The Girl And The Spider Photo: Beauvoir Films The Girl And The Spider, All4, on demand
We featured this when it was available on Mubi last year, but now you can watch it without subscription on Channel 4’s free streaming service. Ramon Zürcher and Silvan Zürcher have a distinctive style that's all of their own, making tensions spring up from what have previously appeared to be the most benign of environments. Their follow up to their equally quirky The Strange Little Cat centres on Lisa (Liliane Amuat) who is preparing to move from the place she shares with Mara (Henriette Confurius) and Markus (Ivan Georgiev) and into a new one where she will live alone. A real spider will make its presence felt across this web of relationships but the mood is dominated by the desire for connections that ebbs and flows over the course of a couple of days.
We featured this when it was available on Mubi last year, but now you can watch it without subscription on Channel 4’s free streaming service. Ramon Zürcher and Silvan Zürcher have a distinctive style that's all of their own, making tensions spring up from what have previously appeared to be the most benign of environments. Their follow up to their equally quirky The Strange Little Cat centres on Lisa (Liliane Amuat) who is preparing to move from the place she shares with Mara (Henriette Confurius) and Markus (Ivan Georgiev) and into a new one where she will live alone. A real spider will make its presence felt across this web of relationships but the mood is dominated by the desire for connections that ebbs and flows over the course of a couple of days.
- 6/26/2023
- by Amber Wilkinson
- eyeforfilm.co.uk
Der Spatz im Kamin
This latest micro indie film from Ramon and Silvan Zürcher titled Der Spatz im Kamin (which translates to The Sparrow in the Chimney) would have filmed last summer in the Swiss city of Bern – and it completes the trilogy of films. It’s a dysfunctional family film enlisted players Maren Eggert, Britta Hammelstein, Andreas Döhler and Milian Zerzawy. The Strange Little Cat (2013) and The Girl and the Spider (2021) have been acclaimed critically.
Gist: Karen (Maren Eggert) and Markus (Andreas Döhler) live with their children in Karen’s parents’ house. Karen’s sister Jule (Britta Hammelstein) travels with her family to Markus’ birthday party.…...
This latest micro indie film from Ramon and Silvan Zürcher titled Der Spatz im Kamin (which translates to The Sparrow in the Chimney) would have filmed last summer in the Swiss city of Bern – and it completes the trilogy of films. It’s a dysfunctional family film enlisted players Maren Eggert, Britta Hammelstein, Andreas Döhler and Milian Zerzawy. The Strange Little Cat (2013) and The Girl and the Spider (2021) have been acclaimed critically.
Gist: Karen (Maren Eggert) and Markus (Andreas Döhler) live with their children in Karen’s parents’ house. Karen’s sister Jule (Britta Hammelstein) travels with her family to Markus’ birthday party.…...
- 1/19/2023
- by Eric Lavallée
- IONCINEMA.com
Following The Film Stage’s collective top 50 films of 2022, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
It occurred to me in 2022 that the films of Steven Spielberg have been there my entire life. I watched the three Indiana Jones films, E.T. the Extra-Terrestrial, and Jaws, among others, on nearly every sick day. The opening of Jurassic Park on June 9, 1993, was a major event on my calendar as a 13-year-old. So was the opening of Schindler’s List later that year.
This lifetime of Spielberg-ia culminated in two key events in 2022. The first was seeing E.T. on the big screen over the summer with my 12-year-old son, during its recent re-release. I’ve seen E.T. countless times over the years, but at the cinema, it was a revelation. And my goodness: the final chunk is as emotionally overwhelming to me as a...
It occurred to me in 2022 that the films of Steven Spielberg have been there my entire life. I watched the three Indiana Jones films, E.T. the Extra-Terrestrial, and Jaws, among others, on nearly every sick day. The opening of Jurassic Park on June 9, 1993, was a major event on my calendar as a 13-year-old. So was the opening of Schindler’s List later that year.
This lifetime of Spielberg-ia culminated in two key events in 2022. The first was seeing E.T. on the big screen over the summer with my 12-year-old son, during its recent re-release. I’ve seen E.T. countless times over the years, but at the cinema, it was a revelation. And my goodness: the final chunk is as emotionally overwhelming to me as a...
- 12/30/2022
- by Christopher Schobert
- The Film Stage
As various critics groups and awards bodies dole out their top films of the year, it can be hard to parse which ones are actually worth paying attention to. One such list has arrived today with Film Comment’s annual end-of-year survey. Revealed at a special live talk last night, in an unexpected but welcome surprise, David Cronenberg’s Crimes of the Future topped the list, which also included Jerzy Skolimowski’s Eo, Charlotte Wells’s Aftersun, two by Hong Sangsoo, and more. They also revealed their top undistributed films list, which included David Easteal’s The Plains, Bertrand Bonello’s Coma, and Laura Citarella’s Trenque Lauquen.
“That the winner of this year’s poll is a strange, gory, apocalyptic film about a future where art and humanity are both on the precipice of extinction is a striking reflection of what we’re seeking from cinema in 2022,” said Film...
“That the winner of this year’s poll is a strange, gory, apocalyptic film about a future where art and humanity are both on the precipice of extinction is a striking reflection of what we’re seeking from cinema in 2022,” said Film...
- 12/15/2022
- by Jordan Raup
- The Film Stage
Exclusive: Cinema Guild has picked up U.S. rights to the Jacquelyn Mills-directed Berlin prize winner Geographies of Solitude with plans to open the documentary in theaters next year, beginning with a run at New York City’s Anthology Film Archives from January 25- 31.
An immersion into the rich ecosystem of Sable Island, a remote sliver of land in the Northwest Atlantic, the film follows Zoe Lucas, a naturalist and environmentalist who has lived there for over 40 years, collecting, cleaning and documenting marine litter that persistently washes up on the island’s shores.
The feature shot on 16mm and created using eco-friendly filmmaking techniques claimed the Caligari Film Award, as well as the C.I.C.A.E. Award and the Prize of the Ecumenical Jury upon its world premiere in the Forum section of the 2022 Berlin Film Festival. It then went on to win Best Canadian Documentary and...
An immersion into the rich ecosystem of Sable Island, a remote sliver of land in the Northwest Atlantic, the film follows Zoe Lucas, a naturalist and environmentalist who has lived there for over 40 years, collecting, cleaning and documenting marine litter that persistently washes up on the island’s shores.
The feature shot on 16mm and created using eco-friendly filmmaking techniques claimed the Caligari Film Award, as well as the C.I.C.A.E. Award and the Prize of the Ecumenical Jury upon its world premiere in the Forum section of the 2022 Berlin Film Festival. It then went on to win Best Canadian Documentary and...
- 11/30/2022
- by Matt Grobar
- Deadline Film + TV
Exclusive: Cinema Guild has picked up U.S. rights to the documentary Sansón and Me, directed by Rodrigo Reyes (499), which won Best Film at Sheffield DocFest in June after world premiering in Tribeca. The film has been slated for release in theaters next year, beginning with a run at the Brooklyn Academy of Music on March 3.
Reyes’ latest feature emerged from his day job as a Spanish criminal interpreter in a small town in California, through which he met a young man named Sansón, an undocumented Mexican immigrant who was sentenced to life in prison without parole. With no permission to interview him, Sansón and Reyes worked together over the course of a decade, using hundreds of letters as inspiration for recreations of Sansón’s childhood — featuring members of his own family. The result is a vibrant portrait of a friendship navigating immigration and the depths of the criminal justice...
Reyes’ latest feature emerged from his day job as a Spanish criminal interpreter in a small town in California, through which he met a young man named Sansón, an undocumented Mexican immigrant who was sentenced to life in prison without parole. With no permission to interview him, Sansón and Reyes worked together over the course of a decade, using hundreds of letters as inspiration for recreations of Sansón’s childhood — featuring members of his own family. The result is a vibrant portrait of a friendship navigating immigration and the depths of the criminal justice...
