Steffi Niederzoll’s Berlin, Cph: Dox and El Gouna-winning documentary “Seven Winters in Tehran” added another award to its collection with the best international film honor at India’s inaugural Cinevesture International Festival (Ciff).
Anmol Sidhu’s Asia Pacific Screen Awards nominee “Jaggi” won best Indian film and Elham Ehsas’ BAFTA and Clermont-Ferrand nominee “Yellow” was named as best short.
The festival took place March 27-31 in Chandigarh, northern India. A three-day phone filmmaking workshop hosted by Chitkara International School and produced by Cinevesture saw students from five schools participating with Ritisha Sinha’s film “Unveiled” from Mount Carmel School winning an award.
Former Cannes film market director Jerome Paillard, Indian actor and producer Rana Daggubati (“Baahubali”) and Nicole Guillemet, who was co-director of the Sundance Film Festival, and Indian filmmaker Ajitpal Singh (Sundance title “Fire in the Mountains”) are on the festival advisory board.
The festival had an accompanying...
Anmol Sidhu’s Asia Pacific Screen Awards nominee “Jaggi” won best Indian film and Elham Ehsas’ BAFTA and Clermont-Ferrand nominee “Yellow” was named as best short.
The festival took place March 27-31 in Chandigarh, northern India. A three-day phone filmmaking workshop hosted by Chitkara International School and produced by Cinevesture saw students from five schools participating with Ritisha Sinha’s film “Unveiled” from Mount Carmel School winning an award.
Former Cannes film market director Jerome Paillard, Indian actor and producer Rana Daggubati (“Baahubali”) and Nicole Guillemet, who was co-director of the Sundance Film Festival, and Indian filmmaker Ajitpal Singh (Sundance title “Fire in the Mountains”) are on the festival advisory board.
The festival had an accompanying...
- 4/2/2024
- by Naman Ramachandran
- Variety Film + TV
Festival, Market
The first edition of India’s Cinevesture International Film Festival and market will feature a range of masterclasses and panels headlined by a range of luminaries including filmmakers Shekhar Kapur (“What’s Love Got to Do with It?”) and Karan Johar (“Rocky Aur Rani Kii Prem Kahaani”).
The lineup also includes actors Jaideep Ahlawat (“Paatal Lok”), Roshan Mathew (“Paradise”), Suvinder Vicky (“Kohrra”), Rajshri Deshpande (“Trial by Fire”), Boman Irani (“Dunki”), Rasika Dugal (“Mirzapur”), Abhay Deol (“Trial by Fire”), actor-producers Richa Chadha and Ali Fazal (“Girls Will be Girls”), filmmakers Tahira Kashyap (“Sharmajee Ki Beti”), Sudhir Mishra (“Tanaav”), Ajitpal Singh (“Tabbar”), Anurag Singh (“Kesri”) and Saugata Mukherjee, head of content at streamer SonyLiv.
As previously announced, the India premieres of France’s “The Taste of Things” and Korea’s “Exhuma” will open and close the festival. Former Cannes film market director Jerome Paillard, Indian actor and producer Rana Daggubati and...
The first edition of India’s Cinevesture International Film Festival and market will feature a range of masterclasses and panels headlined by a range of luminaries including filmmakers Shekhar Kapur (“What’s Love Got to Do with It?”) and Karan Johar (“Rocky Aur Rani Kii Prem Kahaani”).
The lineup also includes actors Jaideep Ahlawat (“Paatal Lok”), Roshan Mathew (“Paradise”), Suvinder Vicky (“Kohrra”), Rajshri Deshpande (“Trial by Fire”), Boman Irani (“Dunki”), Rasika Dugal (“Mirzapur”), Abhay Deol (“Trial by Fire”), actor-producers Richa Chadha and Ali Fazal (“Girls Will be Girls”), filmmakers Tahira Kashyap (“Sharmajee Ki Beti”), Sudhir Mishra (“Tanaav”), Ajitpal Singh (“Tabbar”), Anurag Singh (“Kesri”) and Saugata Mukherjee, head of content at streamer SonyLiv.
As previously announced, the India premieres of France’s “The Taste of Things” and Korea’s “Exhuma” will open and close the festival. Former Cannes film market director Jerome Paillard, Indian actor and producer Rana Daggubati and...
- 3/26/2024
- by Naman Ramachandran
- Variety Film + TV
The first edition of the Cinevesture International Film Festival (Ciff) to be held in Chandigarh from March 27 to 31 will boast of a host of masterclasses and panel discussions, including one with filmmaker Karan Johar, which film critic Namrata Joshi will moderate.
The 20 masterclasses and panel discussions to be held at Taj Chandigarh will feature Shekhar Kapur, Jaideep Ahlawat, Tahira Kashyap, Richa Chadha, Ali Fazal, Roshan Mathew, Abhay Deol, Sudhir Mishra, ‘Kohrra’ star Suvinder Vicky, Boman Irani, Rasika Dugal, Rajshri Deshpande, Ajitpal Singh, Anurag Singh, Sudhir Mishra and Saugata Mukherjee, Head of Content, SonyLiv, Sony Pictures Network India, etc.
