The Wolf Brigade , a remake of anime Jin-Roh from Ghost In The Shell writer Mamoru Oshii. Kim’s I Saw The Devil competed at the festival in 2010.
Chilean director Valeria...
The first films to compete for the Golden Shell at the 2018 San Sebastian Film Festival (Sept 21-29) have been announced.
They include Claire Denis’ English-language sci-fi title High Life, which stars Juliette Binoche, André Benjamin and Robert Pattinson, Naomi Kawase’s Vision, which also stars Binoche alongside Masatoshi Nagase, and South Korean director Kim Jee-woon’s Illang: The Wolf Brigade , a remake of anime Jin-Roh from Ghost In The Shell writer Mamoru Oshii. Kim’s I Saw The Devil competed at the festival in 2010.
Chilean director Valeria...
- 7/13/2018
- by Orlando Parfitt
- ScreenDaily
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