Top Brazilian titles at the Berlin Festival and EFM:
“Betânia,” (Marcelo Botta)
Botta’s feature debut, produced by Salvatore Filmes, associate produced by Ventre Studio, selected for Berlin’s Panorama. Set in stunning but barren Brazilian sand dunes, Betânia, 65, rebuilds amid global collapse. After losing her husband to a salty diet common in electricity-deprived areas, she seeks solace in a new village, cherishing its traditions. Sales: MPM Premium
“The Best Friend,” (Allan Deberton)
By Deberton, director of award-winning “Pacarrete,” co-produced by Ceara-based Deberton Filmes and Telecine. During a quiet beach trip to Canoa Quebrada, Lucas reunites with his old college friend Felipe, whose free-spirited nature sparks feelings of nostalgia. Sales: Deberton Filmes
“Carnival is Over,” (Fernando Coimbra)
A much awaited title from helmer-scribe, now in post. Winner of a Sundance Institute global filmmaking award, the thriller centers on Regina and Valerio who live an opulent lifestyle in Rio as heirs...
“Betânia,” (Marcelo Botta)
Botta’s feature debut, produced by Salvatore Filmes, associate produced by Ventre Studio, selected for Berlin’s Panorama. Set in stunning but barren Brazilian sand dunes, Betânia, 65, rebuilds amid global collapse. After losing her husband to a salty diet common in electricity-deprived areas, she seeks solace in a new village, cherishing its traditions. Sales: MPM Premium
“The Best Friend,” (Allan Deberton)
By Deberton, director of award-winning “Pacarrete,” co-produced by Ceara-based Deberton Filmes and Telecine. During a quiet beach trip to Canoa Quebrada, Lucas reunites with his old college friend Felipe, whose free-spirited nature sparks feelings of nostalgia. Sales: Deberton Filmes
“Carnival is Over,” (Fernando Coimbra)
A much awaited title from helmer-scribe, now in post. Winner of a Sundance Institute global filmmaking award, the thriller centers on Regina and Valerio who live an opulent lifestyle in Rio as heirs...
- 2/16/2024
- by Anna Marie de la Fuente
- Variety Film + TV
A macho ex-cop falls for a mysterious stranger in this romance that doubles as a subtle state-of-the-nation drama
Apparently, the new arthouse flex is dropping your opening credits half an hour or more into the film, as in Drive My Car, Long Day’s Journey Into Night – and now Aly Muritiba’s desolate and sophisticated Brazilian romantic quest Private Desert. Here, it’s all the better to accentuate the barren terrain from which it emerges. Brawny police instructor Daniel (Bacurau’s Antonio Saboia) is suspended for attacking a recruit and forced to take on punishing night shifts as a security guard. At home he battles to convince his sister to do her fair share of caring for their dementia-stricken father, also a former policeman. Daniel’s only succour is the WhatsApp-based relationship he has with Sara, a woman somewhere in Brazil’s north. Then she starts ghosting him.
Prologue done, Daniel...
Apparently, the new arthouse flex is dropping your opening credits half an hour or more into the film, as in Drive My Car, Long Day’s Journey Into Night – and now Aly Muritiba’s desolate and sophisticated Brazilian romantic quest Private Desert. Here, it’s all the better to accentuate the barren terrain from which it emerges. Brawny police instructor Daniel (Bacurau’s Antonio Saboia) is suspended for attacking a recruit and forced to take on punishing night shifts as a security guard. At home he battles to convince his sister to do her fair share of caring for their dementia-stricken father, also a former policeman. Daniel’s only succour is the WhatsApp-based relationship he has with Sara, a woman somewhere in Brazil’s north. Then she starts ghosting him.
Prologue done, Daniel...
- 4/19/2023
- by Phil Hoad
- The Guardian - Film News
To mark the release of Private Desert on DVD from 24th April, we are giving away DVDs to 3 lucky winners!
A film by Aly Muritiba, Private Desert (15) was Brazil’s official submission for the 94th Academy Awards®
Daniel, a troubled cop with a history of run-ins with the authorities, who seeks refuge from a potentially career-ending scandal with a faraway stranger with whom he has been conducting an intense affair entirely on social media. But when his paramour abruptly ghosts him, Daniel impulsively sets off thousands of miles cross-country in a desperate attempt to salvage the lost relationship – a quest that will profoundly change the course of both their lives.
The critically acclaimed Private Desert is a riveting Brazilian romantic drama that melds stunning road movie vistas, twisting narrative turns and a swelling forbidden love story to the beat of Bonnie Tyler’s Total Eclipse of the Heart.
Watch the trailer: https://youtu.
A film by Aly Muritiba, Private Desert (15) was Brazil’s official submission for the 94th Academy Awards®
Daniel, a troubled cop with a history of run-ins with the authorities, who seeks refuge from a potentially career-ending scandal with a faraway stranger with whom he has been conducting an intense affair entirely on social media. But when his paramour abruptly ghosts him, Daniel impulsively sets off thousands of miles cross-country in a desperate attempt to salvage the lost relationship – a quest that will profoundly change the course of both their lives.
The critically acclaimed Private Desert is a riveting Brazilian romantic drama that melds stunning road movie vistas, twisting narrative turns and a swelling forbidden love story to the beat of Bonnie Tyler’s Total Eclipse of the Heart.
Watch the trailer: https://youtu.
- 4/13/2023
- by Competitions
- HeyUGuys.co.uk
Further titles include ‘Eismayer’ and ’You Can Live Forever’.
UK LGBTQ+ specialist Peccadillo Pictures has picked up The Lost Boys from Paris-based Indie Sales for distribution in the UK and Ireland, following its premiere in the Generation strand at the Berlinale, plus a raft of other titles off the back of the European Film Market (EFM).
Belgian filmmaker Zeno Graton’s The Lost Boys sees two young men attempt to keep their burgeoning relationship under wraps at a tough juvenile detention centre. It stars Peter Von Kant’s Khalil Ben Gharbia alongside Julien De Saint Jean. It is produced by...
UK LGBTQ+ specialist Peccadillo Pictures has picked up The Lost Boys from Paris-based Indie Sales for distribution in the UK and Ireland, following its premiere in the Generation strand at the Berlinale, plus a raft of other titles off the back of the European Film Market (EFM).
Belgian filmmaker Zeno Graton’s The Lost Boys sees two young men attempt to keep their burgeoning relationship under wraps at a tough juvenile detention centre. It stars Peter Von Kant’s Khalil Ben Gharbia alongside Julien De Saint Jean. It is produced by...
- 3/29/2023
- by Mona Tabbara
- ScreenDaily
Barba ensopada de sangue
For his sixth feature film, Brazilian filmmaker Aly Muritiba tackled the book-to-film adaptation of Daniel Galera‘s Blood-Drenched Beard – a 2015 novel (read the Times review) that is set in a Brazilian beach town and sees its central character confront his family’s past while suffering from a rare neurological condition that is commonly known as face blindness. On the cusp of breaking out internationally, actor Gabriel Leone (spitting image of a young Brando) toplines Barba ensopada de sangue which took place between October and December of last year. Cinematographer Inti Briones teamed with Muritiba on a project that is produced by veteran Rodrigo Teixeira.…...
For his sixth feature film, Brazilian filmmaker Aly Muritiba tackled the book-to-film adaptation of Daniel Galera‘s Blood-Drenched Beard – a 2015 novel (read the Times review) that is set in a Brazilian beach town and sees its central character confront his family’s past while suffering from a rare neurological condition that is commonly known as face blindness. On the cusp of breaking out internationally, actor Gabriel Leone (spitting image of a young Brando) toplines Barba ensopada de sangue which took place between October and December of last year. Cinematographer Inti Briones teamed with Muritiba on a project that is produced by veteran Rodrigo Teixeira.…...
- 1/5/2023
- by Eric Lavallée
- IONCINEMA.com
Berlin-based sales agency M-Appeal has closed the first deal for its erotic gay thriller “In Bed,” selling the rights for France to Optimale Distribution, ahead of the film’s international premiere at Tallinn Black Nights Film Festival. M-Appeal boarded the film, Nitzan Gilady’s second feature, at script stage.
“In Bed” unfolds over the 24 hours after a shooting takes place at an LGBTQ pride parade in Tel Aviv. Best friends Guy, 28, and Joy, 31, retreat to the safety of Guy’s home, taking fellow pride parader Dan with them.
With an electric, pop aesthetic, and original soundtrack by Offer Nissim, the film is “an immersive and suspenseful journey into a night of erotic encounters, drugs and paranoia.” One of the main themes of the film is chemsex, a topic rarely represented in cinema, which Gilady explores head on.
Gilady said: “Rather than stigmatizing, I wanted to show this side of our culture in a truthful way.
“In Bed” unfolds over the 24 hours after a shooting takes place at an LGBTQ pride parade in Tel Aviv. Best friends Guy, 28, and Joy, 31, retreat to the safety of Guy’s home, taking fellow pride parader Dan with them.
With an electric, pop aesthetic, and original soundtrack by Offer Nissim, the film is “an immersive and suspenseful journey into a night of erotic encounters, drugs and paranoia.” One of the main themes of the film is chemsex, a topic rarely represented in cinema, which Gilady explores head on.
Gilady said: “Rather than stigmatizing, I wanted to show this side of our culture in a truthful way.
- 10/31/2022
- by Leo Barraclough
- Variety Film + TV
The first half-hour of “Private Desert,” Brazil’s most recent Oscar entry, painstakingly sketches the troubled life of Daniel (Antonio Saboia), a cop who assaulted a rookie during a training session. We see Daniel running at night, and on the soundtrack we hear narration from him that turns out to be texts he is sending to a mystery woman named Sara, who lives far away in the north of Brazil. “I think I’m in love,” Daniel writes her. “Wet kisses.”
Falling in love with someone you have never met in person is foolish, of course, but Daniel is believably portrayed by Saboia as equal parts naïve, sweet, cruel and volatile; he teases his very ill father in a way that stops just short of being gloatingly mean. Writer-director Aly Muritiba patiently views Daniel in long takes as he sends nudes to Sara, and the style here is simple, no frills,...
Falling in love with someone you have never met in person is foolish, of course, but Daniel is believably portrayed by Saboia as equal parts naïve, sweet, cruel and volatile; he teases his very ill father in a way that stops just short of being gloatingly mean. Writer-director Aly Muritiba patiently views Daniel in long takes as he sends nudes to Sara, and the style here is simple, no frills,...
- 9/8/2022
- by Dan Callahan
- The Wrap
Heitor Dhalia, one of Brazil’s foremost and most ambitious movie auteurs, director of “Drained,” “Adrift” and “Bald Mountain,” is teaming with Netflix to make “DNA do Crime,” a banner title for the U.S. streaming giant in Brazil, one of its largest international markets.
Described by Dhalia as “one of the biggest series ever produced in Brazil,” the eight-part scripted skein, which goes into production on Oct. 31, turns on a heist of epic proportions, which takes place on the Brazil-Paraguay border.
When federal police officers are called in to investigate, they discover “the beginning of a thread that unravels, like no other, the construction of crime in the country,” the synopsis runs.
“The series will try to open a new paradigm for the genre,” Dhalia told Variety. “It also talks about the tragic flaws in all of us, our deep nature,” he added.
Inspired by true events, “DNA do Crime” is created by Dhalia.
Described by Dhalia as “one of the biggest series ever produced in Brazil,” the eight-part scripted skein, which goes into production on Oct. 31, turns on a heist of epic proportions, which takes place on the Brazil-Paraguay border.
When federal police officers are called in to investigate, they discover “the beginning of a thread that unravels, like no other, the construction of crime in the country,” the synopsis runs.
“The series will try to open a new paradigm for the genre,” Dhalia told Variety. “It also talks about the tragic flaws in all of us, our deep nature,” he added.
