Exclusive: Bavc Media has named the latest group of nonfiction filmmakers to take part in its prestigious documentary film fellowship program. The octet announced today will receive $10,000 each in “unrestricted funding, mentorship, industry access, feedback sessions, and workshops during an immersive 9-month experience.”
The Bavc MediaMaker Fellowship was established in 1991 to support emerging filmmakers and diverse projects. This year’s cohort includes Ademola (Ellas Vinieron de Las Nubes / They Came From the Clouds); Chelsi Bullard (Unfiltered); Caron Creighton (Wood Street); Julia Hunter (This is Me Loving You); Patrick G. Lee (Untitled Kqt Project); Ivan MacDonald (When They Were Here); Khai Thu Nguyen (The Full Thao), and Pallavi Somusetty (Coach Emily). [Scroll for more about the filmmakers and their projects].
The fellowship provides “two intensive convenings in San Francisco, a slate of virtual workshops throughout the year, and all-access travel to the International Documentary Association’s biennial Getting Real conference in Los Angeles and the Camden International Film Festival in midcoast Maine.
The Bavc MediaMaker Fellowship was established in 1991 to support emerging filmmakers and diverse projects. This year’s cohort includes Ademola (Ellas Vinieron de Las Nubes / They Came From the Clouds); Chelsi Bullard (Unfiltered); Caron Creighton (Wood Street); Julia Hunter (This is Me Loving You); Patrick G. Lee (Untitled Kqt Project); Ivan MacDonald (When They Were Here); Khai Thu Nguyen (The Full Thao), and Pallavi Somusetty (Coach Emily). [Scroll for more about the filmmakers and their projects].
The fellowship provides “two intensive convenings in San Francisco, a slate of virtual workshops throughout the year, and all-access travel to the International Documentary Association’s biennial Getting Real conference in Los Angeles and the Camden International Film Festival in midcoast Maine.
- 4/2/2024
- by Matthew Carey
- Deadline Film + TV
Following her Oscar-nominated role in Martin Scorsese’s “Killers of the Flower Moon,” Lily Gladstone is narrating and executive producing a new documentary titled “Bring Them Home,” about a Blackfeet initiative to bring buffalo back to the wild and reclaim centuries of Indigenous tradition.
Directed by Blackfeet brother-sister duo Ivan MacDonald and Ivy MacDonald, as well as Daniel Glick, the 85-minute feature will premiere at Big Sky Documentary Film Festival on Feb. 24. The screening will take place at 6 p.m. and is sponsored by The Nature Conservatory.
“Bring Them Home” follows a decades-long effort by members of the “Blackfoot Confederacy” to bring buffalo back to the Blackfeet Reservation. The film examines the role the buffalo, or “iinnii,” played in Blackfeet life before settlers killed millions of the species in an attempt to eradicate the tribe.
“For Blackfeet, the buffalo are seen not only as fundamental to a healthy ecosystem, but as spiritual relatives,...
Directed by Blackfeet brother-sister duo Ivan MacDonald and Ivy MacDonald, as well as Daniel Glick, the 85-minute feature will premiere at Big Sky Documentary Film Festival on Feb. 24. The screening will take place at 6 p.m. and is sponsored by The Nature Conservatory.
“Bring Them Home” follows a decades-long effort by members of the “Blackfoot Confederacy” to bring buffalo back to the Blackfeet Reservation. The film examines the role the buffalo, or “iinnii,” played in Blackfeet life before settlers killed millions of the species in an attempt to eradicate the tribe.
“For Blackfeet, the buffalo are seen not only as fundamental to a healthy ecosystem, but as spiritual relatives,...
- 2/14/2024
- by Ethan Shanfeld
- Variety Film + TV
Exclusive: Stanley Nelson’s Firelight Films and Hulu have set Julianna Brannum (Now I Lay Me Down), Ivan MacDonald (Breaking the Silence) and Juan Carlos Dávila Santiago (When Reggaeton Was a Crime) as the first filmmakers to benefit from their new Hulu/Firelight Kindling Fund. Through the initiative, each will be awarded $25,000 to develop their original documentary feature or limited series for a first look by the companies.
