Oscar-winning cinematographer worked on Kes, The Killing Fields and The Reader among others.
British cinematographer Chris Menges is to receive a lifetime achievement award at Camerimage (Nov 14-21), the International Film Festival of the Art of Cinematography.
Menges will attend the 23rd edition of Camerimage in the Polish city of Bydgoszcz to accept the award, introduce screenings of his films and will meet with the festival’s audience.
Across a 50-year career, Menges has won two Academy Awards for Roland Joffé’s The Killing Fields in 1985, for which he also won a BAFTA, and The Mission in 1987.
More recently, he was Oscar-nominated (with Roger Deakins) for his work on Stephen Daldry’s The Reader in 2010.
Menges began his career in the 1960s as camera operator for documentaries by Adrian Cowell and for films like Poor Cow by Ken Loach and If… by Lindsay Anderson.
He returned to work with Loach on Kes, which marked...
British cinematographer Chris Menges is to receive a lifetime achievement award at Camerimage (Nov 14-21), the International Film Festival of the Art of Cinematography.
Menges will attend the 23rd edition of Camerimage in the Polish city of Bydgoszcz to accept the award, introduce screenings of his films and will meet with the festival’s audience.
Across a 50-year career, Menges has won two Academy Awards for Roland Joffé’s The Killing Fields in 1985, for which he also won a BAFTA, and The Mission in 1987.
More recently, he was Oscar-nominated (with Roger Deakins) for his work on Stephen Daldry’s The Reader in 2010.
Menges began his career in the 1960s as camera operator for documentaries by Adrian Cowell and for films like Poor Cow by Ken Loach and If… by Lindsay Anderson.
He returned to work with Loach on Kes, which marked...
- 8/25/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
At the finale of Robin Campillo's masterful Eastern Boys, bourgeois, middle-aged Frenchman Daniel (Oliver Rabourdin) has overhauled his relationship with the Ukrainian hustler Marek (Kirill Emelyanov) into something totally unexpected. The journey to that climax is a rollercoaster of flirtation, betrayal, larceny, lust, love, dauntless deeds, comeuppance, and finally a benevolent acceptance of the pair's interconnectedness in a manner that neither of these devoted halves could foretell.
The film begins documentary-like, and you won't be able to guess who the lead characters are for the first ten minutes or so as the camera goes sightseeing amongst a bevy of young males meandering to and fro at a train station among self-absorbed travelers. Are the lads thieves or hustlers or just out for a lark? Some men eye them warily with a slight lust unsure of whether to approach or not. One station guard's suspicions are raised due the actions...
The film begins documentary-like, and you won't be able to guess who the lead characters are for the first ten minutes or so as the camera goes sightseeing amongst a bevy of young males meandering to and fro at a train station among self-absorbed travelers. Are the lads thieves or hustlers or just out for a lark? Some men eye them warily with a slight lust unsure of whether to approach or not. One station guard's suspicions are raised due the actions...
- 3/7/2015
- by Brandon Judell
- www.culturecatch.com
Yann Demange wins best director; Gugu Mbatha-Raw and Brendan Gleeson take home top acting prizes.
At the 17th annual Moet British Independent Film Awards, Pride took home the most trophies, including Best British Independent Film, Best Supporting Actress (Imelda Staunton) and Best Supporting Actor (Andrew Scott).
Next Goal Wins won best documentary and Boyhood won best international independent film.
Yann Demange won best director for ‘71.
Gugu Mbatha-Raw won best actress for Belle, while Brendan Gleeson won best actor for Calvary.
For the full list of winners, see end of story.
Richard Linklater accepted his award for Best International Film “on behalf of the 450 people who worked on this film over 12 years,” dedicating the prize to British filmmaker [This Sporting Life director] Lindsay Anderson “who was a friend and a bit of a mentor, who I miss.”
Joint Directors of the BIFAs, Johanna von Fischer and Tessa Collinson, who are stepping down from the event after this year, said: “In our...
At the 17th annual Moet British Independent Film Awards, Pride took home the most trophies, including Best British Independent Film, Best Supporting Actress (Imelda Staunton) and Best Supporting Actor (Andrew Scott).
Next Goal Wins won best documentary and Boyhood won best international independent film.
Yann Demange won best director for ‘71.
Gugu Mbatha-Raw won best actress for Belle, while Brendan Gleeson won best actor for Calvary.
For the full list of winners, see end of story.
Richard Linklater accepted his award for Best International Film “on behalf of the 450 people who worked on this film over 12 years,” dedicating the prize to British filmmaker [This Sporting Life director] Lindsay Anderson “who was a friend and a bit of a mentor, who I miss.”
Joint Directors of the BIFAs, Johanna von Fischer and Tessa Collinson, who are stepping down from the event after this year, said: “In our...
- 12/7/2014
- by sarah.cooper@screendaily.com (Sarah Cooper)
- ScreenDaily
"Spock, I do not know too much about these little Tribbles yet, but there is one thing that I have discovered. I like them … better than I like you." –Dr. McCoy, "Star Trek" (1967)
Greetings from the apocalypse! The trouble with Tribbles is not how cute they are but how much they multiply, or in the case of "Star Trek Into Darkness," the silly plot point for which they cameo. That's the only thing I'll spoil from that movie (besides that it stinks), but luckily there's some sweet alternatives this week that boldly go where no J.J. Abrams movie has gone before … coherence.
Friday, May 17
Pow! In Theaters
Oh boy. "Star Trek Into Dumbness" finally fulfills J.J. Abrams' five-year mission to run this franchise through a Cuisinart of stupidity. I would need a spoiler avalanche to make a proper case for how this sequel squanders classic characters and scenarios from...
Greetings from the apocalypse! The trouble with Tribbles is not how cute they are but how much they multiply, or in the case of "Star Trek Into Darkness," the silly plot point for which they cameo. That's the only thing I'll spoil from that movie (besides that it stinks), but luckily there's some sweet alternatives this week that boldly go where no J.J. Abrams movie has gone before … coherence.
Friday, May 17
Pow! In Theaters
Oh boy. "Star Trek Into Dumbness" finally fulfills J.J. Abrams' five-year mission to run this franchise through a Cuisinart of stupidity. I would need a spoiler avalanche to make a proper case for how this sequel squanders classic characters and scenarios from...
- 5/17/2013
- by Max Evry
- NextMovie
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