2019 Foreign Language Film Oscar Submissions Algeria – Until The End Of Time – Yasmine Chouikh Argentina– The Angel (El Angel) – Luis Ortega Austria – The Waldheim Waltz – Ruth Beckermann Belarus – Crystal Swan – Darya Zhuk Belgium – Girl – Lukas Dhont Bolivia – Muralla – Rodrigo Patiño Bosnia – Never Leave Me – Aida Begic Brazil – The Great Mystical Circus – Carlos Diegues Bulgaria – Omnipresent – Ilian Djevelekov Cambodia – Graves Without A Name – Rithy Pan Canada – Watch Dog – Sophie Dupuis Chile – And Suddenly The Dawn – Silvio Caiozzi Colombia– Birds of Passage, Cristina Gallego & Ciro Guerra Croatia – The Eighth Commissioner – Ivan Salaj Czech Republic – Winter Flies – Olmo Omerzu Denmark – The Guilty – Gustav Möller Dominican Republic – Cocote – Nelson Carlo de los Santos Ecuador – A Son Of Man – Jamaicanoproblem and Pablo Agüero Egypt – Yomeddine – Abu Bakr Shawky Estonia – Take It Or Leave It – Liina Trishkina-Vanhatalo Finland – Euthanizer – Teemu Nikin France – Memoir Of War – Emmanuel Finkiel Georgia – Namme – Zaza Khalvashi Germany – Never Look Away – Florian Henckel von Donnersmarck...
- 8/21/2020
- by Nancy Tartaglione
- Deadline Film + TV
First-time submissions come from Malawi and Niger as Austrlia and New Zealand join the list.
Eighty-seven countries have submitted films for this year’s foreign language film Oscar, the Academy of Motion Pictures Arts and Sciences has revealed - a drop from the record 92 that submitted last year.
Countries submitting films in the category for the first time include Malawi - which has entered Shemu Joyah’s The Road to Sunrise - and Niger, whose submission is Rahmatou Keïta’s The Wedding Ring.
Submissions that had not previously been confirmed include Australian entry Jirga, from director Benjamin Gilmour, and New Zealand contender Yellow Is Forbidden,...
Eighty-seven countries have submitted films for this year’s foreign language film Oscar, the Academy of Motion Pictures Arts and Sciences has revealed - a drop from the record 92 that submitted last year.
Countries submitting films in the category for the first time include Malawi - which has entered Shemu Joyah’s The Road to Sunrise - and Niger, whose submission is Rahmatou Keïta’s The Wedding Ring.
Submissions that had not previously been confirmed include Australian entry Jirga, from director Benjamin Gilmour, and New Zealand contender Yellow Is Forbidden,...
- 10/9/2018
- by John Hazelton
- ScreenDaily
Argentina has selected Luis Ortega’s well-received Cannes Film Festival crime drama The Angel (El Angel) as its contender for the Foreign Language Oscar. The film, produced by Pedro Almodóvar, broke box office records in its home country; The Orchard acquired U.S. rights after its Un Certain Regard bow and has set a November 9 theatrical release in New York and Los Angeles for the film before rolling it out nationally.
The pic from Ortega, who directed and co-wrote with Sergio Olguin and Rodolfo Palacios, is a portrait based on Argentina’s real-life serial killer dubbed “The Angel of Death.” The pic picks up the story when Carlitos (Lorenzo Ferro), a 17-year-old with movie star swagger, blond curls and a baby face in 1970s Buenos Aires, meets Ramon (Chino Darín) who embark on a journey of discovery, love and murder. When he is finally caught, the press dubs Carlitos “The...
The pic from Ortega, who directed and co-wrote with Sergio Olguin and Rodolfo Palacios, is a portrait based on Argentina’s real-life serial killer dubbed “The Angel of Death.” The pic picks up the story when Carlitos (Lorenzo Ferro), a 17-year-old with movie star swagger, blond curls and a baby face in 1970s Buenos Aires, meets Ramon (Chino Darín) who embark on a journey of discovery, love and murder. When he is finally caught, the press dubs Carlitos “The...
- 9/26/2018
- by Patrick Hipes
- Deadline Film + TV
Italy has chosen Matteo Garrone’s well-received Cannes drama Dogman as its Foreign Language Oscar hopeful.