Inspired by true events, “DNA do Crime” is created by Dhalia.
- 9/5/2022
- by John Hopewell
- Variety Film + TV
Part mystery, part passionate romance, Aly Muritiba’s queer drama Private Desert is striking in the unexpected avenues its narrative takes, as well as the surprising cinematography that immerses the viewer in its balmy Brazilian locale.
A favorite at last year’s Venice Film Festival and Brazil’s official submission to the 94th Academy Awards, the story follows a police officer placed on leave who searches for his online love, a genderfluid blue-collar worker who lives as her male birth identity by day, when she disappears.
As the film arrives in the U.S., I had the opportunity to speak with Muritiba about the intense physicality of the film, his character’s backstories, the toxic masculinity of Brazil, crafting a beautiful love story, the bifurcated narrative, and much more.
The Film Stage: There’s an intense physicality to the film, both in how your camera frames actors and in the blocking of scenes.
A favorite at last year’s Venice Film Festival and Brazil’s official submission to the 94th Academy Awards, the story follows a police officer placed on leave who searches for his online love, a genderfluid blue-collar worker who lives as her male birth identity by day, when she disappears.
As the film arrives in the U.S., I had the opportunity to speak with Muritiba about the intense physicality of the film, his character’s backstories, the toxic masculinity of Brazil, crafting a beautiful love story, the bifurcated narrative, and much more.
The Film Stage: There’s an intense physicality to the film, both in how your camera frames actors and in the blocking of scenes.
- 8/26/2022
- by Jordan Raup
- The Film Stage
A favorite at Venice Film Festival last year and Brazil’s official submission to the 94th Academy Awards, Aly Muritiba’s queer romance Private Desert is now readying a U.S. release courtesy of Kino Lorber in late August. The story follows a police officer placed on leave who searches for his online love, a genderfluid blue-collar worker who lives as her male birth identity by day, when she disappears. Ahead of the release, a new U.S. trailer has now arrived.
Jared Mobarak said in his review, “Writer-director Aly Muritiba said something very interesting about his new film Private Desert in the lead-up to its Venice debut. He spoke about a desire for its success to not simply be of the “preaching to the choir” variety. Rather than hope an artist, who already understands the breadth of love, could find something at the core of his love story, Muritiba...
Jared Mobarak said in his review, “Writer-director Aly Muritiba said something very interesting about his new film Private Desert in the lead-up to its Venice debut. He spoke about a desire for its success to not simply be of the “preaching to the choir” variety. Rather than hope an artist, who already understands the breadth of love, could find something at the core of his love story, Muritiba...
- 7/28/2022
- by Jordan Raup
- The Film Stage
Fantaspoa 2022 Announced: "After two years of successful online editions, the 18th edition of the beloved Brazilian genre festival Fantaspoa will return to the cinemas from April 15th through May 1st. This year, attendees will discover a very different Fantaspoa from its last on-site edition (a very distant 2019): instead of its usual two venues, the fest will take place simultaneously in five cinemas, with part of its program also being available online, geo-blocked for viewers within Brazil.
The poster for this year’s festival was conceived by the festival’s art director Thalles Mourão, with the drawing from local artist Fernanda Moreira. The striking image is a mashup of two centenary anniversaries: The Modern Art Week, one of Brazil’s greatest art movements, and F. W. Murnau’s 1922 masterpiece of cinema, Nosferatu: A Symphony Of Horror.
Nosferatu will also have a very special screening on the opening night of the festival,...
The poster for this year’s festival was conceived by the festival’s art director Thalles Mourão, with the drawing from local artist Fernanda Moreira. The striking image is a mashup of two centenary anniversaries: The Modern Art Week, one of Brazil’s greatest art movements, and F. W. Murnau’s 1922 masterpiece of cinema, Nosferatu: A Symphony Of Horror.
Nosferatu will also have a very special screening on the opening night of the festival,...
- 3/23/2022
- by Jonathan James
- DailyDead
Centenary screening of Nosferatu, world premiere of stoner comedy The Smoke Master bookend event.
Brazil’s Fantaspoa genre festival, billed as the largest of its kind in Latin America, is returning to an in-person event for the first time since 2019 and has unveiled its first wave of titles.
This year’s International Fantastic Film Festival of Porto Alegre will take place in five cinemas around the southern city from April 15-May 1. It is bookended by a special opening night centenary screening of F. W. Murnau’s vampire classic Nosferatu accompanied by a live soundtrack performed by Carlos Ferreira and Brazilian...
Brazil’s Fantaspoa genre festival, billed as the largest of its kind in Latin America, is returning to an in-person event for the first time since 2019 and has unveiled its first wave of titles.
This year’s International Fantastic Film Festival of Porto Alegre will take place in five cinemas around the southern city from April 15-May 1. It is bookended by a special opening night centenary screening of F. W. Murnau’s vampire classic Nosferatu accompanied by a live soundtrack performed by Carlos Ferreira and Brazilian...
- 3/14/2022
- by Jeremy Kay
- ScreenDaily
Writer-director Aly Muritiba said something very interesting about his new film Private Desert in the lead-up to its Venice debut. He spoke about a desire for its success to not simply be of the “preaching to the choir” variety. Rather than hope an artist, who already understands the breadth of love, could find something at the core of his love story, Muritiba wanted to open the hearts of those trapped under the oppressive force of conservatism and traditionalism. This tale of a conflicted policeman discovering his online lover isn’t who he thinks she is possesses the opportunity to connect with those who see themselves in the former, not the latter. And he embraces that possibility. Some audience members have not.
Comments about this film using the suffering of LGBTQ characters to help an outsider find redemption aren’t wrong, and members of that community have a right to voice...
Comments about this film using the suffering of LGBTQ characters to help an outsider find redemption aren’t wrong, and members of that community have a right to voice...
- 2/1/2022
- by Jared Mobarak
- The Film Stage
Latin America has submitted 15 contenders in the Academy Awards’ international feature category this time, not quite as big a haul as last year’s tally of 18.
Leading the hopefuls is Mexico’s “Prayers for the Stolen,” the fiction debut of Tatiana Huezo, one of Variety’s 10 Directors to Watch in 2022. Her tale follows three girls as they come of age in a remote village afflicted by the drug trade and human trafficking. The Cannes Un Certain Regard winner is now streaming on Netflix, which is putting all its promotional heft behind it. The film’s producers are Jim Stark (“Coffee and Cigarettes”) and Nicolas Celis, the latter a key producer of Mexico’s first-ever international feature Oscar winner, “Roma,” by Alfonso Cuarón.
Huezo’s 2016 documentary, “Tempestad,” represented Mexico at the 90th Academy Awards. Since 1957, when Mexico started participating in the Oscars, 10 of its entries have been nominated, culminating in “Roma’s” win in 2019.
Chile,...
Leading the hopefuls is Mexico’s “Prayers for the Stolen,” the fiction debut of Tatiana Huezo, one of Variety’s 10 Directors to Watch in 2022. Her tale follows three girls as they come of age in a remote village afflicted by the drug trade and human trafficking. The Cannes Un Certain Regard winner is now streaming on Netflix, which is putting all its promotional heft behind it. The film’s producers are Jim Stark (“Coffee and Cigarettes”) and Nicolas Celis, the latter a key producer of Mexico’s first-ever international feature Oscar winner, “Roma,” by Alfonso Cuarón.
Huezo’s 2016 documentary, “Tempestad,” represented Mexico at the 90th Academy Awards. Since 1957, when Mexico started participating in the Oscars, 10 of its entries have been nominated, culminating in “Roma’s” win in 2019.
Chile,...
- 12/13/2021
- by Anna Marie de la Fuente
- Variety Film + TV
by Nathaniel R
Sometimes the long lead up to a movie's release can alter a story. In the case of Aly Muritiba's Private Desert, most people who come to it will already be aware of its central premise though the movie treats that as a "reveal". Happily the film works either way. Crossing the border can also change how a movie feels. The initial protagonist, Daniel (Antonio Saboia) is viewed sympathetically but his offscreen history (police brutality) is likely to spark different reactions from country to country, depending on societal views on policing and masculinity. In the minimalist but never simple story, a lonely cop spontaneously drives several hours to finally meet the woman he's been romancing online. She abruptly ghosts him after an implicit request for reciprocal nudes and we glean, quite a long time before he does, that he's fallen for a queer person.
We had the...
Sometimes the long lead up to a movie's release can alter a story. In the case of Aly Muritiba's Private Desert, most people who come to it will already be aware of its central premise though the movie treats that as a "reveal". Happily the film works either way. Crossing the border can also change how a movie feels. The initial protagonist, Daniel (Antonio Saboia) is viewed sympathetically but his offscreen history (police brutality) is likely to spark different reactions from country to country, depending on societal views on policing and masculinity. In the minimalist but never simple story, a lonely cop spontaneously drives several hours to finally meet the woman he's been romancing online. She abruptly ghosts him after an implicit request for reciprocal nudes and we glean, quite a long time before he does, that he's fallen for a queer person.
We had the...
- 12/13/2021
- by NATHANIEL R
- FilmExperience
Kino Lorber has acquired U.S. and Canadian distribution rights to Aly Muritiba’s “Private Desert” (“Deserto Particular”) Brazil’s International Feature Oscar submission and a love story hailed for its large sensibility as well as political point.
The deal was negotiated with the film’s world sale agent, Rome-based Intramovies. Kino Lorber will bring ‘Private Desert’ to U.S. and Canadian theaters in 2022, followed by a release on all major digital platforms and home video.
World premiering at September’s Venice Film Festival, the film won the Audience Award – the Bnl People’s Choice Award – at its Venice Days.
Written by Muritiba and Henrique dos Santos and produced by Antonio Gonçalves Junior at Brazil’s Grafo, Muritiba’s career-long producer, “Private Desert” begins in Curitiba in Brazil’s cold rich South with Daniel, 40, a burly police instructor with a boxer’s face who has been suspended from active service...
The deal was negotiated with the film’s world sale agent, Rome-based Intramovies. Kino Lorber will bring ‘Private Desert’ to U.S. and Canadian theaters in 2022, followed by a release on all major digital platforms and home video.
World premiering at September’s Venice Film Festival, the film won the Audience Award – the Bnl People’s Choice Award – at its Venice Days.
Written by Muritiba and Henrique dos Santos and produced by Antonio Gonçalves Junior at Brazil’s Grafo, Muritiba’s career-long producer, “Private Desert” begins in Curitiba in Brazil’s cold rich South with Daniel, 40, a burly police instructor with a boxer’s face who has been suspended from active service...
- 12/7/2021
- by John Hopewell
- Variety Film + TV
Best International Feature Film has been awarded annually at the Oscars since the 29th Academy Awards in 1956. Each year countries from around the world are allowed to submit just one non-English speaking film for consideration. The Foreign Language Film Award Committee(s) then vote by secret ballot to select the shortlist and eventual Oscar nominees. Directors Paolo Sorrentino (“The Hand of God” – Italy), Maria Schrader (“I’m Your Man” – Germany), Jan P. Matuszynski (“Leave No Traces” – Poland), Tatiana Huezo (“Prayers for the Stolen” – Mexico) and Aly Muritiba (“Private Desert” – Brazil) share what it means to be selected to represent their countries in our Meet The Experts: Film International Feature Panel. Watch the exclusive group roundtable video above. Click each name to watch that person’s individual interview.
“What I hope I can communicate to the world is that my country is a very lively country,” says Sorrentino. “My film is full...
“What I hope I can communicate to the world is that my country is a very lively country,” says Sorrentino. “My film is full...
