Former Patagonik TV producer Alejandro Cacetta has been appointed head of Argentina’s national film body after the resignation of Lucrecia Cardoso.
The latter stepped down this week following the recent election of the centre-right Let’s Change party led by Mauricio Macri.
Cardoso had served less than one year at the helm of Incaa and in a statement paid tribute to the former Argentine president Cristina Kirchner and her predecessor and late husband, Néstor Kirchner.
Cacetta becomes the fifth Incaa head since 2003.
According to the Buenos Aires Herald, Argentina’s culture minister Pablo Avelluto said Cacetta’s five main goals would be to: broaden theatre audiences through innovative productions; develop multi-platform content; expedite private investment; ‘federalise’ and promote regional productions through Incaa subsidies; and take local productions to regional and global levels.
His credits as film producer include Pablo Trapero’s Carancho, White Elephant and Lion’s Den.
The latter stepped down this week following the recent election of the centre-right Let’s Change party led by Mauricio Macri.
Cardoso had served less than one year at the helm of Incaa and in a statement paid tribute to the former Argentine president Cristina Kirchner and her predecessor and late husband, Néstor Kirchner.
Cacetta becomes the fifth Incaa head since 2003.
According to the Buenos Aires Herald, Argentina’s culture minister Pablo Avelluto said Cacetta’s five main goals would be to: broaden theatre audiences through innovative productions; develop multi-platform content; expedite private investment; ‘federalise’ and promote regional productions through Incaa subsidies; and take local productions to regional and global levels.
His credits as film producer include Pablo Trapero’s Carancho, White Elephant and Lion’s Den.
- 12/17/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Former Patagonik TV producer Alejandro Cacetta has been appointed head of Argentina’s national film body after the resignation of Lucrecia Cardoso.
The latter stepped down this week following the recent election of the centre-right Let’s Change party led by Mauricio Macri.
Cardoso had served less than one year at the helm of Incaa and in a statement paid tribute to the former Argentine president Cristina Kirchner and her predecessor and late husband, Néstor Kirchner.
Cacetta becomes the fifth Incaa head since 2003.
According to the Buenos Aires Herald, Argentina’s culture minister Pablo Avelluto said Cacetta’s five main goals would be to: broaden theatre audiences through innovative productions; develop multi-platform content; expedite private investment; ‘federalise’ and promote regional productions through Incaa subsidies; and take local productions to regional and global levels.
His credits as film producer include Pablo Trapero’s Carancho, White Elephant and Lion’s Den.
The latter stepped down this week following the recent election of the centre-right Let’s Change party led by Mauricio Macri.
Cardoso had served less than one year at the helm of Incaa and in a statement paid tribute to the former Argentine president Cristina Kirchner and her predecessor and late husband, Néstor Kirchner.
Cacetta becomes the fifth Incaa head since 2003.
According to the Buenos Aires Herald, Argentina’s culture minister Pablo Avelluto said Cacetta’s five main goals would be to: broaden theatre audiences through innovative productions; develop multi-platform content; expedite private investment; ‘federalise’ and promote regional productions through Incaa subsidies; and take local productions to regional and global levels.
His credits as film producer include Pablo Trapero’s Carancho, White Elephant and Lion’s Den.
- 12/17/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Former Patagonik TV producer Alejandro Cacetta has been appointed head of Argentina’s national film body after the resignation of Lucrecia Cardoso.
The latter stepped down this week following the recent election of the centre-right Let’s Change party led by Mauricio Mauri.
Cardoso had served less than one year at the helm of Incaa and in a statement paid tribute to the former Argentine president Cristina Kirchner and her predecessor and late husband, Néstor Kirchner.
Cacetta becomes the fifth Incaa head since 2003.
According to the Buenos Aires Herald, Argentina’s culture minister Pablo Avelluto said Cacetta’s five main goals would be to: broaden theatre audiences through innovative productions; develop multi-platform content; expedite private investment; ‘federalise’ and promote regional productions through Incaa subsidies; and take local productions to regional and global levels.
His credits as film producer include Pablo Trapero’s Carancho, White Elephant and Lion’s Den.