Marcello Fonte stars as Marcello, a gentle dog groomer who finds himself involved in a dangerous relationship with Simone (Edoardo Pesce), a former violent boxer who terrorizes the entire neighbourhood. In an effort to reaffirm his dignity, Marcello must submit to an unexpected act of vengeance. Fonte won the Best Actor prize at Cannes.
Garrone’s Archimede produced alongside Rai Cinema’s Paolo Del Brocco, Le Pacte’s Jean Labadie, and Recorded Picture Company’s Jeremy Thomas. Magnolia has U.S. rights. Garrone’s previous credits include Gomorrah, Reality and Tale Of Tales, all of which played at Cannes.
Italy has been the most successful country in the Academy’s Foreign Language category, scoring 14 wins and 31 nominations. The country’s last nomination and win in the category came in 2013 with Paolo Sorrentino’s The Great Beauty.
Marcello Fonte stars as Marcello, a gentle dog groomer who finds himself involved in a dangerous relationship with Simone (Edoardo Pesce), a former violent boxer who terrorizes the entire neighbourhood. In an effort to reaffirm his dignity, Marcello must submit to an unexpected act of vengeance. Fonte won the Best Actor prize at Cannes.
Garrone’s Archimede produced alongside Rai Cinema’s Paolo Del Brocco, Le Pacte’s Jean Labadie, and Recorded Picture Company’s Jeremy Thomas. Magnolia has U.S. rights. Garrone’s previous credits include Gomorrah, Reality and Tale Of Tales, all of which played at Cannes.
Italy has been the most successful country in the Academy’s Foreign Language category, scoring 14 wins and 31 nominations. The country’s last nomination and win in the category came in 2013 with Paolo Sorrentino’s The Great Beauty.
- 9/25/2018
- by Andreas Wiseman
- Deadline Film + TV
Poland has chosen Pawel Pawlikowski’s Cannes-winning black and white drama Cold War as its Oscar submission for Best Foreign Language Film.
The well-reviewed story of a fated Polish love affair set across Europe during the late 1950s and early 1960s, is among the favorites for the prize. It is Pawlikowski’s first film since 2014 pic Ida, which won the Foreign Language Oscar. Amazon will release stateside on Dec. 21.
“Cold War — artistically fulfilled, universal story of impossible love, inscribed in the turbulent history of 20th century Poland,” the Polish Oscar Committee stated in a press release. “Pawel Pawlikowski’s film captivates with its performance, excellent acting and unique use of Polish folk music motifs. The previous successes of the film on the international arena will certainly help in further promotional activities.”
Also entering the fray this week are Dante Lam’s blockbuster Operation Red Sea for Hong Kong, Rima Das’s Village Rockstars for India,...
The well-reviewed story of a fated Polish love affair set across Europe during the late 1950s and early 1960s, is among the favorites for the prize. It is Pawlikowski’s first film since 2014 pic Ida, which won the Foreign Language Oscar. Amazon will release stateside on Dec. 21.
“Cold War — artistically fulfilled, universal story of impossible love, inscribed in the turbulent history of 20th century Poland,” the Polish Oscar Committee stated in a press release. “Pawel Pawlikowski’s film captivates with its performance, excellent acting and unique use of Polish folk music motifs. The previous successes of the film on the international arena will certainly help in further promotional activities.”
Also entering the fray this week are Dante Lam’s blockbuster Operation Red Sea for Hong Kong, Rima Das’s Village Rockstars for India,...
- 9/24/2018
- by Andreas Wiseman
- Deadline Film + TV
France has selected Emmanuel Finkiel’s Memoir of War as its official selection for the Oscars’ Foreign Language film race. The pic, which Finkiel adapted from Marguerite Duras’ semi-autobiographical 1944 novel set in Nazi-occupied Paris, stars Mélanie Thierry in a story of love, loss, and perseverance against the backdrop of war.
Music Box Films holds U.S. rights to Memoir of War and released it in theaters last month.
The film came out on top on a shortlist that included Gaspar Noé’s Cannes buzz title Climax, the late Claude Lanzmann’s Les Quatre Sœurs, Mademoiselle De Joncquières by Emmanuel Mouret, and Xavier Legrand’s Jusqu’à La Garde. The choice was finalized today by France’s National Film Center (Cnc), which said the film, known in France as La Douleur (The Pain), has seen 350,00 submissions in French theaters.
