Winner of the Grand Prix in the Generation 14plus competition at the Berlin International Film Festival, Farkhat Sharipov’s film deals with the dark side of the new-rich Kazakh society, from pyramid schemes to parties with underage girls, with latter aspects being based on the revelations of teenagers who came to the casting of the movie.
Scheme is screening at Busan International Film Festival
Masha, a high school student, is in trouble. It is not just that she frequently ends up completely drunk, to the enragement of her rather tense father, but also that she has entered a very dangerous world, where middle aged men party with teenage girls in luxury apartments. Ramil, a social media celebrity Masha has a crush on, is the middle-man, and the reason Masha participates in this “endeavors” apart from making a bit of money. As the drugs and the drinks come more and more often,...
Scheme is screening at Busan International Film Festival
Masha, a high school student, is in trouble. It is not just that she frequently ends up completely drunk, to the enragement of her rather tense father, but also that she has entered a very dangerous world, where middle aged men party with teenage girls in luxury apartments. Ramil, a social media celebrity Masha has a crush on, is the middle-man, and the reason Masha participates in this “endeavors” apart from making a bit of money. As the drugs and the drinks come more and more often,...
- 10/9/2022
- by Panos Kotzathanasis
- AsianMoviePulse
Selections include new projects from directors Farkhat Sharipov and Ash Mayfair.
The 3rd Tokyo Gap-Financing Market (Tgfm) has unveiled 20 projects selected for financing and development at Tiffcom, the affiliated content market of Tokyo International Film Festival (TIFF).
Selections include new projects by known directors such as recent Berlinale Generation 14plus prize-winner Farkhat Sharipov (Scheme), Ash Mayfair (The Third Wife) and Tom Waller (The Cave).
Hong Kong’s Toe Yuen, known for Annecy prize-winner My Life As McDull (2001), also has a new animation in the lineup.
Organised by UniJapan, Tgfm will run as part of Tiffcom online October 25-27. The 35th...
The 3rd Tokyo Gap-Financing Market (Tgfm) has unveiled 20 projects selected for financing and development at Tiffcom, the affiliated content market of Tokyo International Film Festival (TIFF).
Selections include new projects by known directors such as recent Berlinale Generation 14plus prize-winner Farkhat Sharipov (Scheme), Ash Mayfair (The Third Wife) and Tom Waller (The Cave).
Hong Kong’s Toe Yuen, known for Annecy prize-winner My Life As McDull (2001), also has a new animation in the lineup.
Organised by UniJapan, Tgfm will run as part of Tiffcom online October 25-27. The 35th...
- 9/20/2022
- by Jean Noh
- ScreenDaily
Projects selected from 15 countries.
South Korea’s Busan International Film Festival (Biff) has unveiled the 29 titles selected for the 2022 Asian Project Market (Apm).
The film financing event that runs as part of Biff’s Asian Contents and Film Market will return in-person from October 9-11, after taking place as a hybrid event last year due to the Covid-19 pandemic.
From this year, Apm has excluded non-Asian projects to provide more focused support for Asian projects, which must be submitted by directors who have made at least one short or full-length feature as well as producers who have been involved with at least one feature.
South Korea’s Busan International Film Festival (Biff) has unveiled the 29 titles selected for the 2022 Asian Project Market (Apm).
The film financing event that runs as part of Biff’s Asian Contents and Film Market will return in-person from October 9-11, after taking place as a hybrid event last year due to the Covid-19 pandemic.
From this year, Apm has excluded non-Asian projects to provide more focused support for Asian projects, which must be submitted by directors who have made at least one short or full-length feature as well as producers who have been involved with at least one feature.
- 8/12/2022
- by Michael Rosser
- ScreenDaily
Busan International Film Festival (Biff) has announced the 29 projects selected for this year’s Asian Project Market (Apm), a core strand of the festival’s industry activities, including new works from Thailand’s Aditya Assarat, China’s Wang Qi, Vietnam’s Le Bao and Myanmar’s Maung Sun, whose producer Ma Aeint is currently in prison in Yangon.