- 11/17/2022
- by Matt Grobar
- Deadline Film + TV
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Apples (Christos Nikou)
Apples is set in a world where digital technology seems not to exist, yet the psychic imprint of the digital age hangs heavy over first-time director Christos Nikou’s sparse absurdist dramedy. In an alternate-universe Greece, people are falling victim to a pandemic of sudden-onset Memento syndrome: total, crippling amnesia that befalls ordinary adults seemingly at random, necessitating elaborate state-run medical programs for the mnemonically impaired. Of particular concern to such programs are “unclaimed” amnesiacs, patients who fail to be identified by friends or family members and thus become wards of the state, who must be gradually rehabilitated into society and construct new identities from scratch. – Eli F. (full review)
Where to Stream: Mubi (free for 30 days)
Causeway (Lila Neugebauer...
Apples (Christos Nikou)
Apples is set in a world where digital technology seems not to exist, yet the psychic imprint of the digital age hangs heavy over first-time director Christos Nikou’s sparse absurdist dramedy. In an alternate-universe Greece, people are falling victim to a pandemic of sudden-onset Memento syndrome: total, crippling amnesia that befalls ordinary adults seemingly at random, necessitating elaborate state-run medical programs for the mnemonically impaired. Of particular concern to such programs are “unclaimed” amnesiacs, patients who fail to be identified by friends or family members and thus become wards of the state, who must be gradually rehabilitated into society and construct new identities from scratch. – Eli F. (full review)
Where to Stream: Mubi (free for 30 days)
Causeway (Lila Neugebauer...
- 11/4/2022
- by Jordan Raup
- The Film Stage
Cinema Guild has acquired North American distribution rights for Human Flowers of Flesh directed by Helena Wittmann (Drift).
The film premiered at the Locarno Film Festival and will make its U.S. bow at the New York Film Festival next week. A theatrical release is planned for 2023.
It follows Ida (Dogtooth’s Angeliki Papoulia), a woman sailing the Mediterranean Sea with a crew of men, none of whom speak the same language. In Marseille, where the French Foreign Legion is based, she become enamored with this fabled troop and sets off on a voyage to trace its route, leading to Corsica and finally to Sidi Bel Abbès, Algeria, the historical headquarters of the Legion. Along the way, boundaries blur as life at sea produces a special kind of mutual understanding.
“Helena Wittmann has a unique gift for crafting singular, richly sensorial cinematic experiences,” said Cinema Guild President Peter Kelly. “We...
The film premiered at the Locarno Film Festival and will make its U.S. bow at the New York Film Festival next week. A theatrical release is planned for 2023.
It follows Ida (Dogtooth’s Angeliki Papoulia), a woman sailing the Mediterranean Sea with a crew of men, none of whom speak the same language. In Marseille, where the French Foreign Legion is based, she become enamored with this fabled troop and sets off on a voyage to trace its route, leading to Corsica and finally to Sidi Bel Abbès, Algeria, the historical headquarters of the Legion. Along the way, boundaries blur as life at sea produces a special kind of mutual understanding.
“Helena Wittmann has a unique gift for crafting singular, richly sensorial cinematic experiences,” said Cinema Guild President Peter Kelly. “We...
- 10/4/2022
- by Jill Goldsmith
- Deadline Film + TV
Ramon and Silvan Zürcher's The Girl and the Spider is now showing exclusively on Mubi in many countries from June 15, 2022, in the series The New Auteurs, as well as in the series Mubi Spotlight.Drawing by Ramon Zürcher.As with our first film The Strange Little Cat (2013), which is about a family reunion that takes place on one day in one apartment, in The Girl and the Spider we again take a familiar, everyday scene as the film’s starting point. This time, it’s about moving house.The Girl and the Spider tells the story of the separation of two friends and roommates, Lisa and Mara. Lisa moves out, Mara stays behind. Two earth plates wedged into each other drift apart. What interested us in this simple starting point were the small earthquakes, some of them more palpable than visible, that take place at the psychological level. It...
- 6/23/2022
- MUBI
Click here to read the full article.
A Chiara
Jonas Carpignano completes his Southern Italian trilogy about a Calabrian town where African refugees, the Romani community and Mafia exist side by side, for the first time focusing on a young female protagonist: a teen girl (Swamy Rotolo) absorbing shocking discoveries about her adored father. The result is a film of haunting intimacy. — David Rooney
After Yang
Colin Farrell and Jodie Turner-Smith play a couple whose family harmony suffers when the android sibling they purchased for their adopted Chinese daughter breaks down in writer-director Kogonada’s exquisite, meditative sci-fi drama. The film’s stealthy emotional power creeps up on you. — D.R.
ANAïS In Love
A restless young Parisian woman (Anaïs Demoustier, charming) falls in love with her ex’s partner, a famous writer played by a brilliant Valeria Bruni Tedeschi, in Charline Bourgeois-Tacquet’s seductive debut feature. It’s a...
A Chiara
Jonas Carpignano completes his Southern Italian trilogy about a Calabrian town where African refugees, the Romani community and Mafia exist side by side, for the first time focusing on a young female protagonist: a teen girl (Swamy Rotolo) absorbing shocking discoveries about her adored father. The result is a film of haunting intimacy. — David Rooney
After Yang
Colin Farrell and Jodie Turner-Smith play a couple whose family harmony suffers when the android sibling they purchased for their adopted Chinese daughter breaks down in writer-director Kogonada’s exquisite, meditative sci-fi drama. The film’s stealthy emotional power creeps up on you. — D.R.
ANAïS In Love
A restless young Parisian woman (Anaïs Demoustier, charming) falls in love with her ex’s partner, a famous writer played by a brilliant Valeria Bruni Tedeschi, in Charline Bourgeois-Tacquet’s seductive debut feature. It’s a...
- 6/22/2022
- by David Rooney, Sheri Linden, Lovia Gyarkye and Jordan Mintzer
- The Hollywood Reporter - Movie News
Cinema Guild has acquired U.S. distribution rights to Juan Pablo González’s fiction feature debut Dos Estaciones, which won a special jury award for lead actor Teresa Sánchez’s performance when it premiered at the 2022 Sundance Film Festival.
The drama follows 50-year-old businesswoman María García (Sánchez), who owns Dos Estaciones—a once-majestic tequila factory now struggling to stay afloat. The factory is the final hold-over from generations of Mexican-owned tequila plants in the highlands of Jalisco, the rest having folded into foreign corporations. Once one of the wealthiest people in town, María knows her current financial situation is untenable. When a persistent plague and an unexpected flood cause irreversible damage, she is forced to do everything she can to save her community’s primary economy and source of pride.
Dos Estaciones was also an official selection of the True/False Film Festival, where González was honored with the True Vision Award,...
The drama follows 50-year-old businesswoman María García (Sánchez), who owns Dos Estaciones—a once-majestic tequila factory now struggling to stay afloat. The factory is the final hold-over from generations of Mexican-owned tequila plants in the highlands of Jalisco, the rest having folded into foreign corporations. Once one of the wealthiest people in town, María knows her current financial situation is untenable. When a persistent plague and an unexpected flood cause irreversible damage, she is forced to do everything she can to save her community’s primary economy and source of pride.
Dos Estaciones was also an official selection of the True/False Film Festival, where González was honored with the True Vision Award,...
- 4/19/2022
- by Matt Grobar
- Deadline Film + TV
Moviegoing Memories is a series of short interviews with filmmakers about going to the movies. Ramon Zürcher & Silvan Zürcher's The Girl and the Spider is Mubi Go's Film of the Week in the US for April 8, 2022.Notebook: How would you describe your movie in the least amount of words?Ramon ZÜRCHER: A disaster film as a psychological chamber play.Notebook: Where and what is your favorite movie theater? Why is it your favorite?Silvan ZÜRCHER: The Lido cinema in Biel (Switzerland). It isn't particularly beautiful, but we worked there as ushers in our school days and watched a lot of films. I still remember many of the films I have seen back then very vividly. I also like the relation between screen size and auditorium there. And furthermore, the view to the screen is never disturbed by large people sitting in front of you.Ramon: I also...
- 4/8/2022
- MUBI
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSThe official poster for the the 54th Directors' Fortnight is by multidisciplinary artist Cecilia Paredes. In a statement, the festival points out that Paredes' photo-performance is "both visible and invisible, the artist blends into the image she creates, much like filmmakers do in their films." Following the release of Joel Coen's The Tragedy of Macbeth, Ethan Coen is setting out to make his own solo directorial debut with a still-untitled "lesbian road trip project that Coen and [his wife, Tricia Cooke] initially wrote in the mid-2000s." Gus Van Sant is set to direct the second season of Ryan Murphy's anthology series Feud, which will be based on Laurence Leamer's book Capote’s Women: A True Story of Love, Betrayal, and a Swan Song for an Era. Playing one such woman will be Naomi Watts,...