The plot centers on Duras (Thierry) who is is an active...
Music Box Films holds U.S. rights to Memoir of War and released it in theaters last month.
The film came out on top on a shortlist that included Gaspar Noé’s Cannes buzz title Climax, the late Claude Lanzmann’s Les Quatre Sœurs, Mademoiselle De Joncquières by Emmanuel Mouret, and Xavier Legrand’s Jusqu’à La Garde. The choice was finalized today by France’s National Film Center (Cnc), which said the film, known in France as La Douleur (The Pain), has seen 350,00 submissions in French theaters.
The plot centers on Duras (Thierry) who is is an active...
- 9/21/2018
- by Patrick Hipes
- Deadline Film + TV
Updated with additional release date info: Gustav Möller’s The Guilty, which won this year’s Sundance Film Festival World Cinema Audience Award, has been selected by Denmark as the country’s official entry into the Oscar Foreign Language Film race.
The thriller, Möller’s directorial debut, was acquired by Magnolia Pictures in Park City and is hitting U.S. theaters October 19 in 25 markets. It next screens at Fantastic Fest which launches today.
The film centers on a police officer (Jakob Cedergren), who, when demoted to desk work, expects a sleepy beat as an emergency dispatcher. That changes when he answers a panicked phone call from a kidnapped woman who then disconnects abruptly. Confined to the police station, he is forced to use others as his eyes and ears as the severity of the crime slowly becomes more clear, with all the action set in his single location.
Denmark has...
The thriller, Möller’s directorial debut, was acquired by Magnolia Pictures in Park City and is hitting U.S. theaters October 19 in 25 markets. It next screens at Fantastic Fest which launches today.
The film centers on a police officer (Jakob Cedergren), who, when demoted to desk work, expects a sleepy beat as an emergency dispatcher. That changes when he answers a panicked phone call from a kidnapped woman who then disconnects abruptly. Confined to the police station, he is forced to use others as his eyes and ears as the severity of the crime slowly becomes more clear, with all the action set in his single location.
Denmark has...
- 9/20/2018
- by Patrick Hipes
- Deadline Film + TV
Nadine Labaki’s critical hit Capernaum, which was snapped up by Sony Classics in May, has been selected as Lebanon’s Foreign Language Oscar submission.
The Cannes Jury Prize winner, directed by Nadine Labaki, focuses on a 12-year-old boy in a fictitious Middle Eastern village who sues his parents for bringing him into a world of such suffering. The film features mostly non-professional actors. This year, The Insult by Ziad Doueiri won Lebanon’s first ever Academy Award nomination.
Also entering the Foreign Language race this week have been Brazil, Slovenia, Bulgaria, Pakistan, Thailand and Indonesia. Below is the full list of submissions to date.
2019 Foreign Language Film Oscar Submissions Algeria – Until The End Of Time – Yasmine Chouikh Austria – The Waldheim Waltz – Ruth Beckermann Belarus – Crystal Swan – Darya Zhuk Belgium – Girl – Lukas Dhont Bolivia – Muralla – Rodrigo Patiño Bosnia – Never Leave Me – Aida Begic Brazil – The Great Mystical Circus – Carlos Diegues...
The Cannes Jury Prize winner, directed by Nadine Labaki, focuses on a 12-year-old boy in a fictitious Middle Eastern village who sues his parents for bringing him into a world of such suffering. The film features mostly non-professional actors. This year, The Insult by Ziad Doueiri won Lebanon’s first ever Academy Award nomination.
Also entering the Foreign Language race this week have been Brazil, Slovenia, Bulgaria, Pakistan, Thailand and Indonesia. Below is the full list of submissions to date.
2019 Foreign Language Film Oscar Submissions Algeria – Until The End Of Time – Yasmine Chouikh Austria – The Waldheim Waltz – Ruth Beckermann Belarus – Crystal Swan – Darya Zhuk Belgium – Girl – Lukas Dhont Bolivia – Muralla – Rodrigo Patiño Bosnia – Never Leave Me – Aida Begic Brazil – The Great Mystical Circus – Carlos Diegues...
- 9/19/2018
- by Andreas Wiseman
- Deadline Film + TV
Russia, Hungary and Paraguay have selected their Foreign Language Oscar hopefuls.
