Even though we associate bad memories with certain places, it is with a mixture of sadness and perhaps sorrow when we see them suddenly disappear. The cinema of directors such as Tsai Ming-liang revolves around the concept of lost and forgotten places, the memories they hold and what they can tell us about our present. In their collaborative effort “Magic Mountain” directors Mariam Chachia and Nik Voigt visit Abastumani, a building set in the isolation of the Georgian mountains, which almost became the permanent home of Chachia when she was younger and suffering from tuberculosis.
Magic Mountain is screening at Museum of the Moving Image, as part of the First Look 2024 program
The documentary focuses on two aspects. The first consists of Chachia's memories, narrated in an off-camera commentary. She talks about how she became sick when she was younger and ultimately ended up in the sanatorium, which, if she hadn't eventually recovered,...
Magic Mountain is screening at Museum of the Moving Image, as part of the First Look 2024 program
The documentary focuses on two aspects. The first consists of Chachia's memories, narrated in an off-camera commentary. She talks about how she became sick when she was younger and ultimately ended up in the sanatorium, which, if she hadn't eventually recovered,...
- 3/11/2024
- by Rouven Linnarz
- AsianMoviePulse
Museum of the Moving Image is pleased to announce the complete lineup for the 13th edition of First Look, the Museum's festival of new and innovative international cinema, which will take place in person March 13–17, 2024. Each year, First Look offers a diverse slate of major New York premieres, work-in-progress screenings and sessions, gallery installations, and fresh perspectives on the art and process of filmmaking. This year's festival introduces New York audiences to more than three dozen works from around the world. The guiding ethos of First Look is openness, curiosity, and discovery, aiming to expose audiences to new art, artists to new audiences, and everyone to different methods, perspectives, interrogations, and encounters. For five consecutive days the festival takes over MoMI's two theaters, as well as other rooms and galleries throughout the Museum—with in-person appearances and dialogue integral to the experience. Each night concludes with one of five...
- 2/14/2024
- by Rouven Linnarz
- AsianMoviePulse
The annual Museum of the Moving Image’s First Look Festival has given IndieWire an exclusive “first look” at the lineup.
The 13th annual event, which takes place March 13 through 17 in Astoria, Queens, opens with the New York premiere of Astrid Rondero and Fernanda Valadez’s “Sujo,” which recently took home the Grand Jury Prize, World Cinema Dramatic Competition, at the 2024 Sundance Film Festival.
The First Look Festival focuses on emerging talents and international voices, with the fest premiering 46 works, including 20 features that represent 21 countries. Highlights include Farhad Delaram’s “Achilles,” Graham Swon’s “An Evening Song (for three voices), and the U.S. premiere of Lois Patiño’s “Samsara.” Zhang Mengqi’s “Self-Portrait: 47 Km 2020,” which won the Award of Excellence winner at the 2023 Yamagata Documentary Festival, will also screen along with Shoghakat Vardanyan’s 2023 IDFA grand prize winner “1489,” the debut for the filmmaker. Returning First Look directors like Michaël Andrianaly...
The 13th annual event, which takes place March 13 through 17 in Astoria, Queens, opens with the New York premiere of Astrid Rondero and Fernanda Valadez’s “Sujo,” which recently took home the Grand Jury Prize, World Cinema Dramatic Competition, at the 2024 Sundance Film Festival.
The First Look Festival focuses on emerging talents and international voices, with the fest premiering 46 works, including 20 features that represent 21 countries. Highlights include Farhad Delaram’s “Achilles,” Graham Swon’s “An Evening Song (for three voices), and the U.S. premiere of Lois Patiño’s “Samsara.” Zhang Mengqi’s “Self-Portrait: 47 Km 2020,” which won the Award of Excellence winner at the 2023 Yamagata Documentary Festival, will also screen along with Shoghakat Vardanyan’s 2023 IDFA grand prize winner “1489,” the debut for the filmmaker. Returning First Look directors like Michaël Andrianaly...
- 2/12/2024
- by Samantha Bergeson
- Indiewire
Directors and producers are putting trust instead in independent organisation The Georgian Film Institute
Leading Georgian filmmakers and industry professionals are banding together to protest about government interference, censorship and intimidation - and will be at the Berlinale in February to state their case.
They have turned their back on state body, The Georgian National Film Centre (Gnfc), and are putting their trust instead in independent organisation, The Georgian Film Institute (Gfi), which will have its first major introduction to the global film industry at the European Film Market in Berlin.
The Institute was set up in 2019 in reaction to...
Leading Georgian filmmakers and industry professionals are banding together to protest about government interference, censorship and intimidation - and will be at the Berlinale in February to state their case.
They have turned their back on state body, The Georgian National Film Centre (Gnfc), and are putting their trust instead in independent organisation, The Georgian Film Institute (Gfi), which will have its first major introduction to the global film industry at the European Film Market in Berlin.
The Institute was set up in 2019 in reaction to...
- 1/5/2024
- by Geoffrey Macnab
- ScreenDaily
Funding
Sri Lanka’s Vimukthi Jayasundara and Guatemala’s César Díaz, winners of the Cannes Golden Camera for “The Forsaken Land” (2005) and “Nuestras madres” (2019) respectively, are among the recipients of the Hubert Bals Fund (Hbf) of the International Film Festival Rotterdam‘s (IFFR) Hbf+Europe: Minority Co-production Support scheme for 2022.
Out of 25 applications, six projects by filmmakers from Argentina, Egypt, Guatemala, Singapore, Sri Lanka and Yemen have been awarded a contribution of €60,000 each through their European co-producers in Austria, Belgium, France, and the Netherlands.
Jayasundara is supported for “Turtle’s Gaze on Spying Stars”, set on a mysterious resort where the protagonist must quarantine and reckon with his past on his return to Sri Lanka, while Díaz gets it for “Fidelidad”, a love triangle set on Lake Atitlán in Guatemala.
In “The Station” by Yemeni-Scottish filmmaker Sara Ishaq (Oscar nominee for 2012’s “Karama Has No Walls”), the war in Yemen...
Sri Lanka’s Vimukthi Jayasundara and Guatemala’s César Díaz, winners of the Cannes Golden Camera for “The Forsaken Land” (2005) and “Nuestras madres” (2019) respectively, are among the recipients of the Hubert Bals Fund (Hbf) of the International Film Festival Rotterdam‘s (IFFR) Hbf+Europe: Minority Co-production Support scheme for 2022.
Out of 25 applications, six projects by filmmakers from Argentina, Egypt, Guatemala, Singapore, Sri Lanka and Yemen have been awarded a contribution of €60,000 each through their European co-producers in Austria, Belgium, France, and the Netherlands.
Jayasundara is supported for “Turtle’s Gaze on Spying Stars”, set on a mysterious resort where the protagonist must quarantine and reckon with his past on his return to Sri Lanka, while Díaz gets it for “Fidelidad”, a love triangle set on Lake Atitlán in Guatemala.
In “The Station” by Yemeni-Scottish filmmaker Sara Ishaq (Oscar nominee for 2012’s “Karama Has No Walls”), the war in Yemen...
- 9/12/2022
- by Naman Ramachandran
- Variety Film + TV
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