- 4/6/2022
- MUBI
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Fatal Attraction (1987)The next season of Karina Longsworth's podcast You Must Remember This will focus on the thorny and sumptuous erotic films of the 1980s and 1990s, including films by Adrian Lyne, Brian De Palma, and Stanley Kubrick. The two-part season will start on April 5. Ahead of its theatrical release, the long-delayed Top Gun: Maverick will play at a special screening in Cannes for the 75th edition of the festival in May. This year's Cannes Film Festival also has a new official partner: TikTok. The partnership will include exclusive festival-related content for users and an in-app competition called #TikTokShortFilm. James Morosini's I Love My Dad and Rosa Ruth Boesten's documentary Master of Light lead this year's SXSW Film Festival awards. Actor William Hurt has died at the age of 71. Hurt was known...
- 3/16/2022
- MUBI
Can space define our relationships? It’s a concept that directors Ramon and Silvan Zürcher investigate in their new film “The Girl and the Spider.” Set around the confines of a cramped apartment, the dwelling becomes a central character as important as the roommates — and possibly former lovers — who inhabit it. In the film, Lisa (Liliane Amuat) is about to move out but not before dealing with the peculiar qualities of Mara (Henriette Confurius).
Continue reading ‘The Girl And The Spider’ Trailer: the Zurcher Brothers Berlin-Winning Best Director Drama Opens On April 8 at The Playlist.
Continue reading ‘The Girl And The Spider’ Trailer: the Zurcher Brothers Berlin-Winning Best Director Drama Opens On April 8 at The Playlist.
- 3/11/2022
- by Valerie Thompson
- The Playlist
"You tried to smile. But you had tears in your eyes." The Cinema Guild in NYC has revealed a new official US trailer for the intriguing Swiss film titled The Girl and The Spider, which first premiered at the 2021 Berlin Film Festival last year. The film is the latest feature from Swiss filmmaking brothers Ramon & Silvan Zürcher, "the second work in the Zücher brothers' trilogy about human togetherness which began with the 2013 drama The Strange Little Cat." Lisa moves out, and Mara is left behind. As boxes are being moved and cupboards built, abysses begin to open up, an emotional rollercoaster is set in motion. It's described as "a tragicomic catastrophe film. A poetic ballad about change and transience." Starring Henriette Confurius, Liliane Amuat, Ursina Lardi, André Hennicke, and Sabine Timoteo. "Day turns into night and one final party in the apartment. When the last box is moved, the fragments of their lives remain.
- 3/10/2022
- by Alex Billington
- firstshowing.net
More than a year since its Berlinale premiere is The Girl and the Spider coming to U.S. shores. Ramon and Silvan Zürcher’s follow-up to The Strange Little Cat delivered on expectations set by their 2013 sleeper hit. With an April 8 release set for Film at Lincoln Center and Metrograph, Cinema Guild have given us a trailer.
Though brimming with ascetic, ostensibly perfect compositions, the preview makes way for a bit of synthesizers and New Wave magic. As we said in our review, it’s “a mesmerizing, uniquely ambiguous study of friendship, rivalry, tension, and memory. It is difficult to remember another recent film that does so much with so little in the way of plot and location.”
Watch the preview below:
The Girl and the Spider opens on April 8.
The post U.S. Trailer for The Girl and the Spider Brings One of 2022's Best first appeared on The Film Stage.
Though brimming with ascetic, ostensibly perfect compositions, the preview makes way for a bit of synthesizers and New Wave magic. As we said in our review, it’s “a mesmerizing, uniquely ambiguous study of friendship, rivalry, tension, and memory. It is difficult to remember another recent film that does so much with so little in the way of plot and location.”
Watch the preview below:
The Girl and the Spider opens on April 8.
The post U.S. Trailer for The Girl and the Spider Brings One of 2022's Best first appeared on The Film Stage.
- 3/10/2022
- by Leonard Pearce
- The Film Stage
Ramon and Silvan Zürcher deliver another droll, primary-colored wonder that never reveals its secrets — sexual, sinister, and otherwise — with “The Girl and the Spider.” Here, the brothers turn their camera from “The Strange Little Cat” (their previous film) to another creature that proves a point of connection for the residents of a Berlin apartment complex teeming with troubled people whose secret longings are rising to the surface. “The Girl and the Spider” won the Best Director prize at the 2021 Berlin Film Festival, and after a hearty festival rollout that included Toronto and New York and inclusion on Cahiers du Cinema’s list of last year’s 10 best films, it’s finally coming to U.S. theaters. Exclusively on IndieWire, watch the trailer for the film below.
“The Girl and the Spider” opens with a Pdf floor plan of an apartment layout, and ends with a young woman perhaps vanishing. The...
“The Girl and the Spider” opens with a Pdf floor plan of an apartment layout, and ends with a young woman perhaps vanishing. The...
- 3/10/2022
- by Ryan Lattanzio
- Indiewire
Cinema Guild has acquired U.S. rights to The Novelist’s Film, the Silver Bear Grand Jury Prize winner from South Korean writer-director Hong Sangsoo, which recently made its world premiere at the 2022 Berlin Film Festival. The film is the third Silver Bear winner in as many years from Hong—who won Best Director for The Woman Who Ran in 2020 and Best Screenplay for Introduction in 2021—and will be the 11th of the director’s works released by Cinema Guild in the last seven years.
In The Novelist’s Film, Lee Hyeyoung (Hong’s In Front of Your Face) plays Junhee, a novelist who has grown disenchanted with her writing. On a trip to see an old friend, she runs into a film director who was set to adapt one of her novels before the project fell through. One chance encounter leads to another and soon she finds herself having lunch...
In The Novelist’s Film, Lee Hyeyoung (Hong’s In Front of Your Face) plays Junhee, a novelist who has grown disenchanted with her writing. On a trip to see an old friend, she runs into a film director who was set to adapt one of her novels before the project fell through. One chance encounter leads to another and soon she finds herself having lunch...
- 2/16/2022
- by Matt Grobar
- Deadline Film + TV
Competition(Jury: M. Night Shyamalan, Karim Aïnouz, Saïd Ben Saïd, Anne Zohra Berrached, Tsitsi Dangarembga, Ryûsuke Hamaguchi, Connie Nielsen)Golden BearAlcarràs (Carla Simón)Silver Bear — Grand Jury PrizeThe Novelist’s Film (Hong Sang-soo)Silver Bear — Jury PrizeRobe of Gems (Natalia Lopez Gallardo)Silver Bear for Best DirectorClaire Denis (Both Sides of the Blade)Silver Bear for Best Leading PerformanceMeltem Kaptan (Rabiye Kurnaz vs. George W. Bush)Silver Bear for Best Supporting PerformanceLaura Basuki (Nana)Silver Bear for Best ScreenplayLaila Stieler (Rabiye Kurnaz vs. George W. Bush)Silver Bear for Outstanding Artistic ContributionRithy Panh (Everything Will Be Ok)Silver Bear — Special MentionA Piece of Sky (Michael Koch)Encounters(Jury: Chiara Marañón, Ben Rivers, Silvan Zürcher)Award for Best FilmMUTZENBACHER (Ruth Beckermann)Special Jury AwardSee You Friday, Robinson (Mitra Farahani)Award for Best DirectorCyril Schäublin (Unrest)Generation — Kplus(Jury: Daniela Cajías, Nicola Jones, Samuel Kishi Leopo)Grand Prix for Best Film The Quiet Girl...
- 2/16/2022
- MUBI
Cinema Guild has acquired U.S. rights to Cane Fire, an award-winning documentary from director Anthony Banua-Simon, with plans to release it in theaters across the U.S., beginning with a New York theatrical premiere at the Brooklyn Academy of Music on May 20.
The filmmaker’s deal with Cinema Guild also encompassed his short films Third Shift and Pure Flix and Chill: The David A.R. White Story, which will be released on the educational market.
Cane Fire examines the past and present of the Hawaiian island of Kaua’i, interweaving four generations of family history with accounts of numerous Hollywood productions shot there, along with troves of found footage to create a kaleidoscopic portrait of the economic and cultural forces that have cast indigenous and working-class residents as “extras” in their own story.
