Aashiq Abu, the acclaimed Malayalam film director, producer and actor, is all set to make his debut in the web series format. According to reliable sources, Abu is currently working on a script for a web series that will be streamed on a popular Ott platform. The details of the cast, crew and genre of the web series are yet to be revealed, but it is expected to be a fresh and innovative project from the director who has given us films like Daddy Cool, Salt N’ Pepper, Naradhan, Neelavelicham, 22 Female Kottayam, Mayaanadhi and Virus.
Aashiq Abu is known for his collaboration with screenwriters Syam Pushkaran and Dileesh Nair, who have penned some of his most successful films. He is also the founder of Opm, a media production house that has produced and distributed films like Maheshinte Prathikaaram, Halal Love Story and Aarkkariyam. Abu has also done several ad...
Aashiq Abu is known for his collaboration with screenwriters Syam Pushkaran and Dileesh Nair, who have penned some of his most successful films. He is also the founder of Opm, a media production house that has produced and distributed films like Maheshinte Prathikaaram, Halal Love Story and Aarkkariyam. Abu has also done several ad...
- 9/11/2023
- by amalprasadappu
- https://thecinemanews.online/wp-content/uploads/2023/07/IMG_4649
MollywoodThe film is directed by Venu and also features actors Anna Ben and Asif Ali.Tnm StaffOn Wednesday morning, Malayalam cinema's top two stars Mammootty and Mohanlal shared the motion poster of an upcoming film titled Kaapa on their social media pages. Manju Warrier, Prithviraj Sukumaran, Anna Ben and Asif Ali appear as illustrations against landmarks of Thiruvananthapuram in the motion poster. The film is directed by Venu, cinematographer-turned-filmmaker who has made movies like Daya, Munnariyippu and Carbon. The story and screenplay is by popular Malayalam writer Gr Indugopan. The film title refers to the Kaapa Act or the Kerala Anti-Social Activities Act, 2007, which puts people who are a threat to the society in prison. In other words it is the Goonda Act of Kerala for action against 'goons', but has always come under criticism for being draconian and subject to misuse. Mammootty and Mohanlal’s Facebook posts say, "This...
- 8/18/2021
- by Cris
- The News Minute
MollywoodThese unnerving scenes are sure to give you sleepless nights.Neelima MenonScreenshot: Disney+ HotstarIn this short list are some of the most psycho-esque moments in Malayalam cinema, captured and served to perfection. Dare we say winter is coming. It’s time to let the chill run down your spine. Some spoilers ahead! Mayaanadhi: In the climactic sequence of this Aashiq Abu directorial, written by Syam Pushkaran and Dileesh Nair, Mathan (Tovino Thomas) kneels near the riverside and the cops circle him. Despite foreseeing the event, as they take aim for an encounter shootout, we are still unprepared for when the bullet eventually knocks him down. Almost concurrently, it hits us like a bolt from the blue and the pain is as searing, physically and emotionally to the viewer. The next scene has Appu (Aishwarya Lekshmi) strolling into the night, peering over the shoulder for Mathan to run next to her.
- 11/20/2020
- by Vidya
- The News Minute
MollywoodFrom the old to the new, here are seven unusually intense love stories from the Malayalam film industry.Neelima MenonRomance as a genre remains largely underexplored in Malayalam cinema. We’ve had love at first sight narratives like Aniyathipravu, Ohm Shanti Oshana, Ennennum Kannettante and Thattathin Marayathu, tragic romantic dramas like Ennu Ninde Moideen, Annayum Rasoolum and Innale, celestial love like Njan Gandharvan, romcoms like Salt N Pepper, Neelakasham Pacha Kadal Chuvanna Bhoomi, Thanneer Mathan Dinangal, forbidden love like Ore Kadal and a fantasy fringed romance like Nandanam. At other times, there have been incredible moments of romance encrusted in unlikely films like Bhoothakannadi , the multiple romances in Venu Nagavally’s Swagatham and Kalipattam, an affair that spills over with lust but ends movingly in Mathilukal, a man torn between guilt and love in Thoovanathumbikal and the coming-of-age narrative of a lad who experiences love at various stages of his life in Premam.