- 12/1/2021
- by Denton Davidson
- Gold Derby
Brazil’s entry for Best International Feature Film at the 94th Academy Awards, “Private Desert,” tells the story of a police officer who is suspended after an internal investigation, wandering the country in search of a real encounter with his internet love. Director and writer Aly Muritiba, who formerly worked as a prison guard, felt compelled to bring a story of love and compassion to the big screen during a time of political divide in Brazil.
“We are living under a regime that is much like a fascist regime,” Muritiba explains about Brazil’s current political climate. “There has been fighting and hate speech on the rise. That’s why I decided to deliver a movie that is about love. I think it shows how cinema can be a tool in fighting hate speech and the fascist environment that Brazil has been under recently.”
Muritiba’s former work as a...
“We are living under a regime that is much like a fascist regime,” Muritiba explains about Brazil’s current political climate. “There has been fighting and hate speech on the rise. That’s why I decided to deliver a movie that is about love. I think it shows how cinema can be a tool in fighting hate speech and the fascist environment that Brazil has been under recently.”
Muritiba’s former work as a...
- 12/1/2021
- by Denton Davidson
- Gold Derby
‘Deserto Particular’/ ‘Private Desert’ by Ali Muritiba
The Los Angeles screening of this emotionally packed love story was a great success culminating with an extravagant performance of the theme song by a red feather-laden sequined performer after which the director, Ali Muritiba spoke in careful terms, so as not of offend the Brazilian consulate, an honored guest, about the film that is sure to offend the country’s reactionary strongman Bolsanaro.
Continue reading on SydneysBuzz The Blog »...
The Los Angeles screening of this emotionally packed love story was a great success culminating with an extravagant performance of the theme song by a red feather-laden sequined performer after which the director, Ali Muritiba spoke in careful terms, so as not of offend the Brazilian consulate, an honored guest, about the film that is sure to offend the country’s reactionary strongman Bolsanaro.
Continue reading on SydneysBuzz The Blog »...
- 12/1/2021
- by Sydney Levine
- Sydney's Buzz
Five top international feature film directors will reveal secrets behind their projects when they join Gold Derby’s special “Meet the Experts” Q&a event with 2022 Oscar and guild contenders. Each person from these films will participate in two video discussions to premiere tomorrow on Monday, November 29, at 5:00 p.m. Pt; 8:00 p.m. Et. We’ll have a one-on-one with our contributing editor Denton Davidson and a roundtable chat with all of the group together.
RSVP today to this specific event by clicking here to book your reservation. Or click here to RSVP for our entire ongoing panel series of 17 panels in November and December. We’ll send you a reminder a few minutes before the start of the show.
This “Meet the Experts” panel welcomes the following 2022 awards contenders:
“The Hand of God” (Italy): Paolo Sorrentino
Synopsis: The story of a boy in the tumultuous Naples of the 1980s.
RSVP today to this specific event by clicking here to book your reservation. Or click here to RSVP for our entire ongoing panel series of 17 panels in November and December. We’ll send you a reminder a few minutes before the start of the show.
This “Meet the Experts” panel welcomes the following 2022 awards contenders:
“The Hand of God” (Italy): Paolo Sorrentino
Synopsis: The story of a boy in the tumultuous Naples of the 1980s.
- 11/29/2021
- by Chris Beachum and Denton Davidson
- Gold Derby
At the halfway mark, Aly Muritiba’s “Deserto Particular” clicks into high gear. There’s a change of scenery, yes; we move from the chilly South of Brazil to its arid Northeast. And there’s a change in point of view; we leave our protagonist behind and follow, instead, the person he was so intent on tracking down. More importantly, though, the film comes alive in its second half, which deepens and complicates the story we thought we were watching, about a disgraced cop trying to run away from the violence that’s set to cost him his job and his reputation. For some, the tender empathy that runs through the film’s latter half may not be enough to offset its choice of sympathetic leading man. Yet this Brazilian drama is a welcome and assured intervention into that country’s calcified ideals about desire and masculinity.
Daniel (Antonio Saboia) is spiraling.
Daniel (Antonio Saboia) is spiraling.
- 11/23/2021
- by Manuel Betancourt
- Variety Film + TV
7 Prisoners had been expceted to fly the flag.
In an unexpected move the Brazilian Academy of Cinema and Audiovisual Arts has selected Aly Muritiba’s Private Desert (Deserto Particular) over Alexandre Moratto’s 7 Prisoners as its submission for the 2022 Academy Awards.
Private Desert premiered in Venice Giornate Degli Autori where it won the Bnl People’s Choice Award. Antonio Saboia stars as a police officer who is kicked off the force for violent behaviour and sets off in search of his online love.
The film shot in Sobradinho, Juazeiro, Bahia, and Curitiba and is produced by Grafo Audiovisual and Fado Filmes.
In an unexpected move the Brazilian Academy of Cinema and Audiovisual Arts has selected Aly Muritiba’s Private Desert (Deserto Particular) over Alexandre Moratto’s 7 Prisoners as its submission for the 2022 Academy Awards.
Private Desert premiered in Venice Giornate Degli Autori where it won the Bnl People’s Choice Award. Antonio Saboia stars as a police officer who is kicked off the force for violent behaviour and sets off in search of his online love.
The film shot in Sobradinho, Juazeiro, Bahia, and Curitiba and is produced by Grafo Audiovisual and Fado Filmes.
- 10/15/2021
- by Jeremy Kay
- ScreenDaily
Keep track of all the submissions for best international feature at the 2022 Academy Awards.
Entries for the 2022 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
The 94th Academy Awards will take place on March 27, 2022 at the Dolby Theatre in Los Angeles. This is the first time since 2018 that the ceremony will take place in March, having moved to avoid conflicting with the Winter Olympics.
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly non-English dialogue...
Entries for the 2022 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
The 94th Academy Awards will take place on March 27, 2022 at the Dolby Theatre in Los Angeles. This is the first time since 2018 that the ceremony will take place in March, having moved to avoid conflicting with the Winter Olympics.
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly non-English dialogue...
- 10/15/2021
- by Ben Dalton¬Mona Tabbara
- ScreenDaily
After having swept San Sebastian’s Films in Progress with his second feature, “Rust” (2018) and quickly consolidated as one of the most talked-about of emerging talents in Brazil — a country of many talented young filmmakers — Aly Muritiba has come to Venice’s Biennale to screen his latest film, “Private Desert”(“Deserto Particular”), at its Giornate degli Autori.
It’s a heartwarming love story that reconfirms the director’s control over his craft. Co-produced by Grafo Audiovisual and Fado Filmes, the film follows Daniel, played energetically by Antonio Saboia. He’s a police man who, after being discharged due to violent behavior, crosses the country to find his online love who has suddenly vanished.
What follows is a delicate tale that widens Daniel’s horizons and those of his lover Sara under a scorching sun.
Aided by cinematographer Luis Armando Arteaga, Muritiba’s shimmering camerawork elegantly constructs the love story. The...
It’s a heartwarming love story that reconfirms the director’s control over his craft. Co-produced by Grafo Audiovisual and Fado Filmes, the film follows Daniel, played energetically by Antonio Saboia. He’s a police man who, after being discharged due to violent behavior, crosses the country to find his online love who has suddenly vanished.
What follows is a delicate tale that widens Daniel’s horizons and those of his lover Sara under a scorching sun.
Aided by cinematographer Luis Armando Arteaga, Muritiba’s shimmering camerawork elegantly constructs the love story. The...
- 9/9/2021
- by Emiliano Granada
- Variety Film + TV
Titles include Ali Muritiba’s ‘Private Desert’.
Rome-based sales company Intramovies has boarded two titles playing in the Venice sidebars Critics’ Week and Giornate degli Autori.
Venice Days title Private Desert is written and directed by Aly Muritiba, whose credits include Sundance 2018 feature Rust; and produced by Brazil’s Grafo Audiovisual Films. The film tells the story of a cop suspended after an internal investigation, wandering the country in search of a real encounter with his internet love.
Critics’ Week pick Mother Lode is a docudrama by Matteo Tortone, produced by France’s Wendigo Films, Italy’s Malfe Film and Switzerland’s C-Side Productions.
Rome-based sales company Intramovies has boarded two titles playing in the Venice sidebars Critics’ Week and Giornate degli Autori.
Venice Days title Private Desert is written and directed by Aly Muritiba, whose credits include Sundance 2018 feature Rust; and produced by Brazil’s Grafo Audiovisual Films. The film tells the story of a cop suspended after an internal investigation, wandering the country in search of a real encounter with his internet love.
Critics’ Week pick Mother Lode is a docudrama by Matteo Tortone, produced by France’s Wendigo Films, Italy’s Malfe Film and Switzerland’s C-Side Productions.
- 7/29/2021
- by Gabriele Niola
- ScreenDaily
And finally it’s the Giornate degli Autori folks headed by topper Gaia Furrer that have unveiled their sidebar selections. Of the ten feature films we find several first time feature works from the likes of Egyptian journalist Dina Amer’s debut Tu Me Resembles (executive produced by Spike Lee and Spike Jonze) and TorinoFilmLab Polish filmmaker Ola Jankowska with Anatomia. We have one item that we were tracking in Antoine Barraud‘s Madeleine Collins – which stars Benedetta herself Virginie Efira alongside helmer Nadav Lapid – that film receives a France domestic release in December. We have San Sebastian Work-in-progress title Piedra Noche by Iván Fund (he was in Un Certain Regard in 2010 The Lips) and we find Brazilian helmer Aly Muritiba‘s latest in Deserto Particular (he competed at Sundance with Rust in 2018).…...
- 7/28/2021
- by Eric Lavallée
- IONCINEMA.com
“Madeleine Collins,” the buzzy psychological drama directed by France’s Antoine Barraud (“Portrait of the Artist”) and toplined by popular Belgian actress Virginie Efira who plays the lesbian nun in Paul Verhoeven’s “Benedetta,” is among ten competition titles set to launch from the Venice Film Festival’s independently run Venice Days section.
The Venice section modeled around the Cannes Directors’ Fortnight is largely made up of international first works this year. All entries are world premieres.
Besides “Madeleine” in which Efira (pictured) plays a woman who leads a double life –– and which also features Nadav Lapid, who is also the Israeli director of “Synonyms” and also Jacqueline Bisset –– the three other pics competing in Venice Days that are not first works are: the drama “Private Desert,” by Brazilian director Aly Muritiba (“Rust”) that is centered around a 40-year-old-cop’s Internet love interest who goes missing; “Dusk Stone,” by Argentina...
The Venice section modeled around the Cannes Directors’ Fortnight is largely made up of international first works this year. All entries are world premieres.
Besides “Madeleine” in which Efira (pictured) plays a woman who leads a double life –– and which also features Nadav Lapid, who is also the Israeli director of “Synonyms” and also Jacqueline Bisset –– the three other pics competing in Venice Days that are not first works are: the drama “Private Desert,” by Brazilian director Aly Muritiba (“Rust”) that is centered around a 40-year-old-cop’s Internet love interest who goes missing; “Dusk Stone,” by Argentina...
- 7/28/2021
- by Nick Vivarelli
- Variety Film + TV
Cannes — In yet another – and significant – Latin America distribution deal for the now highly active Ott giant, Amazon Prime Video has acquired Brazilian and pan-Spanish-speaking Latin American Svod rights to Turner Latin America’s highly anticipated “Freitas Brothers.”
The announcement was made late Tuesday by Turner Latin America at Cannes Mipcom TV and Ott trade fair.
Underscoring the alliance between WarnerMedia’s Turner Latin America, the No. 1 pay TV powerhouse in Latin America, with the cream of Brazil’s film world, the boxing bioseries was created by Sergio Machado (”Lower City”) and Walter Salles (“The Motorcycle Diaries”), directed by Machado and Aly Muritiba (“Rust”) and supervised by Salles.
Top Brazilian production house Gullane produces with Salles’ label VideoFilmes.
