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(L to r) Tippi Hedren, Darryl Stephens, Julie Newmar, Ray Ford

I couldn't resist an invitation to the Gay & Lesbian Elder Housing (Gleh) Golden Globes viewing party thanks to the presence of its Lifetime Achievement Award honoree Julie Newmar, the Tony-winner and original Catwoman on TV's Batman, and "Black and Gold" dance artist Sam Sparro, who performed at the event's venue, The Jim Henson Theatre in Hollywood. We caught up with a few attendees on the red carpet, including the purrrrrfect Newmar, the stunning Tippi Hedren, Don't Trust the B---- in Apartment 23's out gay star Ray Ford, and Noah's Arc alum and Dtla star Darryl Stephens. 

Julie Newmar

What are you looking forward to this evening?

I'm going to let the show surprise me! Are there any Brits here tonight? 

I just watched you as a mystery guest on What's My Line? You were sensational, and you created a funny character voice.

A movie franchise is like a shark. For it to stay alive, it has to move forward. It’s a lesson that the Eating Out franchise would do well to learn.

I liked 2004’s Eating Out a lot. The campy gay sex farce was downright revolutionary coming after decades of earnest, angsty coming out dramas (and two years before Another Gay Movie).

2006’s Eating Out 2: Sloppy Seconds wasn’t as successful, but it wasn’t a disaster.

But Eating Out 3: All You Can Eat, now playing in limited release, is the weakest entry in the series so far. It’s not that parts of it aren’t funny. It’s just that the movie takes absolutely no chances, choosing instead to change a few details and repeat what came before in the first two movies.

Q. Allan Brocka, the creator of Logo’s Rick & Steve the Happiest Gay...

This week's releases arrive draped in a pervasive air of dissatisfaction -- Chris Rock's daughter is unhappy with her hair, a '70s feminist movement is unhappy with their options, and Jason Ritter and Jess Weixler are unhappy with each other. Elsewhere, British cultural icons are talked up while global corporate interests are torn down.

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"After The Storm"

In the wake of Hurricane Katrina, Oscar-winning filmmaker and activist James Lecesne's decision to bring a production of the Off-Broadway musical "Once on This Island" to the storm-ravaged city of New Orleans was both obvious and inspired, with an extra layer of resonance provided in the casting of local kids affected firsthand by the disaster. Captured by director Hilla Medalia, this documentary takes us behind the scenes of the production to follow 12 young actors...