- 2/15/2020
- by Sowmya
- The News Minute
MollywoodAccording to reports, the announcement was made during the audio launch of 'Neerali'.Digital NativeDigital NativeMalayalam film Maayanadhi which starred Tovino Thomas and Aishwarya Lekshmi and released for Christmas 2017 is being remade in Hindi, say reports. Directed by Aashiq Abu, Mayanadhi turned out to be a big hit last year. The romantic thriller written by Syam Pushkaran and Dileesh Nair managed to impress the audience and critics alike. The terrific word-of-mouth worked in favour of the film to amass steady collections and post a healthy total at the box-office.The well-written storyline and outstanding performances of its lead cast, Tovino Thomas and Aishwarya Lekshmi were key factors. The makers reportedly made the annoucement about the Hindi remake in the presence of the Malayalam superstar Mohanlal during the audio launch of his upcoming movie, Neerali. The Hindi remake will be directed by Joe Rajan of Luv U Soniyo fame and it will be bankrolled by actor-director-producer Sachin Pilgaonkar along with Santosh Kuruvilla and Aashiq Abu. The rest of the cast and crew will be finalised soon. The film is based on a romantic relationship between Tovino Thomas as Mathew and Aishwarya Lekshmi as Appu. Mathew is an orphan living as a thug whereas Appu is a self-made woman who stays separately from her family in Kochi. The film also had Harish Uthaman, Ilavarasu, Leona Lishoy and Darshana Rajendran in the cast. The film won several awards, including the prestigious Padmarajan award. The film's music is composed by Rex Vijayan. Shahabaz Aman won the Kerala State Film Award for Best Singer for the rendition of the song 'Mizhiyil Ninnum'. (Content provided by Digital Native)...
- 6/5/2018
- by Monalisa
- The News Minute
MollywoodTitled 'Abhiyum Anuvum' in Tamil and set to release on March 9, the film marks his debut in Kollywood.Digital NativeDigital NativeTovino Thomas came up with a surprise on his birthday a couple of days ago with the big announcement on Twitter, “It’s my big bday announcement: Happy to share the release date of my forthcoming bilingual film – Abhiyude Kadha Anuvinteyum (Malayalam) and Abhiyum Anuvum (Tamil): 9th March. A fearless love story with Pia Bajpai directed by B.R. Vijayalakshmi. Save the date! (sic)” Happy to announce that the bilingual film - Abhiyude Kadha Anuvinteyum (Malayalam) & Abhiyum Anuvum (Tamil) will release on 9th March. A fearless love story *ing Tovino & Pia Bajpai, directed by B. R. Vijayalakshmi. Save the date! @brvssk @ttovino @PiaBajpai @YoodleeFilms pic.twitter.com/8qIlr4AyWP — Gauthamvasudevmenon (@menongautham) January 21, 2018 His bilingual Abhiyude Kadha Anuvinteyum (Malayalam) and Abhiyum Anuvum (Tamil) is all set to release on March 9 and it will mark his debut in the Tamil film industry. Apart from this big announcement, he also released the first look of his yet another upcoming film Maradona. The actor, on the bilingual, has said that it is a bold movie and an intense romantic drama. He is reported to have told that he wants the film to be critically acclaimed rather than the theatre response. The film also veteran actor Suhasini, Rohini and Prabhu in pivotal roles. Apart from this film, he has a slew of movies in his kitty including Aami, in which he plays a cameo, Naam, Theevandi, Luka, Oru Kuprasidha Payyan, Tick Tock etc. With a number of films in both Malayalam as well as Tamil, the young actor is certainly looking forward to expanding his horizons to the other film industries as well. Tovino’s last release Mayanadhi turned out to be a big hit with critical acclaim pouring in. Released on December 22nd, the film is one of the best releases last year. Directed by Aashiq Abu and written by Syam Pushkaran and Dileesh Nair, this romantic thriller had Aishwarya Lekshmi playing the female lead. With a slew of films lined up for release, movie buffs can expect a variety of films starring Tovino in the lead role this year.