“Freitas Brothers” will bow on Tla’s pay TV channel Space Brazil and, two hours later, be made available on Amazon Prime Video in the same country. Three months after the end...
The announcement was made late Tuesday by Turner Latin America at Cannes Mipcom TV and Ott trade fair.
Underscoring the alliance between WarnerMedia’s Turner Latin America, the No. 1 pay TV powerhouse in Latin America, with the cream of Brazil’s film world, the boxing bioseries was created by Sergio Machado (”Lower City”) and Walter Salles (“The Motorcycle Diaries”), directed by Machado and Aly Muritiba (“Rust”) and supervised by Salles.
Top Brazilian production house Gullane produces with Salles’ label VideoFilmes.
“Freitas Brothers” will bow on Tla’s pay TV channel Space Brazil and, two hours later, be made available on Amazon Prime Video in the same country. Three months after the end...
- 10/16/2019
- by John Hopewell
- Variety Film + TV
The 46 projects include 25 feature and documentary works.
The Venice Gap-Financing Market has selected the projects for its 5th edition, to be held from August 31-September 2 during the Venice film festival.
Organised as part of the Venice Production Bridge, the three-day event will present 46 projects from around the world in the final stages of development and funding.
The titles include 25 feature fiction and documentary projects; 15 virtual reality works; and six projects developed during the workshop of Biennale College Cinema.
Fiction projects include Kiyoshi Kurosawa’s To The Ends Of The Earth (working title), which shot in Uzbekistan in April and May,...
The Venice Gap-Financing Market has selected the projects for its 5th edition, to be held from August 31-September 2 during the Venice film festival.
Organised as part of the Venice Production Bridge, the three-day event will present 46 projects from around the world in the final stages of development and funding.
The titles include 25 feature fiction and documentary projects; 15 virtual reality works; and six projects developed during the workshop of Biennale College Cinema.
Fiction projects include Kiyoshi Kurosawa’s To The Ends Of The Earth (working title), which shot in Uzbekistan in April and May,...
- 6/29/2018
- by Ben Dalton
- ScreenDaily
The 46 projects include 25 feature and documentary works.
The Venice Gap-Financing Market has selected the projects for its 5th edition, to be held from August 31-September 2 during the Venice film festival.
Organised as part of the Venice Production Bridge, the three-day even will present 46 projects from around the world in the final stages of development and funding.
The titles include 25 feature fiction and documentary projects; 15 virtual reality works; and six projects developed during the workshop of Biennale College Cinema.
Fiction projects include Kiyoshi Kurosawa’s To The Ends Of The Earth (working title), which shot in Uzbekistan in April and May,...
The Venice Gap-Financing Market has selected the projects for its 5th edition, to be held from August 31-September 2 during the Venice film festival.
Organised as part of the Venice Production Bridge, the three-day even will present 46 projects from around the world in the final stages of development and funding.
The titles include 25 feature fiction and documentary projects; 15 virtual reality works; and six projects developed during the workshop of Biennale College Cinema.
Fiction projects include Kiyoshi Kurosawa’s To The Ends Of The Earth (working title), which shot in Uzbekistan in April and May,...
- 6/29/2018
- by Ben Dalton
- ScreenDaily
Ela Bittencourt's new column explores South America’s key festivals and notable screenings of Latin films in North America and Europe.We Are All HereThe news from Sundance this year was that it’s been a year of women filmmakers. But that early optimism was quickly cut short. Alison Wilmore reported for Buzzfeed that the grumblings by the industry about no clear discoveries at this year’s festival seemed directly related to the larger representation by women. In Wilmore’s words, the buyers were asking, “Who are these films for?” “As mindblowing a concept as this may be, for women,” was Wilmore’re answer in the article. Some critics, such as Eric Hynes, retweeted Wilmore’s repartee on Twitter to voice criticism of the industry’s response. Others, like me, reacted to the industry comments with even more chagrin, wondering if indeed only women were the intended viewer.Meanwhile in Latin America,...
- 2/28/2018
- MUBI
Aly Muritiba’s Ferrugem (lit. Rust) opens with a haunting shot of a gymnotiform. It rears its head out of the coral, eyes still-white, mouth plopping open and shut, and body coated in a corroded tint of yellow. “They say when it feels threatened,” an unknowing Tatiana (Tifanny Dopke) tells her brooding classmate and eventual fling, Renet (Giovanni de Lorenzi). “It can spark an electric charge that kills you instantly.” The opening scene finds her gazing longingly at the electric eel, a look she repeats when she looks at Renet. A cute-meet that’s both a beginning and an end. On the film whirls into twin maelstroms, both inescapable to the respective people caught within them. Odd but intriguing, then, is Muritiba’s decision to splice his...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 2/2/2018
- Screen Anarchy
Rust, Brazilian director Aly Muritiba's follow-up to his bereavement-centric debut To My Beloved, examines the tragic repercussions that follow the release online of a teenage girl's homemade sex tape. Muritiba employs an interesting tactic with the script, co-written by Jessica Candal, by breaking up the narrative into two parts, the first focusing on the young woman in the sex tape, the second on the person who leaked it. The approach manages to tap into zeitgeist-y discussions around revenge porn, bullying and misogyny raging worldwide at the moment, while still attempting to construct a nuanced understanding of how just a few...
- 1/23/2018
- by Leslie Felperin
- The Hollywood Reporter - Movie News
One of the more notable aspects of this year’s Sundance Film Festival is the presence of two features from Brazil, Gustavo Pizzi’s “Loveling” and Aly Muritiba‘s “Rust.” It’s great to see more talent coming out of Brazil and making its way through the festival circuit, but unfortunately, this one fails to impress.
Premiering as a part of the World Cinema Dramatic Competition category, Muritiba’s “Rust” is a cautionary tale of teen trauma in the social media age.
Continue reading ‘Rust’: Frustrating & Familiar Cyberbullying Drama Fails To Connect [Sundance Review] at The Playlist.
Premiering as a part of the World Cinema Dramatic Competition category, Muritiba’s “Rust” is a cautionary tale of teen trauma in the social media age.
Continue reading ‘Rust’: Frustrating & Familiar Cyberbullying Drama Fails To Connect [Sundance Review] at The Playlist.
- 1/22/2018
- by Kyle Kohner
- The Playlist
"I just want to disappear." The first official trailer has debuted for an indie drama from Brazil titled Rust, which is currently premiering at the 2018 Sundance Film Festival this month in the World Cinema Dramatic Competition category. Directed by Aly Muritiba, the film deals with a group of high school teens and a case of sexual abuse that gets even worse when a private video leaks to the entire school. The film specifically focuses on the brewing relationship between teens Tati and Renet, as well as their home lives. The film's cast is lead by Giovanni de Lorenzi, Tifanny Dopke, Enrique Diaz, and Clarissa Kiste. This looks like a very strong drama from Brazil addressing a very important topic of the times - and how everything gets even crazier when it's spread among teens in high school. Seems like it's worth catching at the festival. Here's the first official trailer for Aly Muritiba's Rust,...
- 1/20/2018
- by Alex Billington
- firstshowing.net
The Sundance Film Festival has been a launchpad for talented filmmakers all over the world, and a trailer for a new Brazilian drama called Rust has me wondering if director Aly Muritiba‘s name is one we’re going to become familiar with as this year’s fest gets underway this week. His film tells the story of a high school girl who […]
The post ‘Rust’ Trailer: Sundance Drama Examines the Social Fallout From a Leaked Video appeared first on /Film.
The post ‘Rust’ Trailer: Sundance Drama Examines the Social Fallout From a Leaked Video appeared first on /Film.
- 1/19/2018
- by Ben Pearson
- Slash Film
While the Sundance Film Festival is becoming known as the place where the next awards season favorites are found, it’s also a terrific platform for world cinema. Some of our favorite foreign film have been discovered in Park City, and the Brazilian picture “Rust” looks like one that can’t be missed this year at Sundance. Today, we’re excited to debut the exclusive trailer for the movie.
Directed by Aly Muritiba, and starring Giovanni De Lorenzi, Tifanny Dopke, Enrique Diaz, Clarissa Kiste, Dudah Azevedo, and Pedro Inoue, the story follows a teenager whose world changes when an intimate video leaks to her entire school.
Continue reading ‘Rust’ Trailer: Worlds Crumble When An Intimate Video Leaks [Sundance Exclusive] at The Playlist.
Directed by Aly Muritiba, and starring Giovanni De Lorenzi, Tifanny Dopke, Enrique Diaz, Clarissa Kiste, Dudah Azevedo, and Pedro Inoue, the story follows a teenager whose world changes when an intimate video leaks to her entire school.
Continue reading ‘Rust’ Trailer: Worlds Crumble When An Intimate Video Leaks [Sundance Exclusive] at The Playlist.
- 1/16/2018
- by Kevin Jagernauth
- The Playlist
Aly Muritiba’s Rust and Telmo Esnal’s Dantza on Wednesday snapped up the coveted Industry Awards at the San Sebastian Film Festival, as the event handed out prizes worth the full cost of postproduction for the industry-magnet sections featuring highly filtered, unfinished projects.
A look at teenage romance in Brazil, Rust swept the Latin American-focused Films in Progress section, while the Basque-language musical film Dantza played in the newly created Glocal in Progress showcase, highlighting films from non-hegemonic European languages.
Both awards amount to the full costs of postproduction of a film obtaining a Dcp subtitled in English and Spanish copy...
A look at teenage romance in Brazil, Rust swept the Latin American-focused Films in Progress section, while the Basque-language musical film Dantza played in the newly created Glocal in Progress showcase, highlighting films from non-hegemonic European languages.
Both awards amount to the full costs of postproduction of a film obtaining a Dcp subtitled in English and Spanish copy...
- 9/27/2017
- by Pamela Rolfe
- The Hollywood Reporter - Movie News
Brazilian filmmaker Kleber Mendonça Filho’s controversial “Aquarius” continues to stir big emotions, even months after its debut at the Cannes Film Festival.
At a special preview of the film at New York City’s Angelika Theatre on Thursday evening, the film was greeted by a group of protesters who turned out in support of the film and its creator, who has been very vocal about his opposition to Brazilian president Dilma Rousseff’s recent impeachment — perceived as many to be part of a coup — and continuing a conversation started earlier this year.
Read More: ‘Aquarius’ Political Controversy Clouds Brazil’s Oscar Submission
The film follows 65-year-old Brazilian widow Clara (Sonia Braga), a former music journalist who is set on living out the rest of her days in the apartment complex where she grew up. Although she pledges to stay in the apartment until she dies, her plans are waylaid...
At a special preview of the film at New York City’s Angelika Theatre on Thursday evening, the film was greeted by a group of protesters who turned out in support of the film and its creator, who has been very vocal about his opposition to Brazilian president Dilma Rousseff’s recent impeachment — perceived as many to be part of a coup — and continuing a conversation started earlier this year.
Read More: ‘Aquarius’ Political Controversy Clouds Brazil’s Oscar Submission
The film follows 65-year-old Brazilian widow Clara (Sonia Braga), a former music journalist who is set on living out the rest of her days in the apartment complex where she grew up. Although she pledges to stay in the apartment until she dies, her plans are waylaid...
- 10/14/2016
- by Kate Erbland
- Indiewire
The fallout of Brazil’s turbulent politics has caught up with the selection of the country’s Oscar candidate. Three contenders have withdrawn from the race in support of Cannes entry “Aquarius,” the latest from director Kleber Mendonça Filho, who started protesting in Cannes last May the ongoing impeachment of suspended Brazilian president Dilma Rousseff, which he has called a coup d’etat.
Three candidates for Brazil’s Oscar nomination bid –Gabriel Mascaro’s Venice-winner “Neon Bull,” Anna Muylaert’s “Don’t Call Me Son,” and Aly Muritiba’s “To My Beloved,” have refused to participate in the race to become Brazil’s Oscar submission in the aftermath of Rousseff’s impeachment, which is having rippling effects on a politically outspoken local film scene.
