Fans of The Equalizer movies are in for a treat as the third and final installment of the action-packed trilogy is set to hit the theaters on September 1, 2023. The Equalizer 3 stars Denzel Washington as Robert McCall, a former U.S. Marine and Dia agent who uses his skills and experience to help those who cannot help themselves. The film is directed by Antoine Fuqua, who also helmed the previous two films, and written by Richard Wenk.
The Equalizer 3 follows McCall as he moves to Southern Italy to escape from his past, but soon discovers that his new friends are under the control of local crime bosses belonging to the Sicilian Mafia. As events turn deadly, McCall knows what he has to do: become his friends’ protector by taking on the mafia. The film promises to deliver thrilling action sequences, explosive stunts, and intense drama as McCall faces his final challenge.
The Equalizer 3 follows McCall as he moves to Southern Italy to escape from his past, but soon discovers that his new friends are under the control of local crime bosses belonging to the Sicilian Mafia. As events turn deadly, McCall knows what he has to do: become his friends’ protector by taking on the mafia. The film promises to deliver thrilling action sequences, explosive stunts, and intense drama as McCall faces his final challenge.
- 8/9/2023
- by amalprasadappu
- https://thecinemanews.online/wp-content/uploads/2023/07/IMG_4649
You might think Shia Labeouf portraying a 20th-century Italian saint under the direction of perpetual bad-boy expat Abel Ferrara is a pretty strange prospect. But that’s just the iceberg tip of the oddities in “Padre Pio,” which, despite the American star’s casting in the title role, often appears uninterested in its own venerated ostensible subject.
Instead, much of this awkward English-language period piece focuses on peasants’ struggle to overthrow padrone control just after the First World War. Depicting that conflict often feels beyond the modest production’s scale — and, in any case, is never meaningfully connected to the angsty histrionics of Labeouf, who seems to be in his own separate, indulgent, semi-improvised movie. Though coherent relative to Ferrara’s last narrative feature, the impenetrable espionage tale “Zeroes and Ones,” this eccentric misfire will likely puzzle fans of his past cult favorites, while flummoxing Catholic viewers who expect straightforward religious uplift.
Instead, much of this awkward English-language period piece focuses on peasants’ struggle to overthrow padrone control just after the First World War. Depicting that conflict often feels beyond the modest production’s scale — and, in any case, is never meaningfully connected to the angsty histrionics of Labeouf, who seems to be in his own separate, indulgent, semi-improvised movie. Though coherent relative to Ferrara’s last narrative feature, the impenetrable espionage tale “Zeroes and Ones,” this eccentric misfire will likely puzzle fans of his past cult favorites, while flummoxing Catholic viewers who expect straightforward religious uplift.
- 6/2/2023
- by Dennis Harvey
- Variety Film + TV
Abel Ferrara’s Padre Pio is a fusion of two souls, each as rough-hewn and fragmentary as the other. Set in the immediate aftermath of World War I in the Italian village of San Giovanni Rotondo and filmed on location, it’s partly a biopic about the Catholic saint Pio of Pietrelcina (Shia Labeouf), for whom every waking moment seems a dark night of the soul. But it’s also a dramatization of the struggle between the landed gentry and the soldiers who return disillusioned from the war, culminating in violence after a stolen election.
Ferrara and co-writer Maurzio Braucci, instead of treating Catholicism and Marxism as antagonistic, find resonance in their iconography, their shared valorization of the downtrodden, and the zeal of their adherents—as well as their crises of faith. It isn’t heresy to say that Padre Pio is a spiritual successor to Pier Paolo Pasolini’s The Gospel According to St.
Ferrara and co-writer Maurzio Braucci, instead of treating Catholicism and Marxism as antagonistic, find resonance in their iconography, their shared valorization of the downtrodden, and the zeal of their adherents—as well as their crises of faith. It isn’t heresy to say that Padre Pio is a spiritual successor to Pier Paolo Pasolini’s The Gospel According to St.
