Dutch public broadcaster Eo has commissioned a local adaptation of Keshet Intl.’s “The A Word” from Fiction Valley.
The series is based on Keren Margalit’s hit family drama “Yellow Peppers,” produced by July-August Prods. for Keshet Broadcasting. Like the original, Fiction Valley’s six-part adaptation traces a family’s painful and often humorous journey of denial and introspection after their young son is diagnosed with autism.
The latest version of the format follows Fifty Fathoms and Keshet Prods.’ adaptation for BBC One, which has run three seasons and sold in more than 80 territories worldwide.
Known locally as “Het A Woord” and written by Karin van der Meer and Myranda Jongeling, the six-part series will be directed by Anna van der Heide and Remy van Heugten, with Fiction Valley’s Annemieke van Vliet serving as executive producer.
The show stars Lies Visschedijk (“Soof”) as Sam’s mother Mariel, Guy Clemens...
The series is based on Keren Margalit’s hit family drama “Yellow Peppers,” produced by July-August Prods. for Keshet Broadcasting. Like the original, Fiction Valley’s six-part adaptation traces a family’s painful and often humorous journey of denial and introspection after their young son is diagnosed with autism.
The latest version of the format follows Fifty Fathoms and Keshet Prods.’ adaptation for BBC One, which has run three seasons and sold in more than 80 territories worldwide.
Known locally as “Het A Woord” and written by Karin van der Meer and Myranda Jongeling, the six-part series will be directed by Anna van der Heide and Remy van Heugten, with Fiction Valley’s Annemieke van Vliet serving as executive producer.
The show stars Lies Visschedijk (“Soof”) as Sam’s mother Mariel, Guy Clemens...
- 2/26/2020
- by Ed Meza
- Variety Film + TV
Stars: Shay Mitchell, Grey Damon, Kirby Johnson, Nick Thune, Louis Herthum, Stana Katic, Maximillian McNamara, Jacob Ming-Trent, James A. Watson Jr., Marianne Bayard, Adrian M. Mompoint, Matt Mings, Gijs Scholten van Aschat, Guy Clemens | Written by Brian Sieve | Directed by Diederik Van Rooijen
At the fingertips of Diederik Van Rooijen’s horror, The Possession of Hannah Grace, is an engaging, ghoulish and terrifying prospect of intense atmospheric horror with a terrific setting to inject some superb frights. That said, it becomes quite painful to report that within the first ten minutes of the films short eighty-six-minute running time it fails to convince the audience what you’re watching is actually nightmarish, nor express the quality of horror it has at hand. Ultimately, Rooijen’s film with every opportunity takes the easiest and most simplistic conventional avenue possible with so little inventive cinematic narratives or attributes examined, leading to a deeply unimaginative picture.
At the fingertips of Diederik Van Rooijen’s horror, The Possession of Hannah Grace, is an engaging, ghoulish and terrifying prospect of intense atmospheric horror with a terrific setting to inject some superb frights. That said, it becomes quite painful to report that within the first ten minutes of the films short eighty-six-minute running time it fails to convince the audience what you’re watching is actually nightmarish, nor express the quality of horror it has at hand. Ultimately, Rooijen’s film with every opportunity takes the easiest and most simplistic conventional avenue possible with so little inventive cinematic narratives or attributes examined, leading to a deeply unimaginative picture.
- 4/11/2019
- by Jak-Luke Sharp
- Nerdly
Stars: Shay Mitchell, Grey Damon, Kirby Johnson, Nick Thune, Louis Herthum, Stana Katic, Maximillian McNamara, Jacob Ming-Trent, James A. Watson Jr., Marianne Bayard, Adrian M. Mompoint, Matt Mings, Gijs Scholten van Aschat, Guy Clemens | Written by Brian Sieve | Directed by Diederik Van Rooijen
At the fingertips of Diederik Van Rooijen’s horror, The Possession of Hannah Grace, is an engaging, ghoulish and terrifying prospect of intense atmospheric horror with a terrific setting to inject some superb frights. That said, it becomes quite painful to report that within the first ten minutes of the films short eighty-six-minute running time it fails to convince the audience what you’re watching is actually nightmarish, nor express the quality of horror it has at hand. Ultimately, Rooijen’s film with every opportunity takes the easiest and most simplistic conventional avenue possible with so little inventive cinematic narratives or attributes examined, leading to a deeply unimaginative picture.
At the fingertips of Diederik Van Rooijen’s horror, The Possession of Hannah Grace, is an engaging, ghoulish and terrifying prospect of intense atmospheric horror with a terrific setting to inject some superb frights. That said, it becomes quite painful to report that within the first ten minutes of the films short eighty-six-minute running time it fails to convince the audience what you’re watching is actually nightmarish, nor express the quality of horror it has at hand. Ultimately, Rooijen’s film with every opportunity takes the easiest and most simplistic conventional avenue possible with so little inventive cinematic narratives or attributes examined, leading to a deeply unimaginative picture.
- 1/2/2019
- by Jak-Luke Sharp
- Nerdly
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