The directors’ are protesting the make-up of the committee that will choose the Brazilian representative at the Academy Awards, after the Ministry of Culture invited a...
Three candidates for Brazil’s Oscar nomination bid –Gabriel Mascaro’s Venice-winner “Neon Bull,” Anna Muylaert’s “Don’t Call Me Son,” and Aly Muritiba’s “To My Beloved,” have refused to participate in the race to become Brazil’s Oscar submission in the aftermath of Rousseff’s impeachment, which is having rippling effects on a politically outspoken local film scene.
The directors’ are protesting the make-up of the committee that will choose the Brazilian representative at the Academy Awards, after the Ministry of Culture invited a...
- 8/27/2016
- by Agustín Mango
- Indiewire
A slate of 12 upcoming features seeking French and European co-producers and sales representation were presented at the event running within the Champs-Elysées Film Festival in Paris.
Ghanaian New York-based director Frances Bodomo’s upcoming feature Afronauts, based on the real-life tale of a Zambian bid to enter the space race shortly after the country gained independence in 1964, was one of the projects drawing strong buzz at the Paris Coproduction Village running June 8-10.
“On the basis of the number meetings booked this was one of the most popular projects on the table although of course a lot will happen behind...
Ghanaian New York-based director Frances Bodomo’s upcoming feature Afronauts, based on the real-life tale of a Zambian bid to enter the space race shortly after the country gained independence in 1964, was one of the projects drawing strong buzz at the Paris Coproduction Village running June 8-10.
“On the basis of the number meetings booked this was one of the most popular projects on the table although of course a lot will happen behind...
- 6/13/2016
- ScreenDaily
Paris Co-pro Village buzz titles include 'Afronauts', 'Blood-Drenched Beard', 'Dark Lies The Island'
A slate of 12 upcoming features seeking French and European co-producers and sales representation were presented at the event running within the Champs-Elysées Film Festival in Paris.
Ghanaian New York-based director Frances Bodomo’s upcoming feature Afronauts, based on the real-life tale of a Zambian bid to enter the space race shortly after the country gained independence in 1964, was one of the projects drawing strong buzz at the Paris Coproduction Village running June 8-10.
“On the basis of the number meetings booked this was one of the most popular projects on the table although of course a lot will happen behind...
Ghanaian New York-based director Frances Bodomo’s upcoming feature Afronauts, based on the real-life tale of a Zambian bid to enter the space race shortly after the country gained independence in 1964, was one of the projects drawing strong buzz at the Paris Coproduction Village running June 8-10.
“On the basis of the number meetings booked this was one of the most popular projects on the table although of course a lot will happen behind...
- 6/13/2016
- ScreenDaily
Industry Days 2016 includes the fifth edition of Us in Progress and the third edition of Paris Coproduction Village. Industry Days aims at becoming a reference in professional meetings for French and European producers, with a strong positioning towards the enhancement of emerging cinematography.
Paris Co-Production Village Unveils Its Project Selections
Organized by Les Arcs European Film Festival within the frame of the Champs-Elysées Film Festival Industry Days, Paris Co-production Village is a development and financing platform for feature projects selected worldwide.
For its third edition, which will take place June 8-10, 2016 in Paris, the 12 following projects have been selected:
-"Afronauts" by Frances Bodomo (2015 - short film « Afronauts » Sundance Ff, Berlinale, AFI Fest, Chicago Iff ; 2014 - short film "Boneshaker" Sundance Ff, SXSW Ff, Chicago Iff, Edinburgh Iff) produced by Nomadic Independence (USA).
-"Blood-Drenched Beard" by Aly Muritiba (2015 - "To My Beloved" San Sebastian Ff Horizontes Latinos, Official Competition Montreal World Film Festival; 2015 - "Tarantula" Venice Ff Orizonti) produced by Rt Features (Brazil).
-"The Bus to Amerika" by Derya Durmaz (2015 - short film "Mother Virgin No More" Berlinale Generations 14plus Short Film Competition) produced by Mars Production (Turkey).
-"Dark Lies the Island" by Ian Fitzgibbon (2011 - "Death of a Superhero" Toronto Iff, Jury and Audience Awards Les Arcs European Film Festival ; 2010 - "Perrier's Bountru" Toronto Iff, Seattle Iff) produced by Grand Pictures (Ireland).
-"God Exists, her Name is Petrunija" by Teona Strugar Mitevska (2012 - "The Woman Who Brushed Her Tears" Berlinale Panaroma Special; 2008 - "I am from Tito Veles" Berlinale Panorama Section, Special Jury Award Sarajevo Ff, Toronto Iff, Cannes Ff Acid selection) produced by Sisters and Brother Mitevski Production (Macedonia).
-"Golden Voices" by Evgeny Ruman (2015 - "The Man in the Wall" Rotterdam Iff, Best acting Award Odessa Iff; 2012 - "Igor & the Cranes' Journey" Toronto Iff, Special Mention Haifa Iff) produced by United Channel Movies (Israel).
-"Prince" by Sebastian Muñoz produced by Niña Niño Films (Chile) and Le Tiro Films (Argentina).
-"Remarkable Things During a Killing" by Joko Anwar (2015 - "A Copy of my Mind" Venice Iff, Toronto Iff, Busan Iff, Rotterdam Iff; 2012 - "Ritual" SXSW, Gerardmer Fantasy Ff) produced by Lo-Fi Flicks (Indonesia).
-"When the Waves are Gone" by Lav Diaz (2016 - "A Lullaby to the Sorrowful Mystery"Alfred Bauer Award Berlinale Official Competition; 2014 - "From What is Before" Golden Leopard Locarno Iff, Audience Award Sao paulo Iff) produced by Epicmedia (The Philippines).
Projets selected within the frame of the Focus Colombia :
"Almost Never Too Late" by Alfonso Acosta (2012 - "The Crack" Busan Iff, Sao Paulo Iff, Gerardmer Fantasy Ff, Neuchatel International Fantastic Ff) produced by Cabecitanegra Producciones.
-"The Stone" by Rafael Martinez Moreno (2015 - short film "Round Numbers" Zinebi Bilbao Official Selection; 2012 - short film "120 Minutes of Freedom", Bogota International Film Festival) produced by Miramar Entertainment.
-"The Tailor" by Cesar Heredia (2015 - short film "Elefante" Official Competition Cartagena Iff) produced by Corte Film, Tree House Film (Panama) and Diafragma (Colombia).
This selection aims at showing the diversity of world cinema, in terms of geography as well as a balance between newcomers and experienced directors. It includes:
- 1 American project, 1 Israeli project, 3 European projects, 2 Asian projects and 5 projects from Latin America including 3 projects part of the Colombian Focus
- 5 first feature films projects (marked with *)
Colombia is the guest country of this third edition
In partnership with Proimágenes Colombia, Paris Coproduction Village will present this year a « Colombian Focus », inviting 3 Colombian projects in development. A conference, organized with the support of the Cnc, will take place during the event and will discuss the improvement of the French-Colombian coproduction framework.
In addition, the 6 residents of Cannes Film Festival Cinéfondation will join the selection:
-"Feathers of a Father" by Omar El Zohairy (Egypt)
-"Fronteira" by Nuno Baltazar (Portugal)
-"Letters from the Land of the Tarahumara" by Federico Cecchetti (Mexico/France)
-"Tinnitus" by Gregorio Grazios (Brazil)
-"The Users" by Ivan Ikic (Serbia)
-"Disappearance" by Ali Asgari (Iran)
All these projects will benefit from one-to-one pre-scheduled meetings with producers, sales agents, distributors, from networking events, as well as seminars taught by leading film industry professionals.
Paris Coproduction Village is supported by the Cnc, Procirep and Cofiloisirs. It is organized in collaboration with our partners Cannes Cinéfondation, Ace, Cinando, Haf (Hong-Kong Asian Film Financing Forum), Variety, LatAm, Producers Network, Screen, Eave, Europa International, Cineuropa and Ecran Total.
The team behind Paris Coproduction Village is the team of Les Arcs European Film Festival, that is to say:
Pierre-Emmanuel Fleurantin, CEO
Jérémy Zelnik, Head of Industry
Alice Guilbaud, Coproduction Village Manager
Guillaume Calop, General Manager
Claire-Marine Piétriga, General Coordinator
Clémentine Larroudé, Head of Partnerships
Fabienne Silvestre-Bertoncini, Public and Institutional Relations
Us in Progress Unveils Its Project Selection
Us in Progress will take place in the scope of the 5th edition of Champs-Elysées Film Festival in Paris on June 8-10. The Program is a joint initiative between the American Film Festival in Wroclaw, the Champs-Elysées Film Festival in Paris and Black Rabbit Film in New York. It is the first and only industry event devoted to Us indies in Europe. The aim of the program is to present Us indie films in post-production to European buyers in order to foster the circulation and distribution of American indie films in Europe.
For the 5th edition of Us in Progress within the scope of the Industry Days, 4 feature-length narrative films have been selected to compete for the Us in Progress Prize :
-"California Dreams" Directed by Mike Ott / Produced by Alex Gioulakis
-"Easy Living" Directed by Adam Keleman / Produced by Laura Wagner
-"Everything Beautiful is Far Away" Directed by Pete Ohs and Andrea Sisson / Produced by Andrea Sisson and Saul Germaine
-"Otto : My Life is a Soundtrack" Directed by Margarita Jimeno / Andrew Corkin and Sol Bondy
This year, we are also introducing documentaries at the Us in Progress Paris with the selection of 2 films:
-"Academy" Directed by Brent Chesanek / Produced by Andrew Renzi and Andrew Corkin
-"Whirlybird" Directed by Matt Yoka / Produced by Steve Holmgren, Erin Lee Carr, Greg Lanesey and Matt Radecki
For two days, the project holders will present their rough cuts to 40 top European sales agents, distributors, festivals programmers and producers. On the third day, they will get advices and feedbacks from the screenings through one-to-one meetings with the buyers.
The awarded film will get post-production, acquisition and promotion services offered by our partners : TitraFilm, Europa Distribution, Producers Network, Ciné +, Eaux Vives Productions, Indiewire-SydneysBuzz, Centre Phi, Kickstarter and a newcomer the Studios d’Arenberg (Arenberg Creative Mine).
Us in Progress involves two yearly get-togethers and the next edition will take place in Wroclaw in October 2016 in the scope of the American Film Festival. Us in Progress Wroclaw’s submissions starts from April 6th to August 31st.
Paris Co-Production Village Unveils Its Project Selections
Organized by Les Arcs European Film Festival within the frame of the Champs-Elysées Film Festival Industry Days, Paris Co-production Village is a development and financing platform for feature projects selected worldwide.
For its third edition, which will take place June 8-10, 2016 in Paris, the 12 following projects have been selected:
-"Afronauts" by Frances Bodomo (2015 - short film « Afronauts » Sundance Ff, Berlinale, AFI Fest, Chicago Iff ; 2014 - short film "Boneshaker" Sundance Ff, SXSW Ff, Chicago Iff, Edinburgh Iff) produced by Nomadic Independence (USA).
-"Blood-Drenched Beard" by Aly Muritiba (2015 - "To My Beloved" San Sebastian Ff Horizontes Latinos, Official Competition Montreal World Film Festival; 2015 - "Tarantula" Venice Ff Orizonti) produced by Rt Features (Brazil).
-"The Bus to Amerika" by Derya Durmaz (2015 - short film "Mother Virgin No More" Berlinale Generations 14plus Short Film Competition) produced by Mars Production (Turkey).