The opening film of the festival is the Cannes award-winning French film ‘The Taste of Things’ starring Juliette Binoche while the closing one is South Korea’s highest-grossing film of 2024 till date — the horror-mystery-thriller ‘Exhuma’ (‘Pamyo’), which premiered at the 2024 Berlinale.
The festival advisory board includes Rana Daggubati, former Head of Cannes Film Market Jerome Paillard,...
The 20 masterclasses and panel discussions to be held at Taj Chandigarh will feature Shekhar Kapur, Jaideep Ahlawat, Tahira Kashyap, Richa Chadha, Ali Fazal, Roshan Mathew, Abhay Deol, Sudhir Mishra, ‘Kohrra’ star Suvinder Vicky, Boman Irani, Rasika Dugal, Rajshri Deshpande, Ajitpal Singh, Anurag Singh, Sudhir Mishra and Saugata Mukherjee, Head of Content, SonyLiv, Sony Pictures Network India, etc.
The opening film of the festival is the Cannes award-winning French film ‘The Taste of Things’ starring Juliette Binoche while the closing one is South Korea’s highest-grossing film of 2024 till date — the horror-mystery-thriller ‘Exhuma’ (‘Pamyo’), which premiered at the 2024 Berlinale.
The festival advisory board includes Rana Daggubati, former Head of Cannes Film Market Jerome Paillard,...
- 3/26/2024
- by Agency News Desk
- GlamSham
The first edition of India’s Cinevesture International Film Festival (Ciff) has revealed 20 projects that will participate in its accompanying market.
Comprising 17 features and three series, several of the projects are by creators who have found acclaim both internationally and in South Asia.
From Bangladeshi auteur Mostofa Sarwar Farooki (Busan title “Something Like an Autobiography”) comes Hindi and English-language unconventional romance “To Hell With Love.” Alankrita Srivasttava (Tokyo winner “Lipstick Under My Burkha”) has English and Hindi-language drama “Girls of Orlem,” an adaptation of Lindsay Pereira’s bestselling novel “Gods and Ends.” Gurvinder Singh is prepping Hindi, Punjabi and English-language historical thriller series “The Trial.”
“#Jack” is a thriller film from Bhaskar Hazarika (Tribeca selection “Aamis”), while “Chhaal” (“The Skin”) by Don Palathara (Rotterdam title “Family”) is a folk thriller adapted from a story by Vijayan Detha. “Encounter” by Anurag Singh (the Jatt and Juliet franchise) is a drama-thriller in...
Comprising 17 features and three series, several of the projects are by creators who have found acclaim both internationally and in South Asia.
From Bangladeshi auteur Mostofa Sarwar Farooki (Busan title “Something Like an Autobiography”) comes Hindi and English-language unconventional romance “To Hell With Love.” Alankrita Srivasttava (Tokyo winner “Lipstick Under My Burkha”) has English and Hindi-language drama “Girls of Orlem,” an adaptation of Lindsay Pereira’s bestselling novel “Gods and Ends.” Gurvinder Singh is prepping Hindi, Punjabi and English-language historical thriller series “The Trial.”
“#Jack” is a thriller film from Bhaskar Hazarika (Tribeca selection “Aamis”), while “Chhaal” (“The Skin”) by Don Palathara (Rotterdam title “Family”) is a folk thriller adapted from a story by Vijayan Detha. “Encounter” by Anurag Singh (the Jatt and Juliet franchise) is a drama-thriller in...
- 3/18/2024
- by Naman Ramachandran
- Variety Film + TV
India premieres of France’s “The Taste of Things” and Korea’s “Exhuma” will open and close respectively the first edition of India’s Cinevesture International Film Festival.
Tran Anh Hung won best director at Cannes 2023 for “The Taste of Things,” which was subsequently submitted as France’s official entry to the Oscars’ international feature category. Jang Jae-hyun’s “Exhuma” is Korea’s biggest box office hit of 2024.
International highlights of the program include Jonathan Glazer’s Oscar-winning “The Zone of Interest,” Kore-eda Hirokazu’s “Monster,” Darren Aronivsky’s “The Whale,” starring Brendan Fraser, Steffi Niederzoll’s Berlinale winner “Seven Winters in Tehran,” Anthony Chen’s Singapore Oscar entry “Breaking Ice” and Prasanna Vithanage’s Busan-winning “Paradise.”
Indian films include Jayant Digambar Somalkar’s Toronto winner “Sthal,” Karan Tejpal’s Venice title “Stolen,” Rima Das’ Toronto title “Tora’s Husband,” Gurvinder Singh’s Rotterdam film “Adh Chanani Raat,” Lijo Jose Pellissery...
Tran Anh Hung won best director at Cannes 2023 for “The Taste of Things,” which was subsequently submitted as France’s official entry to the Oscars’ international feature category. Jang Jae-hyun’s “Exhuma” is Korea’s biggest box office hit of 2024.
International highlights of the program include Jonathan Glazer’s Oscar-winning “The Zone of Interest,” Kore-eda Hirokazu’s “Monster,” Darren Aronivsky’s “The Whale,” starring Brendan Fraser, Steffi Niederzoll’s Berlinale winner “Seven Winters in Tehran,” Anthony Chen’s Singapore Oscar entry “Breaking Ice” and Prasanna Vithanage’s Busan-winning “Paradise.”
