European Film Promotion has revealed the participants for its Producers on the Move program, which runs before and during the Cannes Film Festival.
The promotion and networking program, which is celebrating its 25th anniversary, brings together 20 of Europe’s most promising producers. This year, Efp will also put a spotlight on the numerous collaborations that have developed between the around 500 participants from 37 European countries over the past quarter century.
The 20 producers were selected for the program from the nominations submitted by Efp’s member organizations, which are all European national film promotion institutes.
They are Katharina Posch (Austria), Elisa Heene (Belgium/Flanders), Kalin Kalinov (Bulgaria), Tibor Keser (Croatia), Tonia Mishiali (Cyprus), Kristýna Michálek Květová (Czech Republic), Lina Flint (Denmark), Delphine Schmit (France), Fabian Driehorst (Germany), Maria Kontogianni (Greece), Sara Nassim (Iceland), Evan Horan (Ireland), Giedrė Žickytė (Lithuania), Katarzyna Ozga (Luxembourg), Angela Nestorovska (North Macedonia), Anita Rehoff Larsen (Norway), Isabel Machado...
The promotion and networking program, which is celebrating its 25th anniversary, brings together 20 of Europe’s most promising producers. This year, Efp will also put a spotlight on the numerous collaborations that have developed between the around 500 participants from 37 European countries over the past quarter century.
The 20 producers were selected for the program from the nominations submitted by Efp’s member organizations, which are all European national film promotion institutes.
They are Katharina Posch (Austria), Elisa Heene (Belgium/Flanders), Kalin Kalinov (Bulgaria), Tibor Keser (Croatia), Tonia Mishiali (Cyprus), Kristýna Michálek Květová (Czech Republic), Lina Flint (Denmark), Delphine Schmit (France), Fabian Driehorst (Germany), Maria Kontogianni (Greece), Sara Nassim (Iceland), Evan Horan (Ireland), Giedrė Žickytė (Lithuania), Katarzyna Ozga (Luxembourg), Angela Nestorovska (North Macedonia), Anita Rehoff Larsen (Norway), Isabel Machado...
- 4/30/2024
- by Leo Barraclough
- Variety Film + TV
The producers of festival-winning titles Lamb, Holly and Our Mothers are among those selected for European Film Promotion’s (Efp) Producers On The Move programme, which showcases rising talent and fosters international co-productions.
Some 20 European producers have been selected for the 2024 Efp programme, which celebrates its 25th anniversary this year.
Scroll down for full list
The group will take part in a programme that aims to foster international co-productions, share experiences and create professional networks. The Pre-Festival online programme, starts today and runs until 3 May, and includes speed meetings, roundtables and pitching sessions. The producers will then meet in...
Some 20 European producers have been selected for the 2024 Efp programme, which celebrates its 25th anniversary this year.
Scroll down for full list
The group will take part in a programme that aims to foster international co-productions, share experiences and create professional networks. The Pre-Festival online programme, starts today and runs until 3 May, and includes speed meetings, roundtables and pitching sessions. The producers will then meet in...
- 4/30/2024
- ScreenDaily
Magnify, the rebranded international sales arm of Magnolia Pictures, has acquired global and U.S. sales rights to “Christmas Eve in Miller’s Point” in the run up to its world premiere at Cannes Directors’ Fortnight.
Directed and co-writer by Tyler Taormina (“Ham on Rye”), the film stars Michael Cera (“Barbie”), Francesca Scorsese, Maria Dizzia (“Martha Marcy May Marlene”), Ben Shenkman (“Billions”), Elsie Fisher (“Eighth Grade”), Gregg Turkington (“Entertainment”), Sawyer Spielberg (“Masters of the Air”) breakout actor Matilda Fleming, among others.
Written by Taormina and Eric Berger, the film revolves around a rambunctious extended family descending upon their small Long Island hometown for the holidays where hijinks, generational squabbles, and family traditions ensue.
“Taormina takes a singular approach to the classic holiday family movie, bringing his absurdist humor and dynamic filmmaking to life with a charming and perfectly cast ensemble,” said Lorna Lee Torres, Magnify SVP of Global Sales. “We...
Directed and co-writer by Tyler Taormina (“Ham on Rye”), the film stars Michael Cera (“Barbie”), Francesca Scorsese, Maria Dizzia (“Martha Marcy May Marlene”), Ben Shenkman (“Billions”), Elsie Fisher (“Eighth Grade”), Gregg Turkington (“Entertainment”), Sawyer Spielberg (“Masters of the Air”) breakout actor Matilda Fleming, among others.
Written by Taormina and Eric Berger, the film revolves around a rambunctious extended family descending upon their small Long Island hometown for the holidays where hijinks, generational squabbles, and family traditions ensue.
“Taormina takes a singular approach to the classic holiday family movie, bringing his absurdist humor and dynamic filmmaking to life with a charming and perfectly cast ensemble,” said Lorna Lee Torres, Magnify SVP of Global Sales. “We...
- 4/25/2024
- by Elsa Keslassy
- Variety Film + TV
Magnify, formerly Magnolia Pictures International, has announced multiple territories out of EFM on Veni Vidi Vici, the provocative Sundance premiere from Austrian filmmakers Daniel Hoesl And Julia Niemann.
Deals have closed in France (L’atelier d’Images), Central and Eastern Europe (HBO Europe), Poland (Aurora), Czech Republic and Slovakia (Pilot), former Yugoslavia (Five Star Distribution), Middle East (Gulf), Taiwan (Joinstar), Ukraine (Arthouse Traffic), Hungary (Cinefil), and airlines (Spafax).
Magnify’s SVP of global sales, Lorna Lee Torres and director of global sales Austin Kennedy negotiated the deals and are considering offers on Germany, Japan and other territories.
Satire Veni Vidi Vici premiered...
Deals have closed in France (L’atelier d’Images), Central and Eastern Europe (HBO Europe), Poland (Aurora), Czech Republic and Slovakia (Pilot), former Yugoslavia (Five Star Distribution), Middle East (Gulf), Taiwan (Joinstar), Ukraine (Arthouse Traffic), Hungary (Cinefil), and airlines (Spafax).
Magnify’s SVP of global sales, Lorna Lee Torres and director of global sales Austin Kennedy negotiated the deals and are considering offers on Germany, Japan and other territories.
Satire Veni Vidi Vici premiered...
- 2/28/2024
- ScreenDaily
One of my favorite categories of Reddit posts (don’t judge) are those where people who have worked for or near the super-rich share stories that people “wouldn’t believe.” From ordering private jets like they were pizza to hosting children’s parties where A-list performers sing to indifferent toddlers, these stories make it quite clear that the 1% lives on a planet most of us will never visit. “Pharaoh-level shit,” as one of my favorite Reddit reactions of all time said.
The craziest thing about Veni Vidi Vici, Daniel Hoesl and Julia Niemann’s pitch-black satire about a wealthy family with a predilection for human-hunting, is that it doesn’t seem that crazy.
The Ulrich Seidl-produced film opens with a quote from The Fountainhead, which can never mean a good thing unless we’re in store for a comedy. “The point is who will stop me”––a quote part...
The craziest thing about Veni Vidi Vici, Daniel Hoesl and Julia Niemann’s pitch-black satire about a wealthy family with a predilection for human-hunting, is that it doesn’t seem that crazy.
The Ulrich Seidl-produced film opens with a quote from The Fountainhead, which can never mean a good thing unless we’re in store for a comedy. “The point is who will stop me”––a quote part...
- 1/29/2024
- by Jose Solís
- The Film Stage
Roughly translated from Latin, “Veni Vidi Vici,” means “I came, I saw, I conquered.” Usually attributed to Julius Caesar, the phrase reflects the casual brutality, cruelty, and avarice of the onetime Roman Republic and its successor, the Roman Empire. It also implies that non-Romans existed solely to be conquered, their individual and collective fates determined not by their allegiance to Rome and its emperors, but by their conquerors' arbitrary and capricious whims. To live under Roman rule as a subject and not a citizen was to live — and often die — in abject fear of a premature demise. That sense of power, privilege, and entitlement, of ownership over the bodies, hearts, and minds of the non-ruling classes permeates Austrian filmmakers Daniel Hoesl and Julia...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 1/26/2024
- Screen Anarchy
Get in touch to send in cinephile news and discoveries. For regular updates, sign up for our weekly email newsletter and follow us @NotebookMUBI.NEWSBreathless.The Mubi Podcast returns on January 25. Titled “Tailor Made,” the fifth season will consider landmark movies that captured major fashions of their times—from Jean Seberg in Breathless to Sofia Coppola’s body of work to date—with insights from leading costume designers, fashion designers, cinematographers, and directors.Alongside the announcement of the Competition and Encounters sections, with the addition of new films by Abderrahmane Sissako, Mati Diop, Hong Sang-soo, Ruth Beckermann, and more, we’ve updated our Berlinale lineup post ahead of the festival’s commencement on February 15.June Givanni, a writer on and curator of African and African diasporic cinema and the founder of the June Givanni PanAfrican Cinema Archive, is to be recognized by BAFTA with an Outstanding British Contribution to Cinema...
- 1/23/2024
- MUBI
Destroy Everything You Touch: Hoesl & Riemann Come to Conquer with Dark Satire
As Abba once succinctly stated, “Money, money money/Must be funny/In a rich man’s world,” which is certainly the case in the latest film by Austrian director Daniel Hoesl, co-directing with Julia Niemann. The pair previously co-directed the doc Davos (2020), featuring the locals in a rural Swiss town visited by wealthy elitists once a year, which sounds an awful lot like Park City, Utah, where the Sundance Film Festival hosted the premiere of this title (along with Hoesl’s similarly articulated 2013 debut Soldier Jane). Once the assistant director to the venerable Austrian provocateur Ulrich Seidl (who produced this film), Hoesl shares a certain streak of misanthropy with his mentor, introducing us to a family of impossibly callous elitists who feel something like the self-absorbed clan of White Noise (2022) who have developed a taste for playing the...
As Abba once succinctly stated, “Money, money money/Must be funny/In a rich man’s world,” which is certainly the case in the latest film by Austrian director Daniel Hoesl, co-directing with Julia Niemann. The pair previously co-directed the doc Davos (2020), featuring the locals in a rural Swiss town visited by wealthy elitists once a year, which sounds an awful lot like Park City, Utah, where the Sundance Film Festival hosted the premiere of this title (along with Hoesl’s similarly articulated 2013 debut Soldier Jane). Once the assistant director to the venerable Austrian provocateur Ulrich Seidl (who produced this film), Hoesl shares a certain streak of misanthropy with his mentor, introducing us to a family of impossibly callous elitists who feel something like the self-absorbed clan of White Noise (2022) who have developed a taste for playing the...
- 1/20/2024
- by Nicholas Bell
- IONCINEMA.com
When is an aspiring sociopolitical satire so exasperated with what it’s supposedly lampooning that its anger and indignation threaten to undermine the irony of what it’s trying to ridicule? Directed by Austrian pair Daniel Hoesl and Julia Nieman, their Sahara dry, deadpan social satire, “Veni Vidi Vici” (Latin for “I came; I saw; I conquered”)— about the untouchable nature of the rich and powerful of the world, and how consequences for their actions have largely vanished — isn’t necessarily that film.
Continue reading ‘Veni Vidi Vici’ Review: Dark Billionaire Satire Asks: Do Consequences Exist For The Filthy Rich? [Sundance] at The Playlist.
Continue reading ‘Veni Vidi Vici’ Review: Dark Billionaire Satire Asks: Do Consequences Exist For The Filthy Rich? [Sundance] at The Playlist.
- 1/19/2024
- by Rodrigo Perez
- The Playlist
“Veni Vidi Vici” — a jaw-dropping Austrian shocker that’s part of this year’s Sundance Film Festival – came, saw and conquered at its Thursday premiere.
The film follows a ruthless and charismatic billionaire family whose patriarch guns down innocent citizens in his free time, and left many speechless at the Egyptian Theater in Park City. Directed by Daniel Hoesl and Julia Niemann, the movie features intensely provocative moments including infanticide and brutal public shootings. The family, it turns out, is simply too powerful to face consequences from local police, national defense agents and even their prime minister.
“The problem is that he’s so charming,” director Hoesl said of his leading man Laurence Rupp (whose appeal practically demands a Tom Hiddleston-esque introduction to the American market). “The sunlight is blinding us. We know people like him and we let them get away with it.”
Perhaps not quite like this.
The film follows a ruthless and charismatic billionaire family whose patriarch guns down innocent citizens in his free time, and left many speechless at the Egyptian Theater in Park City. Directed by Daniel Hoesl and Julia Niemann, the movie features intensely provocative moments including infanticide and brutal public shootings. The family, it turns out, is simply too powerful to face consequences from local police, national defense agents and even their prime minister.