The film premiered at Hot Docs in 2020, subsequently going on to screen at the Indie Memphis Film Festival,...
The filmmaker’s deal with Cinema Guild also encompassed his short films Third Shift and Pure Flix and Chill: The David A.R. White Story, which will be released on the educational market.
Cane Fire examines the past and present of the Hawaiian island of Kaua’i, interweaving four generations of family history with accounts of numerous Hollywood productions shot there, along with troves of found footage to create a kaleidoscopic portrait of the economic and cultural forces that have cast indigenous and working-class residents as “extras” in their own story.
The film premiered at Hot Docs in 2020, subsequently going on to screen at the Indie Memphis Film Festival,...
- 2/7/2022
- by Matt Grobar
- Deadline Film + TV
“Drive My Car” filmmaker Hamaguchi Ryusuke, director Karim Ainouz (Berlin-winner “Central Airport Thf”) and actor Connie Nielsen (“Wonder Woman”) will join president M. Night Shyamalan on the international jury of the Berlin Film Festival.
Also serving on the international jury are producer Saïd Ben Saïd (“Benedetta”) and filmmakers Anne Zohra Berrached (“24 Weeeks”) and writer-director Tsitsi Dangarembga (“I Want a Wedding Dress”). The international jury decides the Golden and the Silver Bear winners.
The jury for the festival’s Encounters strand includes Mubi director of content Chiara Marañón and filmmakers Ben Rivers (Venice Fipresci prize winner “Two Years at Sea”) and Silvan Zürcher (Berlin Fipresci prize winner “The Girl and the Spider”). They will choose the winners for the strand’s best film, best director and the special jury awards.
The jury for the Gwff Best First Feature Award includes Gaia Furrer, artistic director of the Venice Film Festival’s Venice...
Also serving on the international jury are producer Saïd Ben Saïd (“Benedetta”) and filmmakers Anne Zohra Berrached (“24 Weeeks”) and writer-director Tsitsi Dangarembga (“I Want a Wedding Dress”). The international jury decides the Golden and the Silver Bear winners.
The jury for the festival’s Encounters strand includes Mubi director of content Chiara Marañón and filmmakers Ben Rivers (Venice Fipresci prize winner “Two Years at Sea”) and Silvan Zürcher (Berlin Fipresci prize winner “The Girl and the Spider”). They will choose the winners for the strand’s best film, best director and the special jury awards.
The jury for the Gwff Best First Feature Award includes Gaia Furrer, artistic director of the Venice Film Festival’s Venice...
- 1/26/2022
- by Naman Ramachandran
- Variety Film + TV
The 72nd Berlin International Film Festival has confirmed its various juries, including who will be joining M. Night Shyamalan to award the International Competition prizes.
Alongside International Jury president Shyamalan will be Karim Aïnouz (Brazil / Algeria), Anne Zohra Berrached (Germany), Saïd Ben Saïd (France / Tunisia), Tsitsi Dangarembga (Zimbabwe), Ryûsuke Hamaguchi (Japan), and Connie Nielsen (Denmark / USA).
In the competitive Encounters program, a three-member jury will choose the winners for Best Film, Best Director and a Special Jury Award: Director of Content Chiara Marañón (Spain), artist and filmmaker Ben Rivers (United Kingdom) as well as producer, screenwriter and director Silvan Zürcher (Switzerland).
Elsewhere, the Gff Best First Feature will be awarded to one debut film across Berlin’s various sections, and will be decided by a three-person jury: Gaia Furrer (Italy), Vimukthi Jayasundara (Sri Lanka) and Shahrbanoo Sadat (Afghanistan).
The Berlin Documentary Award jury this year are: Wang Bing (People’s...
Alongside International Jury president Shyamalan will be Karim Aïnouz (Brazil / Algeria), Anne Zohra Berrached (Germany), Saïd Ben Saïd (France / Tunisia), Tsitsi Dangarembga (Zimbabwe), Ryûsuke Hamaguchi (Japan), and Connie Nielsen (Denmark / USA).
In the competitive Encounters program, a three-member jury will choose the winners for Best Film, Best Director and a Special Jury Award: Director of Content Chiara Marañón (Spain), artist and filmmaker Ben Rivers (United Kingdom) as well as producer, screenwriter and director Silvan Zürcher (Switzerland).
Elsewhere, the Gff Best First Feature will be awarded to one debut film across Berlin’s various sections, and will be decided by a three-person jury: Gaia Furrer (Italy), Vimukthi Jayasundara (Sri Lanka) and Shahrbanoo Sadat (Afghanistan).
The Berlin Documentary Award jury this year are: Wang Bing (People’s...
- 1/26/2022
- by Tom Grater
- Deadline Film + TV
Revisiting last year's introduction when putting together 2021's favorites, it is with a shock to realize how little has changed in the wildly disrupted world of cinema under the shroud of the pandemic. The urge to copy-and-paste the whole shebang is quite tempting indeed.What can we say about this year, 2021? We got a little more used to long-term instability. Cinemas and festivals re-opened, only for some to close again. We, like many, ventured carefully out into the world to finally see films again with audiences, all kinds: nervous ones, uproarious ones, spartan ones, and delighted ones. It was an experience both anxious and joyous. We also doubled down on the challenges, but also the pleasures, of home viewing: of virtual cinemas and virtual festivals, of straight to streaming premieres, of trying to capture a social joy in semi-isolation by connecting with others over experiences shared and disparate.The long...
- 12/27/2021
- MUBI
Cinema Guild has acquired U.S. distribution rights to Payal Kapadia’s “A Night of Knowing Nothing,” which won the Golden Eye award for best documentary at Cannes.
Kapadia’s debut film, “A Night of Knowing Nothing” world premiered at Cannes’ Directors Fortnight. It also won the Amplify Voices Award at Toronto, as well as the Emerging Cinematic Vision Award at Camden fest; and also played at the New York Film Festival.
The documentary is set in contemporary India, at the local film and television institute, where a student writes love letters to her estranged lover. The doc also delivers a snapshot of the drastic changes taking place within the school and across the country as young people take the streets to protest against discrimination.
Represented in international markets by Square Eyes, “A Night of Knowing Nothing” mixes reality with fiction and includes archival footage of student protests to draw...
Kapadia’s debut film, “A Night of Knowing Nothing” world premiered at Cannes’ Directors Fortnight. It also won the Amplify Voices Award at Toronto, as well as the Emerging Cinematic Vision Award at Camden fest; and also played at the New York Film Festival.
The documentary is set in contemporary India, at the local film and television institute, where a student writes love letters to her estranged lover. The doc also delivers a snapshot of the drastic changes taking place within the school and across the country as young people take the streets to protest against discrimination.
Represented in international markets by Square Eyes, “A Night of Knowing Nothing” mixes reality with fiction and includes archival footage of student protests to draw...
- 10/18/2021
- by Elsa Keslassy
- Variety Film + TV
After opening the Venice Film Festival and continuing on to the New York Film Festival, Oscar winner Pedro Almodóvar’s Parallel Mothers from Sony Pictures Classics will have a red-carpet premiere at this year’s AFI Fest at the Tcl Chinese Theatre on Saturday, Nov. 13.
In the movie, two women, Janis and Ana, played respectively by Penelope Cruz and Milena Smit, coincide in a hospital room where they are going to give birth. Both are single and became pregnant by accident. Janis, middle-aged, doesn’t regret it and she is exultant. The other, Ana, an adolescent, is scared, repentant and traumatized. Janis tries to encourage her while they move like sleepwalkers along the hospital corridors. The few words they exchange in these hours will create a very close link between the two, which by chance develops and complicates, and changes their lives in a decisive way. Cruz won the Volpi...
In the movie, two women, Janis and Ana, played respectively by Penelope Cruz and Milena Smit, coincide in a hospital room where they are going to give birth. Both are single and became pregnant by accident. Janis, middle-aged, doesn’t regret it and she is exultant. The other, Ana, an adolescent, is scared, repentant and traumatized. Janis tries to encourage her while they move like sleepwalkers along the hospital corridors. The few words they exchange in these hours will create a very close link between the two, which by chance develops and complicates, and changes their lives in a decisive way. Cruz won the Volpi...