Indian films include Jayant Digambar Somalkar’s Toronto winner “Sthal,” Karan Tejpal’s Venice title “Stolen,” Rima Das’ Toronto title “Tora’s Husband,” Gurvinder Singh’s Rotterdam film “Adh Chanani Raat,” Lijo Jose Pellissery...
- 3/11/2024
- by Naman Ramachandran
- Variety Film + TV
Former Cannes film market director Jerome Paillard, Indian actor and producer Rana Daggubati and Nicole Guillemet who was co-director of the Sundance Film Festival have joined the advisory board of the inaugural Cinevesture International Film Festival in India.
The advisory board also includes Indian filmmaker Ajitpal Singh, Bangladeshi director Nuhash Humayun and “Make Money Screenwriting” series author Julian Friedmann.
The festival will take place in Chandigarh, northern India, March 27-31. Bina Paul, who was artistic director at the International Film Festival of Kerala for more than a decade, will fulfil that role at the Chandigarh event. Film critic Namrata Joshi serves as market curator.
The festival is the brainchild of Nina Lath Gupta, who previously headed Film Bazaar, South Asia’s largest co-production market, from 2006 to 2018. Cinevesture’s focus is on building the business of film and addressing the needs of a producer at various stages of filmmaking.
“There is...
The advisory board also includes Indian filmmaker Ajitpal Singh, Bangladeshi director Nuhash Humayun and “Make Money Screenwriting” series author Julian Friedmann.
The festival will take place in Chandigarh, northern India, March 27-31. Bina Paul, who was artistic director at the International Film Festival of Kerala for more than a decade, will fulfil that role at the Chandigarh event. Film critic Namrata Joshi serves as market curator.
The festival is the brainchild of Nina Lath Gupta, who previously headed Film Bazaar, South Asia’s largest co-production market, from 2006 to 2018. Cinevesture’s focus is on building the business of film and addressing the needs of a producer at various stages of filmmaking.
“There is...
- 2/5/2024
- by Naman Ramachandran
- Variety Film + TV
France’s Oscar® Entry for Best International Feature ‘Les Miserables’ 2019Les Miserables directed by Ladj Ly is not based on Victor Hugo’s classic story, but it’s set in the same region in France and has the spirit of the original. Ly originally directed an acclaimed short in 2017 of the same name that set the stage for this larger feature focused on police brutality and crime. This is a powerful, powerful film coming from the inner city of Paris.
Les Misérables, French director Ladj Ly’s debut film, was inspired by his original short. It was the joint winner of the Jury Prize at the 72nd Cannes Film Festival
Les Misérables depicts life in the gritty Paris suburb of La Cité des Bosquets. It is a powder keg ready to ignite, with tensions running high between the immigrant community and the authorities.
Director Ly, who grew up...
Les Misérables, French director Ladj Ly’s debut film, was inspired by his original short. It was the joint winner of the Jury Prize at the 72nd Cannes Film Festival
Les Misérables depicts life in the gritty Paris suburb of La Cité des Bosquets. It is a powder keg ready to ignite, with tensions running high between the immigrant community and the authorities.
Director Ly, who grew up...
- 12/8/2019
- by Sydney Levine
- Sydney's Buzz
My first time in Egypt was last year at El Gouna Film Festival and I feel honored by the privilege of being here for a second year.It’s a small enough festival that you feel you can actually see all the films (even if you can’t), and yet it is large enough to be internationally cosmopolitan. The international mix of filmmakers, executives, writers and journalists is unique.
Opening Night was thrilling in an open air atrium leading to a huge open air screen, an audience dressed in their most elegant clothes in a setting that went beyond anything I had ever seen at a festival before.
Deborah Young, Recipient of #ArabCinemaCenter’s “Achievement Award for Film Critics” at Opening Night, El Gouna Film Festival 2019
This year I met old friends and new, like Oualid Mouaness whose film 1982 was announced as Lebanon’s submission for Academy Award Nomination for Best International Feature,...
Opening Night was thrilling in an open air atrium leading to a huge open air screen, an audience dressed in their most elegant clothes in a setting that went beyond anything I had ever seen at a festival before.
Deborah Young, Recipient of #ArabCinemaCenter’s “Achievement Award for Film Critics” at Opening Night, El Gouna Film Festival 2019
This year I met old friends and new, like Oualid Mouaness whose film 1982 was announced as Lebanon’s submission for Academy Award Nomination for Best International Feature,...
- 10/5/2019
- by Sydney Levine
- Sydney's Buzz
Could there be a more perfect moment than this? Sitting in the garden behind the Hotel Nacional, looking at the Cuban flag so proudly waving over the Straits of Florida and the Gulf of Mexico. The same site where the defense was built during the Cuban Missile Crisis, this moment of time marks a particularly precarious balance between peaceful coexistence and military aggression as we contemplate the recent death of Castro and election of Trump, wondering how it will play out in 2017.Hotel Nacional, Headquarters of Festival de Cine Nuevo Iberoamericano, Havana, Cuba
Cuba, ten days after the death of Fidel Castro, head of state for 52 years,may be a bit more subdued, but life here goes on, even with the influx of American tourists (other tourists have always been here); there is a sense of harmony. And in spite of the scarcity of luxuries for its people, the people...