“The problem is that he’s so charming,” director Hoesl said of his leading man Laurence Rupp (whose appeal practically demands a Tom Hiddleston-esque introduction to the American market). “The sunlight is blinding us. We know people like him and we let them get away with it.”
Perhaps not quite like this.
- 1/19/2024
- by Matt Donnelly
- Variety Film + TV
Hailing from the country that gave us such grim social critics as Michael Haneke and Ulrich Seidl, Vantablack Austrian satire “Veni Vidi Vici” opens with a senseless homicide. It’s a startling scene, no less upsetting than the Scorpio killing that kick-starts “Dirty Harry” — except that in this case, the incident is calibrated as the darkest sort of comedy. Rather than picking off an unsuspecting rooftop swimmer, the serial killer does his hunting out in the open, without shame or any pretense of covering his tracks.
The movie makes no mystery of the sniper’s identity, revealing it right from the jump, the way a “Columbo” episode might. And yet the authorities show zero interest in arresting the guilty party, even going so far as to toss an eyewitness out of the police station (that man winds up offing himself in exasperation). That’s because the person responsible, Amon Maynard (Laurence Rupp), is a millionaire,...
The movie makes no mystery of the sniper’s identity, revealing it right from the jump, the way a “Columbo” episode might. And yet the authorities show zero interest in arresting the guilty party, even going so far as to toss an eyewitness out of the police station (that man winds up offing himself in exasperation). That’s because the person responsible, Amon Maynard (Laurence Rupp), is a millionaire,...
- 1/19/2024
- by Peter Debruge
- Variety Film + TV
Veni, vidi, vici: “I came, I saw, I conquered,” reportedly said Julius Caesar after an especially swift victory. Now, his words echo in Daniel Hoesl and Julia Niemann’s satire about a family so powerful it can get away with murder. Literally.
“Imagine you are above the law. You can do anything. It’s frustrating, because sometimes you want the world to wake up and yet nothing happens. It’s really funny and really sad,” Hoesl tells Variety.
“These people want to be stopped. They leave all these traces, so why does no one speak up? There is more than one Jeffrey Epstein out there.”
Premiering at Sundance and Rotterdam – and produced by Ulrich Seidl for Ulrich Seidl Film Produktion, with Magnify handling sales – “Veni Vidi Vici” takes a closer look at the Maynard clan where “family is everything,” but human life means nothing.
“Our main character always wins. It...
“Imagine you are above the law. You can do anything. It’s frustrating, because sometimes you want the world to wake up and yet nothing happens. It’s really funny and really sad,” Hoesl tells Variety.
“These people want to be stopped. They leave all these traces, so why does no one speak up? There is more than one Jeffrey Epstein out there.”
Premiering at Sundance and Rotterdam – and produced by Ulrich Seidl for Ulrich Seidl Film Produktion, with Magnify handling sales – “Veni Vidi Vici” takes a closer look at the Maynard clan where “family is everything,” but human life means nothing.
“Our main character always wins. It...
- 1/18/2024
- by Marta Balaga
- Variety Film + TV
"Go ahead and run! I know what you look like!" Magnify Films has revealed the first look teaser trailer for a Sundance film called Veni Vidi Vici, from filmmakers Daniel Hoesl & Julia Niemann. This Austrian film is premiering in the "World Cinema Dramatic Competition" section at Sundance 2024 this month. Apparently it's commentary on the uber-rich, using a familiar idea in The Hunt and/or the classic "The Most Dangerous Game". The Maynards and their children lead an almost perfect billionaire family life. Amon is a passionate hunter, but doesn’t shoot animals, as the family's wealth allows them to live totally free from consequences. So he hunts humans. The cast includes Laurence Rupp, Ursina Lardi, Olivia Goschler, Kyra Kraus, Tamaki Uchida, and Dominik Warta. The filmmaker explains why: "The situation is serious... To create a parable, you have to exaggerate, paradoxically enough." This looks disquieting, with much more stronger commentary...
- 1/12/2024
- by Alex Billington
- firstshowing.net
For those missing the billionaire voyeurism of “Succession,” Sundance film “Veni Vidi Vici” is poised to be a more sinister remedy.
Directed by Julia Niemann and Daniel Hoesl (and written by Hoesl), the film centers on the Maynard family, who live an “almost perfect” billionaire lifestyle, per the official synopsis. Patriarch Amon is a passionate hunter, but doesn’t shoot animals, as the family’s wealth allows them to live totally free from consequences, as the logline for the social satire dark comedy teases.
“Destructive strength is creative strength,” a character says in the trailer. “But don’t predatory cats belong in the wild?”
The hunt for whomever the dangerous hunter with no regard for human life is takes over a community, as all fingers seem to point to the elite family at the center of the drama. Yet the whodunit takes on another social issue: When the presumed wealthy “madman” killer is revealed,...
Directed by Julia Niemann and Daniel Hoesl (and written by Hoesl), the film centers on the Maynard family, who live an “almost perfect” billionaire lifestyle, per the official synopsis. Patriarch Amon is a passionate hunter, but doesn’t shoot animals, as the family’s wealth allows them to live totally free from consequences, as the logline for the social satire dark comedy teases.
“Destructive strength is creative strength,” a character says in the trailer. “But don’t predatory cats belong in the wild?”
The hunt for whomever the dangerous hunter with no regard for human life is takes over a community, as all fingers seem to point to the elite family at the center of the drama. Yet the whodunit takes on another social issue: When the presumed wealthy “madman” killer is revealed,...
- 1/11/2024
- by Samantha Bergeson
- Indiewire
Sales talks to commence in Park City and continue in Berlin.
Magnify, the company formerly known as Magnolia Pictures International, has made its first acquisition since the rebrand, taking global sales rights to upcoming Sundance premiere Veni Vidi Vici.
Daniel Hoesl and Julia Niemann (Davos) directed the Austrian social satire about a billionaire family and their children’s almost perfect life without consequences.
Laurence Rupp (Barbarians), Ursina Lardi (Lore), Dominik Warta (L’Animale), and newcomer Olivia Goschler star. Ulrich Seidl (Goodnight Mommy) of Ulrich Seidl Filmproduktion served as producer.
“Daniel and Julia have crafted an exquisite, sophisticated and timely satire...
Magnify, the company formerly known as Magnolia Pictures International, has made its first acquisition since the rebrand, taking global sales rights to upcoming Sundance premiere Veni Vidi Vici.
Daniel Hoesl and Julia Niemann (Davos) directed the Austrian social satire about a billionaire family and their children’s almost perfect life without consequences.
Laurence Rupp (Barbarians), Ursina Lardi (Lore), Dominik Warta (L’Animale), and newcomer Olivia Goschler star. Ulrich Seidl (Goodnight Mommy) of Ulrich Seidl Filmproduktion served as producer.
“Daniel and Julia have crafted an exquisite, sophisticated and timely satire...
- 12/13/2023
- by Jeremy Kay
- ScreenDaily
Magnify, which was formally known as Magnolia Pictures International, has acquired global and U.S. sales rights to “Veni Vedi Vici,” an Australian social satire from directors’ Daniel Hoesl and Julia Niemann. Written by Hoesl, the film will debut in the World Dramatic Competition section of the 2024 Sundance Film Festival. It marks the first title acquired for sales under the newly rebranded Magnify label.
In “Veni Vedi Vici,” the Maynards and their children lead an almost perfect billionaire family life. Amon is a passionate hunter, but doesn’t shoot animals, as the family’s wealth allows them to live totally free from consequences.
“Daniel and Julia have crafted an exquisite, sophisticated and timely satire that delves into the dynamics of privilege. Fuelled with dark humor, psychotic absurdity, and hyper-realistic violence, ‘Veni Vedi Vici’ promises a captivating watch in Park City, that we are thrilled to launch under the freshly rebranded Magnify label,...
In “Veni Vedi Vici,” the Maynards and their children lead an almost perfect billionaire family life. Amon is a passionate hunter, but doesn’t shoot animals, as the family’s wealth allows them to live totally free from consequences.
“Daniel and Julia have crafted an exquisite, sophisticated and timely satire that delves into the dynamics of privilege. Fuelled with dark humor, psychotic absurdity, and hyper-realistic violence, ‘Veni Vedi Vici’ promises a captivating watch in Park City, that we are thrilled to launch under the freshly rebranded Magnify label,...
- 12/13/2023
- by Brent Lang
- Variety Film + TV
Girls Will Be Girls To Premiere At Sundance Film Festival 2024: Here’s Everything You Should Know About Chadha & Ali Fazal’s Debut Production! ( Photo Credit – Instagram )
Ali Fazal and Richa Chadha’s debut production, ‘Girls Will Be Girls,’ a female-led drama written and directed by debutante Shuchi Talati, is set to premiere at the prestigious Sundance Film Festival 2024. The film will be screened in the World Dramatic Feature category, marking an extraordinary achievement for producers as well as the director. ‘Girls Will Be Girls’ is one of 16 films chosen to participate in the competitive category of the renowned Film Festival.
The 40th edition of the Sundance Film Festival, which aims to provide a space to gather, celebrate, and engage with risk-taking artists who are committed to bringing their independent visions to audiences through independent storytelling, will take place from January 18–28, 2024, in Park City, Utah.
Speaking about the film, producer Richa Chadha earlier said,...
Ali Fazal and Richa Chadha’s debut production, ‘Girls Will Be Girls,’ a female-led drama written and directed by debutante Shuchi Talati, is set to premiere at the prestigious Sundance Film Festival 2024. The film will be screened in the World Dramatic Feature category, marking an extraordinary achievement for producers as well as the director. ‘Girls Will Be Girls’ is one of 16 films chosen to participate in the competitive category of the renowned Film Festival.
The 40th edition of the Sundance Film Festival, which aims to provide a space to gather, celebrate, and engage with risk-taking artists who are committed to bringing their independent visions to audiences through independent storytelling, will take place from January 18–28, 2024, in Park City, Utah.
Speaking about the film, producer Richa Chadha earlier said,...
- 12/10/2023
- by Shivani Negi
- KoiMoi
Daniel Hoesl’s Veni Vidi Vici, Klaudia Reynicke’s Reinas and Thea Hvistendahl’s Handling the Undead are among the ten titles selected for the needle in a haystack section of the World Cinema Dramatic Competition. Here are the globe-trotting titles:
Brief History of a Family / China, France, Denmark, Qatar — A middle-class family’s fate becomes intertwined with their only son’s enigmatic new friend in post one-child policy China, putting unspoken secrets, unmet expectations, and untended emotions under the microscope. Cast: Feng Zu, Keyu Guo, Xilun Sun, Muran Lin. World Premiere.…...
Brief History of a Family / China, France, Denmark, Qatar — A middle-class family’s fate becomes intertwined with their only son’s enigmatic new friend in post one-child policy China, putting unspoken secrets, unmet expectations, and untended emotions under the microscope. Cast: Feng Zu, Keyu Guo, Xilun Sun, Muran Lin. World Premiere.…...
- 12/6/2023
- by Eric Lavallée
- IONCINEMA.com
Festival will take place January 18–28, 2024, in person in Park City and Salt Lake City.
Sundance Film Festival’s top brass have unveiled the 40th anniversary edition line-up for 2024 as Steven Soderbergh makes his return as director for the first time since his 1989 breakout sex, lies and videotape, and Ian Bonhote and Peter Ettedgui’s Super/Man: The Christopher Reeve Story is the opening night film.
The full slate of works announced includes 82 features representing 24 countries, and 91 selections including episodic programmes. World premieres make up 94% of the entire roster, and 40% of the filmmakers are debutants.
The festival will take place January...
Sundance Film Festival’s top brass have unveiled the 40th anniversary edition line-up for 2024 as Steven Soderbergh makes his return as director for the first time since his 1989 breakout sex, lies and videotape, and Ian Bonhote and Peter Ettedgui’s Super/Man: The Christopher Reeve Story is the opening night film.
The full slate of works announced includes 82 features representing 24 countries, and 91 selections including episodic programmes. World premieres make up 94% of the entire roster, and 40% of the filmmakers are debutants.
The festival will take place January...
- 12/6/2023
- by Jeremy Kay
- ScreenDaily
Veni Vidi Vici
After checking in with the powerful elite with the ’20 docu Davos, Daniel Hoesl moved into a screenplay that is not that far removed. Working with a satire template on his third fic feature – his latest (a Les Arcs Film Festival Wip winner) is about an Austrian billionaire family with a penchant for hunting. Hoesl once again reteams with cinematographer Gerald Kerkletz on what was formerly titled “Vikinger” but now goes by the more aptly title of Veni Vidi Vici. Produced by Ulrich Seidl, this stars Laurence Rupp, Ursina Lardi, Dominik Warta, Johanna Orsini, and filmmaker Markus Schleinzer.…...