Hungary has chosen Venice Film Festival Competition drama Sunset from director Laszlo Nemes who won the Foreign Language Oscar in 2016 for Son Of Saul. Sony Classics handles Sunset, which is set in Budapest on the brink of World War I.
Juli Jakab (Son Of Saul) stars as a young woman orphaned at an early age, who arrives in the city looking for work at a successful hat store that used to belong to her parents. Repelled by the new owner, she becomes embroiled in a mystery surrounding her long-lost brother.
Meanwhile, Russia has selected Sobibor as its choice in the category. Konstantin Khabensky’s World War II film is based on the true story of an uprising in the Sobibor Nazi extermination camp in 1943, led by Soviet officer Alexander Pechersky. The pic was released in Russia in May, taking...
Hungary has chosen Venice Film Festival Competition drama Sunset from director Laszlo Nemes who won the Foreign Language Oscar in 2016 for Son Of Saul. Sony Classics handles Sunset, which is set in Budapest on the brink of World War I.
Juli Jakab (Son Of Saul) stars as a young woman orphaned at an early age, who arrives in the city looking for work at a successful hat store that used to belong to her parents. Repelled by the new owner, she becomes embroiled in a mystery surrounding her long-lost brother.
Meanwhile, Russia has selected Sobibor as its choice in the category. Konstantin Khabensky’s World War II film is based on the true story of an uprising in the Sobibor Nazi extermination camp in 1943, led by Soviet officer Alexander Pechersky. The pic was released in Russia in May, taking...
- 9/11/2018
- by Andreas Wiseman
- Deadline Film + TV
Lee Chang-dong’s drama Burning has been selected by South Korea as its submission for the Foreign Language Oscar race this year. Burning made its debut at Cannes in May where it won the Fipresci. It’s also headed for Toronto, Fantastic Fest and the New York Film Festival.
The film, loosely based on Haruki Murakami’s short story Barn Burning, features Korean-American actor Steven Yeun (The Walking Dead) in his first starring role in a local pic. It’s an examination of an alienated young man, Jongsu (Yoo Ah-In), a frustrated introvert whose already difficult life is complicated by the appearance of two people into his orbit: first, Haemi (newcomer Jeon Jong-seo), a spirited woman who offers romantic possibility, and then, Ben (Yeun), a wealthy and sophisticated young man she returns from a trip with. When Jongsu learns of Ben’s mysterious hobby and Haemi suddenly disappears, his confusion and obsessions begin to mount,...
The film, loosely based on Haruki Murakami’s short story Barn Burning, features Korean-American actor Steven Yeun (The Walking Dead) in his first starring role in a local pic. It’s an examination of an alienated young man, Jongsu (Yoo Ah-In), a frustrated introvert whose already difficult life is complicated by the appearance of two people into his orbit: first, Haemi (newcomer Jeon Jong-seo), a spirited woman who offers romantic possibility, and then, Ben (Yeun), a wealthy and sophisticated young man she returns from a trip with. When Jongsu learns of Ben’s mysterious hobby and Haemi suddenly disappears, his confusion and obsessions begin to mount,...
- 9/7/2018
- by Nancy Tartaglione
- Deadline Film + TV
Birds of Passage, a sprawling epic about the erosion of tradition in pursuit of material wealth, has been selected as Colombia’s official entry for the Foreign Language Film Oscar race, distributor The Orchard said today.
The film is directed by Cristina Gallego and Ciro Guerra — the respective producer and director of 2015’s Embrace of the Serpent, the first Colombian film ever to be nominated for an Oscar. Birds of Passage premiered as the opening-night selection of the Directors’ Fortnight at Cannes in May.
Tracing the origins of the Colombian drug trade as it slowly corrupts a native Wayúu family, Birds of Passage stars Jose Acosta, Carmiña Martínez and Natalia Reyes (the upcoming Terminator reboot). The film will screen at the Toronto Film Festival is set for release by The Orchard on Wednesday, February 13th in New York and Los Angeles, with a national rollout to follow.
“We are incredibly...
The film is directed by Cristina Gallego and Ciro Guerra — the respective producer and director of 2015’s Embrace of the Serpent, the first Colombian film ever to be nominated for an Oscar. Birds of Passage premiered as the opening-night selection of the Directors’ Fortnight at Cannes in May.
