The 2024 Cannes Film Festival concluded on Saturday, May 25 following two weeks packed with screenings, stars, press and parties. With the prizes having been handed out for the festival’s 77th anniversary, we can now start looking at what contenders might be in the best spot to get into the upcoming Oscar race. Let’s examine the winners from this year’s festival and see the history that each category has when it comes to the Oscars.
In recent years, we’ve seen the festival serve as a huge springboard for major players in the Oscar derby. Three of the last four winners of the festival’s top prize, the Palme d’Or, have nabbed Best Picture nominations: “Parasite” (2019), “Triangle of Sadness” (2022) and “Anatomy of a Fall” (2023). Other big winners at recent festivals that became big Oscar players include “Drive My Car,” “The Zone of Interest” and “BlacKkKlansman.” This year’s...
In recent years, we’ve seen the festival serve as a huge springboard for major players in the Oscar derby. Three of the last four winners of the festival’s top prize, the Palme d’Or, have nabbed Best Picture nominations: “Parasite” (2019), “Triangle of Sadness” (2022) and “Anatomy of a Fall” (2023). Other big winners at recent festivals that became big Oscar players include “Drive My Car,” “The Zone of Interest” and “BlacKkKlansman.” This year’s...
- 5/25/2024
- by Charles Bright
- Gold Derby
After two weeks of nonstop cinema, the moment of truth finally arrived. The winners of the 77th Cannes Film Festival were announced at a gala ceremony on Saturday night.
The Palme d’Or, the fest’s top honor, went to Sean Baker’s sex worker screwball comedy Anora. A nervous and shaking Baker took the stage and thanked the jury, saying he still “couldn’t believe it.” Baker said winning Cannes’ top prize has been “my singular goal as a filmmaker for the past 30 years.”
Baker also singled out Francis Ford Coppola and David Cronenberg, two veteran directors with films in Cannes competition this year, as major inspirations. Baker has come far, going from shooting his 2015 feature Tangerine on an iPhone5s to winning the Palme d’Or. He is the first American director to win the Palme since Terrence Malick for The Tree of Life in 2011.
Commenting on the jury’s decision,...
The Palme d’Or, the fest’s top honor, went to Sean Baker’s sex worker screwball comedy Anora. A nervous and shaking Baker took the stage and thanked the jury, saying he still “couldn’t believe it.” Baker said winning Cannes’ top prize has been “my singular goal as a filmmaker for the past 30 years.”
Baker also singled out Francis Ford Coppola and David Cronenberg, two veteran directors with films in Cannes competition this year, as major inspirations. Baker has come far, going from shooting his 2015 feature Tangerine on an iPhone5s to winning the Palme d’Or. He is the first American director to win the Palme since Terrence Malick for The Tree of Life in 2011.
Commenting on the jury’s decision,...
- 5/25/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Sean Baker’s Anora has won the Palme d’Or at the 2024 Cannes Film Festival, which wrapped Saturday night (May 25).
The US comedy-drama stars Mikey Madison as the titular Anora, a sex worker who finds herself married to a Russian oligarch and must fend off his parents who are keen for an annulment. It marks Baker’s second time in Competition, following 2021’s Red Rocket.
Scroll down for full list of winners
In his speech, Baker devoted the award “to all sex workers past, present and future”, and voiced his support for theatrical distribution: “The future of cinema is where...
The US comedy-drama stars Mikey Madison as the titular Anora, a sex worker who finds herself married to a Russian oligarch and must fend off his parents who are keen for an annulment. It marks Baker’s second time in Competition, following 2021’s Red Rocket.
Scroll down for full list of winners
In his speech, Baker devoted the award “to all sex workers past, present and future”, and voiced his support for theatrical distribution: “The future of cinema is where...
- 5/25/2024
- ScreenDaily
Of the many films set in India that premiered at this year’s Cannes Film Festival, Payal Kapadia’s feature debut is the only one to hone in on the country and its character, which it does by focusing on its most populated city, Mumbai. Like London, Paris and New York, Mumbai is a city of contrasts, a melting pot of castes and races, but of its 12.5 million citizens, over half are likely to live in extreme poverty. All We Imagine as Light tells the stories of the people on the breadline, those who are just about getting by, trying to hold onto their homes and their dignity as the city’s wealthy elite buy up and bulldoze their properties.
Kapadia’s documentary background is clear from the outset, a series of tracking shots through a bustling city market. All the workers are migrants, from villages far and wide, and...
Kapadia’s documentary background is clear from the outset, a series of tracking shots through a bustling city market. All the workers are migrants, from villages far and wide, and...
- 5/25/2024
- by Damon Wise
- Deadline Film + TV
BFI Distribution has acquired Payal Kapadia’s acclaimed Cannes Competition title All We Imagine As Light for UK and Ireland theatrical release.
The first Indian film to be selected in Official Competition at Cannes in three decades, All We Imagine As Light was strongly received at its premiere last night and currently sits in joint first place on Screen’s closely-watched Cannes jury grid.
The film centres on two nurses with troubled relationships in Mumbai who go on a road trip to a beach town — a welcome refuge that gives them the space to grow. It stars Kani Kusruti, Divya Prabha,...
The first Indian film to be selected in Official Competition at Cannes in three decades, All We Imagine As Light was strongly received at its premiere last night and currently sits in joint first place on Screen’s closely-watched Cannes jury grid.
The film centres on two nurses with troubled relationships in Mumbai who go on a road trip to a beach town — a welcome refuge that gives them the space to grow. It stars Kani Kusruti, Divya Prabha,...
- 5/24/2024
- ScreenDaily
Good afternoon Insiders, Jesse Whittock back again to take you through the week’s news in the entertainment industry, as the Cannes Film Festival nears its close.
What More Cannes I Say?
Stand up for the standouts: After a quiet opening, the Cannes Film Festival received a shot of life as several buzzy titles finally hit the screen. The excitement on the ground began with The Substance, the much-anticipated blood-splattered horror thriller from French director Coralie Fargeat, which was met with a 13-minute ovation, the longest for a title at this year’s festival until Gilles Lellouche’s Beating Hearts (L’Amour Ouf) took that crown last night. Fargeat’s pic, which stars Demi Moore, Margaret Qualley and Dennis Quaid, is a punk rock fable centered around a new product called The Substance that promises to transform people into the best version of themselves. It’s an offer that comes with a twist.
What More Cannes I Say?
Stand up for the standouts: After a quiet opening, the Cannes Film Festival received a shot of life as several buzzy titles finally hit the screen. The excitement on the ground began with The Substance, the much-anticipated blood-splattered horror thriller from French director Coralie Fargeat, which was met with a 13-minute ovation, the longest for a title at this year’s festival until Gilles Lellouche’s Beating Hearts (L’Amour Ouf) took that crown last night. Fargeat’s pic, which stars Demi Moore, Margaret Qualley and Dennis Quaid, is a punk rock fable centered around a new product called The Substance that promises to transform people into the best version of themselves. It’s an offer that comes with a twist.
- 5/24/2024
- by Jesse Whittock
- Deadline Film + TV
Payal Kapadia’s All We Imagine As Light joins Sean Baker’s Anora at the top of Screen’s Cannes jury grid while Gilles Lellouche’s Beating Hearts lands bottom of the pack.
Kapadia’s debut fiction scored 3.3 from the critics including six four stars (excellent), equalling that of Anora. The Indian drama, the first from the country to compete at Cannes in over 30 years, received a further four three stars (good) and two two stars (average).
Click on the image above for the most up-to-date version of the grid.
All We Imagine As Light centres on two nurses with...
Kapadia’s debut fiction scored 3.3 from the critics including six four stars (excellent), equalling that of Anora. The Indian drama, the first from the country to compete at Cannes in over 30 years, received a further four three stars (good) and two two stars (average).
Click on the image above for the most up-to-date version of the grid.
All We Imagine As Light centres on two nurses with...
- 5/24/2024
- ScreenDaily
Payal Kapadia’s All We Imagine As Light landed a hearty eight minute standing ovation following its debut this evening at the Cannes Film Festival.
The pic, which screened in the late night competition slot this evening in Cannes, is Kapadia’s debut fiction feature. The pic also made history this evening. Kapadia is the first female Indian filmmaker to screen a movie in the Cannes competition. At the same time, her film is the first Indian production in competition in three decades.