After checking in with the powerful elite with the ’20 docu Davos, Daniel Hoesl moved into a screenplay that is not that far removed. Working with a satire template on his third fic feature – his latest (a Les Arcs Film Festival Wip winner) is about an Austrian billionaire family with a penchant for hunting. Hoesl once again reteams with cinematographer Gerald Kerkletz on what was formerly titled “Vikinger” but now goes by the more aptly title of Veni Vidi Vici. Produced by Ulrich Seidl, this stars Laurence Rupp, Ursina Lardi, Dominik Warta, Johanna Orsini, and filmmaker Markus Schleinzer.…...
- 1/9/2023
- by Eric Lavallée
- IONCINEMA.com
Les Arcs Film Festival’s industry sidebar has unveiled prizes for several projects at different stages, including Annarita Zambrano’s black comedy “Rossosperanza.”
“Rossosperanza” is being produced by Italy’s Mad Entertainment, Rai Cinema, Minnerva Pictures, and France’s Ts Productions. The movie is set in the 1980’s and unfolds at a luxurious villa turned into a rehabilitation center for troubled children from rich families.
The film was one of the 14 projects in post-production presented to film executives from top international banners and festivals as part of the work-in-progress section. The sidebar, now in its 12th edition, is curated by Frederic Boyer, the director artistic of both Tribeca and Les Arcs film festivals, alongside producer and fest co-founder Jeremy Zelnik, among others.
“Rossosperanza” won the TitraFilm Award, chosen by a jury comprising of Ava Cahen, the artistic director of Cannes Critics’ Week), Louisa Dent, managing director of Curzon Artificial Eye,...
“Rossosperanza” is being produced by Italy’s Mad Entertainment, Rai Cinema, Minnerva Pictures, and France’s Ts Productions. The movie is set in the 1980’s and unfolds at a luxurious villa turned into a rehabilitation center for troubled children from rich families.
The film was one of the 14 projects in post-production presented to film executives from top international banners and festivals as part of the work-in-progress section. The sidebar, now in its 12th edition, is curated by Frederic Boyer, the director artistic of both Tribeca and Les Arcs film festivals, alongside producer and fest co-founder Jeremy Zelnik, among others.
“Rossosperanza” won the TitraFilm Award, chosen by a jury comprising of Ava Cahen, the artistic director of Cannes Critics’ Week), Louisa Dent, managing director of Curzon Artificial Eye,...
- 12/14/2022
- by Elsa Keslassy
- Variety Film + TV
‘Rossosperanza’, ‘Veni Vidi Vici’ also win prizes.
Vytautas Katkus’ Lithuanian feature The Visitor has won its latest development prize, taking the Coproduction Village award at Les Arcs Industry Village.
It was selected for the €6,000 prize by Remi Burah, president of ArteKino Foundation and CEO of Arte France Cinema. Burah noted “a director walking the line between fiction and documentary, social realism and fantastic poetry.”
Scroll down for the full list of winners
The Visitor previously won the Cannes Critics’ Week Next Step prize in May. The film follows a young man as he tries to make a new life for...
Vytautas Katkus’ Lithuanian feature The Visitor has won its latest development prize, taking the Coproduction Village award at Les Arcs Industry Village.
It was selected for the €6,000 prize by Remi Burah, president of ArteKino Foundation and CEO of Arte France Cinema. Burah noted “a director walking the line between fiction and documentary, social realism and fantastic poetry.”
Scroll down for the full list of winners
The Visitor previously won the Cannes Critics’ Week Next Step prize in May. The film follows a young man as he tries to make a new life for...
- 12/13/2022
- by Ben Dalton
- ScreenDaily
Les Arcs Industry Village Winners: ‘The Visitor’, ‘Rossosperanza’ & ‘Veni Vidi Vici’ Take Top Prizes
Lithuanian filmmaker Vytautas Katkus’s debut feature project The Visitor won the top €6,000 Artekino International Award at the Les Arcs Coproduction Village on Tuesday.
The award, decided by Rémi Burah, President of ArteKino Foundation and CEO of Arte France Cinéma, is granted to support the development of the project.
The project, which previously won Cannes Critics’ Week Next Step prize in May, revolves around a young man attempting to make a new life for himself in a foreign land where he does not speak the language or know anyone.
“For this 2022 edition, the ArteKino International Award supports a first feature by a director walking the line between fiction and documentary, social realism and fantastic poetry, with a subtle balance that he has demonstrated in his already very mastered short films,” said Burah.
The Visitor was among 18 feature projects participating in the Les Arcs Coproduction Village.
It is one element of...
The award, decided by Rémi Burah, President of ArteKino Foundation and CEO of Arte France Cinéma, is granted to support the development of the project.
The project, which previously won Cannes Critics’ Week Next Step prize in May, revolves around a young man attempting to make a new life for himself in a foreign land where he does not speak the language or know anyone.
“For this 2022 edition, the ArteKino International Award supports a first feature by a director walking the line between fiction and documentary, social realism and fantastic poetry, with a subtle balance that he has demonstrated in his already very mastered short films,” said Burah.
The Visitor was among 18 feature projects participating in the Les Arcs Coproduction Village.
It is one element of...
- 12/12/2022
- by Melanie Goodfellow
- Deadline Film + TV
France’s Les Arcs Film Festival has unveiled the 14 European feature film projects that will be presented in its Works in Progress showcase as part of its industry program, running December 1-10.
The selected projects were picked out of 160 submissions this year.
The line-up includes Rossa Speranza, the second film from Italian director Annarita Zambrano, whose debut feature After The War world premiered in Cannes Un Certain Regard in 2017.
Set in the 1980s, the dark comedy revolves around a group of teenagers who meet in an institution for wayward rich kids.
Other projects in the mix include the Peruvian feature Fuga by directorial duo Mary Jiménez and Bénédicte Liénard, whose previous collaborations include the award-winning documentary By The Name Of Tania.
The Work in Progress showcase is aimed at connecting features in post-production with sales agents, distributors and festival programmers.
Twelve of the projects will compete for a €10,000 post-production prize,...
The selected projects were picked out of 160 submissions this year.
The line-up includes Rossa Speranza, the second film from Italian director Annarita Zambrano, whose debut feature After The War world premiered in Cannes Un Certain Regard in 2017.
Set in the 1980s, the dark comedy revolves around a group of teenagers who meet in an institution for wayward rich kids.
Other projects in the mix include the Peruvian feature Fuga by directorial duo Mary Jiménez and Bénédicte Liénard, whose previous collaborations include the award-winning documentary By The Name Of Tania.
The Work in Progress showcase is aimed at connecting features in post-production with sales agents, distributors and festival programmers.
Twelve of the projects will compete for a €10,000 post-production prize,...
- 12/1/2022
- by Melanie Goodfellow
- Deadline Film + TV
Fresh off their debut feature documentary “Davos,” Daniel Hoesl and Julia Niemann have lined up a number of new projects, among them an upcoming series for HBO Max and Zdf.
Produced by Berlin-based Komplizen Film (“Tony Erdmann“), “Fck My Heritage” (working title) is set in an elite boarding school and follows a group of students who decide to reject their inheritances and trigger a global social revolution.
Christian Schwochow is serving as showrunner on the series, which Hoesl and Niemann are co-writing with Heide Schwochow and Jana Burbach.
Hoesl has also completed the script for his next narrative feature, a satire about an Austrian billionaire family with a penchant for hunting, which Ulrich Seidl is producing.
Elites and their wealth and power have been at the core of the Austrian filmmaker’s past works, including “Soldier Jane” and “Winwin” – both of which unspooled at the International Film Festival Rotterdam, where...
Produced by Berlin-based Komplizen Film (“Tony Erdmann“), “Fck My Heritage” (working title) is set in an elite boarding school and follows a group of students who decide to reject their inheritances and trigger a global social revolution.
Christian Schwochow is serving as showrunner on the series, which Hoesl and Niemann are co-writing with Heide Schwochow and Jana Burbach.
Hoesl has also completed the script for his next narrative feature, a satire about an Austrian billionaire family with a penchant for hunting, which Ulrich Seidl is producing.
Elites and their wealth and power have been at the core of the Austrian filmmaker’s past works, including “Soldier Jane” and “Winwin” – both of which unspooled at the International Film Festival Rotterdam, where...
- 6/2/2021
- by Ed Meza
- Variety Film + TV
Event will include the launch of the festival’s newest and largest programme, Harbour.
International Film Festival Rotterdam (IFFR) has unveiled the first titles for its summer event, which has shifted to a hybrid format due as the pandemic continues.
The celebration of the festival’s 50th anniversary was due to run as a physical series of screenings and events from June 2-6, complementing the online-only edition of IFFR that took place in February.
It will now be presented as a hybrid event, with a film programme that will be available online in the Netherlands and physically in Rotterdam, as...
International Film Festival Rotterdam (IFFR) has unveiled the first titles for its summer event, which has shifted to a hybrid format due as the pandemic continues.
The celebration of the festival’s 50th anniversary was due to run as a physical series of screenings and events from June 2-6, complementing the online-only edition of IFFR that took place in February.
It will now be presented as a hybrid event, with a film programme that will be available online in the Netherlands and physically in Rotterdam, as...
- 4/15/2021
- by Michael Rosser
- ScreenDaily
Claire Denis, Petra Costa and Peter Mettler to give online masterclasses.
Swiss documentary festival Visions de Réel, which was to have taken place from April 24 to May 2 in the lakeside town of Nyon, has revealed details of the online format it has developed to replace the physical event which was cancelled due to the coronavirus pandemic.
“Visions du Réel 2020 will not take place at the Place du Réel, in the cinemas, in the tent and in the bar, in Nyon,” said artistic director Émilie Bujès, referring to the event’s traditional festival and industry hubs. “But it will resolutely be held on the internet,...
Swiss documentary festival Visions de Réel, which was to have taken place from April 24 to May 2 in the lakeside town of Nyon, has revealed details of the online format it has developed to replace the physical event which was cancelled due to the coronavirus pandemic.
“Visions du Réel 2020 will not take place at the Place du Réel, in the cinemas, in the tent and in the bar, in Nyon,” said artistic director Émilie Bujès, referring to the event’s traditional festival and industry hubs. “But it will resolutely be held on the internet,...
- 3/31/2020
- by 1100388¦Melanie Goodfellow¦0¦
- ScreenDaily
Claire Denis, Petra Costa and Peter Mettler to give online masterclasses.
Swiss documentary festival Visions de Réel, which was to have taken place from April 24 to May 2 in the lakeside town of Nyon, has revealed details of the online format it has developed to replace the physical event which was cancelled due to the coronavirus pandemic.
“Visions du Réel 2020 will not take place at the Place du Réel, in the cinemas, in the tent and in the bar, in Nyon,” said artistic director Émilie Bujès, referring to the event’s traditional festival and industry hubs. “But it will resolutely be held on the internet,...
Swiss documentary festival Visions de Réel, which was to have taken place from April 24 to May 2 in the lakeside town of Nyon, has revealed details of the online format it has developed to replace the physical event which was cancelled due to the coronavirus pandemic.
“Visions du Réel 2020 will not take place at the Place du Réel, in the cinemas, in the tent and in the bar, in Nyon,” said artistic director Émilie Bujès, referring to the event’s traditional festival and industry hubs. “But it will resolutely be held on the internet,...
- 3/31/2020
- by 1100388¦Melanie Goodfellow¦0¦
- ScreenDaily
Current Mpm Film and Premium Films sales executives Ricardo Monastier and Leslie Saussereau will combine forces on the international sales front.
Paris-based auteur-focused Mpm Film and shorts specialist Premium Films have joined forces to create a single sales entity called Mpm Premium, combining their industry know-how and network.
Under the new structure, current Mpm Film and Premium Films sales executives Ricardo Monastier and Leslie Saussereau will combine forces on the international sales front.
Mpm Film founding chief Marie-Pierre Macia and producer Claire Gadéa and Premium Films founder Jean-Charles Mille will oversee management of the company.
“The market is evolving and we have to adapt. The fusion allows us more flexibility and better reactivity thanks to a bigger team, with complementary abilities and a wide expertise. We plan to optimise our investments and be more present on the international markets,” Macia, Gadéa and Mille said in a joint statement.
“It’s more and more difficult for auteur films to find...
Paris-based auteur-focused Mpm Film and shorts specialist Premium Films have joined forces to create a single sales entity called Mpm Premium, combining their industry know-how and network.
Under the new structure, current Mpm Film and Premium Films sales executives Ricardo Monastier and Leslie Saussereau will combine forces on the international sales front.
Mpm Film founding chief Marie-Pierre Macia and producer Claire Gadéa and Premium Films founder Jean-Charles Mille will oversee management of the company.
“The market is evolving and we have to adapt. The fusion allows us more flexibility and better reactivity thanks to a bigger team, with complementary abilities and a wide expertise. We plan to optimise our investments and be more present on the international markets,” Macia, Gadéa and Mille said in a joint statement.