The mid-career filmmakers, who are alums of Firelight’s artist programs, will be expected to develop their project into a robust treatment, pitch deck, budget, and schedule for the aforementioned first look, and in addition to the financial prize, will receive one-on-one professional development sessions on producing for Hulu with Hulu’s documentary division. Project pitches considered for additional development or greenlight from Hulu will, if selected, be co-produced with Firelight Films, executive produced by Nelson, for streaming on Hulu.
“Firelight Films...
The mid-career filmmakers, who are alums of Firelight’s artist programs, will be expected to develop their project into a robust treatment, pitch deck, budget, and schedule for the aforementioned first look, and in addition to the financial prize, will receive one-on-one professional development sessions on producing for Hulu with Hulu’s documentary division. Project pitches considered for additional development or greenlight from Hulu will, if selected, be co-produced with Firelight Films, executive produced by Nelson, for streaming on Hulu.
“Firelight Films...
- 9/22/2023
- by Matt Grobar
- Deadline Film + TV
Sundance Institute’s Documentary Fund will be supporting 23 selected independent documentary film projects this year through grants totaling over $1 million. This initiative has previously funded notable films including Oscar-nominated features “Crip Camp: A Disability Revolution,” “Minding the Gap” and “The Edge of Democracy.”
In addition to shrinking budgets for commissioned docuseries and one-offs, there has been a dramatic decline in distribution deals for indie docs, making the Sundance Institute grant vital to the nonfiction community. Especially to those filmmakers in the docu space working on social issue documentaries.
This year, the documentaries awarded grants explore a large breadth subject matters from around the world, telling stories about Indigenous People and Native Americans, transgender youth, secrets of a family’s lineage, people with disabilities and an untitled feature about Uvalde, Texas. Of the 23 films, six are in development, 14 are in production and three are in post-production.
“The stories and themes explored...
In addition to shrinking budgets for commissioned docuseries and one-offs, there has been a dramatic decline in distribution deals for indie docs, making the Sundance Institute grant vital to the nonfiction community. Especially to those filmmakers in the docu space working on social issue documentaries.
This year, the documentaries awarded grants explore a large breadth subject matters from around the world, telling stories about Indigenous People and Native Americans, transgender youth, secrets of a family’s lineage, people with disabilities and an untitled feature about Uvalde, Texas. Of the 23 films, six are in development, 14 are in production and three are in post-production.
“The stories and themes explored...
- 8/21/2023
- by Sophia Scorziello
- Variety Film + TV
Click here to read the full article.
Amid a climate crisis that is seeing record heat temperatures broken around the globe, The Redford Center has announced the 12 filmmaking teams who are winners of its Environmental Impact Film grants for 2022-2023. The center — the environmental media nonprofit founded in 2005 by Robert Redford and his late son James Redford — provides funding biannually to a select group of cinematic storytellers who focus on environmental justice, intersectional themes and solutions that improve the health of the planet.
“We view these artists as translators: humanizing the issues we so urgently need to address and giving voice to the frontline activists who are continually overlooked by the mainstream film and environmental sectors and who, quite frankly, are leading us out of the problem,” Jill Tidman, executive director of The Redford Center, tells The Hollywood Reporter of the winning teams, noting that the center is one of...
Amid a climate crisis that is seeing record heat temperatures broken around the globe, The Redford Center has announced the 12 filmmaking teams who are winners of its Environmental Impact Film grants for 2022-2023. The center — the environmental media nonprofit founded in 2005 by Robert Redford and his late son James Redford — provides funding biannually to a select group of cinematic storytellers who focus on environmental justice, intersectional themes and solutions that improve the health of the planet.
“We view these artists as translators: humanizing the issues we so urgently need to address and giving voice to the frontline activists who are continually overlooked by the mainstream film and environmental sectors and who, quite frankly, are leading us out of the problem,” Jill Tidman, executive director of The Redford Center, tells The Hollywood Reporter of the winning teams, noting that the center is one of...
- 10/25/2022
- by Degen Pener
- The Hollywood Reporter - Movie News
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