Caleb Landry Jones hasn’t been quite so present onscreen since the heyday-of-sorts that was Get Out, Twin Peaks, Three Billboards, and The Florida Project in one year. Since then, though, he’s arguably grown more compelling. Amidst a Best Actor win for Nitram at Cannes in 2021, making evident his position as one of America’s more fascinating thespian exports, he’s embarked on a wildly ambitious and satisfying music career: 2020’s The Mother Stone, 2021’s Gadzooks Vol. 1, and 2022’s Gadzooks Vol. 2 are full-bodied psychedelic-rock experiments that put just about every actor’s vanity project to shame. As our interview in 2021 made clear, he wants to make sounds that are simply not on any prominent musician’s mind.
Jones is returning on April 5 with his 13-track LP Hey Gary, Hey Dawn, ahead of which there’s a lead-off music video for the track “Corn Mine” that Sacred Bones describes as...
Jones is returning on April 5 with his 13-track LP Hey Gary, Hey Dawn, ahead of which there’s a lead-off music video for the track “Corn Mine” that Sacred Bones describes as...
- 2/13/2024
- by Nick Newman
- The Film Stage
Visit Films has acquired international sales rights to Amos Gitai’s Berlinale Special selection Shikun and will kick off talks with buyers at the EFM next month.
The Israeli film is inspired by Eugène Ionesco’s allegorical play Rhinoceros, and dramatises the emergence of intolerance and totalitarianism through a series of theatrical episodes that take place in a single Israeli building, the Shikun.
Among this diverse group of people of different origins and languages, some turn into rhinoceroses, while others resist.
The ensemble cast includes Irène Jacob (The Double Life Of Véronique), Hanna Laslo (Free Zone), Yael Abecassis (Sacred), Bahira Ablassi...
The Israeli film is inspired by Eugène Ionesco’s allegorical play Rhinoceros, and dramatises the emergence of intolerance and totalitarianism through a series of theatrical episodes that take place in a single Israeli building, the Shikun.
Among this diverse group of people of different origins and languages, some turn into rhinoceroses, while others resist.
The ensemble cast includes Irène Jacob (The Double Life Of Véronique), Hanna Laslo (Free Zone), Yael Abecassis (Sacred), Bahira Ablassi...
- 1/25/2024
- ScreenDaily
John Carpenter is back.
He doesn’t have a new movie, but he does have a new album, which might be just as exciting. “Anthology II: Movie Themes 1976 – 1988,” is a follow-up to his 2017 album “Anthology: Movie Themes 1974-1998” and was once again recorded with his constant musical collaborators, son Cody Carpenter and godson Daniel Davies.
They take classic moments from his earlier scores and rearrange them with modern instrumentation and additional flourishes. It is out on Oct. 6 from Sacred Bones.
But what makes “Anthology II” particularly thrilling is that it contains three unreleased tracks from “The Thing” that were recorded by Carpenter before he hired Ennio Morricone to work on the movie. There are still a bunch of Carpenter cues in the finished version of “The Thing,” with Morricone using some of his unreleased music from the 1982 film (recently named the second-greatest movie of that decade by IndieWire) for Quentin Tarantino...
He doesn’t have a new movie, but he does have a new album, which might be just as exciting. “Anthology II: Movie Themes 1976 – 1988,” is a follow-up to his 2017 album “Anthology: Movie Themes 1974-1998” and was once again recorded with his constant musical collaborators, son Cody Carpenter and godson Daniel Davies.
They take classic moments from his earlier scores and rearrange them with modern instrumentation and additional flourishes. It is out on Oct. 6 from Sacred Bones.
But what makes “Anthology II” particularly thrilling is that it contains three unreleased tracks from “The Thing” that were recorded by Carpenter before he hired Ennio Morricone to work on the movie. There are still a bunch of Carpenter cues in the finished version of “The Thing,” with Morricone using some of his unreleased music from the 1982 film (recently named the second-greatest movie of that decade by IndieWire) for Quentin Tarantino...
- 8/22/2023
- by Drew Taylor
- The Wrap
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