“It’s more and more difficult for auteur films to find...
- 2/15/2018
- by Melanie Goodfellow
- ScreenDaily
Close-Up is a feature that spotlights films now playing on Mubi. Julian Radlmaier's Self-Criticism of a Bourgeois Dog (2017), which is receiving an exclusive global online premiere on Mubi, is showing from January 12 - February 11, 2018 as a Special Discovery.Personnel is being hired for the Theater in Oklahoma! The great Theater of Oklahoma is calling you!—Amerika, Franz Kafka “But how can we know we’re in communism?”—Camille, Self-Criticism of a Bourgeois DogSpecters haunt: class society, the ghost of Mayakovsky, the Soviet avant-garde. Julian Radlmaier’s filmography has thus far demonstrated a fixation with the terminology, the iconography—and the names, and the reference points—of a Marxist culture at once sacred, dogmatic, malleable, popular, misquoted, bastardized, mocked. The German filmmaker foregrounds his referential framework (two medium-length efforts preceded this one: 2012’s A Specter Is Haunting Europe and 2014’s A Proletarian Winter’s Tale) as if to simultaneously goad and warn his audience.
- 1/11/2018
- MUBI
LatinoBuzz: Winners of 33rd Edition CineMart Include Academy Award-Nominee Ciro Guerra's New Project
The CineMart 2016 awards have been announced marking the close of the 33rd edition of the co-production market. German production "Berlin Alexanderplatz" was awarded the Eurimages Co-Production Development Award of €20,000, which is given to a project presented by a European producer. Colombian production "Birds of Passage" was awarded the €6,000 Arte International Prize and the Wouter Barendrecht Award went to Christopher Radcliff’s new project "The Strange Ones." The prize of €5,000 is given by the Wouter Barendrecht Film Foundation. The jury for the Arte and Eurimages awards is comprised of the Netherlands Film Fund’s Dorien van de Pas, producer Annamaria Lodato and Fabien Westerhoff, head of international licensing, production and finance company Ffwd (formerly with Hanway and WestEnd). The Wouter Barendrecht Award is decided on by representatives of the Wouter Barendrecht Film Foundation, Nelleke and Ellis Driessen.
CineMart selected 25 international projects to participate in the four day event which has been one of the most successful in recent years. Multiple conferences and panels covering topics ranging from “Making the most of a film festival” to “The Micro-Budget Talent Programmes” were held in front of packed audiences who were invited to be involved in the debates and receive advice. Mike S. Ryan (Greyshack Films), Michael Weber (The Match Factory), Winnie Lau (Jettone Films Ltd) and Bero Beyer (Director Iffr) discussing ‘The Creative Thunder of Cinema’ proved one of the highlights of Iffr 2016.
On making the announcement, Head of Industry and CineMart, Marit van den Elshout commented: “This year’s line-up was exceptional and inspiring. I speak on behalf of the entire team when I say that we could not be more proud – we have seen so many great projects, and so many talented teams behind them, the winners really exemplify this. I am also pleased to say that we hosted multiple extremely well attended panels and conversations, discussing the current state and possible future of the cinema that we love and cherish in Rotterdam.”
This year’s Eurimages Co-Production Development Award winner, "Berlin Alexanderplatz" by Burhan Qurbani (Germany) is a Sommerhaus Filmproduktion production. On the jury’s decision, Dorien van de Pas commented: “The project gives us a new and relevant view on a classic piece. The talented director has already made several films about urgent and relevant topics, that currently affect all our countries. Here he will combine elements of genre film with more political and emotional layers, which makes it accessible for a younger audience. The project leads to an ideal co-production scenario and the money of this award will be well employed for casting and further development.”
The Arte International Prize winner is "Birds of Passage" (Colombia) by Ciro Guerra, who is currently nominated for the Best Foreign Language Academy Award for "Embrace of the Serpent," produced by Ciudad Lunar Producciones and Blond Indian Films. On presenting the award, Annemaria Lodato commented: “We decided to give the Arte International Prize to a young South American filmmaker who has already produced a strong and convincing body of work. The project takes us into the heart of an indigenous community, a time and place never explored on screen.”
The Wouter Barendrecht Award winner is "The Strange Ones" (USA), directed by Christopher Radcliff and Lauren Wolkstein, produced by Sébastien Aubert. "Mysterious events surround the travels of two brothers as they make their way across a remote American landscape. On the surface all seems normal, but what appears to be a simple vacation soon gives way to something more complex, dark, and potentially deadly." On presenting the award Managing Director of Fortissimo Films, Nelleke Driessen commented: “The short film on which this film project is based, convinced the jury of the potential for the feature. We trust that the makers will succeed to translate this apparent simple story into an intriguing, multi layered psychological thriller.”
Hbf+Europe Distribution Support for International Co-productions
Next to these awards, Iffr’s Hubert Bals Fund is proud to announce the first selection of its brand-new distribution scheme: Hbf+Europe Distribution Support for International Co-productions. The scheme is designed to boost the distribution of internationally co-produced films from Africa, Asia, Latin America, the Middle East and parts of Eastern Europe.
The Hbf is pleased to announce that the first Hbf+Europe Distribution grant of 20.000 Euro has been awarded to Heretic Outreach from Greece to support the distribution of "Babai" by Visar Morina (Kosovo, Germany, Macedonia and France) in Greece, Bulgaria and Egypt.
Full selection list for CineMart 2016:
"The Announcement" - Mahmut Fazil Coskun - Turkey/Bulgaria - Filmotto Production/The Chouchkov Brothers "Berlin Alexanderplatz" - Burhan Qurbani - Germany - Sommerhaus Filmproduktion GmbH "Birds of Passage" - Ciro Guerra - Colombia - Ciudad Lunar/Blond Indian Films "Bloody Marie" - Guido van Driel - the Netherlands/Germany - Family Affair Films/Schiwago Film GmbH "Bootlegger" - Caroline Monnet - Canada - Microclimat Films "Dark Room" - Itamar Alcalay - Israel/Germany - Lama Films/Komplizen Film "The Devil Outside" - Andrew Hulme - UK - Ipso Facto Productions "Is this What You Were Born For?" - Radu Jude - Romania - Hi Film Productions "Jessica" - Ninja Thyberg - Sweden - Plattform Produktion "The Last Harem" - Maryam Keshavarz - France/Portugal - Neon Productions/ Ítaca Films/MaraKesh Films (Art:Film) "The Notebooks" - Joana Hadjithomas, Khalil Joreige - Lebanon/France - Abbout Productions "Over the City" - Emir Baigazin - Kazakhstan/Germany - Emir Baigazin Production/Augenschein Filmproduktion "Pompei" - John Shank, Anna Falguères - Belgium/Italy - Tarantula/Solaria Film "Rafaël" - Ben Sombogaart - the Netherlands/Italy/Belgium/Tunisia - Rinkel Film/Verdeoro/Entre Chien et Loup/Nomadis Images/Cinetelefilms "Sick, Sick, Sick" - Alice Furtado - Brazil - Estúdio Giz/Oceano "Slam" - Partho Sen-Gupta - Australia - Invisible Republic "Sleep." - Jan-Willem van Ewijk - the Netherlands - Waterland Film/Propellor Film "The Strange Ones" - Christopher Radcliff, Lauren Wolkstein - France/USA - Adastra Films "Teenage Jesus" - Marie Grahtø - Denmark - Beofilm "Under the Sun" - Qiu Yang - France/China - House on Fire/Colorful Age Culture & Media "Der Unschuldige" - Simon Jaquemet - Switzerland - 8Horses "Ursa Major"- Benjamin Crotty - USA/France - AgX/Les Films du Bal "Vikings" - Daniel Hoesl - Austria - Ulrich Seidl Film Produktion GmbH "Wild Princess" - Ester Martin Bergsmark - Sweden - Garagefilm International (Art:Film) "What if Women Ruled the World?" - Yael Bartana - UK - Jacqui Davies Limited...
CineMart selected 25 international projects to participate in the four day event which has been one of the most successful in recent years. Multiple conferences and panels covering topics ranging from “Making the most of a film festival” to “The Micro-Budget Talent Programmes” were held in front of packed audiences who were invited to be involved in the debates and receive advice. Mike S. Ryan (Greyshack Films), Michael Weber (The Match Factory), Winnie Lau (Jettone Films Ltd) and Bero Beyer (Director Iffr) discussing ‘The Creative Thunder of Cinema’ proved one of the highlights of Iffr 2016.
On making the announcement, Head of Industry and CineMart, Marit van den Elshout commented: “This year’s line-up was exceptional and inspiring. I speak on behalf of the entire team when I say that we could not be more proud – we have seen so many great projects, and so many talented teams behind them, the winners really exemplify this. I am also pleased to say that we hosted multiple extremely well attended panels and conversations, discussing the current state and possible future of the cinema that we love and cherish in Rotterdam.”
This year’s Eurimages Co-Production Development Award winner, "Berlin Alexanderplatz" by Burhan Qurbani (Germany) is a Sommerhaus Filmproduktion production. On the jury’s decision, Dorien van de Pas commented: “The project gives us a new and relevant view on a classic piece. The talented director has already made several films about urgent and relevant topics, that currently affect all our countries. Here he will combine elements of genre film with more political and emotional layers, which makes it accessible for a younger audience. The project leads to an ideal co-production scenario and the money of this award will be well employed for casting and further development.”
The Arte International Prize winner is "Birds of Passage" (Colombia) by Ciro Guerra, who is currently nominated for the Best Foreign Language Academy Award for "Embrace of the Serpent," produced by Ciudad Lunar Producciones and Blond Indian Films. On presenting the award, Annemaria Lodato commented: “We decided to give the Arte International Prize to a young South American filmmaker who has already produced a strong and convincing body of work. The project takes us into the heart of an indigenous community, a time and place never explored on screen.”
The Wouter Barendrecht Award winner is "The Strange Ones" (USA), directed by Christopher Radcliff and Lauren Wolkstein, produced by Sébastien Aubert. "Mysterious events surround the travels of two brothers as they make their way across a remote American landscape. On the surface all seems normal, but what appears to be a simple vacation soon gives way to something more complex, dark, and potentially deadly." On presenting the award Managing Director of Fortissimo Films, Nelleke Driessen commented: “The short film on which this film project is based, convinced the jury of the potential for the feature. We trust that the makers will succeed to translate this apparent simple story into an intriguing, multi layered psychological thriller.”
Hbf+Europe Distribution Support for International Co-productions
Next to these awards, Iffr’s Hubert Bals Fund is proud to announce the first selection of its brand-new distribution scheme: Hbf+Europe Distribution Support for International Co-productions. The scheme is designed to boost the distribution of internationally co-produced films from Africa, Asia, Latin America, the Middle East and parts of Eastern Europe.
The Hbf is pleased to announce that the first Hbf+Europe Distribution grant of 20.000 Euro has been awarded to Heretic Outreach from Greece to support the distribution of "Babai" by Visar Morina (Kosovo, Germany, Macedonia and France) in Greece, Bulgaria and Egypt.
Full selection list for CineMart 2016:
"The Announcement" - Mahmut Fazil Coskun - Turkey/Bulgaria - Filmotto Production/The Chouchkov Brothers "Berlin Alexanderplatz" - Burhan Qurbani - Germany - Sommerhaus Filmproduktion GmbH "Birds of Passage" - Ciro Guerra - Colombia - Ciudad Lunar/Blond Indian Films "Bloody Marie" - Guido van Driel - the Netherlands/Germany - Family Affair Films/Schiwago Film GmbH "Bootlegger" - Caroline Monnet - Canada - Microclimat Films "Dark Room" - Itamar Alcalay - Israel/Germany - Lama Films/Komplizen Film "The Devil Outside" - Andrew Hulme - UK - Ipso Facto Productions "Is this What You Were Born For?" - Radu Jude - Romania - Hi Film Productions "Jessica" - Ninja Thyberg - Sweden - Plattform Produktion "The Last Harem" - Maryam Keshavarz - France/Portugal - Neon Productions/ Ítaca Films/MaraKesh Films (Art:Film) "The Notebooks" - Joana Hadjithomas, Khalil Joreige - Lebanon/France - Abbout Productions "Over the City" - Emir Baigazin - Kazakhstan/Germany - Emir Baigazin Production/Augenschein Filmproduktion "Pompei" - John Shank, Anna Falguères - Belgium/Italy - Tarantula/Solaria Film "Rafaël" - Ben Sombogaart - the Netherlands/Italy/Belgium/Tunisia - Rinkel Film/Verdeoro/Entre Chien et Loup/Nomadis Images/Cinetelefilms "Sick, Sick, Sick" - Alice Furtado - Brazil - Estúdio Giz/Oceano "Slam" - Partho Sen-Gupta - Australia - Invisible Republic "Sleep." - Jan-Willem van Ewijk - the Netherlands - Waterland Film/Propellor Film "The Strange Ones" - Christopher Radcliff, Lauren Wolkstein - France/USA - Adastra Films "Teenage Jesus" - Marie Grahtø - Denmark - Beofilm "Under the Sun" - Qiu Yang - France/China - House on Fire/Colorful Age Culture & Media "Der Unschuldige" - Simon Jaquemet - Switzerland - 8Horses "Ursa Major"- Benjamin Crotty - USA/France - AgX/Les Films du Bal "Vikings" - Daniel Hoesl - Austria - Ulrich Seidl Film Produktion GmbH "Wild Princess" - Ester Martin Bergsmark - Sweden - Garagefilm International (Art:Film) "What if Women Ruled the World?" - Yael Bartana - UK - Jacqui Davies Limited...