Cuba, ten days after the death of Fidel Castro, head of state for 52 years,may be a bit more subdued, but life here goes on, even with the influx of American tourists (other tourists have always been here); there is a sense of harmony. And in spite of the scarcity of luxuries for its people, the people...
- 12/29/2016
- by Sydney Levine
- Sydney's Buzz
An exponential surge in the quantity and quality of films is continuing to come out of Latin America. (Hence my urge to write two books on the subject, the next to come out this fall.)
Mexico's output of 140 films, the highest in its glorious if erratic film history, has been accompanied by an explosion of the number of top ranking directors (Alejandro G. Iñárritu, Alfonso Cuarón,Guillermo del Toro), DOPs (Emmanuel Lubezki), actors (Eugenio Derbez, Gael García Bernal), producers, below the line, etc; major blockbusters (“Instructions Not Included”, “The Noble Family”), and festivals in every state of The United States of Mexico from Chiapas, Morelia, Cuernavaca, Oaxaca, Baja, Guadalajara, Puerta Vallarta, Acapulco, etc. What a way to see Mexico through its films and film festivals! USA's partnership in the cross-border cultural achievements of Mexico unites our two countries in culture, a great alliance which benefits us perhaps more than it does them...but that is another article.
Argentina continues, in spite of its erratic politics and economy, to keep its production steady as it always has and continues export the largest number of arthouse cinema of Latin America, Daniel Burman’s "The Tenth Man" being its latest, with Kino Lorber picking it up for U.S. and Canada. Argentina's Latam market, Ventana Sur, in partnership with the Cannes Marché, is the strongest and best market of Latin America for Latino films.
Colombia's systematic, steady work at creating a film culture is paying off in a tremendous outflow of award winning arthouse, indigenous (Ciro Guerra's "Embrace of the Serpent" whose Isa Films Boutique sold to Oscilloscope for U.S., Interior 13 Cine for Mexico, Alfa Films for Argentina, Diaphana Films for France, Mfa Filmdistribution for Germany, Magyarhangya for Hungary, Peccadillo Pictures for U.K.,trigon-film for Switzerland, Natlys for Denmark, Diaphana for France, Alambique for Portugal) , Afro-diaspora ("La Playa DC" whose Isa Cineplex sold it for U.S. to Artmattan Productions, Canada to K Films Amerique, Colombia to Cineplex, France to Jour2fete; and "La Sirga" which Cineplex licensed to Film Movement for U.S., for Colombia to Cineplex, France to Zootrope Films ) and genre films.
Tiny Uruguay has strong films by doubly strong producers like Mariana Secco whose strength at carving out a niche equals the work of Wonder Woman. Guatamala, Paraguay, Peru and Cuba are showing the world their undeniable accomplishments as well.
Central America, long denied its own voice -- first because United States and United Fruit created banana republics out of them, then by the trade in drugs and now by exporting gang members to their parents' countries – all of which has resulted in creating nations of violence and poverty -- is now experiencing the thrill of creating sustainable film economies.
Will Costa Rica prevail? To its advantage, it has not been a part of the violent cycle of drugs and gangs) and its stability and economy are able to sustain growth if the government creates cinema laws to help it along. The film writer María Lourdes Cortés from Costa Rica is the most articulate advocate of Central American Cinema and has established Cinergia, Central America's only homemade film promotion, training, dissemination and funding organ. The astoundingly prolific young producer, Marcela Esquivel, whose "Red Princesses" brought Costa Rica to the world's attention as two frontrunners in Costa Rica's race is another promient voice from Costa Rica. Esquivel's Cuban-Costa Rican coproduction “August”/ "Agosto" (Isa: FiGa) was nurtured by Cannes's Fabrique des Cinemas du Monde and was recently in Ficg’s Coproduction Market along with her project “The Ballroom”/ “El Baile y el salon” about to start production.
Or will Panama prevail? Its Canal has just doubled in size and is a center for international trade to such a degree that China itself is challenging it by tearing up the rain forest of Nicaragua in order to build its own canal.
Panama, with its eye on taking a lead as the internet hub for Latin America, Panama whose Canal creates a Cuba-u.S.-China triangle for trade, Panama whose close history with U.S., its same time zone location with U.S., its direct flights to U.S., its central position for Israeli businesses fleeing the instability of the Mid East, Panama may well come out ahead of Costa Rica. Yes, well there are also the "Panama Papers" whose discovery has come since I first wrote this article. But I don't think this latest revelation of the wealthiest and greediest 1% will put a stop to Panama's growth. These are the two horses I am putting my money on.
I am now at the 5th Panama Film Festival, long headed by the much acclaimed Pituka Ortega-Heilbron and headed on the programming and industry fronts by the Toronto Ff vet Diana Sanchez. Covering it in all its diversity to see if it furthers the odds against the Costa Rica International Film Festival has not been disappointing. Also here is the longtime Costa Rica advisor, 20-year Sundance Film Festival industry vet, Nicole Guillemet. Criff is now, reportedly finally being stabilized by the installation of a permanent producer also attending Iff Panama.
Panama is also premiering six of its own films. Comprised of three documentaries and three fiction films, this year’s Panamanian pictures portray the constant struggle of minorities, problematic life in the city, the search for one’s identity, and unresolved past events, exploring numerous socio-cultural issues living in the isthmus of Panama. Comedy will not be missed.