Shot over 25 late summer days in Mumbai, followed by an extra 15 in the rainy western port town of Ratnagiri, the Malayalam-Hindi language feature tells the story of two young women — Prabha, a nurse from Mumbai, and Anu, her roommate. The story opens as Prabha’s daily routine is broken when she receives an unexpected gift from her estranged husband. Meanwhile, Anu tries in vain to find a...
The pic, which screened in the late night competition slot this evening in Cannes, is Kapadia’s debut fiction feature. The pic also made history this evening. Kapadia is the first female Indian filmmaker to screen a movie in the Cannes competition. At the same time, her film is the first Indian production in competition in three decades.
Shot over 25 late summer days in Mumbai, followed by an extra 15 in the rainy western port town of Ratnagiri, the Malayalam-Hindi language feature tells the story of two young women — Prabha, a nurse from Mumbai, and Anu, her roommate. The story opens as Prabha’s daily routine is broken when she receives an unexpected gift from her estranged husband. Meanwhile, Anu tries in vain to find a...
- 5/23/2024
- by Zac Ntim
- Deadline Film + TV
There is a moment early on in Payal Kapadia’s “All We Imagine as Light” — her second feature after 2021’s lyrical hybrid doc “A Night of Knowing Nothing” — that exemplifies this gently coruscating movie’s peculiar beauty. Prabha (Kani Kusruti) a hardworking nurse with tired eyes rides the commuter train home at the end of another long day, gazing out at the glimmering blur of the city. Her life is anything but a fairground and yet, clinging to a pole to steady herself with the rushing night air stirring her hair, she could almost be riding a carousel. Just two features into her young career, Kapadia has established her rare talent for finding passages of exquisite poetry within the banal blank verse of everyday Indian life.
Prabha works in a slightly shabby local hospital, where she spends her days tending to even the most difficult cases with a conspiratorial compassion...
Prabha works in a slightly shabby local hospital, where she spends her days tending to even the most difficult cases with a conspiratorial compassion...
- 5/23/2024
- by Jessica Kiang
- Variety Film + TV
Cannes film festival
Payal Kapadia’s glorious Cannes competition selection is an absorbing story of three nurses that is full of humanity
There is a freshness and emotional clarity in Payal Kapadia’s Cannes competition selection, an enriching humanity and gentleness which coexist with fervent, languorous eroticism and finally something epiphanic in the later scenes and mysterious final moments. Kapadia’s storytelling has something of Satyajit Ray’s The Big City and Days and Nights of the Forest; it is so fluent and absorbing.
All We Imagine As Light is the story of three nurses in modern-day Mumbai: Prabha (Kani Kusruti), Anu (Divya Prabha) and Parvaty (Chhaya Kadam). Each has come to the big city from smaller home towns. Prabha and the younger, flightier Anu are roommates and Anu (having only just moved in) is already asking the more sober and sensible Prabha to cover her share of the rent.
Payal Kapadia’s glorious Cannes competition selection is an absorbing story of three nurses that is full of humanity
There is a freshness and emotional clarity in Payal Kapadia’s Cannes competition selection, an enriching humanity and gentleness which coexist with fervent, languorous eroticism and finally something epiphanic in the later scenes and mysterious final moments. Kapadia’s storytelling has something of Satyajit Ray’s The Big City and Days and Nights of the Forest; it is so fluent and absorbing.
All We Imagine As Light is the story of three nurses in modern-day Mumbai: Prabha (Kani Kusruti), Anu (Divya Prabha) and Parvaty (Chhaya Kadam). Each has come to the big city from smaller home towns. Prabha and the younger, flightier Anu are roommates and Anu (having only just moved in) is already asking the more sober and sensible Prabha to cover her share of the rent.
- 5/23/2024
- by Peter Bradshaw
- The Guardian - Film News
It’s been 30 years since a film from India has been selected in the main competition at Cannes, but that finally changed this year.
Recent editions of Sundance, Tribeca, and Toronto have included riveting and even Oscar-nominated documentaries and features. In fact, Mira Nair’s “Monsoon Wedding” won the Golden Lion at Venice more than two decades ago. Granted, Cannes has recently programmed South Asian gems in other sections, such as the Queer Palm-winning “Joyland” from Pakistan in Un Certain Regard in 2022, or Anurag Kashyap’s “Kennedy” in Midnight last year. But would the South Asian drought in the main competition ever end?
Many were ecstatic last month when “All We Imagine as Light”, Mumbai-based Payal Kapadia’s narrative directorial debut, was announced in the competition lineup alongside legendary Cannes regulars: European heavyweights such as Jacques Audiard and Yorgos Lanthimos, American auteurs David Cronenberg and Paul Schrader, and Asian visionary Jia Zhangke.
Recent editions of Sundance, Tribeca, and Toronto have included riveting and even Oscar-nominated documentaries and features. In fact, Mira Nair’s “Monsoon Wedding” won the Golden Lion at Venice more than two decades ago. Granted, Cannes has recently programmed South Asian gems in other sections, such as the Queer Palm-winning “Joyland” from Pakistan in Un Certain Regard in 2022, or Anurag Kashyap’s “Kennedy” in Midnight last year. But would the South Asian drought in the main competition ever end?
Many were ecstatic last month when “All We Imagine as Light”, Mumbai-based Payal Kapadia’s narrative directorial debut, was announced in the competition lineup alongside legendary Cannes regulars: European heavyweights such as Jacques Audiard and Yorgos Lanthimos, American auteurs David Cronenberg and Paul Schrader, and Asian visionary Jia Zhangke.
- 5/23/2024
- by Ritesh Mehta
- Indiewire
Payal Kapadia’s “All We Imagine as Light” is the first Indian film in competition at the Cannes Film Festival in 30 years. A graduate of the Film and Television Institute of India (Ftii), Kapadia’s “Afternoon Clouds” was a 2017 Cannes Cinefondation selection and she won the festival’s Golden Eye award in 2021 for her documentary “A Night of Knowing Nothing.”
Fiction feature “All We Imagine as Light” follows two nurses (Kani Kusruti and Divya Prabha) from Kerala, southern India, who are roommates in Mumbai. A trip to a beach town allows them to find a space for their desires to manifest.
What made you want to tell this particular story?
I was interested in women who come to a different place to work, and be financially independent. And it was something that I had seen growing up in a family of a lot of women, and also the ideas that we have,...
Fiction feature “All We Imagine as Light” follows two nurses (Kani Kusruti and Divya Prabha) from Kerala, southern India, who are roommates in Mumbai. A trip to a beach town allows them to find a space for their desires to manifest.
What made you want to tell this particular story?
I was interested in women who come to a different place to work, and be financially independent. And it was something that I had seen growing up in a family of a lot of women, and also the ideas that we have,...
- 5/22/2024
- by Naman Ramachandran
- Variety Film + TV
Payal Kapadia’s All We Imagine As Light , the first Indian film to play in Cannes competition in 30 years, has lit up the market with sales to a slew of territories.
Paris-based sales house Luxbox has sold the film ahead of its Thursday (May 23) Cannes premiere to Atalante in Spain, Leopardo Filmes in Portugal, Lev Cinemas in Israel, Krisco Media for Mena, DDDReam in China, Lighthouse in Singapore, Gutek Film in Poland, Cinobo in Greece, Green Narae Media in South Korea, Trigon-Film in Switzerland, Kino Pavasaris for the Baltics, and McF Megacom for former Yugoslavia.
Set and shot in Mumbai,...
Paris-based sales house Luxbox has sold the film ahead of its Thursday (May 23) Cannes premiere to Atalante in Spain, Leopardo Filmes in Portugal, Lev Cinemas in Israel, Krisco Media for Mena, DDDReam in China, Lighthouse in Singapore, Gutek Film in Poland, Cinobo in Greece, Green Narae Media in South Korea, Trigon-Film in Switzerland, Kino Pavasaris for the Baltics, and McF Megacom for former Yugoslavia.
Set and shot in Mumbai,...
- 5/21/2024
- ScreenDaily
Payal Kapadia’s All We Imagine As Light , the first Indian film to play in Cannes competition in 30 years, has lit up the market with sales to a slew of territories.