- 2/4/2016
- by Sydney Levine
- Sydney's Buzz
Exclusive: Projects hail from Australia, China, Brazil, UK, Lebanon and Us.Scroll down for full line-up
International Film Festival Rotterdam’s (Iffr) co-production market CineMart (Jan 31-Feb 3) has revealed its line-up for the upcoming 2016 edition.
The line-up consists of titles includes new works from filmmakers from the Netherlands, Australia, China, Brazil, the UK, Lebanon, France and the Us. The selection also includes two Art:Film projects.
Filmmakers selected this year include Romania’s Radu Jude, whose Aferim! won the Silver Bear at the 2015 Berlinale and will present his new feature project, Is This What You Were Born For?.
Director Guido van Driel from the Netherlands, whose debut feature film Resurrection of a Bastard was the opening film of Iffr in 2013, will present his new project Bloody Marie.
Colombian director Ciro Guerra, whose third feature Embrace of the Serpent won the Art Cinema Award in the Quinzaine des Réalisateurs section at 2015 Cannes, will attend...
International Film Festival Rotterdam’s (Iffr) co-production market CineMart (Jan 31-Feb 3) has revealed its line-up for the upcoming 2016 edition.
The line-up consists of titles includes new works from filmmakers from the Netherlands, Australia, China, Brazil, the UK, Lebanon, France and the Us. The selection also includes two Art:Film projects.
Filmmakers selected this year include Romania’s Radu Jude, whose Aferim! won the Silver Bear at the 2015 Berlinale and will present his new feature project, Is This What You Were Born For?.
Director Guido van Driel from the Netherlands, whose debut feature film Resurrection of a Bastard was the opening film of Iffr in 2013, will present his new project Bloody Marie.
Colombian director Ciro Guerra, whose third feature Embrace of the Serpent won the Art Cinema Award in the Quinzaine des Réalisateurs section at 2015 Cannes, will attend...
- 12/10/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Indiepix Films announced today two new acquisitions to be released across all platforms. "So Bright is the View," directed by brothers Michaël and Joël Florescu, was an official selection at the 36th Moscow International Film Festival. The film follows a pregnant, middle-class Jewish girl in Bucharest who's forced to decide between working for a business thug in Atlanta and joining her mother in Israel. Her only other option, it seems, is a Romanian-American businessman who may or may not have a job for her. "Bright" will be released on VOD on April 21 with a limited theatrical release to follow. "Soldate Jeannette," ("Soldier Jane" in English) directed by Daniel Hoesl, won the Hivos Tiger Award at the 2013 Rotterdam International Film Festival, Sundance Film Festival and New Directors, New Films in 2013. It has been described as a somber art film, a depiction of the failure of materialism and a deadpan comedy. It begins with a.
- 2/19/2015
- by Elizabeth Logan
- Indiewire
I Am The Keeper, Dreamland and Father’s Garden win at Swiss Film Awards; First Saas-Fee Filmfest honours Soldate Jeannette and Love Steaks.
Sabine Boss’ I Am The Keeper (Der Goalie bin ig) was the big winner at this year Swiss Film Awards in Zurich, picking up four prizes for Best Feature Film, Best Screenplay, Best Actor (Marcus Signer) and Best Film Score after being nominated in seven categories.
The production by C-Film Ag and Carac Film, based on the eponymous novel by Pedro Lenz about an ex-junkie’s past catching up with him as he tries to find a way back into normal life, was released by Ascot Elite Entertainment Group in cinemas in the German-speaking part of Switzerland on Feb 6 and has already posted over 68,000 admissions.
The members of the Swiss Film Academy voted to give the Quartz trophy for Best Actress to Ursina Lardi for her performance as a prostitute in Zurich in [link...
Sabine Boss’ I Am The Keeper (Der Goalie bin ig) was the big winner at this year Swiss Film Awards in Zurich, picking up four prizes for Best Feature Film, Best Screenplay, Best Actor (Marcus Signer) and Best Film Score after being nominated in seven categories.
The production by C-Film Ag and Carac Film, based on the eponymous novel by Pedro Lenz about an ex-junkie’s past catching up with him as he tries to find a way back into normal life, was released by Ascot Elite Entertainment Group in cinemas in the German-speaking part of Switzerland on Feb 6 and has already posted over 68,000 admissions.
The members of the Swiss Film Academy voted to give the Quartz trophy for Best Actress to Ursina Lardi for her performance as a prostitute in Zurich in [link...
- 3/24/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Exclusive: Film is second work from director of critically acclaimed Buffalo Boy.
Paris-based Premium Films has acquired futuristic Vietnamese, murder mystery 2030 (Nuoc) which is set to open the Panorama section of the Berlinale.
2030 is the second feature from Vietnamese director Nghiem-Minh Nguyen-Vo after his critically acclaimed Buffalo Boy, which was Vietnam’s Oscar submission in 2006 and screened at several festivals including Toronto, Rotterdam Locarno and Busan.
The film is set against the backdrop of a futuristic Vietnam, where global warming and rising sea levels have forced cultivation to be done on floating farms.
The storyline revolves around a woman investigating the death of her husband. In the process, she discovers that a floating farm, close to where her husband’s body was found floating, is a secret genetic engineering research laboratory run by a former lover.
Premium Films, which has expanded its activities to features sales over the last two years having originally focused on shorts...
Paris-based Premium Films has acquired futuristic Vietnamese, murder mystery 2030 (Nuoc) which is set to open the Panorama section of the Berlinale.
2030 is the second feature from Vietnamese director Nghiem-Minh Nguyen-Vo after his critically acclaimed Buffalo Boy, which was Vietnam’s Oscar submission in 2006 and screened at several festivals including Toronto, Rotterdam Locarno and Busan.
The film is set against the backdrop of a futuristic Vietnam, where global warming and rising sea levels have forced cultivation to be done on floating farms.
The storyline revolves around a woman investigating the death of her husband. In the process, she discovers that a floating farm, close to where her husband’s body was found floating, is a secret genetic engineering research laboratory run by a former lover.
Premium Films, which has expanded its activities to features sales over the last two years having originally focused on shorts...
- 1/30/2014
- ScreenDaily
Austrian art house flick Soldate Jeanette by Daniel Hoesl does not hide its rebellious tendencies. In big letters "A European Film Conspiracy" appears on the screen at the beginning of the film. It stands for a certain style of thinking and shooting low-budget but it is also a challenge for the audience in terms of viewing habits. Protagonist Fanni lives in a strange world of rejection. She is of bourgeois decent but stops to pay her bills. Nevertheless she keeps her decadent lifestyle. As in the case of Danny Boyle's Trainspotting (though without the drugs) a modern rebellion of "Not to" unfolds. Fanni just stops and thus inspires revolution. She escapes to a rural area, a farm, and meets Anna, a young woman with problems...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 10/20/2013
- Screen Anarchy
This fall, one of Montreal’s most intriguing film festivals the Festival du Nouveau Cinema (Fnc) offers sixteen films as part of their international showcase. This showcase provides a platform for fresh, personal and visionary films from around the world. Films in this competition come from Quebec, Morocco, France, Poland, Mexico, Singapore, Austria, Venezuela, Georgia and more. Themes range from vengeance, drama, youth, daily violence, questions of identity, to migrant life, mystery, and love.
Some of these titles have already won awards (despite their short time on the festival circuits), including Escalante’s Heli, Chen’s Illo,Ilo, Guiraudie’s L’Inconnu du Lac, Avranas’ Miss Violence (picture on right), and Dolan’s Tom à la ferme (featured image). However, this doesn’t mean the prize is in the bag for these front runners.
The program is from Oct. 9th to Oct. 20th, 2013:
Arwad, Samer Najari et Dominique Chila (Québec)
Au nom du fils,...
Some of these titles have already won awards (despite their short time on the festival circuits), including Escalante’s Heli, Chen’s Illo,Ilo, Guiraudie’s L’Inconnu du Lac, Avranas’ Miss Violence (picture on right), and Dolan’s Tom à la ferme (featured image). However, this doesn’t mean the prize is in the bag for these front runners.
The program is from Oct. 9th to Oct. 20th, 2013:
Arwad, Samer Najari et Dominique Chila (Québec)
Au nom du fils,...
- 9/28/2013
- by Pamela Fillion
- SoundOnSight
‘Paradise: Faith’ screenings in Los Angeles and New York draw Catholic protests (photo: Maria Hofstätter in ‘Paradise: Faith’) "Oh boy. People are picketing our box office in protest of Paradise Faith." That’s a tweet by Cinefamily, referring to the Wednesday, August 28, 2013, screening of Ulrich Seidl’s Paradise: Faith at the Silent Movie Theater in West Hollywood. Part two of Seidl’s "Paradise" trilogy — which began with the Cannes Film Festival entry Paradise: Love and ends with Paradise: Hope — Paradise: Faith was co-written by Seidl and Veronika Franz. The stark drama revolves around a Viennese woman (Maria Hofstätter) who happens to be both the wife of a paraplegic Muslim man (Nabil Saleh) and an ardent Catholic, along the lines of the religiously demented Hazel Motes from Flannery O’Connor’s Wise Blood. Ulrich Seidl: More merciless than Michael Haneke "Mr. Seidl’s eye is even more merciless — some would...
- 9/2/2013
- by Andre Soares
- Alt Film Guide
Al Jazeera Balkans and Croatian national broadcaster Hrt are negotiating TV rights for Sarajevo Film Festival’s competition films.
Al Jazeera has picked up Danis Tanovic’s An Episode In The Life Of An Iron Picker for the territories of the former Yugoslavia, and Hrt took the film for Croatia.
Hrt is also negotiating acquisition of TV rights for the territory for all the films from Sarajevo Film Festival’s feature competition and most of the films from the documentary selection with running times fitting TV programming slots.
This amounts to a total of nine features and twelve documentaries, including Pjer Zalica’s Slave, Arsen Oremovic’s winner of the Human Rights Award Married To The Swiss Franc, Katherina Mückstein’s Talea and Daniel Hoesl’s Soldate Jeanette, which have already been picked up.
“Both competition selections this year are so good that it’s a no-brainer,” says Djelo Hadziselimovic, acquisition manager...
Al Jazeera has picked up Danis Tanovic’s An Episode In The Life Of An Iron Picker for the territories of the former Yugoslavia, and Hrt took the film for Croatia.
Hrt is also negotiating acquisition of TV rights for the territory for all the films from Sarajevo Film Festival’s feature competition and most of the films from the documentary selection with running times fitting TV programming slots.
This amounts to a total of nine features and twelve documentaries, including Pjer Zalica’s Slave, Arsen Oremovic’s winner of the Human Rights Award Married To The Swiss Franc, Katherina Mückstein’s Talea and Daniel Hoesl’s Soldate Jeanette, which have already been picked up.
“Both competition selections this year are so good that it’s a no-brainer,” says Djelo Hadziselimovic, acquisition manager...
- 8/25/2013
- by vladan.petkovic@gmail.com (Vladan Petkovic)
- ScreenDaily
Last year and again this year we are invited to attend the Sarajevo Film Festival by Asja Makarević, Project Manager for Sarajevo Talent Campus. If you are going, look for Peter Belsito there!
Sarajevo Film Festival (August 16-24, 2013), now in its 19th year, is an international film festival with special focus on the region of Southeast Europe, it provides high quality programming, a strong industry segment, an educational platform for young filmmakers, the presence of numerous representatives of film industry, film authors and media representatives from all over the world, as well as over 100,000 visitors, thus confirming the festival's status, renowned and recognized by film professionals as well as by its audience.
It serves as a catalyst for cooperation within the region, and establishes connections with partners from all over the world. It also represents a platform for development of film business in Bosnia and Herzegovina and in the region, as well as setting new standards of festival organization and film presentation. While Karlovy Vary Film Festival has the Best of the East which gives a good view of finished films from Eastern Europe and is especially kind to journalists around the world, Sarajevo simultaneously hosts Cinelink, a very pro-active co-production market and workshop and Talent Campus which is a part of the Berlinale. This general networking of the world film industry is even more interesting because of its location in the city of Sarajevo itself. After the 4 year long siege of Sarajevo, it was founded as a means to recreate civil society of the City in 1995.
