The Hollywood Music in Media Awards (Hmma) today announced the 2023 nominees for scores and songs in film and other visual media categories. The awards will be presented Wednesday, November 15, 2023 at 8:00 p.m. (Pst) at The Avalon, 1735 Vine Street, in Hollywood, CA.
Song nominees include Oscar-winners Billie Eilish and Finneas for “What Was I Made For?” from Barbie, Olivia Rodrigo and Dan Nigro for “Can’t Catch Me Now” from Hunger Games: The Ballard of Songbirds & Snakes. Justin Timberlake, Alan Menken, Lin-Manuel Miranda, Lenny Kravitz, Diane Warren, Metro Boomin, and A$AP Rocky also received nods for their original songs in films.
Composers nominated include Alexandre Desplat, Michael Giacchino, Ludwig Göransson, Laura Karpman, Branford Marsalis, Thomas Newman, James Newton Howard, Daniel Pemberton, John Powell, Trent Reznor & Atticus Ross, Robbie Robertson, Mark Ronson & Andrew Wyatt, Hans Zimmer (The Creator), among many others.
Films nominated in score, song, onscreen performance, and in...
Song nominees include Oscar-winners Billie Eilish and Finneas for “What Was I Made For?” from Barbie, Olivia Rodrigo and Dan Nigro for “Can’t Catch Me Now” from Hunger Games: The Ballard of Songbirds & Snakes. Justin Timberlake, Alan Menken, Lin-Manuel Miranda, Lenny Kravitz, Diane Warren, Metro Boomin, and A$AP Rocky also received nods for their original songs in films.
Composers nominated include Alexandre Desplat, Michael Giacchino, Ludwig Göransson, Laura Karpman, Branford Marsalis, Thomas Newman, James Newton Howard, Daniel Pemberton, John Powell, Trent Reznor & Atticus Ross, Robbie Robertson, Mark Ronson & Andrew Wyatt, Hans Zimmer (The Creator), among many others.
Films nominated in score, song, onscreen performance, and in...
- 11/2/2023
- by Michelle McCue
- WeAreMovieGeeks.com
There’s something about the names Stephen King gives to characters that instantly evokes those fat, splintered-spine favourites from his back catalogue and my own tween years; with cover art so disturbing they would have to be laid to rest face down before I could go to sleep. The Boogeyman, adapted from his 1973 short story, has a Lester Billings. Lester Billings. Absolutely classic King.
And poor Lester (David Dastmalchian) is having an appropriately macabre time of it. His children each died horribly, their parents powerless to defend them, and the family home has been staked out by the being that claimed their lives. When Lester stumbles into the Thatchers’ house to unburden himself to therapist dad Will (Chris Messina) he is hardly conscious of the dark entity he has brought to their door. He simply wants to share his story. To let go.
Will, by contrast, cannot let go. The...
And poor Lester (David Dastmalchian) is having an appropriately macabre time of it. His children each died horribly, their parents powerless to defend them, and the family home has been staked out by the being that claimed their lives. When Lester stumbles into the Thatchers’ house to unburden himself to therapist dad Will (Chris Messina) he is hardly conscious of the dark entity he has brought to their door. He simply wants to share his story. To let go.
Will, by contrast, cannot let go. The...
- 6/3/2023
- by Emily Breen
- HeyUGuys.co.uk
In October of 2021, Amazon Studios announced it was acquiring Trevor Beck Frost and Melissa Lesh’s “Wildcat” for a price nearing 20 million, a staggering sum for a doc of its kind. Produced by 30West, the film tells the story of former British soldier Harry Turner and conservationist Samantha Wicker, who help heal each other while caring for a small ocelot wildcat in the deep Peruvian rainforest.
This is Frost and Lesh’s first feature film. Frost comes from a still photography background, with work published in National Geographic and the New York Times, while Lesh has previously worked with short films. The documentary has picked up considerable steam on the brink of awards season, having recently been nominated for two IDA Documentary Awards for editing and score (Patrick Jonsson).
Amazon has already launched the film’s FYC page, which includes several categories including best documentary film, directing and original song...
This is Frost and Lesh’s first feature film. Frost comes from a still photography background, with work published in National Geographic and the New York Times, while Lesh has previously worked with short films. The documentary has picked up considerable steam on the brink of awards season, having recently been nominated for two IDA Documentary Awards for editing and score (Patrick Jonsson).