Paris-based sales house Luxbox has sold the film ahead of its Thursday (May 23) Cannes premiere to Atalante in Spain, Leopardo Filmes in Portugal, Lev Cinemas in Israel, DDDReam in China, Lighthouse in Singapore, Gutek Film in Poland, Cinobo in Greece, Green Narae Media in South Korea, Trigon-Film in Switzerland, Kino Pavasaris for the Baltics, and McF Megacom for former Yugoslavia.
Set and shot in Mumbai, All We Imagine As Light...
Paris-based sales house Luxbox has sold the film ahead of its Thursday (May 23) Cannes premiere to Atalante in Spain, Leopardo Filmes in Portugal, Lev Cinemas in Israel, DDDReam in China, Lighthouse in Singapore, Gutek Film in Poland, Cinobo in Greece, Green Narae Media in South Korea, Trigon-Film in Switzerland, Kino Pavasaris for the Baltics, and McF Megacom for former Yugoslavia.
Set and shot in Mumbai, All We Imagine As Light...
- 5/21/2024
- ScreenDaily
Sideshow and Janus Films have acquired all North American rights to Payal Kapadia’s All We Imagine As Light, the first Indian film to screen in Cannes Competition in 30 years.
Kapadia previously brought her documentary A Night Of Knowing Nothing to Directors’ Fortnight, where she won the L’Œil d’Or for Best Documentary in 2021.
Kani Kusruti, Divya Prabha, Chhaya Kadam, Hridhu Haroon and Azees Nedumangad star in the Mumbai-set story of a nurse and her roommate who take a road trip to a beach town.
Sideshow and Janus Films plan a theatrical release after negotiating the deal with Luxbox on behalf of the filmmakers.
Kapadia previously brought her documentary A Night Of Knowing Nothing to Directors’ Fortnight, where she won the L’Œil d’Or for Best Documentary in 2021.
Kani Kusruti, Divya Prabha, Chhaya Kadam, Hridhu Haroon and Azees Nedumangad star in the Mumbai-set story of a nurse and her roommate who take a road trip to a beach town.
Sideshow and Janus Films plan a theatrical release after negotiating the deal with Luxbox on behalf of the filmmakers.
- 5/20/2024
- ScreenDaily
How Much Did Kapil Dev Get Paid For Ranveer Singh’s 83? (Photo Credit – IMDb/Instagram)
Ranveer Singh portrayed the role of Kapil Dev in 83. The biographical drama, directed by Kabir Khan, was based on the Indian national cricket team, which won the 1983 Cricket World Cup. Unfortunately, the film turned out to be a flop. Scroll below for the budget, salaries, and box office collection.
Producers Vishnu Vardhan Induri and Phantom Films co-producer Madhu Mantena first pitched the idea to the 1983 players in a meeting in July 2016. Principal photography began in 2019, and the film hit the theatre screens in 2021. The biography received as many as 14 nominations at the Filmfare Awards but won only two – Best Actor and Best Lyricist.
How much did Kapil Dev and the 1983 Cricket team get paid? Trending Did Sara Ali Khan Just Breathe Life Into A Forgotten Freedom Fighter? Great-grandson Of Mahatma Gandhi Reacts To Ae Watan...
Ranveer Singh portrayed the role of Kapil Dev in 83. The biographical drama, directed by Kabir Khan, was based on the Indian national cricket team, which won the 1983 Cricket World Cup. Unfortunately, the film turned out to be a flop. Scroll below for the budget, salaries, and box office collection.
Producers Vishnu Vardhan Induri and Phantom Films co-producer Madhu Mantena first pitched the idea to the 1983 players in a meeting in July 2016. Principal photography began in 2019, and the film hit the theatre screens in 2021. The biography received as many as 14 nominations at the Filmfare Awards but won only two – Best Actor and Best Lyricist.
How much did Kapil Dev and the 1983 Cricket team get paid? Trending Did Sara Ali Khan Just Breathe Life Into A Forgotten Freedom Fighter? Great-grandson Of Mahatma Gandhi Reacts To Ae Watan...
- 3/27/2024
- by Jishika Madaan
- KoiMoi
Akshay Kumar and Twinkle Khanna Tried to Stop Dimple Kapadia From Spilling Family Secrets. (Photo Credit – Instagram/IMDb)
The Khiladi Kumar of Bollywood is awaiting one of his biggest releases with Bade Miyan Chote Miyan this year. Meanwhile, stories of his action movies and box-office success have dominated the news cycle. An incident back in 2015, narrated by Dimple Kapadia, left him and Twinkle Khanna embarrassed. Things escalated so much that Akshay had to shut Dimple’s mouth, and Twinkle snatched the mic away from her.
Dimple Kapadia is one of the most celebrated actors who has redefined the boundaries of cinema and craft. With stellar performances in movies like Tenet, Pathaan, and more, she continues to dominate like no one else. But it turns out even the most incredible actors can embarrass their children.
View this post on Instagram
A post shared by Twinkle Khanna (@twinklerkhanna)
We are talking about...
The Khiladi Kumar of Bollywood is awaiting one of his biggest releases with Bade Miyan Chote Miyan this year. Meanwhile, stories of his action movies and box-office success have dominated the news cycle. An incident back in 2015, narrated by Dimple Kapadia, left him and Twinkle Khanna embarrassed. Things escalated so much that Akshay had to shut Dimple’s mouth, and Twinkle snatched the mic away from her.
Dimple Kapadia is one of the most celebrated actors who has redefined the boundaries of cinema and craft. With stellar performances in movies like Tenet, Pathaan, and more, she continues to dominate like no one else. But it turns out even the most incredible actors can embarrass their children.
View this post on Instagram
A post shared by Twinkle Khanna (@twinklerkhanna)
We are talking about...
- 3/27/2024
- by Aayushi Hemnani
- KoiMoi
Asif Kapadia has been tapped by Amazon’s Prime Video to direct a feature documentary on Roger Federer.
The Amy and Senna helmer and co-director Joe Sabia will capture Federer through the final 12 days of his celebrated pro tennis career. The documentary will exclusively stream on Prime Video in more than 240 countries and territories worldwide.
The feature film is a home video Federer never intended for public viewing, as he says goodbye to the game and his fans, according to a description. The doc will include interviews with tennis rivals and friends, including Rafael Nadal, Novak Djokovic and Andy Murray, with Federer offering access to his sports relationships.
“Initially, the idea was to capture the final moments of my professional tennis career so that I could have it later on to show my family and friends,” Federer said in a statement. In 2022, Federer announced he was retiring from professional tennis...
The Amy and Senna helmer and co-director Joe Sabia will capture Federer through the final 12 days of his celebrated pro tennis career. The documentary will exclusively stream on Prime Video in more than 240 countries and territories worldwide.
The feature film is a home video Federer never intended for public viewing, as he says goodbye to the game and his fans, according to a description. The doc will include interviews with tennis rivals and friends, including Rafael Nadal, Novak Djokovic and Andy Murray, with Federer offering access to his sports relationships.
“Initially, the idea was to capture the final moments of my professional tennis career so that I could have it later on to show my family and friends,” Federer said in a statement. In 2022, Federer announced he was retiring from professional tennis...
- 2/19/2024
- by Etan Vlessing
- The Hollywood Reporter - Movie News
British filmmaker of Indian origin Asif Kapadia has been greenlit by Amazon Prime Video to do a feature-length documentary chronicling the final 12 days of tennis legend Roger Federer’s professional career, reports ‘Variety’.
The as-yet-untitled documentary was originally planned as a home video never intended for public viewing.
Featuring interviews from Federer’s rivals and friends, notably Rafael Nadal, Novak Djokovic and Andy Murray, the documentary captures Federer at his most vulnerable and candid self, “as he says goodbye to a game and the fans that shaped his life for the last two decades,” a Prime Video press statement said, according to ‘Variety’.
Kapadia, an Oscar and BAFTA winner for his celebrated Amy Winehouse documentary ‘Amy’ (2015), has won BAFTAs for his biographical documentaries on car racing champion Ayrton Senna (‘Senna’; 2010) and the Argentine football legend Diego Maradona (2019).
His debut film, ‘The Warrior’ (2001), featured Irrfan Khan playing a warrior in feudal...