American actor/activist Danny Glover will curate and present the award for this year's Katrin Cartlidge Foundation Award to a new cinematic voice whose work embodies Katrin Cartlidge’s “integrity of spirit and commitment to independent film”. Cartlidge, who died in 2002, was a British actress best known for her work with Mike Leigh and whose last role in the Bosnian filmmaker Danis Tanović’s No Man’s Land. Over the past nine years the Foundation has appointed a curator, selected from Cartlidge’s friends and colleagues, who in turn chooses a recipient for the annual award, a cash bursary, which is announced at a special red carpet gala at the Festival.
This year, all the selections of the Sff Competition Programme will present a total of 50 films. This brings the best of regional cinema and follows the Sarajevo Film Festival strategy of discovering new talents, approaches and tendencies rooted in the world cinema today.
For the final line-up of the Competition Program, programmers and the Sarajevo Film Festival team saw 750 films from the region, including 200 feature films, 150 documentaries and 400 short and animated films. This year's selection, but also the general interest in our Competition selections, encourages the Sarajevo Film Festival in its determination to continue working on strengthening regional film production, promotion and film distribution. This is even more strongly emphasized by the fact that this year, in its three Competition selections, the Festival brings 14 world premieres, 7 international and 19 regional ones.
Competition Program - Feature Films
World Premieres
Carmen, Romania, 88 min. Director: Doru Nițescu, Screenplay: Tudor Voican, Doru Nițescu
Runaway Day, Greece, Black & White, 80 min. Director and screenplay: Dimitris Bavellas
Talea, Austria, 75 min. Director: Katharina Mückstein, Screenplay: Selina Gnos, Katharina Mückstein
With Mom / Sa Mamom, Bosnia and Herzegovina, Germany, Slovenia, 80 min.
Director and screenplay: Faruk Lončarević
Wolf / Lupu, Romania, 77 min. Director and screenplay: Bogdan Mustață
Regional Premieres
In Bloom / Grzeli Nateli Dgeebi, Georgia, 102 min. Director: Nana Ekvtimishvili ♀, Simon Groß, Screenplay: Nana Ekvtimishvili ♀ . Isa: Memento
Soldate Jeannette, Austria, 79 min. Director and screenplay: Daniel Hoesl
A Stranger / Obrana I Zaštita, Croatia, Bosnia and Herzegovina, 87 min. Director and screenplay: Bobo Jelčić. Berlinale Forum.
When Evening Falls On Bucharest Or Metabolism / Când Se Lasă Seara Peste Bucureşti Sau Metabolism, Romania, 93 min. Director and screenplay: Corneliu Porumboiu
Documentary Competition:
World Premieres
A Slave (Bosnia and Herzegovina) by Bosnian director Pjer Žalica, known internationally for fiction films Days and Hours and Fuse [trailer]Autofocus, director: Boris Poljak (Croatia)Crazy About You, Danilo Marunović (Montenegro)Escape, Srdjan Keča (Serbia-Bosnia and Herzegovina) who was the winner of Best Central and East European Documentary Award at Jihlava for Mirage and Best Balkan Documentary at Prizren Dokufest for A Letter to DadFinding Family, Chris Leslie, Oggi Tomic (Bosnia and Herzegovina-uk)Patient, Zdenko Jurilj (Bosnia and Herzegovina)Screens, Hanna Slak ♀(Slovenia-Bosnia and Herzegovina-Germany)
International Premieres
Here... I Mean There, Laura Capatana – Juller♀ (Romania), winner of Romanian Days Award For Feature Film at the Transylvania International Film FestivalMarried to the Swiss Franc, Arsen Oremović (Croatia)Mother Europe, Petra Seliškar♀ (Slovenia-Macedonia-Croatia) whose Grandmothers of Revolution played in Sarajevo’s documentary competition in 2006Yugoslavia, How Ideology Moved Our Collective Body, Marta Popivoda ♀(Serbia-France-Germany) which played in 2013 Berlinale Forum Expanded
Regional Premieres
The Cleaners, Konstantinos Georgousis (Greece), Idfa competition entryGangster of Love, Nebojša Slijepčević (Croatia-Germany-Romania), winner of audience award at Zagrebdox and competition entry at Karlovy VaryThe Grocer, Dimitris Koutsiabasakos (Greece), audience award winner at the Thessaloniki Documentary Film FestMy Fathers, My Mother & Me, Paul-Julien Robert (Austria), world premiere Visions du RéelMy Kith and Kin, Rodion Ismailov (Azerbaijan), world premiere Visions du RéelRegina, Diana Groó ♀ (Hungary-uk-Germany)Sickfuckpeople, Juri Rechinsky (Austria)Unplugged, Mladen Kovačević (Serbia-Finland), world premiere Visions du RéelThe Verdict, Djuro Gavran (Croatia)When I Was a Boy, I Was a Girl, Ivana Todorović ♀ (Serbia), Berlinale Shorts title
Gala Screening - Out Of Competition
Occupation, the 27th Picture, Pavo Marinković (Czech Republic-Croatia) Competition ProgramSarajevo Film Festival Competition Program screens world, international and regional premieres of feature, short, animated and documentary films from: Albania, Armenia, Austria, Azerbaijan, Bosnia and Herzegovina, Bulgaria, Cyprus, Croatia, Georgia, Greece, Hungary, Kosovo, Malta, Macedonia, Montenegro, Moldavia, Romania, Serbia, Slovenia and Turkey. Films selected in Competition Programmes for feature, short and documentary film compete for the prestigious Heart of Sarajevo Awards. Feature FilmHeart of Sarajevo for Best Film - 16,000 EurosSpecial Jury Prize - 10,000 Euros Heart of Sarajevo for Best Actress - 2,500 EurosHeart of Sarajevo for Best Actor - 2,500 Euros Short and Animated FilmHeart of Sarajevo for Best Film - 2,500 Euros Documentary FilmHeart of Sarajevo for Best Film - 3,000 Euros CinelinkCineLink, the backbone of the festival’s Industry Section, is a development and financing platform for carefully selected feature projects from Southeast Europe suited for European co-production. With an average conversion rate of its selected projects from development to production at 60% over the past decade, CineLink has grown into one of the most successful development and financing platforms in Europe. With its CineLink, CineLink Plus and Work in Progress sections it caters for projects in all stages of development, as well as projects in production and postproduction. CineLink also offers an awards fund of over 160,000 Euros in cash and services. CineLink is open for feature-length fiction film projects with potential for theatrical distribution, created by authors from Albania, Armenia, Austria, Azerbaijan, Bosnia and Herzegovina, Bulgaria, Cyprus, Croatia, Georgia, Greece, Hungary, Kosovo, Malta, Macedonia, Montenegro, Moldavia, Romania, Serbia, Slovenia and Turkey. As part of CineLink, a new project called Regional Forum was first launched in 2009, organised in cooperation with Screen International, one of the leading global magazines in film industry. Regional Forum, conceived as a platform offering a discussion framework for relevant national and regional film organisations and professionals from Southeast Europe, also encourages the harmonisation of national film policies and offers a possibility for exchange of good ideas and practices. Sarajevo Talent CampusSarajevo Talent Campus, the educational and networking platform for emerging filmmakers from Southeast Europe, was launched in 2007 in cooperation with Berlin International Film Festival and Berlinale Talent Campus. The programme offers inspiring lectures, panel discussions, and active critical debates, complemented by workshops, practical tutorials, screenings and inter-festival excursions for participants. The 7th Sarajevo Talent Campus, taking place from the 18th to the 24th of August, will be inviting scriptwriters, directors, actors, producers and film critics. Participation in Sarajevo Talent Campus is open to candidates from: Albania, Armenia, Austria, Azerbaijan, Bosnia and Herzegovina, Bulgaria, Cyprus, Croatia, Georgia, Greece, Hungary, Kosovo, Malta, Macedonia, Montenegro, Moldavia, Romania, Serbia, Slovenia and Turkey. 18th Sarajevo Film Festival By Numbers:
• 21 Programmes • 210 Films From 57 Countries• 10 Venues • 330 Employees and 280 Volunteers• More Than 1000 Accredited Guests • More Than 800 Accredited Media Representatives From 32 Countries • More Than 100,000 Visitors At All The Programs
Sarajevo City Of FilmAs the continuation of the activities in accordance with the goals set by the Sarajevo Talent Campus, the Sarajevo City of Film Fund was launched in 2008. The project is aimed at testing the knowledge and experience gained by the Sarajevo Talent Campus participants through the practical application in realisation of low-budget short films, as well as development of cooperation between the young creative authors whose work represents the future of the regional cinematography. Sarajevo City of Film Project has so far led to the filming of 20 short films screened worldwide and won numerous festivals awards.
Sarajevo Film Festival (August 16-24, 2013), now in its 19th year, is an international film festival with special focus on the region of Southeast Europe, it provides high quality programming, a strong industry segment, an educational platform for young filmmakers, the presence of numerous representatives of film industry, film authors and media representatives from all over the world, as well as over 100,000 visitors, thus confirming the festival's status, renowned and recognized by film professionals as well as by its audience.
It serves as a catalyst for cooperation within the region, and establishes connections with partners from all over the world. It also represents a platform for development of film business in Bosnia and Herzegovina and in the region, as well as setting new standards of festival organization and film presentation. While Karlovy Vary Film Festival has the Best of the East which gives a good view of finished films from Eastern Europe and is especially kind to journalists around the world, Sarajevo simultaneously hosts Cinelink, a very pro-active co-production market and workshop and Talent Campus which is a part of the Berlinale. This general networking of the world film industry is even more interesting because of its location in the city of Sarajevo itself. After the 4 year long siege of Sarajevo, it was founded as a means to recreate civil society of the City in 1995.
American actor/activist Danny Glover will curate and present the award for this year's Katrin Cartlidge Foundation Award to a new cinematic voice whose work embodies Katrin Cartlidge’s “integrity of spirit and commitment to independent film”. Cartlidge, who died in 2002, was a British actress best known for her work with Mike Leigh and whose last role in the Bosnian filmmaker Danis Tanović’s No Man’s Land. Over the past nine years the Foundation has appointed a curator, selected from Cartlidge’s friends and colleagues, who in turn chooses a recipient for the annual award, a cash bursary, which is announced at a special red carpet gala at the Festival.
This year, all the selections of the Sff Competition Programme will present a total of 50 films. This brings the best of regional cinema and follows the Sarajevo Film Festival strategy of discovering new talents, approaches and tendencies rooted in the world cinema today.
For the final line-up of the Competition Program, programmers and the Sarajevo Film Festival team saw 750 films from the region, including 200 feature films, 150 documentaries and 400 short and animated films. This year's selection, but also the general interest in our Competition selections, encourages the Sarajevo Film Festival in its determination to continue working on strengthening regional film production, promotion and film distribution. This is even more strongly emphasized by the fact that this year, in its three Competition selections, the Festival brings 14 world premieres, 7 international and 19 regional ones.
Competition Program - Feature Films
World Premieres
Carmen, Romania, 88 min. Director: Doru Nițescu, Screenplay: Tudor Voican, Doru Nițescu
Runaway Day, Greece, Black & White, 80 min. Director and screenplay: Dimitris Bavellas
Talea, Austria, 75 min. Director: Katharina Mückstein, Screenplay: Selina Gnos, Katharina Mückstein
With Mom / Sa Mamom, Bosnia and Herzegovina, Germany, Slovenia, 80 min.
Director and screenplay: Faruk Lončarević
Wolf / Lupu, Romania, 77 min. Director and screenplay: Bogdan Mustață
Regional Premieres
In Bloom / Grzeli Nateli Dgeebi, Georgia, 102 min. Director: Nana Ekvtimishvili ♀, Simon Groß, Screenplay: Nana Ekvtimishvili ♀ . Isa: Memento
Soldate Jeannette, Austria, 79 min. Director and screenplay: Daniel Hoesl
A Stranger / Obrana I Zaštita, Croatia, Bosnia and Herzegovina, 87 min. Director and screenplay: Bobo Jelčić. Berlinale Forum.