“Salsipuedes”, co-directed by Ricardo Aguilar and Manolito Rodríguez is about Andrés Pimienta, a young neighborhood boy from Panama who is sent to the United States to remain as far away as possible from his troubled homeland and his father Boby, a boxing ex-champion now serving time in prison. Andrés returns to Panama ten years later to attend his grandfather’s burial, where he meets again with Boby-- a reunion that transforms Andres’ destiny.
“Time to Love, A Backstage Tale”/ "Es la hora de enamorarse", a documentary directed by Guido Bilbao, is the true story of a group of young actors with Down Syndrome who courageously mount the classic Panamanian play La Cucarachita Mandinga, without any previous experience on stage. Many thought it unlikely that they would manage to memorize lines, learn choreography or capture the attention of the public. The artistic process is unveiled as Bilbao shows the intimate world of these young aspiring actors, along with their fears, hopes, and daily struggles.
“Drifting Away”/ "A la deriva", a documentary film directed by Miguel I. González is an expose of the healthcare system in Panama in 2006 when it mistakenly created and distributed over 200,000 jars of a common flu remedy, made of a substance named diethylene glycol used in the automotive industry. This caused the mass poisoning of patients, mostly resulting in permanent illness or even death. This notorious case involved companies in China, Spain and Panama. Highlighted are the lives of Iris, Milagros, and Briseida, three women who were severely affected by the poison, both physically and emotionally telling stories of their inner conflicts, as well as their patience, desperation, solitude, and their yearning to be healthy again.
“The Route”/ "La ruta" is Pituka Ortega-Heilbron’s new documentary.
Every morning from Monday to Saturday Severino González, a construction worker, wakes up at 3:30 A.M. to take the bus to work. For most Panamanians, buses are their only option to get to work and sustain a city that grows so recklessly. Yet these buses are like time bombs, its passengers well-aware of its danger but ignorant of its countdown. Every month people die or get hurt, and Severino knows this, but he has no other choice as he will show us through his everyday bus route and his life. This is the portrait of a nation that claims it is becoming a first world country but lacks the basic resources to live up to it.
“The Check”/ "El cheque" is Arturo Montenegro’s first feature film. It is a Panamanian comedy taking place in the midst of the chaos that haunts the Vinda household. A wild and vigilant vegetarian spirit with massive eyes carrying the name of Dominga changes their lives in unimaginable ways. In her stay with the Vindas, Dominga’s fuss and madness becomes the joy and fervor of the family, except with the household’s spoiled dog, Claudia, who’s the only one aware of Dominga’s secret. Everything seems to work fine until a check raises a debate about identity, happiness, trust and the great beyond.
“Kenke”, directed by Enrique Pérez Him, concerns a professional and successful young man, Josué who accepts the family challenge to help his cousin Kenny get away from marijuana. Unbeknownst to the rest of his family, he too shares this vice. Together Josué and Kenny face a society ruled by double standards and other addictions.
Even if only one of these films is directed by a woman, and that woman is the festival’s own director, it is still noticeable that in all this exciting activity of festivals and countries growing culturally, that women are in the majority taking the lead in innovating and establishing these cultural outposts in counties that have been brought to their knees formerly by the macho impositions of capitalism in its ugliest forms of colonialism and imperialism.
As a side remark here, we are witnessing similar activitiy in Mena's (Middle East and North Africa) Gulf State of Qatar with the Doha Film Institute’s CEO Fatma Al Remaihi and in the Emirate State of Dubai with its long standing Dubai Film Festival led by Managing Director, Shivani Pandya.
Culture, always the first to go when the men get going using armaments to build wealth, is now finding that with the potential strength of 51% of the world’s population behind it, it just might get the upper hand for the first time in "civilized" society. Also we are witnessing the Lgbt community's creative might also being exercised on the side of culture. This always original, innovative segment of world society helps enormously in crossing the lines drawn in the sand by the white male establishment.
So we will put our eye upon Panama, the next possible contender for The Latin American Prize for Excellence in Cinematic Experience.
Mexico's output of 140 films, the highest in its glorious if erratic film history, has been accompanied by an explosion of the number of top ranking directors (Alejandro G. Iñárritu, Alfonso Cuarón,Guillermo del Toro), DOPs (Emmanuel Lubezki), actors (Eugenio Derbez, Gael García Bernal), producers, below the line, etc; major blockbusters (“Instructions Not Included”, “The Noble Family”), and festivals in every state of The United States of Mexico from Chiapas, Morelia, Cuernavaca, Oaxaca, Baja, Guadalajara, Puerta Vallarta, Acapulco, etc. What a way to see Mexico through its films and film festivals! USA's partnership in the cross-border cultural achievements of Mexico unites our two countries in culture, a great alliance which benefits us perhaps more than it does them...but that is another article.
Argentina continues, in spite of its erratic politics and economy, to keep its production steady as it always has and continues export the largest number of arthouse cinema of Latin America, Daniel Burman’s "The Tenth Man" being its latest, with Kino Lorber picking it up for U.S. and Canada. Argentina's Latam market, Ventana Sur, in partnership with the Cannes Marché, is the strongest and best market of Latin America for Latino films.