The as-yet-untitled documentary was originally planned as a home video never intended for public viewing.
Featuring interviews from Federer’s rivals and friends, notably Rafael Nadal, Novak Djokovic and Andy Murray, the documentary captures Federer at his most vulnerable and candid self, “as he says goodbye to a game and the fans that shaped his life for the last two decades,” a Prime Video press statement said, according to ‘Variety’.
Kapadia, an Oscar and BAFTA winner for his celebrated Amy Winehouse documentary ‘Amy’ (2015), has won BAFTAs for his biographical documentaries on car racing champion Ayrton Senna (‘Senna’; 2010) and the Argentine football legend Diego Maradona (2019).
His debut film, ‘The Warrior’ (2001), featured Irrfan Khan playing a warrior in feudal...
- 2/19/2024
- by Agency News Desk
- GlamSham
Oscar-winner Asif Kapadia is helming a Prime Video doc about the latter days of tennis legend Roger Federer’s career, which was originally intended as a home movie.
The feature-length doc will chronicle the final 12 days of the career of the man who is deemed by many to be the greatest tennis player of all time.
Amazon said the untitled doc was “originally a home video never intended for public viewing,” which “captures Federer at his most vulnerable and candid self, as he says goodbye to a game and the fans that shaped his life for the last two decades.”
Federer said: “Initially, the idea was to capture the final moments of my professional tennis career so that I could have it later on to show my family and friends”
He added: “During my career, I tended to shy away from having cameras around me and my family, especially during important moments.
The feature-length doc will chronicle the final 12 days of the career of the man who is deemed by many to be the greatest tennis player of all time.
Amazon said the untitled doc was “originally a home video never intended for public viewing,” which “captures Federer at his most vulnerable and candid self, as he says goodbye to a game and the fans that shaped his life for the last two decades.”
Federer said: “Initially, the idea was to capture the final moments of my professional tennis career so that I could have it later on to show my family and friends”
He added: “During my career, I tended to shy away from having cameras around me and my family, especially during important moments.
- 2/19/2024
- by Max Goldbart
- Deadline Film + TV
Prime Video has greenlit a feature-length documentary chronicling the final 12 days of Roger Federer’s professional tennis career.
The as-yet-untitled documentary is described by Prime Video as “an intimate follow-along through the final 12 days of Roger Federer’s illustrious career. Originally a home video never intended for public viewing, the film captures Federer at his most vulnerable and candid self, as he says goodbye to a game and the fans that shaped his life for the last two decades.” It features interviews from Federer’s rivals and friends, including Rafael Nadal, Novak Djokovic and Andy Murray.
The film is directed by Asif Kapadia, Oscar and BAFTA winner for Amy Winehouse documentary “Amy” (2015), BAFTA winners “Senna” (2010) and “The Warrior” (2001) and “Diego Maradona” (2019). It is co-directed by Joe Sabia (Vogue’s “73 Questions” franchise)
“Initially, the idea was to capture the final moments of my professional tennis career so that I could have...
The as-yet-untitled documentary is described by Prime Video as “an intimate follow-along through the final 12 days of Roger Federer’s illustrious career. Originally a home video never intended for public viewing, the film captures Federer at his most vulnerable and candid self, as he says goodbye to a game and the fans that shaped his life for the last two decades.” It features interviews from Federer’s rivals and friends, including Rafael Nadal, Novak Djokovic and Andy Murray.
The film is directed by Asif Kapadia, Oscar and BAFTA winner for Amy Winehouse documentary “Amy” (2015), BAFTA winners “Senna” (2010) and “The Warrior” (2001) and “Diego Maradona” (2019). It is co-directed by Joe Sabia (Vogue’s “73 Questions” franchise)
“Initially, the idea was to capture the final moments of my professional tennis career so that I could have...
- 2/19/2024
- by Naman Ramachandran
- Variety Film + TV
How do you tell the story of Amy Winehouse on screen? Not only was it extensively documented by the media before her untimely death at the age of 27 in 2011, but it was also put into sharp focus in Asif Kapadia’s 2015 documentary Amy – an unflinching look at her story, and the media’s complicity in her struggles. The filmmakers tasked with creating a music biopic celebrating the legendary singer’s life, titled Back To Black, are director Sam Taylor-Johnson and writer Matt Greenhalgh, the duo behind John Lennon movie Nowhere Boy – and despite fears that their officially-sanctioned film might shy away from the difficult roles that Amy’s nearest and dearest played in her life, they tell Empire that they weren’t under pressure to tell the story a certain way.
According to Taylor-Johnson, Winehouse’s family didn’t contribute to the film. “It was important to meet with them out of respect,...
According to Taylor-Johnson, Winehouse’s family didn’t contribute to the film. “It was important to meet with them out of respect,...
- 2/13/2024
- by Ben Travis
- Empire - Movies
Following part one of our 2024 preview, we’re counting down our 50 most-anticipated films of the year.
50. The Actor (Duke Johnson)
Duke Johnson, one half of the directing duo behind Anomalisa, makes his solo directorial (and live-action) debut with The Actor. For being based on the posthumously published novel from Donald E. Westlake, a synopsis points towards an amnesia thriller with André Holland as a New York City actor beaten and stranded in 1950s Ohio. Gemma Chan and Toby Jones co-star. As a state native I’m intrigued how they shot Budapest for small-town Ohio––the two don’t exactly scream perfect matches, but I won’t doubt the movie magic before I see it. Anomalisa was a wholly original stop-motion feature; we’re intrigued how Johnson continues that creativity in the live-action realm. – Caleb H.
49. Presence (Steven Soderbergh)
Steven Soderbergh has flirted with horror before––2018’s Unsane in particular nearly...
50. The Actor (Duke Johnson)
Duke Johnson, one half of the directing duo behind Anomalisa, makes his solo directorial (and live-action) debut with The Actor. For being based on the posthumously published novel from Donald E. Westlake, a synopsis points towards an amnesia thriller with André Holland as a New York City actor beaten and stranded in 1950s Ohio. Gemma Chan and Toby Jones co-star. As a state native I’m intrigued how they shot Budapest for small-town Ohio––the two don’t exactly scream perfect matches, but I won’t doubt the movie magic before I see it. Anomalisa was a wholly original stop-motion feature; we’re intrigued how Johnson continues that creativity in the live-action realm. – Caleb H.
49. Presence (Steven Soderbergh)
Steven Soderbergh has flirted with horror before––2018’s Unsane in particular nearly...
- 1/8/2024
- by The Film Stage
- The Film Stage
Production has wrapped on the wartime coming-of-age feature film “The Collaborator,” based on the international bestseller by Kashmiri novelist Mirza Waheed.
The story is set in the 1990s on the Indian side of the Line of Control that separates Indian Kashmir from Pakistani Kashmir. The 17-year old protagonist known only as the “Boy” is forced by an Indian army captain to go into the valley that separates the two countries to count the army’s kills by collecting IDs off the dead. Most of these are teenage boys who have disappeared from his small village, and any one could be among his missing friends.
The novel was named as one of the 2011 books of the year in The Telegraph U.K., New Statesman, Business Standard and Telegraph India. It was also a 2011 Guardian first book award finalist.
The U.K.’s Rudi Dharmalingam stars in the role of Captain Kadian alongside newcomer Nikhil Singh Rai,...
The story is set in the 1990s on the Indian side of the Line of Control that separates Indian Kashmir from Pakistani Kashmir. The 17-year old protagonist known only as the “Boy” is forced by an Indian army captain to go into the valley that separates the two countries to count the army’s kills by collecting IDs off the dead. Most of these are teenage boys who have disappeared from his small village, and any one could be among his missing friends.
The novel was named as one of the 2011 books of the year in The Telegraph U.K., New Statesman, Business Standard and Telegraph India. It was also a 2011 Guardian first book award finalist.
The U.K.’s Rudi Dharmalingam stars in the role of Captain Kadian alongside newcomer Nikhil Singh Rai,...
- 12/14/2023
- by Naman Ramachandran
- Variety Film + TV
New Delhi, Dec 12 (Ians) They say it is not intentional that they refuse to be slotted in a genre, just that it is the way they are…That they do not perceive music/art through filters. The Tapi Project group members insist their music is all about dissolving boundaries, labels and boxes.