- 10/13/2021
- by Anthony D'Alessandro
- Deadline Film + TV
Above: US release poster for Flee. Illustrations by Mikkel Sommer and Kenneth Ladekjaer; art direction by Martin Hultman.Since 2010, on the last Friday of every September, I have gathered all the posters for the films in the main slate of the New York Film Festival. Last year, six months into the pandemic, I didn’t do it. There was a New York Film Festival, and there was a main slate, but with most of the films only screening online, it just didn’t seem like the real thing and my heart wasn’t in it. This year the NYFF is back and entirely Irl and, although we’re still not out of the pandemic woods, I feel that the wonderful new poster for Jonas Poher Rasmussen’s Flee is emblematic of the moment: people, lots of them,, coming together. Aside from the Flee poster, the highlights of this year would...
- 9/24/2021
- MUBI
This Friday, the 59th New York Film Festival kicks off, boasting one of the finest festival lineups of 2021. With highlights from Sundance, Cannes, Berlinale, Telluride, and premieres of their own, the annual event is back in person both at Film at Lincoln Center and, for the first time, across the city.
To kick off our coverage, we’ve rounded up some essential, perhaps under-the-radar (at least in relation to a certain sci-fi blockbuster) selections from the festival, ranging from new releases to restorations. If you’re in the area, one can also see all available tickets here.
A Chiara (Jonas Carpignano)
Writer-director Jonas Carpignano completes his Calabrian trilogy with A Chiara, an enthralling drama about a teenage girl coming to terms with her family’s role in the mafia, which won the Europa Cinema Label at the Directors’ Fortnight in Cannes. With a documentary-like authenticity, this is a touching, powerful...
To kick off our coverage, we’ve rounded up some essential, perhaps under-the-radar (at least in relation to a certain sci-fi blockbuster) selections from the festival, ranging from new releases to restorations. If you’re in the area, one can also see all available tickets here.
A Chiara (Jonas Carpignano)
Writer-director Jonas Carpignano completes his Calabrian trilogy with A Chiara, an enthralling drama about a teenage girl coming to terms with her family’s role in the mafia, which won the Europa Cinema Label at the Directors’ Fortnight in Cannes. With a documentary-like authenticity, this is a touching, powerful...
- 9/23/2021
- by The Film Stage
- The Film Stage
“The Girl and the Spider” opens with a Pdf floor plan of an apartment layout, and ends with a young woman perhaps vanishing. The tantalizing mysteries in the latest film from the “Strange Little Cat” team of Ramon and Silvan Zürcher never quite reveal themselves in this story about two roommates torn asunder and to separate middle-class flats in Berlin. While the mad entropy of this chamber piece — filled with doppelgängers, women coming and going from rooms, as T.S. Eliot might say — will drive some viewers barking insane, .
One half of the splitting duo (and it’s never clear if she and her now-ex-roommate were ever quite romantic) is Mara (Henriette Confurius), whose odd tactile obsessions puncture the entire film and are immediately announced in the opening scene: she is oddly soothed by the sight and sound of a jackhammer. She hangs around in the wings, picking at a herpes blister,...
One half of the splitting duo (and it’s never clear if she and her now-ex-roommate were ever quite romantic) is Mara (Henriette Confurius), whose odd tactile obsessions puncture the entire film and are immediately announced in the opening scene: she is oddly soothed by the sight and sound of a jackhammer. She hangs around in the wings, picking at a herpes blister,...
- 9/16/2021
- by Ryan Lattanzio
- Indiewire
Films include Emerald Fennell’s ‘Promising Young Woman’ and Blerta Basholli’s ‘Hive’.
More films than ever before are eligible for this year’s European Film Awards’ feature film and documentary film selection, with 40 feature films and 15 documentary films, and further feature film titles to be revealed in September.
Titles in the feature film selection include Blerta Basholli’s Sundance hit Hive and Emerald Fennell’s Promising Young Woman. The latter is eligible despite being listed as a film of US origin. The European Film Academy (Efa) told Screen this was because the film reaches the number of points in...
More films than ever before are eligible for this year’s European Film Awards’ feature film and documentary film selection, with 40 feature films and 15 documentary films, and further feature film titles to be revealed in September.
Titles in the feature film selection include Blerta Basholli’s Sundance hit Hive and Emerald Fennell’s Promising Young Woman. The latter is eligible despite being listed as a film of US origin. The European Film Academy (Efa) told Screen this was because the film reaches the number of points in...
- 8/24/2021
- by Mona Tabbara
- ScreenDaily
Bruno Dumont’s France, starring Léa Seydoux will screen in the Main Slate of the 59th New York Film Festival Photo: Anne-Katrin Titze
Film at Lincoln Center has announced that Cannes Palme d’Or winner Julia Ducournau’s Titane, Joanna Hogg’s The Souvenir Part II, Bruno Dumont’s France, Michelangelo Frammartino’s Il Buco, Mia Hansen-Løve's Bergman Island, Apichatpong Weerasethakul’s Memoria, Ramon Zürcher and Silvan Zürcher’s The Girl And the Spider, Rebecca Hall’s Passing, Paul Verhoeven’s Benedetta, and Pietro Marcello, Francesco Munzi, and Alice Rohrwacher’s Futura will be among the Main Slate selections of the 59th New York Film Festival.
Mia Hansen-Løve’s Bergman Island stars Vicky Krieps and Tim Roth Photo: Anne-Katrin Titze
These highlights join the Opening Night, Centerpiece, and Closing Night selections Joel Coen’s The Tragedy Of Macbeth, Jane Campion’s The Power Of The Dog, and Pedro Almodóvar’s Parallel Mothers.
Film at Lincoln Center has announced that Cannes Palme d’Or winner Julia Ducournau’s Titane, Joanna Hogg’s The Souvenir Part II, Bruno Dumont’s France, Michelangelo Frammartino’s Il Buco, Mia Hansen-Løve's Bergman Island, Apichatpong Weerasethakul’s Memoria, Ramon Zürcher and Silvan Zürcher’s The Girl And the Spider, Rebecca Hall’s Passing, Paul Verhoeven’s Benedetta, and Pietro Marcello, Francesco Munzi, and Alice Rohrwacher’s Futura will be among the Main Slate selections of the 59th New York Film Festival.
Mia Hansen-Løve’s Bergman Island stars Vicky Krieps and Tim Roth Photo: Anne-Katrin Titze
These highlights join the Opening Night, Centerpiece, and Closing Night selections Joel Coen’s The Tragedy Of Macbeth, Jane Campion’s The Power Of The Dog, and Pedro Almodóvar’s Parallel Mothers.
- 8/10/2021
- by Anne-Katrin Titze
- eyeforfilm.co.uk
The Main Slate selections for the 59th New York Film Festival, presented by Film at Lincoln Center from September 24-October 10, have been announced. Featuring a mix of festival favorites and newcomers, the lineup includes new work by Pedro Almodóvar, Jane Campion, Jonas Carpignano, Joel Coen, Julia Ducournau, Bruno Dumont, Michelangelo Frammartino, Rebecca Hall, Ryûsuke Hamaguchi, Mia Hansen-Løve, Todd Haynes, Joanna Hogg, Hong Sangsoo, Tatiana Huezo, Radu Jude, Alexandre Koberidze, Kira Kovalenko, Nadav Lapid, Pietro Marcello, Avi Mograbi, Radu Muntean, Francesco Munzi, Gaspar Noé, Panah Panahi, Jonas Poher Rasmussen, Alice Rohrwacher, Céline Sciamma, Joachim Trier, Anisia Uzeyman, Paul Verhoeven, Apichatpong Weerasethaukul, Saul Williams, and Ramon and Silvan Zürcher.
“Taken together, the movies in this year’s Main Slate are a reminder of cinema’s world-making possibilities,” said Dennis Lim, NYFF Director of Programming and chair of the Main Slate selection committee. “They open up new ways of seeing and feeling and thinking,...
“Taken together, the movies in this year’s Main Slate are a reminder of cinema’s world-making possibilities,” said Dennis Lim, NYFF Director of Programming and chair of the Main Slate selection committee. “They open up new ways of seeing and feeling and thinking,...
- 8/10/2021
- by Leonard Pearce
- The Film Stage
The New York Film Festival organizers have set the main slate for this fall’s largely in-person 59th edition, as well as enhanced pandemic measures including a Covid-19 vaccine requirement.