-"Dark Lies the Island" by Ian Fitzgibbon (2011 - "Death of a Superhero" Toronto Iff, Jury and Audience Awards Les Arcs European Film Festival ; 2010 - "Perrier's Bountru" Toronto Iff, Seattle Iff) produced by Grand Pictures (Ireland).
-"God Exists, her Name is Petrunija" by Teona Strugar Mitevska (2012 - "The Woman Who Brushed Her Tears" Berlinale Panaroma Special; 2008 - "I am from Tito Veles" Berlinale Panorama Section, Special Jury Award Sarajevo Ff, Toronto Iff, Cannes Ff Acid selection) produced by Sisters and Brother Mitevski Production (Macedonia).
-"Golden Voices" by Evgeny Ruman (2015 - "The Man in the Wall" Rotterdam Iff, Best acting Award Odessa Iff; 2012 - "Igor & the Cranes' Journey" Toronto Iff, Special Mention Haifa Iff) produced by United Channel Movies (Israel).
-"Prince" by Sebastian Muñoz produced by Niña Niño Films (Chile) and Le Tiro Films (Argentina).
-"Remarkable Things During a Killing" by Joko Anwar (2015 - "A Copy of my Mind" Venice Iff, Toronto Iff, Busan Iff, Rotterdam Iff; 2012 - "Ritual" SXSW, Gerardmer Fantasy Ff) produced by Lo-Fi Flicks (Indonesia).
-"When the Waves are Gone" by Lav Diaz (2016 - "A Lullaby to the Sorrowful Mystery"Alfred Bauer Award Berlinale Official Competition; 2014 - "From What is Before" Golden Leopard Locarno Iff, Audience Award Sao paulo Iff) produced by Epicmedia (The Philippines).
Projets selected within the frame of the Focus Colombia :
"Almost Never Too Late" by Alfonso Acosta (2012 - "The Crack" Busan Iff, Sao Paulo Iff, Gerardmer Fantasy Ff, Neuchatel International Fantastic Ff) produced by Cabecitanegra Producciones.
-"The Stone" by Rafael Martinez Moreno (2015 - short film "Round Numbers" Zinebi Bilbao Official Selection; 2012 - short film "120 Minutes of Freedom", Bogota International Film Festival) produced by Miramar Entertainment.
-"The Tailor" by Cesar Heredia (2015 - short film "Elefante" Official Competition Cartagena Iff) produced by Corte Film, Tree House Film (Panama) and Diafragma (Colombia).
This selection aims at showing the diversity of world cinema, in terms of geography as well as a balance between newcomers and experienced directors. It includes:
- 1 American project, 1 Israeli project, 3 European projects, 2 Asian projects and 5 projects from Latin America including 3 projects part of the Colombian Focus
- 5 first feature films projects (marked with *)
Colombia is the guest country of this third edition
In partnership with Proimágenes Colombia, Paris Coproduction Village will present this year a « Colombian Focus », inviting 3 Colombian projects in development. A conference, organized with the support of the Cnc, will take place during the event and will discuss the improvement of the French-Colombian coproduction framework.
In addition, the 6 residents of Cannes Film Festival Cinéfondation will join the selection:
-"Feathers of a Father" by Omar El Zohairy (Egypt)
-"Fronteira" by Nuno Baltazar (Portugal)
-"Letters from the Land of the Tarahumara" by Federico Cecchetti (Mexico/France)
-"Tinnitus" by Gregorio Grazios (Brazil)
-"The Users" by Ivan Ikic (Serbia)
-"Disappearance" by Ali Asgari (Iran)
All these projects will benefit from one-to-one pre-scheduled meetings with producers, sales agents, distributors, from networking events, as well as seminars taught by leading film industry professionals.
Paris Coproduction Village is supported by the Cnc, Procirep and Cofiloisirs. It is organized in collaboration with our partners Cannes Cinéfondation, Ace, Cinando, Haf (Hong-Kong Asian Film Financing Forum), Variety, LatAm, Producers Network, Screen, Eave, Europa International, Cineuropa and Ecran Total.
The team behind Paris Coproduction Village is the team of Les Arcs European Film Festival, that is to say:
Pierre-Emmanuel Fleurantin, CEO
Jérémy Zelnik, Head of Industry
Alice Guilbaud, Coproduction Village Manager
Guillaume Calop, General Manager
Claire-Marine Piétriga, General Coordinator
Clémentine Larroudé, Head of Partnerships
Fabienne Silvestre-Bertoncini, Public and Institutional Relations
Us in Progress Unveils Its Project Selection
Us in Progress will take place in the scope of the 5th edition of Champs-Elysées Film Festival in Paris on June 8-10. The Program is a joint initiative between the American Film Festival in Wroclaw, the Champs-Elysées Film Festival in Paris and Black Rabbit Film in New York. It is the first and only industry event devoted to Us indies in Europe. The aim of the program is to present Us indie films in post-production to European buyers in order to foster the circulation and distribution of American indie films in Europe.
For the 5th edition of Us in Progress within the scope of the Industry Days, 4 feature-length narrative films have been selected to compete for the Us in Progress Prize :
-"California Dreams" Directed by Mike Ott / Produced by Alex Gioulakis
-"Easy Living" Directed by Adam Keleman / Produced by Laura Wagner
-"Everything Beautiful is Far Away" Directed by Pete Ohs and Andrea Sisson / Produced by Andrea Sisson and Saul Germaine
-"Otto : My Life is a Soundtrack" Directed by Margarita Jimeno / Andrew Corkin and Sol Bondy
This year, we are also introducing documentaries at the Us in Progress Paris with the selection of 2 films:
-"Academy" Directed by Brent Chesanek / Produced by Andrew Renzi and Andrew Corkin
-"Whirlybird" Directed by Matt Yoka / Produced by Steve Holmgren, Erin Lee Carr, Greg Lanesey and Matt Radecki
For two days, the project holders will present their rough cuts to 40 top European sales agents, distributors, festivals programmers and producers. On the third day, they will get advices and feedbacks from the screenings through one-to-one meetings with the buyers.
The awarded film will get post-production, acquisition and promotion services offered by our partners : TitraFilm, Europa Distribution, Producers Network, Ciné +, Eaux Vives Productions, Indiewire-SydneysBuzz, Centre Phi, Kickstarter and a newcomer the Studios d’Arenberg (Arenberg Creative Mine).
Us in Progress involves two yearly get-togethers and the next edition will take place in Wroclaw in October 2016 in the scope of the American Film Festival. Us in Progress Wroclaw’s submissions starts from April 6th to August 31st.
- 5/19/2016
- by Sydney Levine
- Sydney's Buzz
New projects from Evgeny Ruman [pictured], Lav Diav, Ian Fitzgibbon and Frances Bodomo to attend.Scroll down for full list of projects
Evgeny Ruman, Lav Diav, Ian Fitzgibbon and Joko Anwar will be among the directors presenting new projects at the third edition of the Paris Co-production Village in June.
A joint venture between Les Arcs European Film Festival and Champs Elysées Film Festival, the event will unfold June 8-10 in Paris as part of the latter event’s Industry Days. Its aim is to connect international film-makers and producers with French production and sales partners.
The line-up for Us in Progress has also been unveiled featuring seven projects including Easy Living by Adam Keleman who was assistant director on Brooklyn.
The central Co-production Village selection features 12 projects, hailing from Europe, Asia and Latin America, the Us and Israel.
Israeli film-maker Evgeny Ruman will present Golden Voices, his third film after The Man In The Wall which played...
Evgeny Ruman, Lav Diav, Ian Fitzgibbon and Joko Anwar will be among the directors presenting new projects at the third edition of the Paris Co-production Village in June.
A joint venture between Les Arcs European Film Festival and Champs Elysées Film Festival, the event will unfold June 8-10 in Paris as part of the latter event’s Industry Days. Its aim is to connect international film-makers and producers with French production and sales partners.
The line-up for Us in Progress has also been unveiled featuring seven projects including Easy Living by Adam Keleman who was assistant director on Brooklyn.
The central Co-production Village selection features 12 projects, hailing from Europe, Asia and Latin America, the Us and Israel.
Israeli film-maker Evgeny Ruman will present Golden Voices, his third film after The Man In The Wall which played...
- 5/15/2016
- ScreenDaily
The Brazilian promotional body will attend the Efm for the tenth consecutive year to talk up a slate of national films that includes Panorama selections Time Was Endless and Don’t Call Me Son.
Cinema do Brasil, which works with the Brazilian Trade and Investment Promotion Agency and has support from the audiovisual department of the Ministry Of Culture to champion home-grown fare, will be in Berlin representing a delegation of 32 companies.
Both Panorama entries will receive from Cinema do Brasil a $25,000 Sales Agent Support Award.
Don’t Call Me Son (Mae So Ha Uma, pictured) is Anna Muylaert’s follow-up to her widely admired 2015 Panorama winner and Brazilian foreign language Oscar submission The Second Mother.
The film premieres on Friday and tells of a teenage city boy who learns that the woman he thought was his mother is not his biological parent and goes on a search for his real family.
Time Was Endless...
Cinema do Brasil, which works with the Brazilian Trade and Investment Promotion Agency and has support from the audiovisual department of the Ministry Of Culture to champion home-grown fare, will be in Berlin representing a delegation of 32 companies.
Both Panorama entries will receive from Cinema do Brasil a $25,000 Sales Agent Support Award.
Don’t Call Me Son (Mae So Ha Uma, pictured) is Anna Muylaert’s follow-up to her widely admired 2015 Panorama winner and Brazilian foreign language Oscar submission The Second Mother.
The film premieres on Friday and tells of a teenage city boy who learns that the woman he thought was his mother is not his biological parent and goes on a search for his real family.
Time Was Endless...
- 2/9/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Full line-up of the Stockholm film festival includes feature and documentary competition line-ups.Scroll down for full line-up
The Stockholm International Film Festival (Nov 11-22) has unveiled the line-up for its 26th edition, comprising more than 190 films from over 70 countries.
The Stockholm Xxvi Competition includes Marielle Heller’s Us title The Diary of a Teenage Girl and László Nemes’ Holocaust drama Son Of Saul.
It marks the first time Stockholm has a greater number of women than men competing for the Bronze Horse – the festival’s top prize.
The documentary competition includes Amy Berg’s An Open Secret, an investigation into accusations of teenagers being sexually abused within the film industry; and Cosima Spender’s Palio, centred on the annual horse race in Siena, Italy.
Announcing the programme, festival director Git Scheynius also revealed that Chinese artist Ai Weiwei will visit Stockholm for the first time as chairman of the jury for the first Stockholm Impact Award, which...
The Stockholm International Film Festival (Nov 11-22) has unveiled the line-up for its 26th edition, comprising more than 190 films from over 70 countries.
The Stockholm Xxvi Competition includes Marielle Heller’s Us title The Diary of a Teenage Girl and László Nemes’ Holocaust drama Son Of Saul.
It marks the first time Stockholm has a greater number of women than men competing for the Bronze Horse – the festival’s top prize.
The documentary competition includes Amy Berg’s An Open Secret, an investigation into accusations of teenagers being sexually abused within the film industry; and Cosima Spender’s Palio, centred on the annual horse race in Siena, Italy.
Announcing the programme, festival director Git Scheynius also revealed that Chinese artist Ai Weiwei will visit Stockholm for the first time as chairman of the jury for the first Stockholm Impact Award, which...
- 10/20/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
113 films from 20 countries were submitted to the Films in Progress 28 initiative at the San Sebastian Film Festival. The final selection includes: "Aquí no ha pasado nada" (Much Ado About Nothing) by Alejandro Fernández Almendras (Chile),whose previous film, "To Kill a Man," won numerous prizes at international festivals and represented Chile at the Oscars last year; "Era o Hotel Cambridge" (The Cambridge Squatter) by Eliane Caffé (Brazil - France), "La Emboscada" (The Ambush) by Daniel Hendler (Uruguay - Argentina), "La Princesita" (The Princess) by Marialy Rivas (Chile - Argentina - Spain), "Rara" by Pepa San Martín (Chile - Argentina) and "Sobrevivientes de Rober Calzadilla" (Venezuela - Colombia).