“It is not only about music or art but the state of the world. We believe reinstating the already-drawn boundary creates deeper ones in people’s minds. Compassion and universality rather than individuality is the way forward,” say members Swati Minaxi (vocals), Yogendra Saniyawala (guitar/lyrics), Gaurav Kapadia (drums), and Biju Nambiar (keyboard/bass).
Launched in 2014, the group, whose sound is a mix of funk and folk on contemporary tribal groove recently released their single ‘Mehsoos’, which is now available across streaming platforms. They will also be performing at the forthcoming Jaipur Literature Festival’s (Jlf) Jaipur Music Stage.
“It is not only about music or art but the state of the world. We believe reinstating the already-drawn boundary creates deeper ones in people’s minds. Compassion and universality rather than individuality is the way forward,” say members Swati Minaxi (vocals), Yogendra Saniyawala (guitar/lyrics), Gaurav Kapadia (drums), and Biju Nambiar (keyboard/bass).
Launched in 2014, the group, whose sound is a mix of funk and folk on contemporary tribal groove recently released their single ‘Mehsoos’, which is now available across streaming platforms. They will also be performing at the forthcoming Jaipur Literature Festival’s (Jlf) Jaipur Music Stage.
- 12/12/2023
- by Agency News Desk
- GlamSham
New Delhi, Dec 12 (Ians) They say it is not intentional that they refuse to be slotted in a genre, just that it is the way they are…That they do not perceive music/art through filters. The Tapi Project group members insist their music is all about dissolving boundaries, labels and boxes.
“It is not only about music or art but the state of the world. We believe reinstating the already-drawn boundary creates deeper ones in people’s minds. Compassion and universality rather than individuality is the way forward,” say members Swati Minaxi (vocals), Yogendra Saniyawala (guitar/lyrics), Gaurav Kapadia (drums), and Biju Nambiar (keyboard/bass).
Launched in 2014, the group, whose sound is a mix of funk and folk on contemporary tribal groove recently released their single ‘Mehsoos’, which is now available across streaming platforms. They will also be performing at the forthcoming Jaipur Literature Festival’s (Jlf) Jaipur Music Stage.
“It is not only about music or art but the state of the world. We believe reinstating the already-drawn boundary creates deeper ones in people’s minds. Compassion and universality rather than individuality is the way forward,” say members Swati Minaxi (vocals), Yogendra Saniyawala (guitar/lyrics), Gaurav Kapadia (drums), and Biju Nambiar (keyboard/bass).
Launched in 2014, the group, whose sound is a mix of funk and folk on contemporary tribal groove recently released their single ‘Mehsoos’, which is now available across streaming platforms. They will also be performing at the forthcoming Jaipur Literature Festival’s (Jlf) Jaipur Music Stage.
- 12/12/2023
- by Agency News Desk
Mumbai, Sep 14 (Ians) Bollywood actor Rio Kapadia, who is remembered as the commentator in the Shah Rukh Khan starrer ‘Chak De! India’, passed away at the age of 66 on Thursday.
Kapadia breathed his last at 12.30 p.m. on Thursday.
A close friend of Kapadia issued an official statement which read, “Dear friends, with great regret I wish to inform you guys that our dear friend Rio Kapadia passed away at 12:30 p.m. today.”
The cause of his death is currently unknown. Kapadia’s last rites will be held on Friday, in Goregaon area of Mumbai.
Besides ‘Chak De! India’, Kapadia has also acted in ‘Happy New Year’, ‘Dil Chahta Hai’, and ‘Mardaani’.
He had also acted in series like ‘Sapne Suhane Ladakpan Ke’ and Siddharth Tewary’s ‘Mahabharat’ and others like ‘Kyuki Saas Bhi Kabhi Bahu Thi’, ‘Kkusum: Ek Aam Ladki Ki Kahaani’.
The actor was last seen in...
Kapadia breathed his last at 12.30 p.m. on Thursday.
A close friend of Kapadia issued an official statement which read, “Dear friends, with great regret I wish to inform you guys that our dear friend Rio Kapadia passed away at 12:30 p.m. today.”
The cause of his death is currently unknown. Kapadia’s last rites will be held on Friday, in Goregaon area of Mumbai.
Besides ‘Chak De! India’, Kapadia has also acted in ‘Happy New Year’, ‘Dil Chahta Hai’, and ‘Mardaani’.
He had also acted in series like ‘Sapne Suhane Ladakpan Ke’ and Siddharth Tewary’s ‘Mahabharat’ and others like ‘Kyuki Saas Bhi Kabhi Bahu Thi’, ‘Kkusum: Ek Aam Ladki Ki Kahaani’.
The actor was last seen in...
- 9/14/2023
- by Agency News Desk
- GlamSham
Mumbai, Sep 14 (Ians) Bollywood actor Rio Kapadia, who is remembered as the commentator in the Shah Rukh Khan starrer ‘Chak De! India’, passed away at the age of 66 on Thursday.
Kapadia breathed his last at 12.30 p.m. on Thursday.
A close friend of Kapadia issued an official statement which read, “Dear friends, with great regret I wish to inform you guys that our dear friend Rio Kapadia passed away at 12:30 p.m. today.”
The cause of his death is currently unknown. Kapadia’s last rites will be held on Friday, in Goregaon area of Mumbai.
Besides ‘Chak De! India’, Kapadia has also acted in ‘Happy New Year’, ‘Dil Chahta Hai’, and ‘Mardaani’.
He had also acted in series like ‘Sapne Suhane Ladakpan Ke’ and Siddharth Tewary’s ‘Mahabharat’ and others like ‘Kyuki Saas Bhi Kabhi Bahu Thi’, ‘Kkusum: Ek Aam Ladki Ki Kahaani’.
The actor was last seen in...
Kapadia breathed his last at 12.30 p.m. on Thursday.
A close friend of Kapadia issued an official statement which read, “Dear friends, with great regret I wish to inform you guys that our dear friend Rio Kapadia passed away at 12:30 p.m. today.”
The cause of his death is currently unknown. Kapadia’s last rites will be held on Friday, in Goregaon area of Mumbai.
Besides ‘Chak De! India’, Kapadia has also acted in ‘Happy New Year’, ‘Dil Chahta Hai’, and ‘Mardaani’.
He had also acted in series like ‘Sapne Suhane Ladakpan Ke’ and Siddharth Tewary’s ‘Mahabharat’ and others like ‘Kyuki Saas Bhi Kabhi Bahu Thi’, ‘Kkusum: Ek Aam Ladki Ki Kahaani’.
The actor was last seen in...
- 9/14/2023
- by Agency News Desk
The projects, all feature debuts aside from one, will receive €60,000 to support either their production or their post-production.
International Film Festival Rotterdam (IFFR)’s Hubert Bals Fund (Hbf) has selected four projects for its first-ever Hbf+ Europe: Post-production Scheme, alongside eight projects for minority co-production support.
Scroll down for full list of projects
The projects, all feature debuts aside from one, will receive €60,000 to support either their production or their post-production. Hbf+Europe supports projects from filmmakers based in Africa, Asia, Latin America, the Middle East and parts of Eastern Europe, and encourages European co-production of said projects.
Among the...
International Film Festival Rotterdam (IFFR)’s Hubert Bals Fund (Hbf) has selected four projects for its first-ever Hbf+ Europe: Post-production Scheme, alongside eight projects for minority co-production support.
Scroll down for full list of projects
The projects, all feature debuts aside from one, will receive €60,000 to support either their production or their post-production. Hbf+Europe supports projects from filmmakers based in Africa, Asia, Latin America, the Middle East and parts of Eastern Europe, and encourages European co-production of said projects.
Among the...
- 7/11/2023
- by Ellie Calnan
- ScreenDaily
A project we’ve earmarked for a possible Cannes Film Festival showcase next year, Payal Kapadia‘s fiction debut is set to move into production shortly. Le film français reports that All We Imagine As Light which landed Gan Fondation grants and was part of the Oxbelly Writers & Directors Lab in 2020 will be produced by Petit Chaos’ Thomas Hakim and Julien Graff. We don’t have any leads on the casting of the film – but figure this will be unveiled much later down the line. We already put this among our most anticipated films for 2024. Kapadia broke out big in 2021 in the Quinzaine section for the magical A Night Of Knowing Nothing (was the winner of the L’Œil d’or award – Cannes’ Best Docu film).…...