- 1/23/2018
- by Editor
- The News Minute
MollywoodThe ace director said the film was like poetry.Digital NativeDirected by Aashiq Abu, Mayaanadhi is getting all the attention it deserves. It is not just the movie buffs who are raving about it but even film personalities are praising the director for the effort. The latest to join this bandwagon happens to be the National Award winning director Priyadarshan. The director had released a video in which it is clearly evident how much he liked Mayaanadhi. Priyadarshan had said that it was more like a poem rather than a movie. Directed by Aashiq Abu, the film stars Tovino Thomas and Aishwarya Lekshmi in the lead roles. Apart from wielding the megaphone for Mayaanadhi, Aashiq Abu had also co-produced it along with Santhosh T Kuruvilla under the banner Dream Mill Cinemas and Entertainments and Moonshot Entertainment. The film has been written by Syam Pushkaran and Dileesh Nair jointly. Rex Vijayan had composed music for this flick while Jayesh Mohan wielded the camera and Saju Sreedharan edited it. Mayaanadhi is about the love between a criminal on the run and an aspiring actor. Harish Uthaman, Ilavarasu, Leona Loshoy, Aparna Balamurali, Soubon Shahir, Basil Joseph and others are part of the star cast. Aashiq Abu made his debut with Daddy Cool in 2009 and has directed hit movies like Salt N Pepper, 22 Female Kottayam, a segment in Anchu Sundarikal, Gangster and Rani Padmini. Apart from producing and directing movies, he has also acted in a few films including Annayum Rasoolum and Paravaa. ...
- 12/27/2017
- by Editor
- The News Minute
Film commentaryIn the 21st century, the idea of people crossing deserts for love sounds cheesy – 'Mayaanadhi' challenges that lack of faith. Sowmya RajendranFacebook/ Aashiq Abu*Some spoilers ahead As a woman viewer, watching a romance on screen usually involves looking at love from the shoes of a man. The way his heart trembles when her hair blows in the wind, how her earrings shake as she nods her head, how her eyes widen in surprise when he gives her a gift. You buy the fantasy even if it feels strangely alienating. You can never imagine being that woman because you know so little about her other than her smiles and gestures. Also, you know you can never look so pleasant all the time. You are not that guileless and pristine, the child-like innocence that the heroine wears is something you abandoned at 12. You are rooting for the hero to conquer her heart, triumph in his pursuit. Because that is what popular culture tells us about love – it is about the hero winning her heart, it is about her losing her heart to him. Team A vs Team B, a game that must come to an end. But in real life, you know love isn't about winning; it is about enduring. Minus the background score, the beautiful clothes and the stunning locales, love is mundane. It is comfort, familiarity. The lack of surprise. But you need it like the air you breathe. It's only when it's gone that you are left gasping, bereaved. Mayaanadhi (written by Syam Pushkaran and Dileesh Nair) is the closest I have come to experiencing this ordinariness on screen. Appu and Maathen, played by Aishwarya Lekshmi and Tovino Thomas respectively, are that imperfect urban couple in your social circle. Or they could be you and your ... ? Your what, precisely? Is there a label for that person you keep returning to, like a habit? You are on and off with them, they get on your nerves, they say the wrong things, they make the same mistakes, they never change. And yet, you return because it seems like a law of nature. A river must flow. Aashiq Abu's triumph lies in gifting his audience with an intimate knowledge of both the characters we watch on screen. If the average romcom gives us the man's perspective, films like Ohm Shanti Oshana have subverted the genre to give us the woman's take on relationships. But Mayaanadhi does not make us choose – we are bystanders, witnesses to a slow unravelling of the story of this man and woman who met, loved, lost, and need to find each other again. We are watching but without that ugly feeling that we're intruding, turning into voyeurs. Maathen is crazy about Aparna, aka Appu. But never for a moment does the film make us believe that Appu is anything but a person, a human being, before being a woman. This, despite the film having one of the best choreographed love-making scenes in Indian cinema in recent times. When Maathen takes a luxurious bubble bath in a hotel tub, his associate calls and tells him he knows what Maathen is doing – probably masturbating. Maathen, at the moment, is looking at Appu's pictures on the phone, but he's smiling, a besotted look in his eyes. He is indeed thinking of Appu but it isn't necessarily because he's horny. He's looking at her because she's comforting – like that glass of Boost he always turns to. Appu – fragile, vulnerable, insecure and ambitious – is so genuine that the actor makes you believe Aashiq Abu just followed a real woman around with a camera. Her mother curses and abuses her; Appu still ranks