The Cinema Eye Honors announced the winners for its documentary films and series competition Friday in Manhattan, with “32 Sounds” taking the honor for outstanding nonfiction feature. Maite Alberdi won outstanding direction for “The Eternal Memory” together with Kaouther Ben Hania for “Four Daughters,” while “Paul T. Goldman” won outstanding nonfiction series.
See all the winners below:
—Outstanding Nonfiction Feature
32 Sounds
Directed by Sam Green
Produced by Josh Penn and Thomas O. Kriegsmann
—Outstanding Direction
Maite Alberdi
The Eternal Memory
Kaouther Ben Hania
Four Daughters
—Outstanding Editing
Michael Harte
Still: A Michael J. Fox Movie
—Outstanding Production
Mstyslav Chernov, Michelle Mizner, Raney Aronson Rath, Derl McCrudden and Vasilisa Stepanenko
20 Days in Mariupol
—Outstanding Cinematography
Ants Tammik
Smoke Sauna Sisterhood
—Outstanding Original Score
Jd Samson
32 Sounds
—Outstanding Sound Design
Mark Mangini
32 Sounds
—Outstanding Visual Design
Thomas Curtis and Sean Pierce
Going to Mars: The Nikki Giovanni Project
—Outstanding Debut
Kokomo...
See all the winners below:
—Outstanding Nonfiction Feature
32 Sounds
Directed by Sam Green
Produced by Josh Penn and Thomas O. Kriegsmann
—Outstanding Direction
Maite Alberdi
The Eternal Memory
Kaouther Ben Hania
Four Daughters
—Outstanding Editing
Michael Harte
Still: A Michael J. Fox Movie
—Outstanding Production
Mstyslav Chernov, Michelle Mizner, Raney Aronson Rath, Derl McCrudden and Vasilisa Stepanenko
20 Days in Mariupol
—Outstanding Cinematography
Ants Tammik
Smoke Sauna Sisterhood
—Outstanding Original Score
Jd Samson
32 Sounds
—Outstanding Sound Design
Mark Mangini
32 Sounds
—Outstanding Visual Design
Thomas Curtis and Sean Pierce
Going to Mars: The Nikki Giovanni Project
—Outstanding Debut
Kokomo...
- 1/13/2024
- by Jazz Tangcay, Caroline Brew, Jaden Thompson and Diego Ramos Bechara
- Variety Film + TV
Punk great Kathleen Hanna will hit the road next spring for a special book tour supporting her upcoming memoir, Rebel Girl: My Life as a Feminist Punk, out May 14 via Ecco.
The book tour will begin May 14 in Brooklyn and include stops in Washington D.C., Cincinnati, Chicago, Los Angeles, San Francisco, Seattle, Portland, Boston, and Philadelphia. The May 22 event in Seattle will also be livestreamed for those unable to attend.
Tickets for all reading events go on sale today, Dec. 12, via Hanna’s website. A portion of proceeds will...
The book tour will begin May 14 in Brooklyn and include stops in Washington D.C., Cincinnati, Chicago, Los Angeles, San Francisco, Seattle, Portland, Boston, and Philadelphia. The May 22 event in Seattle will also be livestreamed for those unable to attend.
Tickets for all reading events go on sale today, Dec. 12, via Hanna’s website. A portion of proceeds will...
- 12/12/2023
- by Jon Blistein
- Rollingstone.com
One may think filmmaker Sam Green’s 32 Sounds is aimed at the sound community, but with his immersive exploration of the noises we hear, Green says he hopes to reach general audiences and inspire them to “hear the world in a different way.”
Sound designer Mark Mangini feels the same way, pointing to the narrative power of sound — for instance, the voice of Green’s late brother, preserved on an old answering machine. “That’s a very powerful moment in the movie for us,” says Mangini of the emotional segment during which Green listens to this recording. “We think that helps audiences connect with a vital aspect of their lives that they aren’t really aware of.”
32 Sounds begins with Green and composer Jd Samson speaking directly to viewers before proceeding on a journey through the auditory world, from the aforementioned answering machine recording to the work of...
Sound designer Mark Mangini feels the same way, pointing to the narrative power of sound — for instance, the voice of Green’s late brother, preserved on an old answering machine. “That’s a very powerful moment in the movie for us,” says Mangini of the emotional segment during which Green listens to this recording. “We think that helps audiences connect with a vital aspect of their lives that they aren’t really aware of.”
32 Sounds begins with Green and composer Jd Samson speaking directly to viewers before proceeding on a journey through the auditory world, from the aforementioned answering machine recording to the work of...