- 6/8/2023
- by Eric Lavallée
- IONCINEMA.com
Competition
Actor Ncuti Gatwa, filmmaker Asif Kapadia (“Amy”) and journalist-turned-screenwriter Terri White, who’s memoir “Coming Undone” is being adapted for Netflix, will serve as judges on the BMW Filmmaking Challenge. The competition is the result of a partnership between BMW and the BFI that aims to support aspiring U.K. filmmakers and uncover fresh perspectives in the film industry.
The initiative was launched earlier this year by BAFTA winner Michaela Coel (“I May Destroy You”). The BFI has shortlisted five teams from some 400 applications, awarding each a £10,000 production budget, access to 8K camera equipment and mentoring from Coel. Inspired by the all-electric BMW i7 and its ultra-wide 31.3-inch rear-passenger theatre screen, the challenge is designed to stretch filmmakers artistically and bring their stories to life in 90 seconds under the theme Evolving Perspectives.
The films are now in production, judging will take place in September, with the winning short premiering...
Actor Ncuti Gatwa, filmmaker Asif Kapadia (“Amy”) and journalist-turned-screenwriter Terri White, who’s memoir “Coming Undone” is being adapted for Netflix, will serve as judges on the BMW Filmmaking Challenge. The competition is the result of a partnership between BMW and the BFI that aims to support aspiring U.K. filmmakers and uncover fresh perspectives in the film industry.
The initiative was launched earlier this year by BAFTA winner Michaela Coel (“I May Destroy You”). The BFI has shortlisted five teams from some 400 applications, awarding each a £10,000 production budget, access to 8K camera equipment and mentoring from Coel. Inspired by the all-electric BMW i7 and its ultra-wide 31.3-inch rear-passenger theatre screen, the challenge is designed to stretch filmmakers artistically and bring their stories to life in 90 seconds under the theme Evolving Perspectives.
The films are now in production, judging will take place in September, with the winning short premiering...
- 6/5/2023
- by Naman Ramachandran
- Variety Film + TV
Renowned Indian actor Dimple Kapadia (“Tenet”) is enjoying a blockbuster 2022-23 with everything she touches turning to gold.
Kapadia had a pivotal role in Disney’s 2022 mythological superhero film “Brahmastra Part One: Shiva.” In 2023, the actor had meaty roles in two of the year’s biggest Bollywood hits, “Pathaan” and “Tu Jhoothi Main Makkaar.” And, taking a leaf from the Helen Mirren playbook, Kapadia took an action-heavy headline role in streamer Disney+ Hotstar’s patriarchy shattering drama series “Saas Bahu Aur Flamingo,” which released in May.
The series revolves around four women, the matriarch Savitri (Kapadia), her daughters-in-law and her daughter, who live in a forgotten village in the northwest of India. Savitri runs the Rani Cooperative, trading in products ranging from balms to textiles. But everything here isn’t what it seems – the cottage business is a front for the biggest drug cartel in South Asia.
Directed and created...
Kapadia had a pivotal role in Disney’s 2022 mythological superhero film “Brahmastra Part One: Shiva.” In 2023, the actor had meaty roles in two of the year’s biggest Bollywood hits, “Pathaan” and “Tu Jhoothi Main Makkaar.” And, taking a leaf from the Helen Mirren playbook, Kapadia took an action-heavy headline role in streamer Disney+ Hotstar’s patriarchy shattering drama series “Saas Bahu Aur Flamingo,” which released in May.
The series revolves around four women, the matriarch Savitri (Kapadia), her daughters-in-law and her daughter, who live in a forgotten village in the northwest of India. Savitri runs the Rani Cooperative, trading in products ranging from balms to textiles. But everything here isn’t what it seems – the cottage business is a front for the biggest drug cartel in South Asia.
Directed and created...
- 6/5/2023
- by Naman Ramachandran
- Variety Film + TV
Disney+ Hotstar Sets ‘Saas, Bahu Aur Flamingo’ From Director Homi Adajania As Latest Series Original
Exclusive: Disney+ Hotstar has set Saas, Bahu Aur Flamingo as its latest original series.
The show comes from director Homi Adajania and Maddock Films, and stars Dimple Kapadia, Radhika Madan, Angira Dhar and Isha Talwar in lead roles. Ashish Verma, Varun Mitra, Udit Arora, Deepak Dobriyal and Monica Dogra will also appear.
A May 5 launch date has been set for its Indian streaming debut.
The series is billed as a new spin on the ‘says-bahu’ drama sub-genre that explores the power dynamics between tough, ruthless mothers-in-law and meeker daughter-in-laws. Saas, Bahu Aur Flamingo will instead feature am “unapologetically hardcore” mother-in-law and “steadfast and formidable” younger women.
“With Saas, Bahu Aur Flamingo, we are proud to present a show that challenges on-screen portrayals of saas-bahu relationships and introduces viewers to a new level of drama and power play,” says Gaurav Banerjee, Head of Content for Disney+ Hotstar and HSM Entertainment Network,...
The show comes from director Homi Adajania and Maddock Films, and stars Dimple Kapadia, Radhika Madan, Angira Dhar and Isha Talwar in lead roles. Ashish Verma, Varun Mitra, Udit Arora, Deepak Dobriyal and Monica Dogra will also appear.
A May 5 launch date has been set for its Indian streaming debut.
The series is billed as a new spin on the ‘says-bahu’ drama sub-genre that explores the power dynamics between tough, ruthless mothers-in-law and meeker daughter-in-laws. Saas, Bahu Aur Flamingo will instead feature am “unapologetically hardcore” mother-in-law and “steadfast and formidable” younger women.
“With Saas, Bahu Aur Flamingo, we are proud to present a show that challenges on-screen portrayals of saas-bahu relationships and introduces viewers to a new level of drama and power play,” says Gaurav Banerjee, Head of Content for Disney+ Hotstar and HSM Entertainment Network,...
- 4/6/2023
- by Jesse Whittock
- Deadline Film + TV
On Monday, Oscar-winning documentarian Asif Kapadia told a roomful of Cph:dox Conference attendees that he might have never directed a nonfiction film had it not been for Harvey Weinstein “killing” his first narrative feature film, “The Warrior.”
“The Warrior,” starring the late Irrfan Khan, is about a mercenary directed by an evil warlord to wreak havoc on a rural village in Rajasthan by forcing the poor inhabitants to pay taxes. In 2003, the film won two BAFTAs for outstanding debut and outstanding British Film. But according to Kapadia, the film garnered no attention outside of England due to Weinstein, who bought worldwide rights – excluding the U.K. – in 2001.
“I was flown out to New York to meet Weinstein, and everyone was saying how great it was that the film had sold to Miramax,” Kapadia said. “I remember saying why I did not feel good about (the deal).”
At the meeting, Kapadia...
“The Warrior,” starring the late Irrfan Khan, is about a mercenary directed by an evil warlord to wreak havoc on a rural village in Rajasthan by forcing the poor inhabitants to pay taxes. In 2003, the film won two BAFTAs for outstanding debut and outstanding British Film. But according to Kapadia, the film garnered no attention outside of England due to Weinstein, who bought worldwide rights – excluding the U.K. – in 2001.
“I was flown out to New York to meet Weinstein, and everyone was saying how great it was that the film had sold to Miramax,” Kapadia said. “I remember saying why I did not feel good about (the deal).”
At the meeting, Kapadia...
- 3/20/2023
- by Addie Morfoot
- Variety Film + TV
As a great lady once sang, what's love got to do with it? Everything, is usually the answer, and that certainly drives this week's episode of the Empire Podcast and, indeed, the new rom-com What's Love Got To Do With It, whose stars, Lily James and Shazad Latif, pop onto a laptop and have a Zoom chat with Chris Hewitt in which he makes a desperate pitch to become their agent, and leaves the Working Title screening room in a frightful state. And love — namely of a little green guy with big ears – drives The Mandalorian, which is gearing up to return to Disney+ on March 1, and Chris also sits down with Jon 'Favs' Favreau for an interview about the show, how to find a director for Star Wars, and working with Peter Falk.