The 32 films in the Main Slate were produced in 31 different countries, reflecting New York’s decades-long reputation as a curator of global cinema. In recent years, it has also has shown it can enhance the imprimatur of an awards-season hopeful.
Consistent with New York City’s vaccine mandate, which takes effect September 13, the festival said proof of vaccination will be required for all staff, audiences, and filmmakers at fest venues. The event will also adhere to health and safety policies in coordination with Lincoln Center and state and city medical experts.
Among the films in the main slate (see the full list below) are Cannes prize winners Cannes prizewinners Titane, Ahed’s Knee, Memoria and The Worst Person in the World.
The 32 films in the Main Slate were produced in 31 different countries, reflecting New York’s decades-long reputation as a curator of global cinema. In recent years, it has also has shown it can enhance the imprimatur of an awards-season hopeful.
Consistent with New York City’s vaccine mandate, which takes effect September 13, the festival said proof of vaccination will be required for all staff, audiences, and filmmakers at fest venues. The event will also adhere to health and safety policies in coordination with Lincoln Center and state and city medical experts.
Among the films in the main slate (see the full list below) are Cannes prize winners Cannes prizewinners Titane, Ahed’s Knee, Memoria and The Worst Person in the World.
- 8/10/2021
- by Dade Hayes
- Deadline Film + TV
The New York Film Festival has revealed the full lineup for its 59th edition, including Julia Ducournau’s “Titane,” Paul Verhoeven’s “Benedetta,” Todd Haynes’ “The Velvet Underground” and more.
“Titane” won the Palme d’Or at this year’s Cannes Film Festival. Other Cannes prizewinners featured on this year’s slate include Nadav Lapid’s “Ahed’s Knee,” Apichatpong Weerasethakul’s “Memoria” and Joachim Trier’s “The Worst Person in the World.” Directors Alexandre Koberidze, Kira Kovalenko, Rebecca Hall, Panah Panahi, Jonas Poher Rasmussen and Saul Williams and Anisia Uzeyma have films in the festival for the first time.
“Taken together, the movies in this year’s Main Slate are a reminder of cinema’s world-making possibilities,” said Dennis Lim, NYFF director of programming and chair of the main slate selection committee. “They open up new ways of seeing and feeling and thinking, and whether or not they refer to our uncertain present,...
“Titane” won the Palme d’Or at this year’s Cannes Film Festival. Other Cannes prizewinners featured on this year’s slate include Nadav Lapid’s “Ahed’s Knee,” Apichatpong Weerasethakul’s “Memoria” and Joachim Trier’s “The Worst Person in the World.” Directors Alexandre Koberidze, Kira Kovalenko, Rebecca Hall, Panah Panahi, Jonas Poher Rasmussen and Saul Williams and Anisia Uzeyma have films in the festival for the first time.
“Taken together, the movies in this year’s Main Slate are a reminder of cinema’s world-making possibilities,” said Dennis Lim, NYFF director of programming and chair of the main slate selection committee. “They open up new ways of seeing and feeling and thinking, and whether or not they refer to our uncertain present,...
- 8/10/2021
- by Ellise Shafer
- Variety Film + TV
The New York Film Festival has rounded out its lineup with a main slate of 32 films, adding buzzy festival titles such as Paul Verhoeven’s “Benedetta,” Palme D’Or winner “Titane” and Rebecca Hall’s Sundance darling “Passing.”
“Benedetta” is one of the new titles making its North American premiere at NYFF, as well as two films by South Korea’s Hong Sangsoo including “Introduction” and “In Front Of Your Face.” Sangsoo is making his 16th and 17th appearance at the festival with his two films. Other North American premieres include Joanna Hogg’s “The Souvenir Part II,” “What Do We See When We Look at the Sky?” from director Alexandre Koberidze.
They join the previously announced world premiere of “The Tragedy of Macbeth” as the opening night film, Jane Campion’s “The Power of the Dog” as the centerpiece and the North American premiere of “Parallel Mothers” from Pedro Almodóvar...
“Benedetta” is one of the new titles making its North American premiere at NYFF, as well as two films by South Korea’s Hong Sangsoo including “Introduction” and “In Front Of Your Face.” Sangsoo is making his 16th and 17th appearance at the festival with his two films. Other North American premieres include Joanna Hogg’s “The Souvenir Part II,” “What Do We See When We Look at the Sky?” from director Alexandre Koberidze.
They join the previously announced world premiere of “The Tragedy of Macbeth” as the opening night film, Jane Campion’s “The Power of the Dog” as the centerpiece and the North American premiere of “Parallel Mothers” from Pedro Almodóvar...
- 8/10/2021
- by Brian Welk
- The Wrap
No virtual screenings at this year’s event.
Julia Ducournau’s Palme d’Or winner Titane, Paul Verhoeven’s Benedetta and Jonas Poher Rasmussen’s Sundance hit Flee are among selections on New York Film Festival’s (NYFF) main slate.
The line-up, announced on Tuesday (August 10), includes Radu Jude’s Berlin Golden bear winner Bad Luck Banging Or Loony Porn, Ryûsuke Hamaguchi’s Cannes selection Drive My Car that topped Screen’s jury grid during the festival, and Rebecca Hall’s directing debut and Sundance entry Passing.
The 59th New York Film Festival (NYFF) runs September 24-October 10 as a primarily...
Julia Ducournau’s Palme d’Or winner Titane, Paul Verhoeven’s Benedetta and Jonas Poher Rasmussen’s Sundance hit Flee are among selections on New York Film Festival’s (NYFF) main slate.
The line-up, announced on Tuesday (August 10), includes Radu Jude’s Berlin Golden bear winner Bad Luck Banging Or Loony Porn, Ryûsuke Hamaguchi’s Cannes selection Drive My Car that topped Screen’s jury grid during the festival, and Rebecca Hall’s directing debut and Sundance entry Passing.
The 59th New York Film Festival (NYFF) runs September 24-October 10 as a primarily...
- 8/10/2021
- by Jeremy Kay
- ScreenDaily
Toronto Film Festival Adds Docs and Midnight Titles Including ‘Titane,’ ‘Attica’ and ‘Neptune Frost’
The Toronto International Film Festival announced which films will fill the TIFF Docs, Midnight Madness, and Wavelength sections at this year’s edition of the event, which runs from Sept. 9-18. The festival also added new titles to the Special Presentation and Contemporary World Cinema programs.
Opening TIFF Docs is the world premiere of “Attica” by Stanley Nelson, which tells the story of the 1971 Attica prison riot. Coming about as a result of the prisoners’ fight for more humane living conditions and lasting for five days, it remains the deadliest prison rebellion in U.S. history.
Wavelengths will open with “Neptune Frost” from directors and married couple Saul Williams and Anisia Uzeyman. The film is billed a sci-fi musical romance between an intersex hacker and a coltan miner that will follow the “virtual marvel born as a result of their union.” This marks the North American premiere of the film,...
Opening TIFF Docs is the world premiere of “Attica” by Stanley Nelson, which tells the story of the 1971 Attica prison riot. Coming about as a result of the prisoners’ fight for more humane living conditions and lasting for five days, it remains the deadliest prison rebellion in U.S. history.
Wavelengths will open with “Neptune Frost” from directors and married couple Saul Williams and Anisia Uzeyman. The film is billed a sci-fi musical romance between an intersex hacker and a coltan miner that will follow the “virtual marvel born as a result of their union.” This marks the North American premiere of the film,...
- 8/4/2021
- by Selome Hailu
- Variety Film + TV
BenedictionThe lineup has been unveiled for the 2021 edition of the Toronto International Film Festival, which will take place over 10 days (September 9-18) both in-person and physically in Toronto, and digitally across Canada. Wavelengths - FEATURESFutura (Pietro Marcello, Francesco Munzi, Alice Rohrwacher)The Girl and the Spider (Ramon Zürcher, Silvan Zürcher)Neptune Frost (Saul Williams, Anisia Uzeyman)A Night of Knowing Nothing (Payal Kapadia)Ste. Anne (Rhayne Vermette)The Tsugua Diaries (Maureen Fazendeiro, Miguel Gomes)Wavelengths - SHORTSThe Capacity for Adequate Anger (Vika Kirchenbauer)Dear Chantal (Querida Chantal) (Nicolás Pereda)earthearthearth (Daïchi Saïto)Inner Outer Space (Laida Lertxundi)Polycephaly in D (Michael Robinson)“The red filter is withdrawn.” (Minjung Kim)Train Again (Peter Tscherkassky)Midnight Madness After Blue (Dirty Paradise) (Bertrand Mandico)Dashcam (Rob Savage)Saloum (Jean Luc Herbulot)Titane (Julia Ducournau)You Are Not My Mother (Kate Dolan)Zalava (Arsalan Amiri)TIFF DOCSAttica (Stanley Nelson)Beba (Rebeca Huntt)Becoming Cousteau...