Amazon has already launched the film’s FYC page, which includes several categories including best documentary film, directing and original song...
- 11/15/2022
- by Rafa Sales Ross
- Variety Film + TV
IDFA is going wild for Wildcat.
The documentary from Amazon Studios screened a couple of times over the weekend at the International Documentary Film Festival Amsterdam, to resounding effect, filmmakers Melissa Lesh and Trevor Frost tell Deadline. Screenings on Friday and Sunday took place at the Pathé Tuschinski Theatre, a glorious old movie palace that rivals Mann’s Chinese in splendor.
“To have two standing ovations in a theater like that,” Lesh commented at a party after Sunday’s event, “on the biggest screen we’ve screened on yet, and to have the audience so engaged and moved, I feel like it’s been our best screenings yet.”
The Pathé Tuschinski Theatre
Frost added, “When we were standing in the lobby as people were going into the movie theater, I just couldn’t believe how many people were around me. They said they had well over 450 people in the theater...
The documentary from Amazon Studios screened a couple of times over the weekend at the International Documentary Film Festival Amsterdam, to resounding effect, filmmakers Melissa Lesh and Trevor Frost tell Deadline. Screenings on Friday and Sunday took place at the Pathé Tuschinski Theatre, a glorious old movie palace that rivals Mann’s Chinese in splendor.
“To have two standing ovations in a theater like that,” Lesh commented at a party after Sunday’s event, “on the biggest screen we’ve screened on yet, and to have the audience so engaged and moved, I feel like it’s been our best screenings yet.”
The Pathé Tuschinski Theatre
Frost added, “When we were standing in the lobby as people were going into the movie theater, I just couldn’t believe how many people were around me. They said they had well over 450 people in the theater...
- 11/14/2022
- by Matthew Carey
- Deadline Film + TV
Exclusive: Oscar winner Orlando von Einsiedel’s (The White Helmets, Virunga) latest documentary short, From Devil’s Breath, will air as part of The Tipping Point, the upcoming docuseries from Time Studios, Trevor Noah’s Day Zero Productions, Sugar23 and P&g Studios announced back in July, which is focused on the rapidly shifting developments that are promising to reshape our world.
The climate change doc produced by Leonardo DiCaprio tells the unlikely first-person story of two remarkable narratives that come crashing together—that of the community of survivors of the deadly 2017 wildfires in Portugal, fighting to ensure what they’ve lived through can never happen again, and a revolutionary, world-changing scientific discovery which could help protect us all from the climate emergency.
From Devil’s Breath recently completed an Oscar-qualifying theatrical release and has also screened as part of the IDA Documentary Screening Series, spotlighting the most acclaimed documentary films of the year.
The climate change doc produced by Leonardo DiCaprio tells the unlikely first-person story of two remarkable narratives that come crashing together—that of the community of survivors of the deadly 2017 wildfires in Portugal, fighting to ensure what they’ve lived through can never happen again, and a revolutionary, world-changing scientific discovery which could help protect us all from the climate emergency.
From Devil’s Breath recently completed an Oscar-qualifying theatrical release and has also screened as part of the IDA Documentary Screening Series, spotlighting the most acclaimed documentary films of the year.
- 11/5/2021
- by Matt Grobar
- Deadline Film + TV
The Hollywood Music in Media Awards, recognizing music in film, TV, video games, commercials, and trailers, today announced nominees for its 2018 edition. Among the nominates films are Bradley Cooper’s directorial debut “A Star Is Born,” “Black Panther,” “BlacKkKlansman,” “Quincy,” and more.
The ceremony will feature presentations, performances, and a special achievement award. Past honorees include Diane Warren, Smokey Robinson, and Glen Campbell.
Hmma nominations are selected by an advisory board and selection committee which includes journalists, music executives, music-media industry professionals comprised of select members of the Society of Composers and Lyricists, The Television Academy, the AMPAS Music Branch, Naras, and performing rights organizations.
The awards will be held at the Avalon Hollywood on Wednesday, Nov. 14. A portion of proceeds benefit Education Through Music – Los Angeles.
A list of the visual media nominees are below:
Original Score – Feature Film
Alexandre Desplat – “The Sisters Brothers” (Annapurna)
Carter Burwell – “The Ballad Of Buster Scruggs...