Colombia's systematic, steady work at creating a film culture is paying off in a tremendous outflow of award winning arthouse, indigenous (Ciro Guerra's "Embrace of the Serpent" whose Isa Films Boutique sold to Oscilloscope for U.S., Interior 13 Cine for Mexico, Alfa Films for Argentina, Diaphana Films for France, Mfa Filmdistribution for Germany, Magyarhangya for Hungary, Peccadillo Pictures for U.K.,trigon-film for Switzerland, Natlys for Denmark, Diaphana for France, Alambique for Portugal) , Afro-diaspora ("La Playa DC" whose Isa Cineplex sold it for U.S. to Artmattan Productions, Canada to K Films Amerique, Colombia to Cineplex, France to Jour2fete; and "La Sirga" which Cineplex licensed to Film Movement for U.S., for Colombia to Cineplex, France to Zootrope Films ) and genre films.
Tiny Uruguay has strong films by doubly strong producers like Mariana Secco whose strength at carving out a niche equals the work of Wonder Woman. Guatamala, Paraguay, Peru and Cuba are showing the world their undeniable accomplishments as well.
Central America, long denied its own voice -- first because United States and United Fruit created banana republics out of them, then by the trade in drugs and now by exporting gang members to their parents' countries – all of which has resulted in creating nations of violence and poverty -- is now experiencing the thrill of creating sustainable film economies.
Will Costa Rica prevail? To its advantage, it has not been a part of the violent cycle of drugs and gangs) and its stability and economy are able to sustain growth if the government creates cinema laws to help it along. The film writer María Lourdes Cortés from Costa Rica is the most articulate advocate of Central American Cinema and has established Cinergia, Central America's only homemade film promotion, training, dissemination and funding organ. The astoundingly prolific young producer, Marcela Esquivel, whose "Red Princesses" brought Costa Rica to the world's attention as two frontrunners in Costa Rica's race is another promient voice from Costa Rica. Esquivel's Cuban-Costa Rican coproduction “August”/ "Agosto" (Isa: FiGa) was nurtured by Cannes's Fabrique des Cinemas du Monde and was recently in Ficg’s Coproduction Market along with her project “The Ballroom”/ “El Baile y el salon” about to start production.
Or will Panama prevail? Its Canal has just doubled in size and is a center for international trade to such a degree that China itself is challenging it by tearing up the rain forest of Nicaragua in order to build its own canal.
Panama, with its eye on taking a lead as the internet hub for Latin America, Panama whose Canal creates a Cuba-u.S.-China triangle for trade, Panama whose close history with U.S., its same time zone location with U.S., its direct flights to U.S., its central position for Israeli businesses fleeing the instability of the Mid East, Panama may well come out ahead of Costa Rica. Yes, well there are also the "Panama Papers" whose discovery has come since I first wrote this article. But I don't think this latest revelation of the wealthiest and greediest 1% will put a stop to Panama's growth. These are the two horses I am putting my money on.
I am now at the 5th Panama Film Festival, long headed by the much acclaimed Pituka Ortega-Heilbron and headed on the programming and industry fronts by the Toronto Ff vet Diana Sanchez. Covering it in all its diversity to see if it furthers the odds against the Costa Rica International Film Festival has not been disappointing. Also here is the longtime Costa Rica advisor, 20-year Sundance Film Festival industry vet, Nicole Guillemet. Criff is now, reportedly finally being stabilized by the installation of a permanent producer also attending Iff Panama.
Panama is also premiering six of its own films. Comprised of three documentaries and three fiction films, this year’s Panamanian pictures portray the constant struggle of minorities, problematic life in the city, the search for one’s identity, and unresolved past events, exploring numerous socio-cultural issues living in the isthmus of Panama. Comedy will not be missed.
“Salsipuedes”, co-directed by Ricardo Aguilar and Manolito Rodríguez is about Andrés Pimienta, a young neighborhood boy from Panama who is sent to the United States to remain as far away as possible from his troubled homeland and his father Boby, a boxing ex-champion now serving time in prison. Andrés returns to Panama ten years later to attend his grandfather’s burial, where he meets again with Boby-- a reunion that transforms Andres’ destiny.
“Time to Love, A Backstage Tale”/ "Es la hora de enamorarse", a documentary directed by Guido Bilbao, is the true story of a group of young actors with Down Syndrome who courageously mount the classic Panamanian play La Cucarachita Mandinga, without any previous experience on stage. Many thought it unlikely that they would manage to memorize lines, learn choreography or capture the attention of the public. The artistic process is unveiled as Bilbao shows the intimate world of these young aspiring actors, along with their fears, hopes, and daily struggles.
“Drifting Away”/ "A la deriva", a documentary film directed by Miguel I. González is an expose of the healthcare system in Panama in 2006 when it mistakenly created and distributed over 200,000 jars of a common flu remedy, made of a substance named diethylene glycol used in the automotive industry. This caused the mass poisoning of patients, mostly resulting in permanent illness or even death. This notorious case involved companies in China, Spain and Panama. Highlighted are the lives of Iris, Milagros, and Briseida, three women who were severely affected by the poison, both physically and emotionally telling stories of their inner conflicts, as well as their patience, desperation, solitude, and their yearning to be healthy again.