her as one of the two people in the world she really loves. Her housemate wants her to listen to her sob story; Appu asks her if it can wait till she eats her kuboos. Her ex-housemate Sameera becomes a star while Appu is still struggling to find work as an actor; Appu resents her success but is still supportive when Sameera's world comes crumbling around her. She is assertive when you don't expect her to be, hesitant when you think she will break out. Mayaanadhi has a plot beyond the love. It keeps invading the story, reminding us that Appu and Maathen, Maathen and Appu, are not the only people in the world, though we want them to be. The characters who wait in the margins are also sketched with heart. The cop who doesn't mind kissing his newly-wed wife on the top of her head though he knows his seniors are watching, another cop who is embittered by a woman's betrayal, Sameera's fear of her conservative ikka – these are moments, lines and expressions that connect with the story of Appu and Maathen in a butterfly effect kind of way. The ending leaves a lump in your throat though you knew all along that this is where it was headed. Maathen has his pot of gold but he can never catch the rainbow. Despite knowing what will happen, the final sequence takes you by surprise. Lines from Invictus came into my head, unbidden: "Out of the night that covers me, black as the pit from pole to pole, I thank whatever gods may be, for my unconquerable soul." Once in a while, I resent the fact that I live in the 21st century, where the idea of people crossing deserts and mountains for love sounds cheesy and foolish. Move on, the world tells us. Don't waste your time. There is no heroism in waiting and pining. For the most part, I agree. But just sometimes, once in a while, I want to hold dear to my heart a story like Mayaanadhi. Not because it has the grandeur of the epics, but because of another less-celebrated quality it shares with them – that of endurance against the tyranny of time and distance. Thank you, Aashiq Abu, for sharing Appu and Maathen with us.
- 12/27/2017
- by Editor
- The News Minute
MollywoodThis year saw the rise of several young, talented filmmakers, huge hits and novel scripts.Fahir MaithuttyIn 2017, Malayalam cinema saw the rise of several young, talented filmmakers. There were huge hits at the box-office, novel scripts, memorable performances and big strides in the technical department. Here is a look at 12 things from the year that made the most impact and stayed with us. Fahadh Faasil’s portrayal of a thief without a name in Thondimuthalum Driksakshiyum Arguably the finest performance by a male actor in Malayalam this year, Fahadh Faasil showed us how your screen-time in a movie never matters if you can transform to the character you play like he does. When the police beat and torture him, we can feel his pain. When he tells a policeman – “Don’t laugh sir, I know what it is be hungry at this age”, we can learn about his past from his face. When he gives a crooked smile to Sreeja (Nimisha) at the interval point, we smile with him. When he drops the stone and decides to not hurt Prasad (Suraj Venjaramoodu), we are once again left wondering what his real character is. Angamaly Diaries’ rawness To make a good movie with 86 debutant actors in itself is not a small feat. Lijo Jose Pellissery went a few steps ahead and made Angamaly Diaries, a near classic. The movie reminded one of the likes of Gangs of Wasseypur in its presentation of gang wars in their raw form. Two other factors also helped. One, the cinematography by Girish Gangadharan whose camera walked and ran behind the gangs without a glitch. Second, the background score by Prashant Pillai which added real thrill to many scenes. Aashiq Abu’s expert handling of romance in Mayaanadhi “Normally we see only half of what we write on paper get translated to screen. In Mayaanadhi, we were happy to see it captured completely” said Dileesh Nair, one of the movie’s writers in an interview. Tovino Thomas and Aishwarya Lekshmi are lovely as Mathan and Aparana. But Mayaanadhi is ultimately a director’s movie. It's not an easy job to depict romance on screen without being even slightly cheesy. But Aashiq Abu brings in a delicate balance that matches the veteran filmmakers in this genre. The gazes the lead pair share, the pause between their words, the vibe that keeps changing - every detail is precise. The result is a poem on screen. Parvathy’s bravura performance in Take Off Sameera (Parvathy) breaks down when she explains to Manoj (Fahadh Faasil) the reason why she didn’t leave Iraq despite the situation in the country. She tells him how the wages a nurse gets in her country is so meagre to make her ends meet. It is an act so good that it makes you forget it is an actor in front of you and takes you right into the plight of her character’s profession. Take Off is a neatly crafted thriller and Parvathy’s performance was its Usp. Having already won Best Actress in the recent Iffi awards, Parvathy should add more such films in her kitty