Tracing the origins of the Colombian drug trade as it slowly corrupts a native Wayúu family, Birds of Passage stars Jose Acosta, Carmiña Martínez and Natalia Reyes (the upcoming Terminator reboot). The film will screen at the Toronto Film Festival is set for release by The Orchard on Wednesday, February 13th in New York and Los Angeles, with a national rollout to follow.
“We are incredibly...
- 8/29/2018
- by Erik Pedersen
- Deadline Film + TV
Japan has selected Hirokazu Kore-eda’s family drama and Cannes Palme d’Or winner Shoplifters as its submission for this year’s Best Foreign Language Film Oscar category. The story of a family of small-time crooks who take in a child they find on the streets has been a box office winner at home, becoming the acclaimed director’s biggest title at local turnstiles having grossed over $39M.
The film has also scored in China where it recently became the highest grossing live-action Japanese movie ever in the market at $13.5M.
Kore-eda previously repped his home country with 2004’s Nobody Knows which did not make the shortlist. Japan bypassed his 2013 Cannes Jury Prize winner Like Father, Like Son which many believed should have been that year’s submission. Shoplifters‘ recent run has not been without controversy following speculation that Japan’s prime minister Shinzo Abe isn’t a fan and...
The film has also scored in China where it recently became the highest grossing live-action Japanese movie ever in the market at $13.5M.
Kore-eda previously repped his home country with 2004’s Nobody Knows which did not make the shortlist. Japan bypassed his 2013 Cannes Jury Prize winner Like Father, Like Son which many believed should have been that year’s submission. Shoplifters‘ recent run has not been without controversy following speculation that Japan’s prime minister Shinzo Abe isn’t a fan and...
- 8/28/2018
- by Nancy Tartaglione
- Deadline Film + TV
Belgium has selected Lukas Dhont’s debut feature, Girl, as its submission for this year’s Foreign Language Oscar race. The drama won the Camera d’Or in Cannes for best first film, and also scored the Best Performance nod in the Un Certain Regard section for lead Victor Polster. Netflix acquired Girl for North and Latin America out of the festival.
Polster plays Lara, a determined 15-year-old committed to becoming a professional ballerina. With the support of her father, she throws herself into the quest. But her adolescent frustrations and impatience are heightened as she realizes her body does not bend so easily to the strict discipline, because she was born a boy.
Dhont let the cat out of the bag to Le Soir that the Flemish title will screen at next weekend’s Telluride Film Festival before heading to Toronto. “In the next two weeks, we’ll have...
Polster plays Lara, a determined 15-year-old committed to becoming a professional ballerina. With the support of her father, she throws herself into the quest. But her adolescent frustrations and impatience are heightened as she realizes her body does not bend so easily to the strict discipline, because she was born a boy.
Dhont let the cat out of the bag to Le Soir that the Flemish title will screen at next weekend’s Telluride Film Festival before heading to Toronto. “In the next two weeks, we’ll have...
- 8/27/2018
- by Nancy Tartaglione
- Deadline Film + TV
Nuri Bilge Ceylan’s The Wild Pear Tree, which premiered this year in competition at the Cannes Film Festival, was selected as Turkey’s submission into this year’s Foreign Language Film Oscar race. It marks the fifth film from Ceylan chosen to rep the country, and the first since 2014’s Winter Sleep which won Cannes’ Palme d’Or.
Local media reports said 12 films were in the running for the slot and Pear Tree was chosen among film professionals and Culture and Tourism Ministry officials. The 91st Oscars are set for February 24, 2019. Cinema Guild has U.S. rights to the film and plans a 2019 release.
The Wild Pear Tree (Ahlat Agaci) center son Sinan (Aydin Doğu Demirkol), an aspiring writer, who returns home after university hoping to scrape together enough money to publish his first novel, but his ambition is slowed by the gambling past of his father (Murat Cemcir...
Local media reports said 12 films were in the running for the slot and Pear Tree was chosen among film professionals and Culture and Tourism Ministry officials. The 91st Oscars are set for February 24, 2019. Cinema Guild has U.S. rights to the film and plans a 2019 release.
The Wild Pear Tree (Ahlat Agaci) center son Sinan (Aydin Doğu Demirkol), an aspiring writer, who returns home after university hoping to scrape together enough money to publish his first novel, but his ambition is slowed by the gambling past of his father (Murat Cemcir...
- 8/18/2018
- by Patrick Hipes
- Deadline Film + TV
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