Ma Aeint, who previously produced Maung Sun’s award-winning Money Has Four Legs, was recently sentenced to three years in jail with hard labor by Myanmar’s military junta, which took over the country in a brutal coup in early 2021. She was accused of “causing fear, spreading fake news or agitating against government employees”. She is attached as a producer to Maung Sun’s new project, Future Laobans, described as a drama about the “international dimension of organized crime.”
Assarat, an award-winning Thai director, is returning to feature-length directing after focusing on producing,...
Ma Aeint, who previously produced Maung Sun’s award-winning Money Has Four Legs, was recently sentenced to three years in jail with hard labor by Myanmar’s military junta, which took over the country in a brutal coup in early 2021. She was accused of “causing fear, spreading fake news or agitating against government employees”. She is attached as a producer to Maung Sun’s new project, Future Laobans, described as a drama about the “international dimension of organized crime.”
Assarat, an award-winning Thai director, is returning to feature-length directing after focusing on producing,...
- 8/11/2022
- by Liz Shackleton
- Deadline Film + TV
The Asian Project Market, the film financing event attached to the Busan festival’s Asian Contents & Film Market, will return this year as an in-person event. To increase the focus on regional projects it has selected 29 titles and excluded those from outside Asia.
The Apm will be held at the Busan Exhibition and Convention Center (Bexco) and run Oct. 9-11, 2022. The Busan International Film Festival runs Oct 5-14.
Organizers say that thematically the selection – made from 288 projects submitted – highlights women filmmakers and the return of a handful of Busan festival alumni. The selection also finds house room for nine projects from South Korea.
The Apm prizes awarded to be awarded on Oct. 11 will also be “more diverse.” They include a newly-established Taicca Award and the Vipo Award, sponsored by Taiwan Creative Content Agency and Japan’s Visual Industry Promotion Organization respectively, which will pay out 10,000 to support film development. And...
The Apm will be held at the Busan Exhibition and Convention Center (Bexco) and run Oct. 9-11, 2022. The Busan International Film Festival runs Oct 5-14.
Organizers say that thematically the selection – made from 288 projects submitted – highlights women filmmakers and the return of a handful of Busan festival alumni. The selection also finds house room for nine projects from South Korea.
The Apm prizes awarded to be awarded on Oct. 11 will also be “more diverse.” They include a newly-established Taicca Award and the Vipo Award, sponsored by Taiwan Creative Content Agency and Japan’s Visual Industry Promotion Organization respectively, which will pay out 10,000 to support film development. And...
- 8/11/2022
- by Patrick Frater
- Variety Film + TV
Top prizes for Hong Sangsoo’s ‘The Novelist’s Film’, Claire Denis’ ‘Fire’.
Carla Simon’s Alcarras won the Golden Bear at the 72nd Berlinale, in a ceremony held at the Berlinale Palast this evening (Wednesday 16).
“I feel like I should just move here, because every time I come here something amazing happens,” said Simon on accepting the award.
Alcarras: Berlin review
The award was presented by Competition jury president M. Night Shyamalan, who praised the film “for its extraordinary performances from the child actors to the actors in their 80s and for the ability to show the tenderness and comedy...
Carla Simon’s Alcarras won the Golden Bear at the 72nd Berlinale, in a ceremony held at the Berlinale Palast this evening (Wednesday 16).
“I feel like I should just move here, because every time I come here something amazing happens,” said Simon on accepting the award.
Alcarras: Berlin review
The award was presented by Competition jury president M. Night Shyamalan, who praised the film “for its extraordinary performances from the child actors to the actors in their 80s and for the ability to show the tenderness and comedy...
