- (2004, May - June) Appeared as the Chorus Leader in Sophocles play "Oedipus" as translated by Stephen Berg and Diskin Clay and produced by the Aaerican Repertory Theatre at the Loeb Drama Center, Cambridge, Massachusetts, USA.
- (2005, April) Appeared as Barry in the American premiere of the Edward Bond play "Olly's Prison" produced by the American Repertory Theatre at the Zero Arrow Theatre, Cambridge, Massachusetts, USA.
- (2005, June - July) Appeared as the Chief Cashier/Pollunder/Robinson in the Gideon Lester play "Amerika or the Disappearance" based on the book by Franz Kafka, a production of the American Repertory Theatre at the Loeb Drama Center, Cambridge, Massachusetts, USA.
- (2003, November - December) Appeared as The Boy in the Charles L. Mee Jr. play "Snow in June" produced by the American Repertory Theatre at the Loeb Drama Center, Cambridge, Massachusetts, USA.
- (2005, November - 2006, January) Appeared as Chebutykin in the Krystian Lupa adaptation of the Anton Chekhov play "Three Sisters" produced by the American Repertory Theatre at the Loeb Drama Center, Cambridge, Massachusetts, USA.
- (2005, September - October) Appeared as Zuniga/The Guide in the Georges Bizet opera "Carmen" produced by the American Repertory Theatre at the Loeb Drama Center, Cambridge, Massachusetts, USA.
- (2004, May - June) Appeared as the Chorus Leader in Sophocles play "Oedipus" as translated by Stephen Berg and Diskin Clay and produced by the American Repertory Theatre at the Loeb Drama Center, Cambridge, Massachusetts, USA.
- (1996, April - May) Appeared as Alice James' brother Henry in the Susan Sontag play "Alice in Bed" produced by the American Repertory Theatre in conjunction with Slaughter City at the Hasty Pudding Theatre, Cambridge, Massachusetts, USA.
- (December 1, 1981) He acted in Moliere's plays,"Signorelle: An Evening of His Farces (The Flying Doctor; The Forced Marriage; Sganarelle and A Dumb Show)," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts with Eilzabeth Swados; Cherry Jones; Tony Shalhoub; Karen MacDonald and John Bottoms in the cast. Andrei Serban was director. Albert Bermel was translator. Michael H. Yeargan was set designer. Dunya Ramicova was costume designer. James F. Ingalls was lighting designer. Stephen Drury was music arranger and director. Sandra Boynton adapted and translated "A Dumb Show." Robert Brustein was artistic director.
- (May to June 1982) He acted in Moliere's play,"Sganarelle," in the American Repertory Theatre production at the Goodman Theatre in Chicago, Illinois with Elizabeth Swados; Cherry Jones; Tony Shalhoub; Karen MacDonald and John Bottom in the cast. Andrei Serban was director. Albert Bermel was translator. Michael H. Yeargan was set designer. Dunya Ramicova was costume designer. James F. Ingalls was lighting designer. Stephen Drury was music arranger and director. Robert Brustein was artistic director. Kris Kinet was production manager.
- (Fall 1981) He acted in Moliere's plays,"Signorelle: An Evening of His Farces (The Flying Doctor; The Forced Marriage; Sganarelle and A Dumb Show)," in the American Repertory Theatre production in the first tour of the Northeastern States including Maine, New Hampshire, Vermont, Massachusetts, Connecticut, Rhode Island and New York with Elizabeth Swados; Cherry Jones; Tony Shalhoub; Karen MacDonald and John Bottom in the cast. Andrei Serban was director. Albert Bermel was translator. Michael H. Yeargan was set designer. Dunya Ramicova was costume designer. James F. Ingalls was lighting designer. Stephen Drury was music arranger and director. Sandra Boynton adapted and translated "A Dumb Show." Robert Brustein was artistic director. Kris Kinet was production manager.