- 11/30/2023
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
“Kokomo City,” D. Smith’s documentary about four trans Black women in New York and Georgia, led all films in nominations for the 17th annual Cinema Eye Honors, the New York-based awards designed to spotlight all facets of nonfiction filmmaking.
The film received six nominations, including Outstanding Nonfiction Feature and Outstanding Direction. Mstyslav Chernov’s “20 Days in Mariupol,” Maite Alberdi’s “The Eternal Memory” and Sam Green’s “32 Sounds” followed with five nominations each.
In the Outstanding Nonfiction Feature category, “Kokomo City,” “The Eternal Memory,” “20 Days in Mariupol” and “32 Sounds” were joined by “Four Daughters,” “Going to Mars: The Nikki Giovanni Project” and “Still: A Michael J. Fox Movie.”
Matthew Heineman’s “American Symphony” received nominations for Outstanding Production and Outstanding Score, making Heineman the third-most-nominated filmmaker in Cinema Eye history. With 12 nominations overall, he now trails Steve James and Laura Poitras by one.
While many...
The film received six nominations, including Outstanding Nonfiction Feature and Outstanding Direction. Mstyslav Chernov’s “20 Days in Mariupol,” Maite Alberdi’s “The Eternal Memory” and Sam Green’s “32 Sounds” followed with five nominations each.
In the Outstanding Nonfiction Feature category, “Kokomo City,” “The Eternal Memory,” “20 Days in Mariupol” and “32 Sounds” were joined by “Four Daughters,” “Going to Mars: The Nikki Giovanni Project” and “Still: A Michael J. Fox Movie.”
Matthew Heineman’s “American Symphony” received nominations for Outstanding Production and Outstanding Score, making Heineman the third-most-nominated filmmaker in Cinema Eye history. With 12 nominations overall, he now trails Steve James and Laura Poitras by one.
While many...
- 11/16/2023
- by Steve Pond
- The Wrap
Sam Green wants you to stop and listen for a second. Like, really listen.
The Bay Area documentarian wants you take in the world around you, one curated noise at a time. It might be church bells, cicadas, wind chimes, or rushing currents. He may throw a few sonic curveballs your way as well — violins could quickly turn into explosions, or Philip Glass gently noodling on a piano might suddenly give way to the extremely loud buzzing of a fly. Occasionally, Green will ask you to close your eyes, the...
The Bay Area documentarian wants you take in the world around you, one curated noise at a time. It might be church bells, cicadas, wind chimes, or rushing currents. He may throw a few sonic curveballs your way as well — violins could quickly turn into explosions, or Philip Glass gently noodling on a piano might suddenly give way to the extremely loud buzzing of a fly. Occasionally, Green will ask you to close your eyes, the...
- 5/2/2023
- by David Fear
- Rollingstone.com
A few years ago, “true crime” became a marketable trope, and the documentary market has been in slow-motion decline ever since. The millions that streamers invested in non-fiction overinflated expectations for the form, stretched it thin, and the bubble burst earlier this year. In January, few documentaries generated much buyer interest out of Sundance. In this column, I proposed that filmmakers might be best-served by killing the word “documentary” to avoid getting rejected outright.
Sam Green has taken a more pragmatic approach. His delightful, immersive essay film “32 Sounds,” which opens in New York’s Film Forum this week more than a year after its debut as a live performance at Sundance’s virtual 2022 edition, has a malleable form and modest scale that lets it thrive without the unreasonable expectations of success. The project’s long-term viability provides a valuable case study for how unconventional, smaller-scale non-fiction filmmaking can remain sustainable.
Sam Green has taken a more pragmatic approach. His delightful, immersive essay film “32 Sounds,” which opens in New York’s Film Forum this week more than a year after its debut as a live performance at Sundance’s virtual 2022 edition, has a malleable form and modest scale that lets it thrive without the unreasonable expectations of success. The project’s long-term viability provides a valuable case study for how unconventional, smaller-scale non-fiction filmmaking can remain sustainable.
- 4/29/2023
- by Eric Kohn
- Indiewire
As engaging and impressive a documentary as you’re going to see, 32 Sounds starts with a kind of obvious––yet eminently under-asked––question: why do most of us take sound for granted? Director Sam Green quickly reminds us of Thomas Edison’s invention of the phonograph. He tell us a newspaper at the time “predicted the machine would actually stop death.” Only moments later there’s a playful investigation into how we hear, spurned by a digression about the Whoopee cushion. Which is to say this is not only a documentary of interest, but entertainment. Consider a cute moment in which we watch a tree fall in the woods, though we hear nothing. The press notes acknowledge the clear inspiration, from the title on down: the masterpiece Thirty Two Short Films About Glenn Gould by François Girard.
Green collaborates with composer Jd Samson to examine sound through 32 different “specific sonic experiences.