- 2/16/2022
- by Ben Dalton
- ScreenDaily
Competition(Jury: M. Night Shyamalan, Karim Aïnouz, Saïd Ben Saïd, Anne Zohra Berrached, Tsitsi Dangarembga, Ryûsuke Hamaguchi, Connie Nielsen)Golden BearAlcarràs (Carla Simón)Silver Bear — Grand Jury PrizeThe Novelist’s Film (Hong Sang-soo)Silver Bear — Jury PrizeRobe of Gems (Natalia Lopez Gallardo)Silver Bear for Best DirectorClaire Denis (Both Sides of the Blade)Silver Bear for Best Leading PerformanceMeltem Kaptan (Rabiye Kurnaz vs. George W. Bush)Silver Bear for Best Supporting PerformanceLaura Basuki (Nana)Silver Bear for Best ScreenplayLaila Stieler (Rabiye Kurnaz vs. George W. Bush)Silver Bear for Outstanding Artistic ContributionRithy Panh (Everything Will Be Ok)Silver Bear — Special MentionA Piece of Sky (Michael Koch)Encounters(Jury: Chiara Marañón, Ben Rivers, Silvan Zürcher)Award for Best FilmMUTZENBACHER (Ruth Beckermann)Special Jury AwardSee You Friday, Robinson (Mitra Farahani)Award for Best DirectorCyril Schäublin (Unrest)Generation — Kplus(Jury: Daniela Cajías, Nicola Jones, Samuel Kishi Leopo)Grand Prix for Best Film The Quiet Girl...
- 2/16/2022
- MUBI
Spanish director Carla Simón has won the Golden Bear, the top prize at the Berlin Film Festival, for her second feature “Alcarràs,” a moving drama about a Catalan farming family facing eviction from their land. She received the prize from jury president M. Night Shyamalan, capping a strong night for female filmmakers. Full report to follow.
Official Competition
Golden Bear for Best Film: “Alcarràs,” Carla Simón
Silver Bear Grand Jury Prize: “The Novelist’s Film,” Hong Sangsoo
Silver Bear Jury Prize: “Robe of Gem,” Natalia Lopez Gallardo
Silver Bear for Best Director: “Fire,” Claire Denis
Silver Bear for Best Leading Performance: “Rabiye Kurnaz vs. George W. Bush,” Meltem Kaptan
Silver Bear for Best Supporting Performance: “Before, Now and Then (Nana),” Laura Basuki
Silver Bear for Best Screenplay: “Rabiye Kurnaz vs. George W. Bush,” Laila Stieler
Silver Bear for Outstanding Artistic Contribution: “Everything Will Be Ok,” Rithy Panh
Special Mention: “A Piece of Sky,...
Official Competition
Golden Bear for Best Film: “Alcarràs,” Carla Simón
Silver Bear Grand Jury Prize: “The Novelist’s Film,” Hong Sangsoo
Silver Bear Jury Prize: “Robe of Gem,” Natalia Lopez Gallardo
Silver Bear for Best Director: “Fire,” Claire Denis
Silver Bear for Best Leading Performance: “Rabiye Kurnaz vs. George W. Bush,” Meltem Kaptan
Silver Bear for Best Supporting Performance: “Before, Now and Then (Nana),” Laura Basuki
Silver Bear for Best Screenplay: “Rabiye Kurnaz vs. George W. Bush,” Laila Stieler
Silver Bear for Outstanding Artistic Contribution: “Everything Will Be Ok,” Rithy Panh
Special Mention: “A Piece of Sky,...
- 2/16/2022
- by Guy Lodge
- Variety Film + TV
The Polish gathering came to a successful close amidst intensifying Covid-19 restrictions, with Farkhat Sharipov's Kazakh film coming out on top. “I just realised that we had a red zone for dozens of years, between 1944 and 1989, and somehow we made it through,” said Stefan Laudyn, director of the Warsaw Film Festival, in a pre-awards video broadcast on Facebook. Laudyn was alluding to both the communist regime that held Poland in its grip and the current Covid-19 restrictions. The so-called red zone was introduced in Warsaw on the day the festival commenced, meaning that only 25% of the seats could be occupied. The gathering had chosen to hold a physical edition this year, with a rich programme and a limited number of foreign guests. The event welcomed nine international juries and organised five competitive sections. The...