Then, in the podbooth, Chris is joined by Ben Travis, Alex Godfrey and James Dyer for...
Then, in the podbooth, Chris is joined by Ben Travis, Alex Godfrey and James Dyer for...
- 2/24/2023
- by Chris Hewitt
- Empire - Movies
Khan’s creation for English National Ballet is filmed by Kapadia, and has an ambiguous intensity that should interest audiences beyond dance fans
Asif Kapadia returns with something unlike his previous acclaimed films … but maybe not utterly unlike. Kapadia has become known for intense documentary studies of agonised public figures including Ayrton Senna, Amy Winehouse and Diego Maradona, for whom the glare of attention, and the claustrophobic crush of public adulation, was a kind of addictive ordeal. There are points of similarity in this new, fascinating and perplexingly ambiguous film, something without a clear story, but which admits of any number of readings.
Creature is a filmed theatre project, capturing Akram Khan’s English National Ballet work, also entitled Creature, starring the charismatic dancer Jeffrey Cirio as the Creature, thrillingly athletic and physical, every muscle and tendon visible. The Creature is apparently kept captive in some remote army research unit-slash-prison in the snowy wastes,...
Asif Kapadia returns with something unlike his previous acclaimed films … but maybe not utterly unlike. Kapadia has become known for intense documentary studies of agonised public figures including Ayrton Senna, Amy Winehouse and Diego Maradona, for whom the glare of attention, and the claustrophobic crush of public adulation, was a kind of addictive ordeal. There are points of similarity in this new, fascinating and perplexingly ambiguous film, something without a clear story, but which admits of any number of readings.
Creature is a filmed theatre project, capturing Akram Khan’s English National Ballet work, also entitled Creature, starring the charismatic dancer Jeffrey Cirio as the Creature, thrillingly athletic and physical, every muscle and tendon visible. The Creature is apparently kept captive in some remote army research unit-slash-prison in the snowy wastes,...
- 2/22/2023
- by Peter Bradshaw
- The Guardian - Film News
The director of Amy, who’s never watched a ballet, has adapted a dystopian sci-fi piece by the choreographer, who’s never made a film. They discuss art, myths, and why Bruce Lee connects them as much as their south Asian roots
In the opening scene of Creature, a new film based on an English National Ballet production at Sadler’s Wells two years ago, a man appears out of nowhere, writhing, squirming, twitching. He is not in agony, but suffering from something possibly worse: bewilderment. When he walks, he loses his footing. It’s a ballet turned upside down; instead of rising to the air in an elegant saute, the dancer flounders uncomfortably on the ground. Creature, as the nameless protagonist is known, has been transplanted to an entirely unfamiliar environment – a polar research station – where he is being subjected to an experiment to test the limits of the human body to endure cold,...
In the opening scene of Creature, a new film based on an English National Ballet production at Sadler’s Wells two years ago, a man appears out of nowhere, writhing, squirming, twitching. He is not in agony, but suffering from something possibly worse: bewilderment. When he walks, he loses his footing. It’s a ballet turned upside down; instead of rising to the air in an elegant saute, the dancer flounders uncomfortably on the ground. Creature, as the nameless protagonist is known, has been transplanted to an entirely unfamiliar environment – a polar research station – where he is being subjected to an experiment to test the limits of the human body to endure cold,...
- 2/18/2023
- by Tanjil Rashid
- The Guardian - Film News
Oscar winning filmmakers Asif Kapadia (“Amy”) and Elizabeth Chai Vasarhelyi (“Free Solo”), Oscar nominees Maite Alberdi (“The Mole Agent”) and Jessica Kingdon (“Ascension”), and Emmy nominee Jialing Zhang (“One Child Nation”) are among the lineup of speakers at Cph:conference, which runs during Cph:dox, Copenhagen’s documentary film festival.
The discussion program, which runs under the banner “Future at Our Fingertips,” also features Veronika Châtelain from Open Society Foundation and Anadil Hossain from Unhcr.
Cph:conference, which is curated in partnership with the training initiative Documentary Campus, has unveiled the full lineup of events (see here). The conference organizers said this year’s edition is aiming to “gather the international non-fiction community to collectively envision the future of the industry, discover and unlock the currently available resources, possible solutions, and transformative potential of the industry of tomorrow.”
The mornings are dedicated to the art of filmmaking and the creative challenges it brings.
The discussion program, which runs under the banner “Future at Our Fingertips,” also features Veronika Châtelain from Open Society Foundation and Anadil Hossain from Unhcr.
Cph:conference, which is curated in partnership with the training initiative Documentary Campus, has unveiled the full lineup of events (see here). The conference organizers said this year’s edition is aiming to “gather the international non-fiction community to collectively envision the future of the industry, discover and unlock the currently available resources, possible solutions, and transformative potential of the industry of tomorrow.”
The mornings are dedicated to the art of filmmaking and the creative challenges it brings.
- 2/6/2023
- by Leo Barraclough
- Variety Film + TV
2023 conference has the theme ‘Future At Our Fingertips’.
Diego Maradona director Asif Kapadia and The Mole Agent filmmaker Maite Alberdi are among the speakers for Cph:Conference, the industry talks programme of Cph:dox film festival in Copenhagen (March 15-26).
Running from March 20-24, this year’s Conference programme has the theme ‘Future At Our Fingertips’, taking the changed post-pandemic distribution and financing landscape as its launching point. It will centre on questions of inclusivity, freedom and sustainability of documentary as an art form.
UK director Kapadia, who won the Oscar for best documentary in 2016 for Amy, will participate in one of three ‘Mornings With Filmmakers’ sessions,...
Diego Maradona director Asif Kapadia and The Mole Agent filmmaker Maite Alberdi are among the speakers for Cph:Conference, the industry talks programme of Cph:dox film festival in Copenhagen (March 15-26).
Running from March 20-24, this year’s Conference programme has the theme ‘Future At Our Fingertips’, taking the changed post-pandemic distribution and financing landscape as its launching point. It will centre on questions of inclusivity, freedom and sustainability of documentary as an art form.
UK director Kapadia, who won the Oscar for best documentary in 2016 for Amy, will participate in one of three ‘Mornings With Filmmakers’ sessions,...
- 2/6/2023
- by Ben Dalton
- ScreenDaily
Episode 550 is here! To celebrate the latest Empire Podcast landmark, we once again staged a live show at Kings Place, London, and now here is that show, reassembled in the correct order and with the really naughty bits cut out And it was a belter, as Chris Hewitt, Helen O'Hara, Ben Travis, and James Dyer took to the stage in front of a packed crowd of loyal listeners, and chatted about the week's movie news, reviewed Eo, Puss In Boots: The Last Wish, The Whale, Knock At The Cabin, and Saint Omer, and answered a ton of listener questions.
But that's not all: a landmark episode deserves a landmark line-up of guests, and we didn't disappoint, with Aftersun director Charlotte Wells and her young star, Frankie Corio, joining James and Helen for a chat about the BAFTA-nominated belter; director Asif Kapadia showed up to talk to Chris about Kapadia's new film,...
But that's not all: a landmark episode deserves a landmark line-up of guests, and we didn't disappoint, with Aftersun director Charlotte Wells and her young star, Frankie Corio, joining James and Helen for a chat about the BAFTA-nominated belter; director Asif Kapadia showed up to talk to Chris about Kapadia's new film,...
- 2/3/2023
- by Chris Hewitt
- Empire - Movies
As various critics groups and awards bodies dole out their top films of the year, it can be hard to parse which ones are actually worth paying attention to. One such list has arrived today with Film Comment’s annual end-of-year survey. Revealed at a special live talk last night, in an unexpected but welcome surprise, David Cronenberg’s Crimes of the Future topped the list, which also included Jerzy Skolimowski’s Eo, Charlotte Wells’s Aftersun, two by Hong Sangsoo, and more. They also revealed their top undistributed films list, which included David Easteal’s The Plains, Bertrand Bonello’s Coma, and Laura Citarella’s Trenque Lauquen.
“That the winner of this year’s poll is a strange, gory, apocalyptic film about a future where art and humanity are both on the precipice of extinction is a striking reflection of what we’re seeking from cinema in 2022,” said Film...