- 8/4/2021
- MUBI
Titles include a new film from ‘Host’ director Rob Savage.
Toronto International Film Festival (TIFF) has added 35 feature titles to its line-up for 2021, predominantly across the TIFF Docs, Midnight Madness and Wavelengths strands.
The new titles include 11 world premieres, consisting of eight in TIFF Docs and three in Midnight Madness.
Titles in the latter include Dashcam, the new film from Rob Savage, director of 2020 pandemic horror hit Host. Savage was named a Screen Star of Tomorrow in 2013.
Also in the Midnight Madness section is Kate Dolan’s You Are Not My Mother, inspired by the mythology of the Changeling, which...
Toronto International Film Festival (TIFF) has added 35 feature titles to its line-up for 2021, predominantly across the TIFF Docs, Midnight Madness and Wavelengths strands.
The new titles include 11 world premieres, consisting of eight in TIFF Docs and three in Midnight Madness.
Titles in the latter include Dashcam, the new film from Rob Savage, director of 2020 pandemic horror hit Host. Savage was named a Screen Star of Tomorrow in 2013.
Also in the Midnight Madness section is Kate Dolan’s You Are Not My Mother, inspired by the mythology of the Changeling, which...
- 8/4/2021
- by Ben Dalton
- ScreenDaily
New nonfiction films from directors Liz Garbus, Stanley Nelson, and E. Chai Vasarhelyi and Jimmy Chin will screen at the Toronto International Film Festival as part of the TIFF Docs program, TIFF organizers announced on Wednesday.
Nelson’s documentary “Attica” will serve as the opening-night film in the section, while other docs at the festival will include Garbus’ “Becoming Cousteau,” Barry Avrich’s “Oscar Peterson: Black + White,” Penny Lane’s “Listening to Kenny G” and Vasarhelyi and Chin’s “Rescue.”
The festival’s Midnight Madness section will open with the Cannes Palme d’Or winner “Titane,” by Julia Ducournau, while TIFF has also added three Special Presentations films that also premiered in Cannes: Nadav Lapid’s “Ahed’s Knee,” Bruno Dumont’s “France” and Ari Folman’s “Where Is Anne Frank?”
In the Contemporary World Cinema section, additions include Juho Kuosmanen’s “Compartment No. 6” and Khadar Ayderus Ahmed’s “The Gravedigger’s Wife.
Nelson’s documentary “Attica” will serve as the opening-night film in the section, while other docs at the festival will include Garbus’ “Becoming Cousteau,” Barry Avrich’s “Oscar Peterson: Black + White,” Penny Lane’s “Listening to Kenny G” and Vasarhelyi and Chin’s “Rescue.”
The festival’s Midnight Madness section will open with the Cannes Palme d’Or winner “Titane,” by Julia Ducournau, while TIFF has also added three Special Presentations films that also premiered in Cannes: Nadav Lapid’s “Ahed’s Knee,” Bruno Dumont’s “France” and Ari Folman’s “Where Is Anne Frank?”
In the Contemporary World Cinema section, additions include Juho Kuosmanen’s “Compartment No. 6” and Khadar Ayderus Ahmed’s “The Gravedigger’s Wife.
- 8/4/2021
- by Steve Pond
- The Wrap
Toronto International Film Festival announced its section of TIFF Docs presented by A&e IndieFilms, Wavelengths and Midnight Madness sections, and confirmed additions to the Special Presentation and Contemporary World Cinema programs of the fest.
“We’re so proud to present the films selected for the popular programmes TIFF Docs, Wavelengths and Midnight Madness,” stated Joana Vicente, Executive Director and Co-Head. “Always provocative, exhilarating and engaging, this year’s offerings are guaranteed to thrill Festival audiences.”
“As an audience-first film festival, mesmerizing film lovers with boundary-pushing stories is pivotal,” said Cameron Bailey, Artistic Director and Co-Head. “It’s exciting that even in this exceptional time in our industry, we’re able to bring such thought-provoking selections to these coveted TIFF programmes.”
Of note today in the lineup is the international premiere of National Geographic’s documentary Becoming Cousteau from two-time Oscar-nominated and two-time Emmy-winning director Liz Garbus (The Farm, Angola USA,...
“We’re so proud to present the films selected for the popular programmes TIFF Docs, Wavelengths and Midnight Madness,” stated Joana Vicente, Executive Director and Co-Head. “Always provocative, exhilarating and engaging, this year’s offerings are guaranteed to thrill Festival audiences.”
“As an audience-first film festival, mesmerizing film lovers with boundary-pushing stories is pivotal,” said Cameron Bailey, Artistic Director and Co-Head. “It’s exciting that even in this exceptional time in our industry, we’re able to bring such thought-provoking selections to these coveted TIFF programmes.”
Of note today in the lineup is the international premiere of National Geographic’s documentary Becoming Cousteau from two-time Oscar-nominated and two-time Emmy-winning director Liz Garbus (The Farm, Angola USA,...
- 8/4/2021
- by Anthony D'Alessandro
- Deadline Film + TV
22 distributors have lined-up more than 25 films for release tomorrow (July 1).
Cinemas throughout Germany will reopen tomorrow (July 1) after being closed for eight months due to the pandemic.
22 distributors have lined-up more than 25 films for release including the Oscar-winning Nomadland (Disney); Maria Schrader’s Berlinale prize-winner I’m Your Man (Majestic/Paramount) and Catweazle (Tobis Film), based on the cult UK TV series from the 1970s.
German cinemagoers will also finally get to see major US releases such Godzilla vs. Kong (Warner Bros); Peter Rabbit 2: The Runaway (Sony) and Nobody (Universal) as well as video game adaptation Monster Hunter and family...
Cinemas throughout Germany will reopen tomorrow (July 1) after being closed for eight months due to the pandemic.
22 distributors have lined-up more than 25 films for release including the Oscar-winning Nomadland (Disney); Maria Schrader’s Berlinale prize-winner I’m Your Man (Majestic/Paramount) and Catweazle (Tobis Film), based on the cult UK TV series from the 1970s.
German cinemagoers will also finally get to see major US releases such Godzilla vs. Kong (Warner Bros); Peter Rabbit 2: The Runaway (Sony) and Nobody (Universal) as well as video game adaptation Monster Hunter and family...
- 6/30/2021
- by Martin Blaney
- ScreenDaily
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSFilmmaker Bertrand Mandico has illustrated the 70th anniversary cover of Cahier du Cinéma, entitled "Gloria, angel of the history of the cinema." The Museum of Modern Art and Film at Lincoln Center have announced the lineup for the 50th edition of New Directors/New Films. Screenings will take place from April 28-May 8 through the MoMA and Flc virtual cinemas, and in-person screenings at Flc through May 13. The lineup of 27 features and 11 shorts includes Theo Anthony's All Light, Everywhere, Andreas Fontana's Azor, Alice Diop's We (Nous), and Jane Schoenbrun's We’re All Going to the World’s Fair. Recommended VIEWINGAnother Gaze's free streaming project, Another Screen, has announced two new programmes: Hands Tied, about hands, and Eating the Other, about gendered notions of eating. The first official trailer for Mamoru Hosoda's Belle, which...
- 4/6/2021
- MUBI
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Martin Scorsese and Bertrand Tavernier on the set of Round Midnight (1986) by Etienne George. French filmmaker and American cinema aficionado Bertrand Tavernier has died at 79. Read Martin Scorsese's moving Instagram tribute to Tavernier, in which he recalls how "he was so passionate that he could exhaust you."The 20th edition of the Tribeca Film Festival, set to take place in June, will have in-person screenings, making it the first North American fest to do so since the start of Covid-19.Recommended VIEWINGA24 has released the official trailer for Janicza Bravo's long-awaited Zola, based on the viral #TheStory by A’Ziah “Zola” King. Mubi's official UK trailer for Limbo, Ben Sharrock's wry and poignant debut feature about a group of new arrivals awaiting the results of their asylum claims. Le Cinéma...