in coming days. Njandukalude Nattil Oridavela’s new spin to depiction of life threatening diseases The interval block of Njandukalude Nattil Oridavela is hilarious. Sheela Chacko (Shanthi Krishna) and her family get themselves locked in the doctor’s room and the attender goes and informs the doctor. In contrast, the movie ends on an emotional note. We are shown how Sheela’s husband and kids used to cry far from her but still wiped their tears and ran to her when they were called. This exactly is the achievement of writers Althaf Salim and George Kora. They could find a chink in the wall to produce humor out of a disease like cancer, also not forgetting to lend the sensitivity that such a subject needed. Paravaa’s boys When Ichappi (Amal Shah) after his long jump lands in front of the girl on whom he has a crush and locks eyes with her, his face glows. Haseeb (Govind V Pai) is first shocked to see his friend break the rules, but then looks at them one after the other and nods his head in happiness. Facing the camera for the first time, these kids amazed the audience with their spontaneity throughout. In a movie where everything, from Rex Vijayan's music to Shane Nigam's acting, was impressive, the boys still stood tall. Aadu 2’s success story If the first few days are any indication, Aadu 2 is all set to become a huge blockbuster. The roar and applause to Shaji Pappan’s intro in cinema halls is something usually witnessed only for the biggest superstars. What is riveting about this success is that this is a sequel to a movie that flopped at the box-office. It only goes to proves that a film can find acceptance and a cult following after its DVD release and this is something filmmakers can capitalize on. The nostalgic trip that Rakshadhikari Baiju Oppu took us on How the ball you hit falls in a neighbour's courtyard, how you gather and chat after a match, how there is a group leader who resolves issue - for many, Rakshadhikari Baiju Oppu was less a movie and more a nostalgic trip to a village where they spent their childhood. The movie’s most poignant moment was when George (Dileesh Pothan) and Baiju (Biju Menon) sit under a tree and share their memories. When George calls Baiju a lucky man and sets off to return to America with a heavy heart, it would have passed on the same emotions to any viewer who is far from their roots. Jimikki Kammal song To call Jimikki Kammal viral would be an understatement. This song composed by Shaan Rahman for Velipadinte Pusthakam was a movement not only in Kerala, but even in Tamil Nadu and beyond. If the original song was viewed 56 million times on Youtube, the one featuring Sheril had 15 million views. People across the country danced to the song and recorded their versions too. American host Jimmy Kimmel tweeted saying he loved it. The huge popularity meant that Mohanlal himself, who didn't feature initially in the song in movie, danced to the tune. Sunday Holiday’s feel good factor After the night Amal (Asif Ali) and Benny (Sudheer Karamana) have had a fight, Benny’s mother (Kpac Lalitha) comes to Amal’s house, hands him a bag of snacks and requests him to not fight again. Amal on his way to work meets Benny and apologises. Benny smiles and pats Amal’s shoulder. Cinema is such a powerful medium that a small reconciliation on screen can bring such positive energy in you. Sunday Holiday doesn't have a solid story but it has such sweet moments that stay with you . Suraj Venjaramoodu’s transition to a fine character actor 2017 was the year where Suraj Venjaramoodu completed his transition from a loud comedian to a fine character actor. In Thondimuthalum Driksakshiyum, his restraint was amazing when portraying a naive guy. In Varnyathil Aashanka, in contrast, his character was shrewd and opportunistic. The control with which he acts the hilarious drunk scene in the latter, tells us that he is all set to fill the void left by many legendary actors. Ramante Edanthottam’s climax Ramante Edanthottam is far from being a perfect movie but its ending struck a chord. Ranjith Shankar wrote some fine lines for the final meeting between Malini (Anu Sithara) and Elvis (Joju George) before she walks out of a marriage where she is not respected. Anu Sithara stole the show when she sums up Malaini's state of mind as she returns to her dance class, Also impressive was the tail end which shows Malini’s life after a year, how she is happy and how there is no friction with her ex-husband. Here is a filmmaker who had clarity on the message he wanted to convey. Honourable mentions Dulquer Salmaan’s growth in stature as an actor, switching with extreme ease between 4 diverse roles in Solo. Manju Warrier's fine return to form through C/O Saira Banu and Udhaharanam Sujatha after a couple of mundane years. Basil Joseph's knack to squeeze out maximum laughs in Godha. Arun Gopy’s slick execution while revealing the climactic twist in Ramaleela. Genuine attempts by Dominic Arun and Rohit Vs to revive crime comedy genre in Malayalam through Tharangam and Adventues of Omanakkuttan.