“The Route”/ "La ruta" is Pituka Ortega-Heilbron’s new documentary.
Every morning from Monday to Saturday Severino González, a construction worker, wakes up at 3:30 A.M. to take the bus to work. For most Panamanians, buses are their only option to get to work and sustain a city that grows so recklessly. Yet these buses are like time bombs, its passengers well-aware of its danger but ignorant of its countdown. Every month people die or get hurt, and Severino knows this, but he has no other choice as he will show us through his everyday bus route and his life. This is the portrait of a nation that claims it is becoming a first world country but lacks the basic resources to live up to it.
“The Check”/ "El cheque" is Arturo Montenegro’s first feature film. It is a Panamanian comedy taking place in the midst of the chaos that haunts the Vinda household. A wild and vigilant vegetarian spirit with massive eyes carrying the name of Dominga changes their lives in unimaginable ways. In her stay with the Vindas, Dominga’s fuss and madness becomes the joy and fervor of the family, except with the household’s spoiled dog, Claudia, who’s the only one aware of Dominga’s secret. Everything seems to work fine until a check raises a debate about identity, happiness, trust and the great beyond.
“Kenke”, directed by Enrique Pérez Him, concerns a professional and successful young man, Josué who accepts the family challenge to help his cousin Kenny get away from marijuana. Unbeknownst to the rest of his family, he too shares this vice. Together Josué and Kenny face a society ruled by double standards and other addictions.
Even if only one of these films is directed by a woman, and that woman is the festival’s own director, it is still noticeable that in all this exciting activity of festivals and countries growing culturally, that women are in the majority taking the lead in innovating and establishing these cultural outposts in counties that have been brought to their knees formerly by the macho impositions of capitalism in its ugliest forms of colonialism and imperialism.
As a side remark here, we are witnessing similar activitiy in Mena's (Middle East and North Africa) Gulf State of Qatar with the Doha Film Institute’s CEO Fatma Al Remaihi and in the Emirate State of Dubai with its long standing Dubai Film Festival led by Managing Director, Shivani Pandya.
Culture, always the first to go when the men get going using armaments to build wealth, is now finding that with the potential strength of 51% of the world’s population behind it, it just might get the upper hand for the first time in "civilized" society. Also we are witnessing the Lgbt community's creative might also being exercised on the side of culture. This always original, innovative segment of world society helps enormously in crossing the lines drawn in the sand by the white male establishment.
So we will put our eye upon Panama, the next possible contender for The Latin American Prize for Excellence in Cinematic Experience.
- 3/26/2016
- by Sydney Levine
- Sydney's Buzz
The Hollywood Film Awards® was founded in 1997 and honors excellence in filmmaking and traditionally signals the Official Launch of the Award Season®. The HFAs showcase to the public at large previews of quality films released during the calendar year. The first-ever Hollywood Film Awards® gala took place in October 1997 in the historic Blossom Room at the Hollywood Roosevelt Hotel, in Hollywood. Kirk Douglas took home the inaugural “Hollywood Lifetime Achievement Award.” The Hollywood Film Awards launch the awards season. Over the past 18 years, prior honorees have gone on to garner many Oscar nominations and wins. With participating Hollywood insiders, our Advisory Team identifies and selects the recipients of our honors. Our winners are pre-selected to receive our awards. Our selection is based on their outstanding achievement and contribution to the art of cinema. They are not “nominees.” 2014 honorees included some of the biggest names in Hollywood such as Keira Knightley,...
- 10/2/2015
- by HollywoodNews.com
- Hollywoodnews.com
The Hollywood Film Awards honor established Hollywood artists. The criteria for these awards is based on the recipient’s body of work and/or a film that they have coming out this year. These awards are bestowed in all disciplines of filmmaking*: Career, Leadership, Producer, Director, Actor, Actress, Supporting Actor, Supporting Actress, Screenwriter, Cinematographer, Editor, Film Composer, Production Designer, Costume Designer, Animation, and Visual Effects. Our award/tribute recipients are selected by our Advisory Team which is comprised of a cross section of Hollywood professionals. To read more about the Hollywood Film Awards The selection process for our honorees takes multiple elements into consideration and involves attending pre-press private industry screenings, press screenings, festival screenings, and research. It also includes the support and participation of established entertainment industry executives, from agents, critics, directors, managers, producers, publicists, screenwriters and studio execs to members of the craft guilds. With participating Hollywood insiders,...