The ceremony will feature presentations, performances, and a special achievement award. Past honorees include Diane Warren, Smokey Robinson, and Glen Campbell.
Hmma nominations are selected by an advisory board and selection committee which includes journalists, music executives, music-media industry professionals comprised of select members of the Society of Composers and Lyricists, The Television Academy, the AMPAS Music Branch, Naras, and performing rights organizations.
The awards will be held at the Avalon Hollywood on Wednesday, Nov. 14. A portion of proceeds benefit Education Through Music – Los Angeles.
A list of the visual media nominees are below:
Original Score – Feature Film
Alexandre Desplat – “The Sisters Brothers” (Annapurna)
Carter Burwell – “The Ballad Of Buster Scruggs...
- 10/16/2018
- by Rachel Yang
- Variety Film + TV
'The Peanuts Movie': 2016 Best Original Score Oscar contender along with 111 other titles. Oscar 2016: Best Original Score contenders range from 'Mad Max: Fury Road' to 'The Peanuts Movie' Earlier this month (Dec. '15), the Academy of Motion Picture Arts and Sciences made public the list of 112 film scores eligible for the 2016 Oscar in the Best Original Score category. As found in the Academy's press release, “a Reminder List of works submitted in the Original Score category will be made available with a nominations ballot to all members of the Music Branch, who shall vote in the order of their preference for not more than five achievements. The five achievements receiving the highest number of votes will become the nominations for final voting for the award.” The release adds that “to be eligible, the original score must be a substantial body of music that serves as original dramatic underscoring, and must...
- 12/24/2015
- by Mont. Steve
- Alt Film Guide
The Academy of Motion Picture Arts and Sciences today announced that 112 scores from eligible feature-length motion pictures released in 2015 are in contention for nominations in the Original Score category for the 88th Academy Awards.
The eligible scores along with their composers are listed below, in alphabetical order by film title:
“Adult Beginners,” Marcelo Zarvos, composer
“The Age of Adaline,” Rob Simonsen, composer
“Altered Minds,” Edmund Choi, composer
“Alvin and the Chipmunks: The Road Chip,” Mark Mothersbaugh, composer
“Anomalisa,” Carter Burwell, composer
“Ant-Man,” Christophe Beck, composer
“Beasts of No Nation,” Dan Romer, composer
“The Big Short,” Nicholas Britell, composer
“Black Mass,” Tom Holkenborg, composer
“Bridge of Spies,” Thomas Newman, composer
“Brooklyn,” Michael Brook, composer
“Burnt,” Rob Simonsen, composer
“By the Sea,” Gabriel Yared, composer
“Carol,” Carter Burwell, composer
“Cartel Land,” H. Scott Salinas and Jackson Greenberg, composers
“Chi-Raq,” Terence Blanchard, composer
“Cinderella,” Patrick Doyle, composer
“Coming Home,” Qigang Chen, composer
“Concussion,...
The eligible scores along with their composers are listed below, in alphabetical order by film title:
“Adult Beginners,” Marcelo Zarvos, composer
“The Age of Adaline,” Rob Simonsen, composer
“Altered Minds,” Edmund Choi, composer
“Alvin and the Chipmunks: The Road Chip,” Mark Mothersbaugh, composer
“Anomalisa,” Carter Burwell, composer
“Ant-Man,” Christophe Beck, composer
“Beasts of No Nation,” Dan Romer, composer
“The Big Short,” Nicholas Britell, composer
“Black Mass,” Tom Holkenborg, composer
“Bridge of Spies,” Thomas Newman, composer
“Brooklyn,” Michael Brook, composer
“Burnt,” Rob Simonsen, composer
“By the Sea,” Gabriel Yared, composer
“Carol,” Carter Burwell, composer
“Cartel Land,” H. Scott Salinas and Jackson Greenberg, composers
“Chi-Raq,” Terence Blanchard, composer
“Cinderella,” Patrick Doyle, composer
“Coming Home,” Qigang Chen, composer
“Concussion,...
