San Sebastian — Paris-based Luxbox has clinched major territory pre-sales on anticipated San Sebastian competition title “Puan,” an original attempt by its writer-directors, María Alche (“A Family Submerged”) and Benjamín Naishtat (“Rojo”) to deliver a state of the nation take on Argentina – and any country in thrall of European ideas – but in a notably lighter tone than most Latin American arthouse fare.
Key first major territory buyers take in Condor for France, whose release lineup has featured major auteurs such as Kelly Reichardt, Casey Affleck, Agnieszka Holland, Paul Schrader, Denis Villeneuve, Michel Franco and Ira Sachs.
With a strong line in Spanish-language titles – “The Permanent Picture” this year, “The Rite of Spring” in 2022 – Barcelona-based La Aventura Cine has closed rights for Spain.
Releasing films by star auteurs in Brazil since 2010 and Spain from 2020, Vitrine has clinched rights for Brazil.
“Puan” – affectionate shorthand for Buenos Aires U’s Faculty of Philosophy and...
Key first major territory buyers take in Condor for France, whose release lineup has featured major auteurs such as Kelly Reichardt, Casey Affleck, Agnieszka Holland, Paul Schrader, Denis Villeneuve, Michel Franco and Ira Sachs.
With a strong line in Spanish-language titles – “The Permanent Picture” this year, “The Rite of Spring” in 2022 – Barcelona-based La Aventura Cine has closed rights for Spain.
Releasing films by star auteurs in Brazil since 2010 and Spain from 2020, Vitrine has clinched rights for Brazil.
“Puan” – affectionate shorthand for Buenos Aires U’s Faculty of Philosophy and...
- 9/22/2023
- by John Hopewell
- Variety Film + TV
Paris-based Luxbox has snapped up sales rights on “Puan,” the awaited new film from María Alche and Benjamín Naishtat, two of Argentina’s fastest-rising directors.
The new title co-stars Leonardo Sbaraglia.
“Puan” catches Alché after she won San Sebastian’s prestigious Horizontes Award in 2018 for her Visit Films-sold feature debut, “A Family Submerged,” before teaming on “Puan” with Naishat who, the same year at San Sebastian, won director, actor (Dario Grandinetti) and cinematography (Pedro Sotero) in main competition for “Rojo,” sparking a rave Variety review.
“Rojo” denounced the tacit collusion of many Argentineans in the violence of Argentina’s extreme right just months before the coup d’etat which brought the Junta to power.
Also written by Alché and Naishtat, “Puan” looks like another state of the nation take, delivered, however, in lighter comic terms, set at the “weirdly amazing” – Naishtat’s words – Faculty of Philosophy of the University of Buenos Aires,...
The new title co-stars Leonardo Sbaraglia.
“Puan” catches Alché after she won San Sebastian’s prestigious Horizontes Award in 2018 for her Visit Films-sold feature debut, “A Family Submerged,” before teaming on “Puan” with Naishat who, the same year at San Sebastian, won director, actor (Dario Grandinetti) and cinematography (Pedro Sotero) in main competition for “Rojo,” sparking a rave Variety review.
“Rojo” denounced the tacit collusion of many Argentineans in the violence of Argentina’s extreme right just months before the coup d’etat which brought the Junta to power.
Also written by Alché and Naishtat, “Puan” looks like another state of the nation take, delivered, however, in lighter comic terms, set at the “weirdly amazing” – Naishtat’s words – Faculty of Philosophy of the University of Buenos Aires,...
- 5/11/2023
- by John Hopewell
- Variety Film + TV
Set to be unveiled at this week’s San Sebastian Europe-Latin America Co-Production Forum, “Bajo el Mismo Sol” has secured a first co-production deal ahead of the festival.
Argentina’ Pucará Cine has boarded the project, reteaming with lead producer Wooden Boat Productions in the Dominican Republican on director Ulises Porra’s third feature. Both production companies co-produced Porra’s most recent movie, “Carajita” (2021), co-directed by Silvina Schnicer, which won the New Directors award at last year’s San Sebastián, swept Guadalajara, and collected hardware at Argentina’s Mar del Plata and the Miami Film Festival.
Set in 1820, “‘Bajo el mismo sol’ is a historically resonant tale of three “highly contrasting characters,” says Porra – Lázaro, an entrepreneur, son of a rich trader; Mei, a young Chinese woman and expert in silk; and Baptiste, an Haitian army deserter – who battle to create a first silk factory in the Dominican Republic. But it...