- 10/2/2015
- by HollywoodNews.com
- Hollywoodnews.com
Sundance's 25th year event is remarkably quiet, almost unreal. Allowing a look at the reality, conversations actually can take place. The late night lounge is the place to see everyone after 10 and to talk more. Filmakers Bill Benenson and Eleonore Dailly, producer Gene Rosow and marketer Jeff Dowd hosted the Obama Inauguration party which also celebrated their film Dirt The Movie. Veteran Sundance community members, Nicole Guillemet, former director of Sundance, Paula Silver, Ira Deutschman, Susan Margolin, Todd McCarthy, Sasha Alpert, Mickey Cotrell and so many others bonded with joy as we all listened to the message delivered by President Obama. John Sloss's Cinetic party and William Morris Independent's parties were not as mobbed as in years past. The two films I have heard most praised are Push and The Cove. Latino film buzz is around Sin Nombre. Written and directed by Peter Bratt and starring his brother Benjamin Bratt and Jesse Borrego, La Mission and Don't Let Me Drown starring Yareli Arizmendi, who wrote and produced A Day Without a Mexican, one of the breakout Latino hits some years ago. I would most like to see Mark Stewart's Passing Strange, a Fairfax district Los Angeleno's work about "black folks passing as black folks" and other essentialist curiosities of American life as written up in Sundance Film Festival's Daily Insider of Day 3, Sunday January 18, 2009. Peter Rainer liked Art & Copy and was surprised to learn that it was originally intended as a promotional work of ad agencies. Kirk Honeycutt remarked to Peter Rainer and me how the films are so "lab-worked over". Does the professional finish of a lab make up, improve on or only mask the faults of a filmmaker's first work? Is it like a butterfly being helped to fly (and thereby not developing its own wings) or does it make the beginning filmmaker better? Mary Jane Skalski is here with two films, Dare and Against the Current. Steven J. Wolfe, who has worked on 35 films and has produced five with Jennifer Tilley, who is now playing professional poker, had his film 500 Days of Summer already placed with Fox Searchlight for U.S. and the world, so he was able to enjoy Sundance after 10 years absence from it. Senator picked up North American rights to Brooklyn's Finest. Visit Films picked up worldwide rights to Sundance world doc competition film Kimjongilia]and Spectrum title, The Immaculate Conception of Little Dizzle. The Canadian distribution rights to Cold Souls have been acquired by E1 Films. Opening night film Max and Mary was a huge success and well attended by acquisition and studio executives. Twentieth Century Fox had a team of 8, Lionsgate's Tom Ortenberg, Steve Beeks and Jason Constantine were there along with every other buyer. The film that landed with Icon when Icon acquired Becker International will soon announce a North American distribution deal. CinemaVault acquired international rights for Spectrum film Lymelife which originally premiered at the 2008 Toronto International Film Festival and was picked up for US shortly after by Screen Media. Stephen Raphael is working on the U.S. marketing for the film. HBO has acquired TV rights to Burma VJ the hit of November’s IDFA whose North American debut was Saturday at Sundance. The the film will open theatrically at New York’s Film Forum in May, well ahead of its early 2010 HBO television debut. [Sony Classics acquired North American rights acquisition of Rudo Y Cursi having its U.S. premiere at Sundance.
- 1/16/2009
- Sydney's Buzz
NEW YORK -- Andrea Arnold's Scottish thriller Red Road took home the World Cinema features $25,000 prize and the International Federation of Film Critics prize at the 24th annual Miami International Film Festival.
The awards were announced Saturday along with the news that the fest's director for the past five years, Nicole Guillemet, will be succeeded by former 20th Century Fox Theatrical marketing director and inaugural 2003 Bangkok International Film Festival executive director Patrick de Bokay. Guillemet's departure was announced in December.
Marco Williams' international look at prisoner love stories, Banished, won the $25,000 best documentary jury prize, and Francisco Vargas Quevedo's Mexican political drama The Violin (El Violin) won the $25,000 Ibero-American dramatic features prize.
Audience awards in the three main categories went to Dror Shaul's Israeli coming-of-age tale Sweet Mud (Adama Meshuga'at) in the World Cinema section, Jorge Sanchez-Cabezudo's thriller The Night of the Sunflowers (La Noche de Los Girasoles) in the Ibero-American dramatic feature section and Alberto Arvelo's Venezuelan youth orchestra docu To Play and To Fight (Tocar y Luchar) in the documentary features group.
The awards were announced Saturday along with the news that the fest's director for the past five years, Nicole Guillemet, will be succeeded by former 20th Century Fox Theatrical marketing director and inaugural 2003 Bangkok International Film Festival executive director Patrick de Bokay. Guillemet's departure was announced in December.
Marco Williams' international look at prisoner love stories, Banished, won the $25,000 best documentary jury prize, and Francisco Vargas Quevedo's Mexican political drama The Violin (El Violin) won the $25,000 Ibero-American dramatic features prize.
Audience awards in the three main categories went to Dror Shaul's Israeli coming-of-age tale Sweet Mud (Adama Meshuga'at) in the World Cinema section, Jorge Sanchez-Cabezudo's thriller The Night of the Sunflowers (La Noche de Los Girasoles) in the Ibero-American dramatic feature section and Alberto Arvelo's Venezuelan youth orchestra docu To Play and To Fight (Tocar y Luchar) in the documentary features group.
- 3/13/2007
- The Hollywood Reporter - Movie News
MIAMI -- By some accounts there were more than 60 film festivals in the Miami area last year, and that doesn't include the many filmmaker contests and all the attending screenings. It's a bounty (not necessarily of riches) that even the most densely populated places probably could not support. "Yes there are too many -- not just here but in the world," said Nicole Guillemet, now in her second year as director of the Miami International Film Festival, which starts today and runs through Feb. 8. Formerly co-director at Sundance, Guillemet said there was a period during the 1990s when not a week went by without a call from an economic development council asking for advice on how to start a film festival in their city.
- 1/30/2004
- The Hollywood Reporter - Movie News
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