- 3/31/2021
- MUBI
Eight years on from their landmark debut The Strange Little Cat (2013), Swiss brothers Ramon and Silvan Zürcher have made their long-awaited return with The Girl and the Spider, the second in a planned trilogy of films about human connection and the slippery nature of kinship. A genuinely sui generis work, The Strange Little Cat announced a singular worldview in which cinematic time and space are made to enfold and reanimate the messiness of everyday life. In The Girl and the Spider, the Zürchers apply this philosophy to a slightly larger story: set mostly in two apartments over two days (in contrast to the The Strange Little Cat’s one apartment-one day scenario), the film follows a pair of roommates, Mara (Henriette Confurius) and Lisa (Liliane Amuat), as the latter moves out of their shared apartment and into a new flat across town.From this threadbare setup, the Zürchers fashion an...
- 3/26/2021
- MUBI
Distributor negotiated deal with Cercamon.
Cinema Guild has picked up North American rights to Berlin Encounters double prize-winner The Girl And The Spider.
Ramon Zürcher was named best director for the German-language film about friends and flatmates whose lives are thrown into disarray when one of them decides to move out.
Emerging talents Henriette Confurius and Liliane Amuat lead the ensemble cast and the film also won the Fipresci prize.
Silvan Zürcher wrote and produced The Girl And The Spider, the second film in the Swiss brothers’ trilogy about human bonding.
They previously worked on 2013 Berlinale premiere The Strange Little Cat.
Cinema Guild has picked up North American rights to Berlin Encounters double prize-winner The Girl And The Spider.
Ramon Zürcher was named best director for the German-language film about friends and flatmates whose lives are thrown into disarray when one of them decides to move out.
Emerging talents Henriette Confurius and Liliane Amuat lead the ensemble cast and the film also won the Fipresci prize.
Silvan Zürcher wrote and produced The Girl And The Spider, the second film in the Swiss brothers’ trilogy about human bonding.
They previously worked on 2013 Berlinale premiere The Strange Little Cat.
- 3/22/2021
- by Jeremy Kay
- ScreenDaily
Cinema Guild has acquired North American rights to Ramon Zürcher and Silvan Zürcher’s “The Girl and the Spider,” which world premiered at the Berlinale in the Encounters section, and won best director.
“The Girl and the Spider” was co-written and directed by Ramon Zürcher, and written and produced by Silvan Zürcher. It marks the Swiss brothers’ follow-up to their critically acclaimed feature debut “The Strange Little Cat,” which won the Fipresci prize at Berlin in 2013.
Like “The Strange Little Cat,” “The Girl and the Spider” explores human togetherness, the need for closeness and the pain of separation through the story of two roommates. The film revolves around Lisa (Liliane Amuat), who is moving out of the apartment she shared with Mara (Henriette Confurius), and is set within the two apartments, the one Lisa and Mara shared and the new one Lisa is moving into.
“We had high hopes for...
“The Girl and the Spider” was co-written and directed by Ramon Zürcher, and written and produced by Silvan Zürcher. It marks the Swiss brothers’ follow-up to their critically acclaimed feature debut “The Strange Little Cat,” which won the Fipresci prize at Berlin in 2013.
Like “The Strange Little Cat,” “The Girl and the Spider” explores human togetherness, the need for closeness and the pain of separation through the story of two roommates. The film revolves around Lisa (Liliane Amuat), who is moving out of the apartment she shared with Mara (Henriette Confurius), and is set within the two apartments, the one Lisa and Mara shared and the new one Lisa is moving into.
“We had high hopes for...
- 3/22/2021
- by Elsa Keslassy
- Variety Film + TV
Above: What Do You See When You Look at the Sky?Awards: Golden Bear for Radu Jude's Bad Luck Banging or Loony PornTOP Picksdaniel KASMAN1. What Do You See When You Look at the Sky?2. Petite maman3. Limbo4. Bad Luck Banging or Loony Porn5. The Girl and the Spider6. Azor7. Wheel of Fortune and Fantasy8. Mr. Bachmann and His Class9. Fabian - Going to the Dogs10. Just a MovementELA BITTENCOURT1. Fury is a Feeling Too2. Bad Luck Banging or Loony Porn3. What Do We See When We Look at the Sky?4. We5. Tzarevna Scaling6. The Girl and the Spider7. Taste8. Ski9. Manual for an Occupation: The First 54 Years10. Tie: Mr. Bachmann and His Class | As I WantCOVERAGEDANIEL KASMANFrom Where They Stood (Christopher Cognet, France)Fabian - Going to the Dogs (Dominik Graf, Germany)The Girl and the Spider (Ramon and Silvan Zürcher, Germany)What Do We See When We Look at the Sky? (Alexandre Koberidze,...
- 3/17/2021
- MUBI
with “Social Hygiene,” which brought him the best director prize in the Berlinale Encounters sidebar (shared with Ramon and Silvan Zürcher for “The Girl and the Spider”). The tendency to dodge from sincerity to satire and vice versa is unmistakably self-serving, but parsing the foibles of this little comedy makes a pleasant diversion, for a film that largely amounts to stagey scenes of two people bellowing petty philosophies at each other across a blustery meadow.
In the first setup, composed of two-thirds sky and one third grassy field that rolls away to distant mountains, the dissipated Antonin (Maxim Gaudette) is disappointing his sister Solveig (Larissa Corriveau). Their very names may be reminiscent of Chekhov and Ibsen, and their declamations may have a ring of 19th-century dramaturgy to them, but these characters are carefully styled to appear somewhat timeless, and their exchanges are peppered with references to Volkswagens and discount mattresses.
In the first setup, composed of two-thirds sky and one third grassy field that rolls away to distant mountains, the dissipated Antonin (Maxim Gaudette) is disappointing his sister Solveig (Larissa Corriveau). Their very names may be reminiscent of Chekhov and Ibsen, and their declamations may have a ring of 19th-century dramaturgy to them, but these characters are carefully styled to appear somewhat timeless, and their exchanges are peppered with references to Volkswagens and discount mattresses.
- 3/16/2021
- by Jessica Kiang
- Variety Film + TV
With a two-part structure featuring an online press and industry component that’s just concluded, followed by physical screenings this summer, the Berlin International Film Festival is unveiling a selection of the year’s finest films. Along with our extensive coverage of the festival (with a few reviews still to come), we’ve asked our Berlinale contributors to share their personal favorites. Check out their lists below, with links to coverage where available.
Ed Frankl
Memory Box
1. Petite Maman (Céline Sciamma)
2. Memory Box (Joana Hadjithomas & Khalil Joreige)
3. Brother’s Keeper (Ferit Karahan)
4. Ballad of a White Cow (Behtash Sanaeeha & Maryam Moghaddam)
5. Ninjababy (Yngvild Sve Flikke)
Honorable Mentions: The Fam, Language Lessons, Natural Light, Taste, and Wheel of Fortune and Fantasy.
Leonardo Goi
Taste
1. Taste (Lê Bảo)
2. Petite Maman (Céline Sciamma)
3. The Scary of Sixty-First (Dasha Nekrasova)
4. Wheel of Fortune and Fantasy (Ryûsuke Hamaguchi)
5. Bad Luck Banging or Loony Porn (Radu Jude...
Ed Frankl
Memory Box
1. Petite Maman (Céline Sciamma)
2. Memory Box (Joana Hadjithomas & Khalil Joreige)
3. Brother’s Keeper (Ferit Karahan)
4. Ballad of a White Cow (Behtash Sanaeeha & Maryam Moghaddam)
5. Ninjababy (Yngvild Sve Flikke)
Honorable Mentions: The Fam, Language Lessons, Natural Light, Taste, and Wheel of Fortune and Fantasy.
Leonardo Goi
Taste
1. Taste (Lê Bảo)
2. Petite Maman (Céline Sciamma)
3. The Scary of Sixty-First (Dasha Nekrasova)
4. Wheel of Fortune and Fantasy (Ryûsuke Hamaguchi)
5. Bad Luck Banging or Loony Porn (Radu Jude...
- 3/10/2021
- by The Film Stage
- The Film Stage
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