Films in Progress gains strength as a not-to-be-missed gathering for Latin American production. Four of the films presented last year at San Sebastian, in Films in Progress 26, will be screened at this year’s Festival: Eugenio Canevari’s "Paula" will compete in the New Directors section and Jayro Bustamante’s "Ixcanul,"which has just been announced as Guatemala's Oscar submission, will screen in the Horizontes Latinos section, having won the Silver Bear – Alfred Bauer Award at the Berlin Festival.
Salvador de Solar’s "Magallanes," winner of the Films in Progress Industry Award and Aly Muritiba’s "Para minha amada morta" (To My Beloved), will also compete for the Horizontes Award. And another of the films presented last year, Sergio Castro’s "La mujer de barro" (The Mud Woman), was programmed in the Berlin Festival’s Forum section.
Among the projects revealed at the Toulouse event last March, Pablo Agüero’s "Eva no duerme" (Eva doesn't sleep) is programmed in the official competition; Sebastián Brahm’s "Vida sexual de las plantas" (Sex Life of Plants) is part of the New Directors selection; and Lorenzo Vigas’s "Desde allá" (From afar) will be presented in Horizontes Latinos after having participated in the official competition at the Venice Festival.
"Aquí No Ha Pasado Nada" (Much Ado About Nothing) Alejandro Fernández Almendras (Chile) Young, daring and lonely, Vicente spends his life at his parent’s home by the beach. These are days of relaxation, sea and partying with anyone who’s up for it. But one night of alcohol and flirting will change his life forever; he is accused of a hit-and-run crime in which a fisherman is killed. "I wasn’t driving", he says, but his memories are hazy and he says the boy at the wheel was the son of an influential politician. Power, manipulation and guilt will send his sweet summer holidays careering towards a bitter end. This is the third time the director has participated in Films in Progress. His previous film, "Matar a un hombre" (To Kill a Man), landed the Grand Jury Prize at the Sundance Festival.
"Era o Hotel Cambridge" (The Cambridge Squatter)
Eliane Caffé (Brazil - France) The Cambridge Squatter shows us the unusual situation of the Brazilian homeless and refugees who squat together in an abandoned building in downtown Sao Paulo. The daily tension caused by the threat of eviction reveals the dramas, the joys and the different points of view of the squatters.
"La Emboscada" (The Ambush) Daniel Hendler (Uruguay - Argentina) Martin Marchand throws himself into the political contest. As a result of his work in the social media, a traditional political structure invites him to join their list. Martin calls in technicians and advisors to create his campaign image. Over a weekend, immersed in the bucolic setting of a country house, they get down to designing the leader’s image. But an infiltrator seeking to obtain information on the coming electoral alliance creates an atmosphere of mistrust. The film, with the working title of "El Palomar," participated in the I Europe-Latin America Co-production Forum.
"La Princesita" (The Princess) Marialy Rivas (Chile - Argentina - Spain) A film inspired by true events in Southern Chile. A family sect only has one purpose and belief: a new order is necessary. Tamara, 11, is responsible for procreating the leaders of the new world. Disgruntled with her "lot”, Tamara’s sexual exploration with a boy in her year at school will have unexpected consequences, marking her violent transition from childhood to womanhood. Tamara will gain her freedom in a way she had never imagined. Marialy Rivas’s previous film, "Joven y alocada," participated in Films in Progress and landed awards at Sundance and Bafici, among other festivals.
"Rara" Pepa San Martín (Chile - Argentina) A story inspired by the case of a Chilean judge who lost the custody of her children for being a lesbian, told from the point of view of her eldest daughter Sara, aged 13. The screenplay is based on true events that could be related as a tale of lawyers and courthouses, lawsuits, claimants, defenders and victims, but instead, it will be the story of a family.
"Sobrevivientes" Rober Calzadilla (Venezuela - Colombia) 1988. The town of El Amparo. Border with Colombia. Chumba and Pinilla survive an armed assault in the channels of the Arauca River in which fourteen of their companions are killed in the act. The Venezuelan Army accuses them of being guerrilla fighters and tries to seize them from the cell where they are being watched over by a policeman and a group of locals to prevent them from being taken away. They say they are simple fishermen, but pressure to yield to the official version is eye-watering.
Awards:
Films in Progress Industry Award : The companies Daniel Goldstein, Deluxe Spain, Dolby Iberia, Laserfilm Cine y Video, Nephilim producciones, No Problem Sonido and Wanda Visión will assume the post-production of a film until obtaining a Dcp subtitled in English and its distribution in Spain...
Films in Progress gains strength as a not-to-be-missed gathering for Latin American production. Four of the films presented last year at San Sebastian, in Films in Progress 26, will be screened at this year’s Festival: Eugenio Canevari’s "Paula" will compete in the New Directors section and Jayro Bustamante’s "Ixcanul,"which has just been announced as Guatemala's Oscar submission, will screen in the Horizontes Latinos section, having won the Silver Bear – Alfred Bauer Award at the Berlin Festival.
Salvador de Solar’s "Magallanes," winner of the Films in Progress Industry Award and Aly Muritiba’s "Para minha amada morta" (To My Beloved), will also compete for the Horizontes Award. And another of the films presented last year, Sergio Castro’s "La mujer de barro" (The Mud Woman), was programmed in the Berlin Festival’s Forum section.
Among the projects revealed at the Toulouse event last March, Pablo Agüero’s "Eva no duerme" (Eva doesn't sleep) is programmed in the official competition; Sebastián Brahm’s "Vida sexual de las plantas" (Sex Life of Plants) is part of the New Directors selection; and Lorenzo Vigas’s "Desde allá" (From afar) will be presented in Horizontes Latinos after having participated in the official competition at the Venice Festival.
"Aquí No Ha Pasado Nada" (Much Ado About Nothing) Alejandro Fernández Almendras (Chile) Young, daring and lonely, Vicente spends his life at his parent’s home by the beach. These are days of relaxation, sea and partying with anyone who’s up for it. But one night of alcohol and flirting will change his life forever; he is accused of a hit-and-run crime in which a fisherman is killed. "I wasn’t driving", he says, but his memories are hazy and he says the boy at the wheel was the son of an influential politician. Power, manipulation and guilt will send his sweet summer holidays careering towards a bitter end. This is the third time the director has participated in Films in Progress. His previous film, "Matar a un hombre" (To Kill a Man), landed the Grand Jury Prize at the Sundance Festival.
"Era o Hotel Cambridge" (The Cambridge Squatter)
Eliane Caffé (Brazil - France) The Cambridge Squatter shows us the unusual situation of the Brazilian homeless and refugees who squat together in an abandoned building in downtown Sao Paulo. The daily tension caused by the threat of eviction reveals the dramas, the joys and the different points of view of the squatters.
"La Emboscada" (The Ambush) Daniel Hendler (Uruguay - Argentina) Martin Marchand throws himself into the political contest. As a result of his work in the social media, a traditional political structure invites him to join their list. Martin calls in technicians and advisors to create his campaign image. Over a weekend, immersed in the bucolic setting of a country house, they get down to designing the leader’s image. But an infiltrator seeking to obtain information on the coming electoral alliance creates an atmosphere of mistrust. The film, with the working title of "El Palomar," participated in the I Europe-Latin America Co-production Forum.
"La Princesita" (The Princess) Marialy Rivas (Chile - Argentina - Spain) A film inspired by true events in Southern Chile. A family sect only has one purpose and belief: a new order is necessary. Tamara, 11, is responsible for procreating the leaders of the new world. Disgruntled with her "lot”, Tamara’s sexual exploration with a boy in her year at school will have unexpected consequences, marking her violent transition from childhood to womanhood. Tamara will gain her freedom in a way she had never imagined. Marialy Rivas’s previous film, "Joven y alocada," participated in Films in Progress and landed awards at Sundance and Bafici, among other festivals.
"Rara" Pepa San Martín (Chile - Argentina) A story inspired by the case of a Chilean judge who lost the custody of her children for being a lesbian, told from the point of view of her eldest daughter Sara, aged 13. The screenplay is based on true events that could be related as a tale of lawyers and courthouses, lawsuits, claimants, defenders and victims, but instead, it will be the story of a family.
"Sobrevivientes" Rober Calzadilla (Venezuela - Colombia) 1988. The town of El Amparo. Border with Colombia. Chumba and Pinilla survive an armed assault in the channels of the Arauca River in which fourteen of their companions are killed in the act. The Venezuelan Army accuses them of being guerrilla fighters and tries to seize them from the cell where they are being watched over by a policeman and a group of locals to prevent them from being taken away. They say they are simple fishermen, but pressure to yield to the official version is eye-watering.
Awards:
Films in Progress Industry Award : The companies Daniel Goldstein, Deluxe Spain, Dolby Iberia, Laserfilm Cine y Video, Nephilim producciones, No Problem Sonido and Wanda Visión will assume the post-production of a film until obtaining a Dcp subtitled in English and its distribution in Spain...
- 8/28/2015
- by Sydney Levine
- Sydney's Buzz
New projects from Alejandro Fernández Almendras, Eliane Caffé and Daniel Hendler are included in this year’s Films in Progress selection.
Films in Progress, the bi-annual initiative run jointly by San Sebastian International Film Festival and the Cinélatino, Rencontres de Toulouse to support Latin American films through post-production, will showcase six projects at this year’s San Sebastian festival (Sept 18-26).
Fernández Almendras, who won the 2014 Sundance world cinema grand jury prize for To Kill A Man, will present his new film Much Ado About Nothing, which was announced in Berlin this year.
The other projects include Eliane Caffé’s new film The Cambridge Squatter and actor Daniel Hendler’s debut feature The Ambush.
Four of the projects that were presented at last year’s San Sebastian Films in Progress will screen at this year’s festival: Paula, by Eugenio Canevari, will compete in the New Directors section, while Jayro Bustamante’s Ixcanul, which won the...
Films in Progress, the bi-annual initiative run jointly by San Sebastian International Film Festival and the Cinélatino, Rencontres de Toulouse to support Latin American films through post-production, will showcase six projects at this year’s San Sebastian festival (Sept 18-26).
Fernández Almendras, who won the 2014 Sundance world cinema grand jury prize for To Kill A Man, will present his new film Much Ado About Nothing, which was announced in Berlin this year.
The other projects include Eliane Caffé’s new film The Cambridge Squatter and actor Daniel Hendler’s debut feature The Ambush.
Four of the projects that were presented at last year’s San Sebastian Films in Progress will screen at this year’s festival: Paula, by Eugenio Canevari, will compete in the New Directors section, while Jayro Bustamante’s Ixcanul, which won the...
- 8/20/2015
- ScreenDaily
The San Sebastian Film Festival will once again present, in its 63rd edition, some of the most outstanding Latin American films of the year. The Horizontes Latinos program will include 14 productions from Argentina, Brazil, Columbia, Cuba, Chile, Guatemala, Mexico, Peru and Venezuela. Films that have competed or premiered at important international festivals, but which have not yet been screened at a Spanish festival or had their commercial release in the country.
The selected films compete for the Horizontes Award, decided by a specific jury and coming with €35,000, of which €10,000 will go to the director of the winning film, and the remaining €25,000 to its distributor in Spain.
The section will open with Pablo Larraín’s "El Club," Silver Bear Grand Jury Prize at the last Berlin Festival. The film tells the tale of four men who share a secluded house in a small beach town, sent there to purge the sins they have committed in the past.