When Evening Falls On Bucharest Or Metabolism / Când Se Lasă Seara Peste Bucureşti Sau Metabolism, Romania, 93 min. Director and screenplay: Corneliu Porumboiu
Documentary Competition:
World Premieres
A Slave (Bosnia and Herzegovina) by Bosnian director Pjer Žalica, known internationally for fiction films Days and Hours and Fuse [trailer]Autofocus, director: Boris Poljak (Croatia)Crazy About You, Danilo Marunović (Montenegro)Escape, Srdjan Keča (Serbia-Bosnia and Herzegovina) who was the winner of Best Central and East European Documentary Award at Jihlava for Mirage and Best Balkan Documentary at Prizren Dokufest for A Letter to DadFinding Family, Chris Leslie, Oggi Tomic (Bosnia and Herzegovina-uk)Patient, Zdenko Jurilj (Bosnia and Herzegovina)Screens, Hanna Slak ♀(Slovenia-Bosnia and Herzegovina-Germany)
International Premieres
Here... I Mean There, Laura Capatana – Juller♀ (Romania), winner of Romanian Days Award For Feature Film at the Transylvania International Film FestivalMarried to the Swiss Franc, Arsen Oremović (Croatia)Mother Europe, Petra Seliškar♀ (Slovenia-Macedonia-Croatia) whose Grandmothers of Revolution played in Sarajevo’s documentary competition in 2006Yugoslavia, How Ideology Moved Our Collective Body, Marta Popivoda ♀(Serbia-France-Germany) which played in 2013 Berlinale Forum Expanded
Regional Premieres
The Cleaners, Konstantinos Georgousis (Greece), Idfa competition entryGangster of Love, Nebojša Slijepčević (Croatia-Germany-Romania), winner of audience award at Zagrebdox and competition entry at Karlovy VaryThe Grocer, Dimitris Koutsiabasakos (Greece), audience award winner at the Thessaloniki Documentary Film FestMy Fathers, My Mother & Me, Paul-Julien Robert (Austria), world premiere Visions du RéelMy Kith and Kin, Rodion Ismailov (Azerbaijan), world premiere Visions du RéelRegina, Diana Groó ♀ (Hungary-uk-Germany)Sickfuckpeople, Juri Rechinsky (Austria)Unplugged, Mladen Kovačević (Serbia-Finland), world premiere Visions du RéelThe Verdict, Djuro Gavran (Croatia)When I Was a Boy, I Was a Girl, Ivana Todorović ♀ (Serbia), Berlinale Shorts title
Gala Screening - Out Of Competition
Occupation, the 27th Picture, Pavo Marinković (Czech Republic-Croatia) Competition ProgramSarajevo Film Festival Competition Program screens world, international and regional premieres of feature, short, animated and documentary films from: Albania, Armenia, Austria, Azerbaijan, Bosnia and Herzegovina, Bulgaria, Cyprus, Croatia, Georgia, Greece, Hungary, Kosovo, Malta, Macedonia, Montenegro, Moldavia, Romania, Serbia, Slovenia and Turkey. Films selected in Competition Programmes for feature, short and documentary film compete for the prestigious Heart of Sarajevo Awards. Feature FilmHeart of Sarajevo for Best Film - 16,000 EurosSpecial Jury Prize - 10,000 Euros Heart of Sarajevo for Best Actress - 2,500 EurosHeart of Sarajevo for Best Actor - 2,500 Euros Short and Animated FilmHeart of Sarajevo for Best Film - 2,500 Euros Documentary FilmHeart of Sarajevo for Best Film - 3,000 Euros CinelinkCineLink, the backbone of the festival’s Industry Section, is a development and financing platform for carefully selected feature projects from Southeast Europe suited for European co-production. With an average conversion rate of its selected projects from development to production at 60% over the past decade, CineLink has grown into one of the most successful development and financing platforms in Europe. With its CineLink, CineLink Plus and Work in Progress sections it caters for projects in all stages of development, as well as projects in production and postproduction. CineLink also offers an awards fund of over 160,000 Euros in cash and services. CineLink is open for feature-length fiction film projects with potential for theatrical distribution, created by authors from Albania, Armenia, Austria, Azerbaijan, Bosnia and Herzegovina, Bulgaria, Cyprus, Croatia, Georgia, Greece, Hungary, Kosovo, Malta, Macedonia, Montenegro, Moldavia, Romania, Serbia, Slovenia and Turkey. As part of CineLink, a new project called Regional Forum was first launched in 2009, organised in cooperation with Screen International, one of the leading global magazines in film industry. Regional Forum, conceived as a platform offering a discussion framework for relevant national and regional film organisations and professionals from Southeast Europe, also encourages the harmonisation of national film policies and offers a possibility for exchange of good ideas and practices. Sarajevo Talent CampusSarajevo Talent Campus, the educational and networking platform for emerging filmmakers from Southeast Europe, was launched in 2007 in cooperation with Berlin International Film Festival and Berlinale Talent Campus. The programme offers inspiring lectures, panel discussions, and active critical debates, complemented by workshops, practical tutorials, screenings and inter-festival excursions for participants. The 7th Sarajevo Talent Campus, taking place from the 18th to the 24th of August, will be inviting scriptwriters, directors, actors, producers and film critics. Participation in Sarajevo Talent Campus is open to candidates from: Albania, Armenia, Austria, Azerbaijan, Bosnia and Herzegovina, Bulgaria, Cyprus, Croatia, Georgia, Greece, Hungary, Kosovo, Malta, Macedonia, Montenegro, Moldavia, Romania, Serbia, Slovenia and Turkey. 18th Sarajevo Film Festival By Numbers:
• 21 Programmes • 210 Films From 57 Countries• 10 Venues • 330 Employees and 280 Volunteers• More Than 1000 Accredited Guests • More Than 800 Accredited Media Representatives From 32 Countries • More Than 100,000 Visitors At All The Programs
Sarajevo City Of FilmAs the continuation of the activities in accordance with the goals set by the Sarajevo Talent Campus, the Sarajevo City of Film Fund was launched in 2008. The project is aimed at testing the knowledge and experience gained by the Sarajevo Talent Campus participants through the practical application in realisation of low-budget short films, as well as development of cooperation between the young creative authors whose work represents the future of the regional cinematography. Sarajevo City of Film Project has so far led to the filming of 20 short films screened worldwide and won numerous festivals awards.
- 7/20/2013
- by Sydney Levine, Peter Belsito
- Sydney's Buzz
Feature film competition five world premieres and four regional premieres, including multi award-winner In Bloom.
The Sarajevo Film Festival (Sff), running August 16-24, has announced the Feature, Short and Documentary Competition titles comprising 50 films.
Selectors and the Sff team viewed 750 films from the region, including 200 feature films, 150 documentaries and 400 short and animated films.
Across the three Competition sections are 15 world, seven international and 18 regional premieres.
The main competition will feature five world premieres including Carmen, the first feature by Romanian director Doru Nitescu.
It is a family drama co-written by Tudor Voican, known for Periferic and Medal of Honour. The Filmex Romania production stars Doru Ana from Principles of Life, Adrian Titieni from Child’s Pose and Maia Morgenstern.
Greek director Dimitris Bavellas’ debut feature Runaway Day is a black-and-white film exploring how young Greeks feel lost in modern day Athens, a city under financial occupation. It starts Maria Skoula from Wasted Youth.
Austrian [link=nm...
The Sarajevo Film Festival (Sff), running August 16-24, has announced the Feature, Short and Documentary Competition titles comprising 50 films.
Selectors and the Sff team viewed 750 films from the region, including 200 feature films, 150 documentaries and 400 short and animated films.
Across the three Competition sections are 15 world, seven international and 18 regional premieres.
The main competition will feature five world premieres including Carmen, the first feature by Romanian director Doru Nitescu.
It is a family drama co-written by Tudor Voican, known for Periferic and Medal of Honour. The Filmex Romania production stars Doru Ana from Principles of Life, Adrian Titieni from Child’s Pose and Maia Morgenstern.
Greek director Dimitris Bavellas’ debut feature Runaway Day is a black-and-white film exploring how young Greeks feel lost in modern day Athens, a city under financial occupation. It starts Maria Skoula from Wasted Youth.
Austrian [link=nm...
- 7/18/2013
- by vladan.petkovic@gmail.com (Vladan Petkovic)
- ScreenDaily
Soldate Jeanette
Directed by Daniel Hoesl
Austria, 2013
“The rich man may fall for a stock exchange ruse, but the poor man’s got nothing to lose.” In case you hadn’t gathered the sentiment of Soldate Jeanette around two-thirds of the way into its brisk 80-minute runtime, the man strumming his guitar at the dinner table says what everyone’s thinking, through his musical praise of a slender existence. The meal takes place at a farm, where former financial high-flyer Fanni (Johanna Orsini-Rosenberg) has escaped to start a new life, away from the hollow boardrooms and into the tangled textures of the forest, surrounded by beings with a detectable pulse, from humans to barnyard critters. Her last remaining wads of cash can be found in the nearby thicket, burnt to a crisp atop a bonfire.
A streak of referential humour runs throughout this riches-to-rags odyssey, as director Daniel Hoesl name-checks the works of Godard,...
Directed by Daniel Hoesl
Austria, 2013
“The rich man may fall for a stock exchange ruse, but the poor man’s got nothing to lose.” In case you hadn’t gathered the sentiment of Soldate Jeanette around two-thirds of the way into its brisk 80-minute runtime, the man strumming his guitar at the dinner table says what everyone’s thinking, through his musical praise of a slender existence. The meal takes place at a farm, where former financial high-flyer Fanni (Johanna Orsini-Rosenberg) has escaped to start a new life, away from the hollow boardrooms and into the tangled textures of the forest, surrounded by beings with a detectable pulse, from humans to barnyard critters. Her last remaining wads of cash can be found in the nearby thicket, burnt to a crisp atop a bonfire.
A streak of referential humour runs throughout this riches-to-rags odyssey, as director Daniel Hoesl name-checks the works of Godard,...
- 7/9/2013
- by Ed Doyle
- SoundOnSight
Our irregular series on smaller film festivals looks at a Polish celebration of independent cinema kicking off this Friday
Festival name: Off Plus Camera – International Festival of Independent Cinema
Location: Krakow, Poland
Website: www.offpluscamera.com
Dates: annually,12-21 April 2013
About: This increasingly dynamic festival of independent cinema is geared towards young and debut directors. Taking place in the picturesque southern Polish city of Krakow, the festival is staged in former palaces – such as the Pod Baranami cinema and Kino Ars just off the main square – and, to a lesser extent, at all seven of the city's other art-house cinemas. This year's festival will also offer rooftop screenings, "for those who like extreme sports", according to the artistic director. By attracting more sponsors and by vastly improving organisation and publicity, Off Plus Camera has developed rapidly under the auspices of festival director, Szymon Miszczak; artistic director, Ania Trzebiatowska (who formerly...
Festival name: Off Plus Camera – International Festival of Independent Cinema
Location: Krakow, Poland
Website: www.offpluscamera.com
Dates: annually,12-21 April 2013
About: This increasingly dynamic festival of independent cinema is geared towards young and debut directors. Taking place in the picturesque southern Polish city of Krakow, the festival is staged in former palaces – such as the Pod Baranami cinema and Kino Ars just off the main square – and, to a lesser extent, at all seven of the city's other art-house cinemas. This year's festival will also offer rooftop screenings, "for those who like extreme sports", according to the artistic director. By attracting more sponsors and by vastly improving organisation and publicity, Off Plus Camera has developed rapidly under the auspices of festival director, Szymon Miszczak; artistic director, Ania Trzebiatowska (who formerly...
- 4/11/2013
- by James Hopkin
- The Guardian - Film News
The Museum of Modern Art and the Film Society of Lincoln Center will present the 42nd edition of New Directors/New Films from March 20-31 in New York. The festival will screen 25 features (19 narrative, six documentary) and 17 short films, representing 24 countries.
Matías Piñeiro's Viola, Shane Carruth's Upstream Color, Shannon Plumb's Towheads, Sarah Polley's Stories We Tell, Daniel Hoesl's Soldate Jeannette and Rachid Djaïdani's Rengaine are films to look out for on the conflicts from within and the contentions from without.
Alexandre Moors’ Blue Caprice will open the festival at MoMA on March 20. A new component this year is a mid-festival screening at the Vw Performance Dome at MoMA PS1, in Long Island City, on March 26, of Sophie Letourneur’s Les Coquillettes. Found-footage documentary, Our Nixon, directed by Penny Lane will close the film festival at the Film Society’s Walter Reade Theater on March 31.
Here are six standouts.
Matías Piñeiro's Viola, Shane Carruth's Upstream Color, Shannon Plumb's Towheads, Sarah Polley's Stories We Tell, Daniel Hoesl's Soldate Jeannette and Rachid Djaïdani's Rengaine are films to look out for on the conflicts from within and the contentions from without.
Alexandre Moors’ Blue Caprice will open the festival at MoMA on March 20. A new component this year is a mid-festival screening at the Vw Performance Dome at MoMA PS1, in Long Island City, on March 26, of Sophie Letourneur’s Les Coquillettes. Found-footage documentary, Our Nixon, directed by Penny Lane will close the film festival at the Film Society’s Walter Reade Theater on March 31.
Here are six standouts.