Argentina’ Pucará Cine has boarded the project, reteaming with lead producer Wooden Boat Productions in the Dominican Republican on director Ulises Porra’s third feature. Both production companies co-produced Porra’s most recent movie, “Carajita” (2021), co-directed by Silvina Schnicer, which won the New Directors award at last year’s San Sebastián, swept Guadalajara, and collected hardware at Argentina’s Mar del Plata and the Miami Film Festival.
Set in 1820, “‘Bajo el mismo sol’ is a historically resonant tale of three “highly contrasting characters,” says Porra – Lázaro, an entrepreneur, son of a rich trader; Mei, a young Chinese woman and expert in silk; and Baptiste, an Haitian army deserter – who battle to create a first silk factory in the Dominican Republic. But it...
- 9/19/2022
- by Pablo Sandoval
- Variety Film + TV
U.K.-based Wildstar Sales has locked its first sale of Tribeca title “The Perfect David” with specialty distributor Tla Releasing, which has secured rights to the U.S., Canada, U.K. and Ireland.
“The Perfect David” (“El Perfecto David”) world premiered at Tribeca and is described as “a probing depiction of the pressures on a high-school bodybuilder to conform to a perfect image of masculinity.”
The feature debut of Argentine commercials director Felipe Gómez Aparicio, a multiple Cannes Lions winner, who co-wrote it with Leandro Custo, “The Perfect David” turns on 16-year-old David (played by newcomer Mauricio di Yorio) whose mother (Umbra Colombo), a troubled multi-disciplinary artist, demands that he get into perfect shape by the time he turns 17. In his desperate attempt to please his mother, he spends most of his days at a gym and starts taking dangerous steroids. As he spirals further into a cycle of physical and emotional turmoil,...
“The Perfect David” (“El Perfecto David”) world premiered at Tribeca and is described as “a probing depiction of the pressures on a high-school bodybuilder to conform to a perfect image of masculinity.”
The feature debut of Argentine commercials director Felipe Gómez Aparicio, a multiple Cannes Lions winner, who co-wrote it with Leandro Custo, “The Perfect David” turns on 16-year-old David (played by newcomer Mauricio di Yorio) whose mother (Umbra Colombo), a troubled multi-disciplinary artist, demands that he get into perfect shape by the time he turns 17. In his desperate attempt to please his mother, he spends most of his days at a gym and starts taking dangerous steroids. As he spirals further into a cycle of physical and emotional turmoil,...
- 2/15/2022
- by Anna Marie de la Fuente
- Variety Film + TV
U.K.-based Wildstar Sales has acquired world rights to Tribeca world premiere “The Perfect David” (“El Perfecto David”), a probing depiction of the pressures on a high-school bodybuilder to conform to a perfect image of masculinity.
A standout at the 2019’s Ventana Sur, where it was screened in its Copia Final final-cut-stage showcase, “The Perfect David” reps the latest movie from Argentina’s Oh My Gómez!, which broke out to attention with its first movie, Marco Berger’s “Plan B.,” a sales hit at the 2009 inaugural Ventana Sur. Its credits also include “The Dog Who Wouldn’t Be Quiet,” Ana Katz’s 2021 Sundance World Cinema player and Rotterdam winner.
“The Perfect David” also marks the feature debut of Argentina’s commercials director Felipe Gómez Aparicio, a multiple Cannes Lions winner who became in one year the world’s 13th most awarded director, according to The Gunn Report, a comprehensive global listing of top advertising talent.
A standout at the 2019’s Ventana Sur, where it was screened in its Copia Final final-cut-stage showcase, “The Perfect David” reps the latest movie from Argentina’s Oh My Gómez!, which broke out to attention with its first movie, Marco Berger’s “Plan B.,” a sales hit at the 2009 inaugural Ventana Sur. Its credits also include “The Dog Who Wouldn’t Be Quiet,” Ana Katz’s 2021 Sundance World Cinema player and Rotterdam winner.
“The Perfect David” also marks the feature debut of Argentina’s commercials director Felipe Gómez Aparicio, a multiple Cannes Lions winner who became in one year the world’s 13th most awarded director, according to The Gunn Report, a comprehensive global listing of top advertising talent.
- 7/15/2021
- by John Hopewell
- Variety Film + TV
Presenting to the industry for the first time at Ventana Sur’s Proyecta event, “Puán,” a comedy, is a joint creative venture between Argentine directors María Alché, a 2018 San Sebastián Horizontes winner for “A Family Submerged,” and Benjamín Naishtat, who took three top main competition prizes at the same year’s San Sebastian for his third feature, “Rojo.”
Through the chaotic world of the University of Buenos Aires’ overpopulated, underfunded philosophy and literature department – affectionately known to all as ‘Puán’ – the duo’s script explores the state of their home nation.