- 12/26/2017
- by Editor
- The News Minute
MollywoodAishwarya Lekshmi is the soul of this film which inverts traditional ideas of romance.Neelima Menon Mayaanadhi-compressed.jpgIt’s a crucial audition for Aparna. She is a bit flustered by the appearance of actor Aparna Balamurali, who is in for the same role. As the actor tries to make small talk, she excuses herself to go to the washroom and calls Mathan—“Just praise me. Just make me feel better. I need it now.” He goes on a verbal rampage about her beauty, talent and fighting spirit. But when that doesn’t buck her up, he loses it—cutting straight to the uncomfortable truth (she desperately needs to prove a point to the world). As tears trickle down her cheeks, she wipes her face and smiles—“Yes, I’m better now.” During another instance, when she is tired and ravenous after a long day and having to listen to her sister’s problems, Mathan beckons her for a hot cup of Boost. This, on the day she meets him after a long gap following their break up. Mayaanadhi is about this man and woman, about Appu and Mathan who are fastened to each other’s souls. They aren’t fairy-tale lovers declaring undying love for each other. It’s a weird love affair—wildly passionate, deep, and volatile in turns. It’s a romance where the intensity doesn’t hit you until after a long time. Written by Syam Pushkaran and Dileesh Nair, the Aashiq Abu-directed Mayaanadhi begins in Kodaikanal. Leading man Mathew (Tovino Thomas) is part of a gang involved in illegal money transactions. But the deal goes for a toss when the cops barge in and kill the men. Mathew manages to flee but accidentally shoots a cop. The Tamil-speaking cops are on his trail even as he escapes to Kerala. On a parallel track we are introduced to Aparna, the woman tucked inside his phone gallery—a struggling actor and model. Mayaanadhi trails their journey together. Aparna (Aishwarya Lekshmi) is the post-modern pragmatic middle-class city girl. She is drawn with a lot of realism. When the casting director (Unnimaya Prasad) at an audition sneers at her and calls her “plastic”, Appu quickly hides her resentment, lowers her guard, and tries to be herself. When her famous actor friend uses her as a sidekick of sorts (putting down her used garments and two-bit roles), Appu takes it all, again without showing her indignation. She is someone who finds it difficult to say ‘no’ to people. It’s only with Mathan that she seems to be herself—she snubs, taunts, and shuts the door on him. Yet he keeps coming back to her, like a lost puppy. Mathan, on the other hand, is helplessly in love with her—he keeps gazing at her pictures on his phone. Even with the cops hot on his heels, Appu remains foremost on his mind. Yet the relationship oddly remains a two-way street despite Appu taking him for granted. A lot of stereotypes are debunked in this male-female dynamic. It’s Appu who calls the shots, including in matters of physical intimacy. He is the more traditional of the two. After a particularly wild lovemaking session, he suggests settling down in Dubai and she tells him—“Sex isn’t a promise.” For her, it’s just a happy, celebratory act after a successful audition, while Mathan considers it as the final deal for marriage. How beautifully and wantonly the ancient theory of chastity (especially on celluloid) being the sole purview of women is stirred up in that one statement. Humour is infused nicely at some junctures. The admaker who explains to Appu (in broken English) that it was Arvind Swami in Bombay who took up the “first blue whale challenge.” The actor friend who goes ballistic when she sees a shot of her exposed navel and the director who whines when asked to chop the portion. The young and upright cop who is recently married and finds himself being taken for a ride by his seniors. Then of course come the usual stereotypes—the coy transgender make-up artist, the over-enthusiastic manager of the actor, the ambitious and sly actor(Leona Lishoy). Mayaanadhi has some delectable night shots (Jayesh Mohan is the cinematographer). The auburn ebony colour tone adds a depth and mystique to the romance, helped amply by the music of Rex Vijayan and the vocals of Shahabad Aman. Aishwarya Lekshmi is the heart and soul of the film—Aparna required an actor who looked sensual, vulnerable, and resolute. Emotions flit easily across her face—as a lover, the struggling model, the mortified daughter. She is a natural. Tovino has just poured himself into the shape of Mathan (his eyes show immeasurable love and I liked the way he tries to hide his hurt) and it’s easily his career best act. Mayaanadhi is a modern romance with all its trappings—yet the intensity cannot be more searing. Kelly Clarkson said it right—what doesn’t kill you makes you stronger. He must have been talking about Aparna. Enanble Notification: NoTNM Marquee: No...
- 12/23/2017
- by Editor
- The News Minute
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