Green collaborates with composer Jd Samson to examine sound through 32 different “specific sonic experiences.
- 4/29/2023
- by Dan Mecca
- The Film Stage
A filmmaker focused on the experience of watching, Academy Award-nominated director Sam Green’s projects are best experienced live, previously with A Thousand Thoughts featuring Kronos Quartet and The Love Song of R. Buckminster Fuller featuring Yo La Tengo. His latest work, 32 Sounds, premiered at Sundance last year, featuring original music by Jd Samson and sound design from Mark Mangini. Now set for a theatrical release starting April 28, the first trailer has landed.
During its festival run in front of a live audience, the performance featured individual headphones for each audience member and included live narration by Green and live original music by Samson. This new version is specifically designed for a completely immersive at-home or theatrical experience. The film examines the “elemental phenomenon of sound and its power to bend time, cross borders, and profoundly shape our perception of the world around us.”
“There’s a lot of different ways of listening,...
During its festival run in front of a live audience, the performance featured individual headphones for each audience member and included live narration by Green and live original music by Samson. This new version is specifically designed for a completely immersive at-home or theatrical experience. The film examines the “elemental phenomenon of sound and its power to bend time, cross borders, and profoundly shape our perception of the world around us.”
“There’s a lot of different ways of listening,...
- 3/9/2023
- by Leonard Pearce
- The Film Stage
"I think of sound as being a channel of connection." Abramorama has revealed a mesmerizing trailer for an immersive, unique documentary film titled 32 Sounds, made by doc filmmaker Sam Green. This originally premiered at the 2022 Sundance Film Festival last year playing in the experimental New Frontier category, and also played at AFI Fest, SXSW, and San Francisco Film Festivals. 32 Sounds investigates the mysterious nature of perception and the subtle yet radical politics that arise from sensation and being present in one's body. A cinematic documentary and a sensory film experience that explores the elemental phenomenon of sound and its power to bend time, cross borders, and profoundly shape our perception of the world around us. Featuring original compositions by Jd Samson, 32 Sounds is designed to be experienced with personal headphones for a truly unique binaural audio experience. This all "sounds" (ha ha) incredible! Have a listen. // Continue Reading ›...
- 3/8/2023
- by Alex Billington
- firstshowing.net
“32 Sounds,” an immersive and experiential documentary, has sold North American rights to Abramorama following its premiere at Sundance Film Festival.
The movie, which explores the phenomenon of sound through 32 specific sonic experiences, will begin its nationwide theatrical rollout at New York City’s Film Forum on April 28.
To complete the unique auditory experience, several venues, including Film Forum, will offer audience members individual sets of headphones so they can watch “32 Sounds” the way the filmmaker intended.
“32 Sounds” had its world premiere at Sundance, where it played to positive reviews. Variety’s chief film critic Peter Debruge wrote that the movie is “bursting with humor, emotion and curiosity” and praised it as a “rare and rewarding sonic journey with the potential to enrich our lives.”
London-based sales agent and financier Architect are handling international sales and introduced 32 Sounds to distributors during last month’s EFM.
Directed and written by Sam Green...
The movie, which explores the phenomenon of sound through 32 specific sonic experiences, will begin its nationwide theatrical rollout at New York City’s Film Forum on April 28.
To complete the unique auditory experience, several venues, including Film Forum, will offer audience members individual sets of headphones so they can watch “32 Sounds” the way the filmmaker intended.
“32 Sounds” had its world premiere at Sundance, where it played to positive reviews. Variety’s chief film critic Peter Debruge wrote that the movie is “bursting with humor, emotion and curiosity” and praised it as a “rare and rewarding sonic journey with the potential to enrich our lives.”
London-based sales agent and financier Architect are handling international sales and introduced 32 Sounds to distributors during last month’s EFM.
Directed and written by Sam Green...
- 3/2/2023
- by Rebecca Rubin
- Variety Film + TV
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Le Tigre will return to the road for their first tour in 18 years.
The electro-punk trio will play a lone show in Philadelphia on May 27 before heading over to Europe and the U.K. The North American leg of the tour will officially begin July 1 with a set at the Mosswood Meltdown Festival (hosted by filmmaker John Waters) in Oakland, California. Le Tigre will criss-cross North America the rest of the month,...
Le Tigre will return to the road for their first tour in 18 years.
The electro-punk trio will play a lone show in Philadelphia on May 27 before heading over to Europe and the U.K. The North American leg of the tour will officially begin July 1 with a set at the Mosswood Meltdown Festival (hosted by filmmaker John Waters) in Oakland, California. Le Tigre will criss-cross North America the rest of the month,...
- 1/24/2023
- by Jon Blistein
- Rollingstone.com
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