- 12/17/2015
- by Michelle McCue
- WeAreMovieGeeks.com
A great film score complements without burrowing too far into the ideas, wrestles with genre without locking the picture into a fixed identity, amplifies actors and actress’ choices without spilling the beans. A composer’s job is a balancing act. More and more, movie music finds itself backing off too far, devolving into incidental muzac, or going too far, where full-blast orchestral sounds pummel us like the Transformers’ energon punches. There’s a sweet spot, and the best film scores of the year ride it for an entire runtime. I shouldn’t be surprised that my favorite film scores of the year line-up closely with my favorite films of the year. As someone who goes to the movies with his ears as wide open as his eyes, I found myself captivated by 2014’s audio-visual offerings. Below, what I’d consider the "best" of the year (along with a few runner-ups,...
- 12/29/2014
- by Matt Patches
- Hitfix
Three hundred twenty-three feature films are eligible for the 2014 Academy Awards, the Academy of Motion Picture Arts and Sciences announced today.
To be eligible for 87th Academy Awards consideration, feature films must open in a commercial motion picture theater in Los Angeles County by midnight, December 31, and begin a minimum run of seven consecutive days.
Under Academy rules, a feature-length motion picture must have a running time of more than 40 minutes and must have been exhibited theatrically on 35mm or 70mm film, or in a qualifying digital format.
Feature films that receive their first public exhibition or distribution in any manner other than as a theatrical motion picture release are not eligible for Academy Awards in any category. The “Reminder List of Productions Eligible for the 87th Academy Awards” is available at http://www.oscars.org/oscars/rules-eligibility.
The Academy of Motion Picture Arts and Sciences also announced that 114 scores...
To be eligible for 87th Academy Awards consideration, feature films must open in a commercial motion picture theater in Los Angeles County by midnight, December 31, and begin a minimum run of seven consecutive days.
Under Academy rules, a feature-length motion picture must have a running time of more than 40 minutes and must have been exhibited theatrically on 35mm or 70mm film, or in a qualifying digital format.
Feature films that receive their first public exhibition or distribution in any manner other than as a theatrical motion picture release are not eligible for Academy Awards in any category. The “Reminder List of Productions Eligible for the 87th Academy Awards” is available at http://www.oscars.org/oscars/rules-eligibility.
The Academy of Motion Picture Arts and Sciences also announced that 114 scores...
- 12/13/2014
- by Michelle McCue
- WeAreMovieGeeks.com
Original scores from The Boxtrolls, Divergent, Exodus: Gods And Kings and The Grand Budapest Hotel are among 114 scores eligible for nominations in the Original Score category for the 87th Oscars. The noms will be announced on January 15. The eligible scores along with their composers are listed below, in alphabetical order by film title:
“American Revolutionary: The Evolution of Grace Lee Boggs,” Vivek Maddala, composer
“Anita,” Lili Haydn, composer
“Annabelle,” Joseph Bishara, composer
“At Middleton,” Arturo Sandoval, composer
“Atlas Shrugged: Who Is John Galt?,” Elia Cmiral, composer
“Bears,” George Fenton, composer
“Belle,” Rachel Portman, composer
“Big Eyes,” Danny Elfman, composer
“Big Hero 6,” Henry Jackman, composer
“The Book of Life,” Gustavo Santaolalla and Tim Davies, composers
“The Boxtrolls,” Dario Marianelli, composer
“Brick Mansions,” Trevor Morris, composer
“Cake,” Christophe Beck, composer
“Calvary,” Patrick Cassidy, composer
“Captain America: The Winter Soldier,” Henry Jackman, composer
“The Case against 8,” Blake Neely, composer
“Cheatin’,” Nicole Renaud,...
“American Revolutionary: The Evolution of Grace Lee Boggs,” Vivek Maddala, composer
“Anita,” Lili Haydn, composer
“Annabelle,” Joseph Bishara, composer
“At Middleton,” Arturo Sandoval, composer
“Atlas Shrugged: Who Is John Galt?,” Elia Cmiral, composer
“Bears,” George Fenton, composer
“Belle,” Rachel Portman, composer
“Big Eyes,” Danny Elfman, composer
“Big Hero 6,” Henry Jackman, composer
“The Book of Life,” Gustavo Santaolalla and Tim Davies, composers
“The Boxtrolls,” Dario Marianelli, composer
“Brick Mansions,” Trevor Morris, composer
“Cake,” Christophe Beck, composer
“Calvary,” Patrick Cassidy, composer
“Captain America: The Winter Soldier,” Henry Jackman, composer
“The Case against 8,” Blake Neely, composer
“Cheatin’,” Nicole Renaud,...
- 12/13/2014
- by The Deadline Team
- Deadline
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