The latter stepped down this week following the recent election of the centre-right Let’s Change party led by Mauricio Mauri.
Cardoso had served less than one year at the helm of Incaa and in a statement paid tribute to the former Argentine president Cristina Kirchner and her predecessor and late husband, Néstor Kirchner.
Cacetta becomes the fifth Incaa head since 2003.
According to the Buenos Aires Herald, Argentina’s culture minister Pablo Avelluto said Cacetta’s five main goals would be to: broaden theatre audiences through innovative productions; develop multi-platform content; expedite private investment; ‘federalise’ and promote regional productions through Incaa subsidies; and take local productions to regional and global levels.
His credits as film producer include Pablo Trapero’s Carancho, White Elephant and Lion’s Den.
- 12/17/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
With his latest film Savages, the acclaimed Us director turns his vision to the murderous narcotics-fuelled conflict in Mexico
A man steps across the floor of what seems to be a basement or dungeon, on a film shot by a wobbly, handheld camera. Blood, sticky underfoot, runs beneath his boots – and the camera catches what seems to be a severed head. The scene is being played on a computer screen, watched by an intense young man, transfixed. A beautiful girl looks also, over his shoulder. "Is that Iraq?", she asks, squirming at the degenerate and apparently gratuitous cruelty. "Mexico," replies the man with a grunt, clearly terrified himself. Welcome to the latest film by Hollywood's – even America's – heretic-in-chief, Oliver Stone. Unsurprisingly, this brief exchange is charged with greater meaning than it appears at first sight, and the film's director has come to elaborate.
The physical presence of Oliver Stone is...
A man steps across the floor of what seems to be a basement or dungeon, on a film shot by a wobbly, handheld camera. Blood, sticky underfoot, runs beneath his boots – and the camera catches what seems to be a severed head. The scene is being played on a computer screen, watched by an intense young man, transfixed. A beautiful girl looks also, over his shoulder. "Is that Iraq?", she asks, squirming at the degenerate and apparently gratuitous cruelty. "Mexico," replies the man with a grunt, clearly terrified himself. Welcome to the latest film by Hollywood's – even America's – heretic-in-chief, Oliver Stone. Unsurprisingly, this brief exchange is charged with greater meaning than it appears at first sight, and the film's director has come to elaborate.
The physical presence of Oliver Stone is...
- 9/24/2012
- by Ed Vulliamy
- The Guardian - Film News
Though a lesser artist than the more politically astute and genuinely socialist John Sayles, Oliver Stone is one of the few committed men of the left working in mainstream American cinema. A couple of years back he gave the kid gloves treatment to Fidel Castro in a couple of documentaries, and in this far-too-short movie he travels around Latin America interviewing seven democratically elected leftwing leaders: Venezuela's Hugo Chávez (who gets the lion's share of the running time), Bolivia's Evo Morales, Argentina's Cristina Kirchner (along with her husband, former president Néstor Kirchner), Brazil's Lula da Silva, Cuba's Raúl Castro, Ecuador's Rafael Correa, and Paraguay's Fernando Lugo, a liberation theologian and former bishop.
Stone looks like a benign version of Conrad Black, and his superficial movie is a healthy corrective to the coverage of Latin America in most of the North American media, especially the toxic bile spewed out by Fox News.
Stone looks like a benign version of Conrad Black, and his superficial movie is a healthy corrective to the coverage of Latin America in most of the North American media, especially the toxic bile spewed out by Fox News.
- 7/31/2010
- by Philip French
- The Guardian - Film News
Cinema Libre Studio acquired the North American rights to South of the Border, the documentary from Oliver Stone, which chronicles his travels to South America in the winter of 2009, and his conversations along the way with Venezuelan President Hugo Chávez, Evo Morales (Bolivia), Lula da Silva (Brazil), Cristina Kirchner (Argentina), as well as her husband and ex-President Néstor Kirchner, Fernando Lugo (Paraguay), Rafael Correa (Ecuador), and Raúl Castro (Cuba). The film premiered at the 2009 Venice Film Festival, then screened at the New York Film Festival. Cinema Libre will premiere ...
- 3/29/2010
- by twhite
- International Documentary Association
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