Roy Stuart is known predominantly as a photographer whose subject matter hovers around (read: is saturated in) themes of erotica, voyeurism, and sexual taboos, a great deal of which can be seen in his volumes of work published over at the full-color-tastic pub house Taschen. Not surprising his full-length debut, The Lost Door, looks to be a filmic version of one of his yet to be exhausted subjects—the female nude—with a little insane asylum to mix it up a bit.
An aside: I know I shouldn’t be, but I’m shocked at how similar the lens is in this film as it is to his photography. It’s Roy Stuart: The Fourth Body, only it’s moving!
Obsession, sex, and illusion are depicted in a series of parallel stories. The Lost Door opens while Kristina is being interrogated in a psychiatric hospital where she has been committed.
An aside: I know I shouldn’t be, but I’m shocked at how similar the lens is in this film as it is to his photography. It’s Roy Stuart: The Fourth Body, only it’s moving!
Obsession, sex, and illusion are depicted in a series of parallel stories. The Lost Door opens while Kristina is being interrogated in a psychiatric hospital where she has been committed.
- 12/2/2008
- QuietEarth.us
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