- 5/30/2023
- by William Repass
- Slant Magazine
"It feels like a sin to question these things, it feels like a sin to be angry with the Lord." Gravitas Ventures has revealed an official trailer for Padre Pio, a new film from American director Abel Ferrara, who now lives and works in Italy. This premiered at the Venice Days sidebar of the Venice Film Festival last year (did anyone even see it?) and opens in the US this June. This biopic from Ferrara follows Roman Catholic Saint Padre Pio in his early years. At the end of World War I, Padre Pio begins his ministry at a remote monastery in southern Italy. Soon, his charisma and storied visions bring him fame. Shia Labeouf stars alongside Cristina Chiriac, Marco Leonardi, Asia Argento, Vincenzo Crea, Luca Lionello, Brando Pacitto, Stella Mastrantonio, and Salvatore Ruocco. Some may remember that this role "saved" Labeouf's life, as he claimed in an interview last...
- 5/9/2023
- by Alex Billington
- firstshowing.net
Exclusive: Gravitas Ventures has nabbed North American rights to the Shia Labeouf-led drama Padre Pio from filmmaker Abel Ferrara, slating it for a day-and-date release on June 2nd.
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In the film penned by Maurizio Braucci and Ferrara, which world premiered at last year’s Venice Film Festival, it’s the end of World War I and the young Italian soldiers are making their way back to San Giovanni Rotondo, a land of poverty, historic violence and the ironclad rule of the church and its wealthy landowners. Families are desperate; the men are broken, but victorious.
Related Story Neon Acquires Domestic Rights To Anne Hathaway Sundance Movie ‘Eileen’ Related Story Gravitas Ventures Acquires Sophie Lane Curtis Drama 'On Our Way' Starring Micheál Richardson, Vanessa Redgrave And Jordana Brewster Related Story Jennifer A. Goodman Thriller 'The Unseen' Starring 'Breaking Bad's Rj Mitte Acquired By Gravitas Ventures
In the film penned by Maurizio Braucci and Ferrara, which world premiered at last year’s Venice Film Festival, it’s the end of World War I and the young Italian soldiers are making their way back to San Giovanni Rotondo, a land of poverty, historic violence and the ironclad rule of the church and its wealthy landowners. Families are desperate; the men are broken, but victorious.
- 3/28/2023
- by Matt Grobar
- Deadline Film + TV
A couple of Italian gems along with a more sugary offering are screened at the London film festival, which this year has been reorganised by themes
For a working critic based in the capital, the London film festival is an enticing prospect — and yet a frustrating experience. The regular round of UK releases must be attended to; those films have to be reviewed (including the inevitable sprinkling of duds) and so Lff films have to be squeezed in wherever possible.
What makes it all more agonising is the fact that the Lff programme is somehow always the most mouthwatering document produced by any festival: a juicily thick brochure, packed with great stuff, and an unmissable-looking film on every page. The Lff may not have as many premieres as Toronto, Venice and Cannes, but so what? That's the sort of thing that preoccupies industry types. Regular filmgoers in London are surely...
For a working critic based in the capital, the London film festival is an enticing prospect — and yet a frustrating experience. The regular round of UK releases must be attended to; those films have to be reviewed (including the inevitable sprinkling of duds) and so Lff films have to be squeezed in wherever possible.
What makes it all more agonising is the fact that the Lff programme is somehow always the most mouthwatering document produced by any festival: a juicily thick brochure, packed with great stuff, and an unmissable-looking film on every page. The Lff may not have as many premieres as Toronto, Venice and Cannes, but so what? That's the sort of thing that preoccupies industry types. Regular filmgoers in London are surely...
- 10/19/2012
- by Peter Bradshaw
- The Guardian - Film News
After a string of announcements, it looks like the Toronto International Film Festival have locked down their line-up and it’s looking like a fantastic slate. Much of the additions today come in the form of previous Cannes premieres, including Michael Haneke‘s Amour (review), Cristian Mungiu‘s Beyond the Hills (review), Abbas Kiarostami‘s Like Someone in Love (review), Bernardo Bertolucci‘s Me and You (review), Hong Sang-soo‘s In Another Country and the Venice premiere Olivier Assayas‘ Something in the Air. Most notably missing is Leos Carax‘s Holy Motors, but we do get a new Michael Winterbottom film titled Everyday. Out of the Discovery section, the biggest film seems to be The Brass Teapot, and indie drama starring Juno Temple and Michael Angarano and one can check out all the additions below.
Masters
Amour Michael Haneke, Austria/France/Germany North American Premiere Screen legends Jean-Louis Trintignant and...
Masters
Amour Michael Haneke, Austria/France/Germany North American Premiere Screen legends Jean-Louis Trintignant and...
- 8/21/2012
- by jpraup@gmail.com (thefilmstage.com)
- The Film Stage
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