Here is the full list of titles screening in this important section:
"El Club" (The Club) Pablo Larraín (Chile) Opening Night Film
Pablo Larraín won the Silver Bear Grand Jury Prize at the last Berlin Festival with this film. Four men share a secluded house in a small beach town, sent there to purge the sins they have committed in the past.
"600 Millas" (600 Miles) Gabriel Ripstein (Mexico) Arnulfo Rubio, a young gun trafficker between the United States and Mexico, is being followed by Atf agent Hank Harris. After a risky mistake by Harris, Rubio makes a desperate decision: he smuggles the agent to Mexico. Best First Feature Award in the Panorama section of the Berlin Festival.
"El Abrazo de la Serpiente" (Embrace of the Serpent ) Ciro Guerra (Colombia - Argentina - Venezuela) Premiered at the Cannes Festival Directors’ Fortnight, the latest film from Ciro Guerra tells the epic story of the first contact, encounter, approach, betrayal and, eventually, life-transcending friendship, between an Amazonian shaman and two Western explorers.
"El Botón de Nácar (The Pearl Button) Patricio Guzmán (France - Chile - Spain ) Chilean filmmaker Patricio Guzmán talks to us in his latest documentary about water, the cosmos and ourselves, human beings. It all begins with the discovery of two mysterious buttons in the depths of the Pacific Ocean, off the coast of Chile.
"Chronic" Michel Franco (Mexico - France) David is a nurse who works with terminally ill patients. Efficient and dedicated to his profession, he develops strong and even intimate relationships with each person he cares for. But outside of his work David is ineffectual, awkward, and reserved. Best Screenplay Award-winner at the Cannes Festival.
"Desde Allá" (From Afar) Lorenzo Vigas (Venezuela) Armando, aged 50, looks for young men in the streets of Caracas and pays them to come back to his house with him. He also regularly spies on an older man with whom he seems to have ties from the past. One day he meets Elder, aged 17, leader of a small band of thugs. Competitor in the Official Selection of the Venice Festival.
"Las Elegidas" (The Chosen Ones) David Pablos (Mexico - France) David Pablos’s second film took part at the San Sebastian Co-production Forum in 2014 and premiered in the Un Certain Regard section of Cannes Festival. Sofia, 14 years old, is in love with Ulises. Because of him, in spite of him, she is forced into a prostitution ring in Mexico. To set her free, Ulises will have to find another girl to replace her.
"Ixcanul" Jayro Bustamante (Guatemala - France) María, a 17 year-old Mayan girl, lives and works with her family in a plantation on the Guatemalan plateau. Her days go by uneventfully until her parents arrange her marriage to the estate foreman, Ignacio. A film that landed a special mention at the last edition of Films in Progress and competed at the Berlin Festival, where it won the Alfred Bauer Award.
"Magallanes"
Salvador Del Solar (Peru Argentina- Colombia - Spain) Winner of Films in Progress at last year's Festival. Magallanes recognises a woman getting into a taxi. It's Celina, the young peasant girl he randomly arrested more than twenty years ago, when he was a soldier. They both have unfinished business. And for Magallanes, this is an opportunity to redeem himself. Damián Alcázar, Magaly Solier and Federico Luppi play the leading parts.
"La Obra del Siglo" (The Projcxt of Century) Carlos M. Quintela (Cuba -Argentina- Germany -Switzerland) Amidst a mosquito plague, Leonardo, struggling with the breakdown of his relationship, moves back to live with a grandfather who fights with everyone and everything, and a father living with the melancholy of the unfinished. Tiger Award-winner at the last Rotterdam Festival.
"Pulina" Santiago Mitre (Argentina- Brazil- France) Paulina decides to leave her brilliant law career to teach in a downtrodden Argentinian region. In a hostile atmosphere, she will set about her pedagogical mission, even if it means losing her boyfriend and confrontation with her father. Fipresci Prize-winner at the last Cannes Festival Critics’ Week.
"Para Minha Amada Morta" (To My Beloved) Aly Muritiba (Brazil) Fernando is a good man who takes care of his only child, Daniel, a shy and sensitive boy. Following the death of his wife Ana, every night Fernando recalls their love as he sorts out his beloved dead spouse’s belongings. One day he finds a VHS tape that will change everything. This movie participated in the Films in Progress section at the last Festival. The film took part at the Co-Production Forum in 2014.
"Te Prometo Anarquía" (I Promise You Anarchy) Julio Hernández Cordón (Mexico - Germany) Julio Hernández Cordón’s new film was selected for the Locarno Festival Competition. Miguel and Johnny have known each other since childhood. They spend their time skateboarding and having fun. To make easy money and continue skateboarding, they sell their own blood clandestinely. They turn the ploy into a business, until a major transaction doesn't turn out as they'd expected.
"La Tierra y la Sombra" (Land and Shade) César Augusto Acevedo (Colombia- Chiles - Brazil - Netherlands - France) Winner of the Caméra d’Or at the Cannes Festival, after having participated at the San Sebastian Co-Production Forum in 2013, this film portrays a family as they try to repair the fragile ties that bind them in the face of their imminent disappearance, brought about by the overwhelming power of progress.
The selected films compete for the Horizontes Award, decided by a specific jury and coming with €35,000, of which €10,000 will go to the director of the winning film, and the remaining €25,000 to its distributor in Spain.
The section will open with Pablo Larraín’s "El Club," Silver Bear Grand Jury Prize at the last Berlin Festival. The film tells the tale of four men who share a secluded house in a small beach town, sent there to purge the sins they have committed in the past.
Here is the full list of titles screening in this important section:
"El Club" (The Club) Pablo Larraín (Chile) Opening Night Film
Pablo Larraín won the Silver Bear Grand Jury Prize at the last Berlin Festival with this film. Four men share a secluded house in a small beach town, sent there to purge the sins they have committed in the past.
"600 Millas" (600 Miles) Gabriel Ripstein (Mexico) Arnulfo Rubio, a young gun trafficker between the United States and Mexico, is being followed by Atf agent Hank Harris. After a risky mistake by Harris, Rubio makes a desperate decision: he smuggles the agent to Mexico. Best First Feature Award in the Panorama section of the Berlin Festival.
"El Abrazo de la Serpiente" (Embrace of the Serpent ) Ciro Guerra (Colombia - Argentina - Venezuela) Premiered at the Cannes Festival Directors’ Fortnight, the latest film from Ciro Guerra tells the epic story of the first contact, encounter, approach, betrayal and, eventually, life-transcending friendship, between an Amazonian shaman and two Western explorers.
"El Botón de Nácar (The Pearl Button) Patricio Guzmán (France - Chile - Spain ) Chilean filmmaker Patricio Guzmán talks to us in his latest documentary about water, the cosmos and ourselves, human beings. It all begins with the discovery of two mysterious buttons in the depths of the Pacific Ocean, off the coast of Chile.
"Chronic" Michel Franco (Mexico - France) David is a nurse who works with terminally ill patients. Efficient and dedicated to his profession, he develops strong and even intimate relationships with each person he cares for. But outside of his work David is ineffectual, awkward, and reserved. Best Screenplay Award-winner at the Cannes Festival.
"Desde Allá" (From Afar) Lorenzo Vigas (Venezuela) Armando, aged 50, looks for young men in the streets of Caracas and pays them to come back to his house with him. He also regularly spies on an older man with whom he seems to have ties from the past. One day he meets Elder, aged 17, leader of a small band of thugs. Competitor in the Official Selection of the Venice Festival.
"Las Elegidas" (The Chosen Ones) David Pablos (Mexico - France) David Pablos’s second film took part at the San Sebastian Co-production Forum in 2014 and premiered in the Un Certain Regard section of Cannes Festival. Sofia, 14 years old, is in love with Ulises. Because of him, in spite of him, she is forced into a prostitution ring in Mexico. To set her free, Ulises will have to find another girl to replace her.
"Ixcanul" Jayro Bustamante (Guatemala - France) María, a 17 year-old Mayan girl, lives and works with her family in a plantation on the Guatemalan plateau. Her days go by uneventfully until her parents arrange her marriage to the estate foreman, Ignacio. A film that landed a special mention at the last edition of Films in Progress and competed at the Berlin Festival, where it won the Alfred Bauer Award.
"Magallanes"
Salvador Del Solar (Peru Argentina- Colombia - Spain) Winner of Films in Progress at last year's Festival. Magallanes recognises a woman getting into a taxi. It's Celina, the young peasant girl he randomly arrested more than twenty years ago, when he was a soldier. They both have unfinished business. And for Magallanes, this is an opportunity to redeem himself. Damián Alcázar, Magaly Solier and Federico Luppi play the leading parts.
"La Obra del Siglo" (The Projcxt of Century) Carlos M. Quintela (Cuba -Argentina- Germany -Switzerland) Amidst a mosquito plague, Leonardo, struggling with the breakdown of his relationship, moves back to live with a grandfather who fights with everyone and everything, and a father living with the melancholy of the unfinished. Tiger Award-winner at the last Rotterdam Festival.
"Pulina" Santiago Mitre (Argentina- Brazil- France) Paulina decides to leave her brilliant law career to teach in a downtrodden Argentinian region. In a hostile atmosphere, she will set about her pedagogical mission, even if it means losing her boyfriend and confrontation with her father. Fipresci Prize-winner at the last Cannes Festival Critics’ Week.
"Para Minha Amada Morta" (To My Beloved) Aly Muritiba (Brazil) Fernando is a good man who takes care of his only child, Daniel, a shy and sensitive boy. Following the death of his wife Ana, every night Fernando recalls their love as he sorts out his beloved dead spouse’s belongings. One day he finds a VHS tape that will change everything. This movie participated in the Films in Progress section at the last Festival. The film took part at the Co-Production Forum in 2014.
"Te Prometo Anarquía" (I Promise You Anarchy) Julio Hernández Cordón (Mexico - Germany) Julio Hernández Cordón’s new film was selected for the Locarno Festival Competition. Miguel and Johnny have known each other since childhood. They spend their time skateboarding and having fun. To make easy money and continue skateboarding, they sell their own blood clandestinely. They turn the ploy into a business, until a major transaction doesn't turn out as they'd expected.
"La Tierra y la Sombra" (Land and Shade) César Augusto Acevedo (Colombia- Chiles - Brazil - Netherlands - France) Winner of the Caméra d’Or at the Cannes Festival, after having participated at the San Sebastian Co-Production Forum in 2013, this film portrays a family as they try to repair the fragile ties that bind them in the face of their imminent disappearance, brought about by the overwhelming power of progress.
- 8/19/2015
- by Sydney Levine
- Sydney's Buzz
Whether you are a filmmaker, or one of the Sundance programmers whose task it is to identify the films that make up a line-up, it is indeed the most wonderful, panic-filled and nerve racking time of the year. The 31st edition of the Sundance Film Festival kicks off on January 22nd with Park City and Salt Lake City playing host to some of the more innovative, thought-provoking narrative and non-fiction films of 2015. Last year, a Jenga tall order of 4,057 features and 8,161 shorts were submitted. Now let’s think about those numbers for a second.
Twenty years ago, Terry Zwigoff’s Crumb claimed the Grand Jury Prize Documentary award, Living in Oblivion‘s Tom Dicillo was honored with the Waldo Salt Screenwriting Award, and Edward Burns’ micro-budgeted The Brothers McMullen (there is a read-worthy, lively, eleventh hour account on how it was submitted to the fest in Ted Hope’s “Hope...
Twenty years ago, Terry Zwigoff’s Crumb claimed the Grand Jury Prize Documentary award, Living in Oblivion‘s Tom Dicillo was honored with the Waldo Salt Screenwriting Award, and Edward Burns’ micro-budgeted The Brothers McMullen (there is a read-worthy, lively, eleventh hour account on how it was submitted to the fest in Ted Hope’s “Hope...
- 11/17/2014
- by Eric Lavallee
- IONCINEMA.com
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