It’s been a little more than 25 years since the CG breakthrough of “Toy Story,” and Pixar still continues developing new animation tech. And that includes utilizing its vaunted shorts program as a training ground for testing new techniques and launching new directing careers. But, with the recent launch of the more indie-minded SparkShorts program (including the Oscar-nominated “Kitbull”), artists are freer to experiment with different formats and more personal, socially-conscious storytelling.
This Oscar season, two SparkShorts landed spots on the shortlist for Best Animated Short: “Out,” about a man whose accidental body-swap with his dog helps him come out to his parents, and “Burrow,” an adorable and lovely 2D work about a rabbit who dreams of building a cozy home below ground but then runs into a logistical nightmare.
The two shorts hail from creators at different ends of the Pixar spectrum: Steven Clay Hunter, a veteran animator whose...
This Oscar season, two SparkShorts landed spots on the shortlist for Best Animated Short: “Out,” about a man whose accidental body-swap with his dog helps him come out to his parents, and “Burrow,” an adorable and lovely 2D work about a rabbit who dreams of building a cozy home below ground but then runs into a logistical nightmare.
The two shorts hail from creators at different ends of the Pixar spectrum: Steven Clay Hunter, a veteran animator whose...
- 2/19/2021
- by Jude Dry
- Indiewire
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