The script tells a “coming-of-middle-age” story about a multitasking professor and father who finds himself with little time for abstract thought when a much-coveted philosophy chair arises following the death of a close mentor.
Producers of this Є800,000 budget project are Barbara Francisco’s ten-year old firm Pasto Cine – which made “Familia Sumergida” – and Federico Eibuszyc and Barbara Sarasola-Day...
Through the chaotic world of the University of Buenos Aires’ overpopulated, underfunded philosophy and literature department – affectionately known to all as ‘Puán’ – the duo’s script explores the state of their home nation.
The script tells a “coming-of-middle-age” story about a multitasking professor and father who finds himself with little time for abstract thought when a much-coveted philosophy chair arises following the death of a close mentor.
Producers of this Є800,000 budget project are Barbara Francisco’s ten-year old firm Pasto Cine – which made “Familia Sumergida” – and Federico Eibuszyc and Barbara Sarasola-Day...
- 12/3/2020
- by Ann-Marie Corvin
- Variety Film + TV
Argentina’s Benjamín Naishtat, writer-director of “Rojo,” is preparing “Pobres Pibes,” a contemporary noir thriller adapting novelist Robert Arlt’s 1929 “The Seven Madmen.”
Also working off “The Flamethrowers,” Arlt’s 1931 sequel to “The Seven Madmen,” Naishtat’s fourth feature marks his first adaptation. Following up “Rojo,” a big prize winner at the 2018 San Sebastian Festival, “Pobres Pibes” weighs in as, on paper, one of the major highlights at the San Sebastian Festival’s Co-Production Forum, which takes place online from Sept. 19-21.
Depicting “contemporary mayhem from the point of view of a young man with nothing to loose,” said Naishtat, “Pobres Pibes” will be an “unnerving, fast-paced, urban tale that could make you both laugh and feel uncomfortable,” he added.
“This somewhat existential noir,” he says in a presentation, “is built on the basis of a fascination for irredeemable losers and their preferred emotion, the one that governs our time: Resent.
Also working off “The Flamethrowers,” Arlt’s 1931 sequel to “The Seven Madmen,” Naishtat’s fourth feature marks his first adaptation. Following up “Rojo,” a big prize winner at the 2018 San Sebastian Festival, “Pobres Pibes” weighs in as, on paper, one of the major highlights at the San Sebastian Festival’s Co-Production Forum, which takes place online from Sept. 19-21.
Depicting “contemporary mayhem from the point of view of a young man with nothing to loose,” said Naishtat, “Pobres Pibes” will be an “unnerving, fast-paced, urban tale that could make you both laugh and feel uncomfortable,” he added.
“This somewhat existential noir,” he says in a presentation, “is built on the basis of a fascination for irredeemable losers and their preferred emotion, the one that governs our time: Resent.
- 9/14/2020
- by John Hopewell
- Variety Film + TV
Cannes — Programmed by France’s Association for the Diffusion of Independent Cinema, Cannes’ Acid section turned its spotlight this year on Argentine cinema.
As access to talent – creative and crews – becomes a predominant challenge for producers worldwide, given the huge production demand driven by global platforms, the radar can hardly be spread too wide in search of young emerging writer-directors Rich in talent and benefiting from a distinguished national cinema heritage, Argentina’s independent sector faces, however, the immediate challenge of finding an audience in and outside its domestic market. Acid, a parallel section at Cannes, provided an invaluable international platform.
One of three features in its Argentine focus, “Sangre blanca” (“White Blood”) marks the sophomore feature of Barbara Sarasola-Day (“Belayed”). It also underscores how much upscale foreign-language cinema is developing a genre edge.
A drug trade-thriller and father-daughter drama, it turns on Martina (Eva De Dominici) who becomes a drug mule,...
As access to talent – creative and crews – becomes a predominant challenge for producers worldwide, given the huge production demand driven by global platforms, the radar can hardly be spread too wide in search of young emerging writer-directors Rich in talent and benefiting from a distinguished national cinema heritage, Argentina’s independent sector faces, however, the immediate challenge of finding an audience in and outside its domestic market. Acid, a parallel section at Cannes, provided an invaluable international platform.
One of three features in its Argentine focus, “Sangre blanca” (“White Blood”) marks the sophomore feature of Barbara Sarasola-Day (“Belayed”). It also underscores how much upscale foreign-language cinema is developing a genre edge.
A drug trade-thriller and father-daughter drama, it turns on Martina (Eva De Dominici) who becomes a drug mule,...
- 5/28/2019
- by Emilio Mayorga
- Variety Film + TV
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