- (November 26, 1982) He played Andre in Anton Chekhov's play, "Three Sisters," in an American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts with Cherry Jones (Irina); Anne Pitoniak (Anfisa); Cheryl Giannini (Masha) Alvin Epstein (Vershinin); Marianne Owen (Olga); Tony Shaloub(Solyony); Karen MacDonald (Natasha) and Jeremy Geidt (Chebutykin) in the cast. Jean Claude Van Itallie was translator. Andrei Serban was director. Beni Montressor was set, costume and lighting designer. Richard Peaslee wrote the original music. Robert Brustein was artistic director.
- (April 8, 1986) He acted in Don DeLillo's play, "The Day Room," in a world premiere 1986 New Stages Series production at the American Repertory Theatre in Cambridge, Massachusetts with Carmen De Lavallade; Gayle Keller; Charles Weinstein and Jeremy Geidt in the cast. Michael Bloom was director. Loy Arcenas was set designer. Karen Eister was costume designer. Richard Rindell was lighting designer. Robert Brustein was artistic director.
- (February 18, 1987) He acted in Don DeLillo's play, "The Day Room," in an American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts with Carmen De Lavallade; Gayle Keller; Charles Weinstein and Jeremy Geidt in the cast. Michael Boom was the original director for the 1985 to 1986 New Stages Series. David Wheeler was director. Loy Arcenas was set designer. Karen Eister was costume designer. Richard Riddell was lighting designer. Robert Brustein was artistic director.
- (October 3 to 18, 1986) He acted in Carlo Gozzi's play, "The King Stag," and Don DeLillo's play, "The Day Room," in the American Repertory Theatre productions in a three week four city tour of California at the University of California at Davis, California; The Doolitte Theatre in Los Angeles, California; La Jolla Playhouse at the University of San Diego in San Diego, California and at the Memorial Auditorium at Stanford University in Palo Alto, California with Carmen De Lavallade; Gayle Keller; Charles Weinstein and Jeremy Geidt in the cast. Robert Brustein was artistic director.
- (July 29, 1990) He directed Charles Marz's play, "The Island of Anyplace," in a summer production at the American Repertory Theatre in Cambridge, Massachusetts. Barry Rocklin was composer. Scott Bradley was set and costume designer. John Ambrosone was lighting designer. Robert Brustein was artistic director.
- (September 22, 1990) He directed Charles Marz's play, "The Island of Anyplace," in a Fall Festival production at the American Repertory Theatre in Cambridge, Massachusetts. Barry Rocklin was composer. Scott Bradley was set and costume designer. John Ambrosone was lighting designer. Robert Brustein was artistic director.
- (July 29, 1991) He directed Charles Marz's play, "The Island of Anyplace," in the summer production at the American Repertory Theatre in Cambridge, Massachusetts. Barry Rocklin was composer. Scott Bradley was set and costume designer. John Ambrosone was lighting designer. Robert Brustein was artistic director.
- (December 27 to 30, 1991) He directed Charles Marz's play, "The Island of Anyplace," in a winter production at the American Repertory Theatre in Cambridge, Massachusetts. Barry Rocklin was composer. Scott Bradley was set and costume designer. John Ambrosone was lighting designer. Robert Brustein was artistic director.
- (May 29, 1992) He acted in Carlo Goldoni's play, "The Servant of Two Masters," in an American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Shelley Berc and Andrei Belgrader were adapters. Andrei Belgrader was also director. Anita Stewart was set designer. Catherine Zuber was costume designer. Natasha Katz was lighting designer. Maribeth Back was sound designer. Robert Brustein was artistic director.
- (June 10 to 11, 1992) He directed Charles Marz's play, "The Island of Anyplace," in the spring production at the American Repertory Theatre in Cambridge, Massachusetts. Barry Rocklin was composer. Scott Bradley was set and costume designer. John Ambrosone was lighting designer. Robert Brustein was artistic director.
- (May 31, June 1 & 2, 1994) He directed Charles Marz's play, "The Island of Anyplace," in the spring production at the American Repertory Theatre in Cambridge, Massachusetts. Barry Rocklin was composer. Scott Bradley was set and costume designer. John Ambrosone was lighting designer. Robert Brustein was artistic director.