- 3/17/2013
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Several films which premiered at Sundance -- Soldier Jane (Isa: Premium Films), Fat Shaker, What They Don’t Talk About When They Talk About Love, Stoker (Fox and Fox Searchlight) and Il Futuro (Isa: Visit Films) -- have gone on to take awards at the recently wrapped International Film Festival Rotterdam.
And the winners are…
Hivos Tiger Awards
The three winners of the equal Hivos Tiger Awards 2013 are:
My Dog Killer (Môj pes Killer) (Isa: M-appeal) by Mira Fornay (Slovakia/Czech Republic, 2013). An unflinching study of a troubled teen in small-town Slovakia, the film was praised by its jury for 'showing a very strong subject from the inside' Soldate Jeannette (Soldier Jane) (Isa: Premium Films) by Daniel Hoesl (Austria, 2012). A provocative portrait of two women from different ends of the social spectrum, Hoesl's debut feature was commended for it 'strong imagery and visual power.' Fat Shaker (Larzanandeye charbi) by Mohammad Shirvani (Iran, 2013). Shirvani's drama about a stern patriarch was, the jury stated, 'a fascinating story with superb characters.' Apparently the film’s showing in the West has caused some problems at home. See Indiewire story here.
The jury of the 2013 Hivos Tiger Awards Competition (prize €15.000) consisted of distinguished Iranian actress Fatemeh Motamedarya; Russian scriptwriter and filmmaker Sergei Loznitsa; Dutch filmmaker Kees Hin; José Luis Cienfuegos, artistic director of the Seville European Film Festival (Spain) and Chinese visual artist and filmmaker Ai Weiwei(who was not be able to attend the festival and commented on his jury duty in a prerecorded video message). They made their announcement of the winners at the Awards Ceremony in Rotterdam.
The winners of the Netpac, Fipresci and Knf awards were also announced. Two of the winners were supported by the Hubert Bals Fund, and one was a CineMart project.
Netpac Award
The Netpac Jury (Network for the Promotion of Asian Cinema) awards the best Asian film in Iffr 2013 official selection. The winner of the Netpac Award 2013 is What They Don't Talk About When They Talk About Love (Indonesia, 2013). It also had received money earlier from the Hubert Bals Fund.
Fipresci Award
The winner of the Rotterdam Fipresci Award 2013 (see photo on this page for selected jury members) is The Fifth Gospel of Kaspar Hauser by Alberto Gracia (Spain, 2013)
The Big Screen Award
Introduced this year, the Big Screen Award Competition aims to support the distribution of films in Dutch cinemas. The Iffr named Pretty Butterflies (Bellas mariposas) by Salvatore Mereu (Italy, 2012) as winner of its new Big Screen Award Competition. The film follows a day in the life of a young Sardinian girl.
Knf Award
The Dutch Circle of Film Critics (Knf) Jury award – chosen from the ten films in The Big Screen Award Competition – went to The Future (Il futuro) by Alicia Scherson (Chile/Germany/Italy/Spain, 2013).
And the winners are…
Hivos Tiger Awards
The three winners of the equal Hivos Tiger Awards 2013 are:
My Dog Killer (Môj pes Killer) (Isa: M-appeal) by Mira Fornay (Slovakia/Czech Republic, 2013). An unflinching study of a troubled teen in small-town Slovakia, the film was praised by its jury for 'showing a very strong subject from the inside' Soldate Jeannette (Soldier Jane) (Isa: Premium Films) by Daniel Hoesl (Austria, 2012). A provocative portrait of two women from different ends of the social spectrum, Hoesl's debut feature was commended for it 'strong imagery and visual power.' Fat Shaker (Larzanandeye charbi) by Mohammad Shirvani (Iran, 2013). Shirvani's drama about a stern patriarch was, the jury stated, 'a fascinating story with superb characters.' Apparently the film’s showing in the West has caused some problems at home. See Indiewire story here.
The jury of the 2013 Hivos Tiger Awards Competition (prize €15.000) consisted of distinguished Iranian actress Fatemeh Motamedarya; Russian scriptwriter and filmmaker Sergei Loznitsa; Dutch filmmaker Kees Hin; José Luis Cienfuegos, artistic director of the Seville European Film Festival (Spain) and Chinese visual artist and filmmaker Ai Weiwei(who was not be able to attend the festival and commented on his jury duty in a prerecorded video message). They made their announcement of the winners at the Awards Ceremony in Rotterdam.
The winners of the Netpac, Fipresci and Knf awards were also announced. Two of the winners were supported by the Hubert Bals Fund, and one was a CineMart project.
Netpac Award
The Netpac Jury (Network for the Promotion of Asian Cinema) awards the best Asian film in Iffr 2013 official selection. The winner of the Netpac Award 2013 is What They Don't Talk About When They Talk About Love (Indonesia, 2013). It also had received money earlier from the Hubert Bals Fund.
Fipresci Award
The winner of the Rotterdam Fipresci Award 2013 (see photo on this page for selected jury members) is The Fifth Gospel of Kaspar Hauser by Alberto Gracia (Spain, 2013)
The Big Screen Award
Introduced this year, the Big Screen Award Competition aims to support the distribution of films in Dutch cinemas. The Iffr named Pretty Butterflies (Bellas mariposas) by Salvatore Mereu (Italy, 2012) as winner of its new Big Screen Award Competition. The film follows a day in the life of a young Sardinian girl.
Knf Award
The Dutch Circle of Film Critics (Knf) Jury award – chosen from the ten films in The Big Screen Award Competition – went to The Future (Il futuro) by Alicia Scherson (Chile/Germany/Italy/Spain, 2013).
- 2/6/2013
- by Sydney Levine
- Sydney's Buzz
A relatively subdued forty-second edition of the International Film Festival Rotterdam came to a close Sunday, after awarding its three top prizes, the Hivos Tiger Awards, at a ceremony Friday night. The winners were Austrian Daniel Hoesl's "Soldate Jeanette," a low budget marvel held over from Sundance's World Narrative competition about a pair of women who respectively leave lives of wealth and rural agrarianism behind to pursue something more meaningful; Iranian Muhammad Shirvani’s controversial "Fat Shaker," about an extremely obese man who, when he isn't getting his blood sucked on by leeches is pimping out his half-retarded son; and, perhaps most surprisingly, Slovakian Mira Fornay's uncompromising shocker "My Dog Killer." The movie is a wrenching look at an inept neo-Nazi youth who owns the titular dog and carries the secret of having a little brother who is a gypsy. Their mother, an escapee from the neo-Nazi...
- 2/4/2013
- by Brandon Harris
- Indiewire
This weekend saw the closing of this year's International Film Festival Rotterdam, and this means all of its awards are now known. The three Hivos Tiger Awards for best film by a newcomer (only first and second features count) were won by the following: My Dog Killer, by Mira Fornay (Slovakia / Czech Republic) Soldate Jeannette, by Daniel Hoesl (Austria) Fat Shaker, by Mohammad Shirvani (Iran) Each of these winners takes home 15,000 Euro and some distribution deals, as for starters the Tigers will be shown on Dutch television in the coming year. The Upc Audience Award surprisingly went to a Dutch film for the first time since 1998, and it was one of three Dutch films in the final top 10. But after being...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 2/4/2013
- Screen Anarchy
Daniel Hoesl’s serenely composed film, that invites the mind to go on safari without a script, Soldate Jeannette (Soldier Jane) from Austria, shared top honors as one of three Tiger Award winners at the 42nd International Film Festival Rotterdam. The other Tiger Award winners are Mira Fornay’s My Dog Killer, a Slovakia-Czech Republic production and Mohammad Shirvani’s Fat Shaker from Iran. Each Tiger Award winner receives a cash prize of €15,000.
Soldate Jeannette Director Daniel Hoesl goes on safari and bags a Tiger.
The Fipresci Award was presented to Alberto Gracia from Spain, for his film The Fifth Gospel of Kaspar Hauser.
Salvatore Mereu's Pretty Butterflies from Italy wins the newly launched Big Screen Award and Indonesian film What They Don’t Talk About When They Talk About Love by Mouly Surya, the Netpac Award.
The Dutch Circle of Film Critics Jury award went to Alicia Scherson...
Soldate Jeannette Director Daniel Hoesl goes on safari and bags a Tiger.
The Fipresci Award was presented to Alberto Gracia from Spain, for his film The Fifth Gospel of Kaspar Hauser.
Salvatore Mereu's Pretty Butterflies from Italy wins the newly launched Big Screen Award and Indonesian film What They Don’t Talk About When They Talk About Love by Mouly Surya, the Netpac Award.
The Dutch Circle of Film Critics Jury award went to Alicia Scherson...
- 2/3/2013
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Still from My Dog Killer
Mira Fornay’s My Dog Killer (Slovakia-Czech Republic), Daniel Hoesl’s Soldier Jane (Austria) and Mohammad Shirvani’s Fat Shaker (Iran) won the Tiger Awards at the 42nd International Film Festival Rotterdam. The award comprises of cash prize of Euro 15,000 for each winner.
The newly introduced Big Screen Award was bagged by Italian film Pretty Butterflies by Salvatore Mereu. The Netpac Award went to Indonesian film What They Don’t Talk About When They Talk About Love by Mouly Surya and the Fipresci Award was presented to The Fifth Gospel of Kaspar Hauser by Alberto Gracia from Spain. The Future, a Chile-Germany-Italy-Spain co-production directed by Alicia Scherson won the Knf Award 2013.
Slovakia-CzechRepublic co-production My Dog Killer narrates the tale of 18 year-old Merek whose only friend and true company is his dog. Merek, neglected by his family, blindly follows the local goons. One day, his mother and half-brother return,...
Mira Fornay’s My Dog Killer (Slovakia-Czech Republic), Daniel Hoesl’s Soldier Jane (Austria) and Mohammad Shirvani’s Fat Shaker (Iran) won the Tiger Awards at the 42nd International Film Festival Rotterdam. The award comprises of cash prize of Euro 15,000 for each winner.
The newly introduced Big Screen Award was bagged by Italian film Pretty Butterflies by Salvatore Mereu. The Netpac Award went to Indonesian film What They Don’t Talk About When They Talk About Love by Mouly Surya and the Fipresci Award was presented to The Fifth Gospel of Kaspar Hauser by Alberto Gracia from Spain. The Future, a Chile-Germany-Italy-Spain co-production directed by Alicia Scherson won the Knf Award 2013.
Slovakia-CzechRepublic co-production My Dog Killer narrates the tale of 18 year-old Merek whose only friend and true company is his dog. Merek, neglected by his family, blindly follows the local goons. One day, his mother and half-brother return,...
- 2/2/2013
- by NewsDesk
- DearCinema.com
Here is a complete listing of the films that were shown/covered by the Ioncinema.com team comprised of Nicholas Bell (Nb), Jordan M. Smith (Js) and Eric Lavallee (El). We’ll be populating this page up until March.
U.S. Dramatic Competition
Afternoon Delight – Jill Soloway: Nb (★★ 1/2): Review
Ain’T Them Bodies Saints – David Lowery: El (★★★ 1/2), Nb (★★★ 1/2): Review // Interview
Austenland- Jerusha Hess: Nb (★): Review
C.O.G.- Kyle Patrick Alvarez: Js (★★ 1/2), Nb (★★ 1/2): Review
Concussion – Stacie Passon: El (★★★), Js (★★★ 1/2), Nb (★★★): Review // Interview
Emanuel And The Truth About Fishes – Francesca Gregorini: Js (★★★), Nb (★★★ 1/2): Review
Fruitvale – Ryan Coogler: El (★★★), Js (★★★★★), Nb (★★★★): Review // Interview // Video
In A World… – Lake Bell: El (★★★): Review
Kill Your Darlings – John Krokidas: El (★★★), Nb (★★★): Review
The Lifeguard – Liz W. Garcia: El (★★ 1/2): Review
May In The Summer...
U.S. Dramatic Competition
Afternoon Delight – Jill Soloway: Nb (★★ 1/2): Review
Ain’T Them Bodies Saints – David Lowery: El (★★★ 1/2), Nb (★★★ 1/2): Review // Interview
Austenland- Jerusha Hess: Nb (★): Review
C.O.G.- Kyle Patrick Alvarez: Js (★★ 1/2), Nb (★★ 1/2): Review
Concussion – Stacie Passon: El (★★★), Js (★★★ 1/2), Nb (★★★): Review // Interview
Emanuel And The Truth About Fishes – Francesca Gregorini: Js (★★★), Nb (★★★ 1/2): Review
Fruitvale – Ryan Coogler: El (★★★), Js (★★★★★), Nb (★★★★): Review // Interview // Video
In A World… – Lake Bell: El (★★★): Review
Kill Your Darlings – John Krokidas: El (★★★), Nb (★★★): Review
The Lifeguard – Liz W. Garcia: El (★★ 1/2): Review
May In The Summer...
- 1/29/2013
- by Eric Lavallee
- IONCINEMA.com
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