- 10/19/2020
- Cineuropa - The Best of European Cinema
Yuliya Kim was born in 1986. After acquiring a Master in finance from Moscow State University, she worked from 2011 to 2016 at Kazakh Film. Between 2012 and 2015, she was a general manager at Eurasia Film Festival in Almaty. in charge of International guests and juries. Since 2012, she collaborated on many films from internationally acclaimed directors such as Darezhan Omirbayev, Yerlan Nurmukhambetov, Farkhat Sharipov, which won numerous prizes at most prestigious Film Festivals. Since 2019, she is in charge of Almaty Film Festival in Kazakhstan.
On the occasion of her presence in at Fica Vesoul as part of the International Jury, we speak with her about her work as a producer in Kazakhstan films, her cooperation with the directors, the current situation of the local film industry, Almaty Film Festival, and many other topics.
I saw that “The Horse Thieves. Roads of Time“, a film that you produced, was picked up by Gaga International and was released in Japan.
On the occasion of her presence in at Fica Vesoul as part of the International Jury, we speak with her about her work as a producer in Kazakhstan films, her cooperation with the directors, the current situation of the local film industry, Almaty Film Festival, and many other topics.
I saw that “The Horse Thieves. Roads of Time“, a film that you produced, was picked up by Gaga International and was released in Japan.
- 2/22/2020
- by Panos Kotzathanasis
- AsianMoviePulse
Nine films chosen from Busan’s A Window on Asian cinema strand will vie for the festival’s annual Kim Ji-seok award this year.
Japan’s Kazuya Shiraishi, whose debut feature “Lost Paradise in Tokyo” was a Busan New Currents award nominee in 2009, is in the running for the Kim Ji-seok prize with “Dare to Stop Us,” pictured above. Award-winning Singaporean director Daniel Hui (“Snakeskin”) is in contention with “Demons”; China is repped by Zhan Wei’s “The Rib.”
India’s Devashish Makhija, whose “Ajji” premiered at Busan in 2017, is a nominee for “Bhonsle” this year, alongside compatriot Praveen Morchhale (“Walking With the Wind”) for “Widow of Silence.” Celebrated Sri Lankan filmmaker Asoka Handagama (“Let Her Cry”) is nominated for “Asandhimitta”; Indonesian filmmaker Ravi Bharwani (“The Rainmaker”) has “27 Steps of May” in the running.
Jamshid Mahmoudi, whose 2014 film “A Few Cubic Meters of Love” was Afghanistan’s entry to the foreign-language Oscar race,...
Japan’s Kazuya Shiraishi, whose debut feature “Lost Paradise in Tokyo” was a Busan New Currents award nominee in 2009, is in the running for the Kim Ji-seok prize with “Dare to Stop Us,” pictured above. Award-winning Singaporean director Daniel Hui (“Snakeskin”) is in contention with “Demons”; China is repped by Zhan Wei’s “The Rib.”
India’s Devashish Makhija, whose “Ajji” premiered at Busan in 2017, is a nominee for “Bhonsle” this year, alongside compatriot Praveen Morchhale (“Walking With the Wind”) for “Widow of Silence.” Celebrated Sri Lankan filmmaker Asoka Handagama (“Let Her Cry”) is nominated for “Asandhimitta”; Indonesian filmmaker Ravi Bharwani (“The Rainmaker”) has “27 Steps of May” in the running.
Jamshid Mahmoudi, whose 2014 film “A Few Cubic Meters of Love” was Afghanistan’s entry to the foreign-language Oscar race,...
- 10/4/2018
- by Naman Ramachandran
- Variety Film + TV
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