- (June 2, 1995) He played courtier in Shelley Berc and Andrei Belgrader's musical, "Ubu Rock," in a world premiere American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts with Francine Torres (Ma Ubu); Charles Levin (Pa Ubu) and Will LeBow (Courtier) in the cast. The musical was based on Alfred Jarry's play. Rusty Magee was composer and lyricist. Andrei Belgrader was also director. Andrei Both was set designer. Catherine Zuber was costume designer. John Ambrosone was lighting designer. Christopher Walker was sound designer. Robert Brustein was artistic director.
- (March 11 to 19, 1996) He played courtier in Shelley Berc and Andrei Belgrader's musical, "Ubu Rock," in a world premiere American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts with Francine Torres (Ma Ubu); Charles Levin (Pa Ubu) and Will LeBow (Courtier) in the cast. The musical was based on Alfred Jarry's play. Rusty Magee was composer and lyricist. Andrei Belgrader was also director. Andrei Both was set designer. Catherine Zuber was costume designer. John Ambrosone was lighting designer. Christopher Walker was sound designer. Robert Brustein was artistic director.
- (January 31, 1997) He acted in Georg Buchner's play, "Woyzeck," in an American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Gideon Lester was new translator. Marcus Stern was director. Allison Kosturbash was set designer. Catherine Zuber was costume designer. Scott Zielinski was lighting designer. Christopher Walker and Marcus Stern were also sound designers. Robert Brustein was artistic director.
- (May 8, 1998) He played Dr. Diaforus in Moliere's play, "The Imaginary Invalid," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts with Will LeBow (Argan) and Remo Airaldi (Thomas Diaforus) in the cast. Shelly Berc and Andrei Belgrader were translators and adapters. Busty Magee was composer and lyricist. Andrei Belgarder was director. Richard Colton was movement director. Anita Stewart was set designer. Catherine Zuber was costume designer. Michael Chybowski was lighting designer. Christopher Walker was sound designer. Robert Brustein was artistic director.
- (October 16, 1998) He acted in Christopher Durang's play, "The Marriage of Bette and Boo," in the New Stages Series and American Repertory Theatre production at Hasty Pudding Theatre in Cambridge, Massachusetts with Kristin Flanders; Karen MacDonald; Caroline Hall and Sophia Fox-Long in the cast. Marcus Stern was director. Molly Hughes was set designer. Karen Eister was costume designer. John Ambrosone was lighting designer. John Huntington was sound designer. Robert Brustein was artistic director.
- (July 10 to 14, 1979) He played Barnaby Tucker in Thornton Wilder's play, "The Matchmaker," in a Williamstown Theatre Festival production at the Adams Memorial Theatre Main Stage at Williams College in Williamstown, Massachusetts with Deborah Bauman (Harmonia Diner); Yusef Bulos (Joe Scanlon, Rudolf); Jeffrey Deckman (Harmonia Diner); John DeMita (Ambrose Kemper); Philip Euling (Harmonia Diner); Sue Ann Gilfillan (Mrs. Dolly Gallagher Levi); Jennifer Glass (Harmonia Diner); John Glover (Cornelius Hackl); Christopher Graham (Harmonia Diner); Jeanie Hackett (Ermengarde); Laurie Kennedy (Mrs. Irene Molloy); Sagan Lewis; Susie Lewis (Minnie Fay); Jack R. Marks (Horace Vandergelder); David Nava (Cabman); Michael O'Flaherty (The Hudson Valley Quartet); Ami Rothchild (Harmonia Diner); Aloysius Schack (Hudson Valley Quartet); Dwight Schultz (Malachi Stack); Eric Thayer (Hudson Valley Quartet); Tony Tucker (August, Hudson Valley Quartet); Kate Udall (Her Cook) and Kate Wilkinson (Miss Flora Van Huysen) in the cast. Nikos Psacharapoulos was artistic director. Walton Jones as director. Tom Lynch was setting designer. Jess Goldstein was costume designer. Mitchell Kurtz was lighting designer. Eric W. Diamond was musical director and arranger. Laurie Boyd was movement assistant to Mr. Jones.
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