“That the winner of this year’s poll is a strange, gory, apocalyptic film about a future where art and humanity are both on the precipice of extinction is a striking reflection of what we’re seeking from cinema in 2022,” said Film...
- 12/15/2022
- by Jordan Raup
- The Film Stage
While on the one hand India is called one of the world’s biggest democracies, on the other hand it is a place defined by many aspects which contradict this concept. Even though the pandemic has shone a light on growing disparities, between rich and poor as well as the rural and the urban side of the country, these points have been there for a long time, especially since many efforts of modernizing India have only gone so far and have certainly not reached all areas of life. One of those aspects has to be the caste system, which is abolished in theory but still plays a significant role in everyday life, which was one of the reasons the suicide of scholar Rohith Chakravarti Vemrula sparked a series of national protests against the it, but also against many other factors which have made the lives of many people miserable. These...
- 12/12/2022
- by Rouven Linnarz
- AsianMoviePulse
Director Asif Kapadia makes slick work of Akram Khan’s ballet in Creature, which world premiered at the BFI London Film Festival. Based on Khan’s original concept and choreography, the English National Ballet Production is produced by Uzma Hasan for Little House Productions, and brings an intense cinematic sensibility to the bleak story exploring power, nature, connection and more.
Taking center stage as the Creature is the extraordinary Jeffrey Cirio, who went on to star in the stage production which was delayed due to the pandemic. He twists and slinks across the set with a performance that’s both animalistic and tenderly humane. The setting is a former Arctic research station, where Creature has been brought to be experimented upon by a Doctor (Stina Quagebeur). A cleaner, Marie (Erina Takahashi), catches his eye, and also that of the Major (Fabian Reimair), a stern presence in a swooshing military coat.
Taking center stage as the Creature is the extraordinary Jeffrey Cirio, who went on to star in the stage production which was delayed due to the pandemic. He twists and slinks across the set with a performance that’s both animalistic and tenderly humane. The setting is a former Arctic research station, where Creature has been brought to be experimented upon by a Doctor (Stina Quagebeur). A cleaner, Marie (Erina Takahashi), catches his eye, and also that of the Major (Fabian Reimair), a stern presence in a swooshing military coat.
- 10/16/2022
- by Anna Smith
- Deadline Film + TV
Earlier this year we learned that following up his five-film anthology Small Axe, Steve McQueen’s next narrative feature is Blitz, which will tell the story of Londoners during WWII in 1940 as they endure the German bombing campaign known as The Blitz, which lasted for eight months. With production set to kick off this fall from Apple, Deadline now reports that Saoirse Ronan will lead the film.
After being in development for a few years, a new Cloverfield film is now moving forward and a director has been found. The fourth film in the franchise, following the better-left-forgotten The Cloverfield Paradox, will be helmed by Under the Shadow and Wounds director Babak Anvari, Deadline reports. Scripted by Joe Barton and produced by J.J. Abrams, of course no details have been unveiled quite yet, but with Anvari’s genre skills, expect this one to pack some terror and thrills.
Senna and...
After being in development for a few years, a new Cloverfield film is now moving forward and a director has been found. The fourth film in the franchise, following the better-left-forgotten The Cloverfield Paradox, will be helmed by Under the Shadow and Wounds director Babak Anvari, Deadline reports. Scripted by Joe Barton and produced by J.J. Abrams, of course no details have been unveiled quite yet, but with Anvari’s genre skills, expect this one to pack some terror and thrills.
Senna and...
- 9/24/2022
- by Jordan Raup
- The Film Stage
Neon, Double Agent and the U.K.’s Film4 are partnering on the documentary “2073,” from “Amy” director Asif Kapadia.
A vague description of the film indicates that it will “tackle some of the biggest challenges imperiling our future.” The synopsis continues: “Kapadia’s decision to create a genre-bending thriller set in a dystopian future was inspired by Chris Marker’s iconic 1962 featurette ‘La Jetée’ about a time traveler who risks his life to change the course of history and save the future of humanity.”
The companies will co-finance and executive produce the project with Kapadia and George Chignell producing. Davis Guggenheim, Nicole Stott, and Jonathan Silberberg will act as executive producers for Concordia Studio alongside Riz Ahmed’s Left Handed Films.
Kapadia said: “I want to make an epic about the state of the world, using elements of science fiction as a lens through which to examine the huge questions we...
A vague description of the film indicates that it will “tackle some of the biggest challenges imperiling our future.” The synopsis continues: “Kapadia’s decision to create a genre-bending thriller set in a dystopian future was inspired by Chris Marker’s iconic 1962 featurette ‘La Jetée’ about a time traveler who risks his life to change the course of history and save the future of humanity.”
The companies will co-finance and executive produce the project with Kapadia and George Chignell producing. Davis Guggenheim, Nicole Stott, and Jonathan Silberberg will act as executive producers for Concordia Studio alongside Riz Ahmed’s Left Handed Films.
Kapadia said: “I want to make an epic about the state of the world, using elements of science fiction as a lens through which to examine the huge questions we...
- 9/12/2022
- by Manori Ravindran
- Variety Film + TV
Neon, Double Agent and Film4 are partnering to co-finance and exec produce 2073, a new documentary from Academy Award and BAFTA-winning director Asif Kapadia (Amy).
2073 is billed as a genre-bending thriller set in a dystopian future, which will tackle some of the biggest challenges imperiling our future. The project is inspired by Chris Marker’s iconic 1962 featurette La Jetée — about a time traveler who risks his life to change the course of history and save the future of humanity — which previously served as the basis for Terry Gilliam’s sci-fi pic 12 Monkeys, with Bruce Willis and Brad Pitt.
Kapadia and George Chignell are producing. Davis Guggenheim, Nicole Stott and Jonathan Silberberg will exec produce on behalf of Concordia Studio, alongside Riz Ahmed’s Left Handed Films.
Said Kapadia: “I want to make an epic about the state of the world, using elements of science fiction as a lens through which...
2073 is billed as a genre-bending thriller set in a dystopian future, which will tackle some of the biggest challenges imperiling our future. The project is inspired by Chris Marker’s iconic 1962 featurette La Jetée — about a time traveler who risks his life to change the course of history and save the future of humanity — which previously served as the basis for Terry Gilliam’s sci-fi pic 12 Monkeys, with Bruce Willis and Brad Pitt.
Kapadia and George Chignell are producing. Davis Guggenheim, Nicole Stott and Jonathan Silberberg will exec produce on behalf of Concordia Studio, alongside Riz Ahmed’s Left Handed Films.
Said Kapadia: “I want to make an epic about the state of the world, using elements of science fiction as a lens through which...
- 9/12/2022
- by Matt Grobar
- Deadline Film + TV
Click here to read the full article.
Oscar-winning director Asif Kapadia is set to direct 2073, a documentary thriller set in a dystopian future.
Neon, Double Agent and Film4 will co-finance and executive produce the project. 2073 will tackle challenges the world faces and is inspired by Chris Marker’s iconic 1962 featurette La Jetée, about a time traveler who risks his life to change the course of history and save the future of humanity.
“I want to make an epic about the state of the world, using elements of science fiction as a lens through which to examine the huge questions we are facing as a species and hopefully find solutions, before it’s too late,” said Kapadia in a statement.
Kapadia and George Chignell are producing. Davis Guggenheim, Nicole Stott, and Jonathan Silberberg will share executive producer credits for Concordia Studio, alongside Riz Ahmed’s Left Handed Films.
Kapadia is best known for documentaries like Amy,...
Oscar-winning director Asif Kapadia is set to direct 2073, a documentary thriller set in a dystopian future.
Neon, Double Agent and Film4 will co-finance and executive produce the project. 2073 will tackle challenges the world faces and is inspired by Chris Marker’s iconic 1962 featurette La Jetée, about a time traveler who risks his life to change the course of history and save the future of humanity.
“I want to make an epic about the state of the world, using elements of science fiction as a lens through which to examine the huge questions we are facing as a species and hopefully find solutions, before it’s too late,” said Kapadia in a statement.
Kapadia and George Chignell are producing. Davis Guggenheim, Nicole Stott, and Jonathan Silberberg will share executive producer credits for Concordia Studio, alongside Riz Ahmed’s Left Handed Films.
Kapadia is best known for documentaries like Amy,...
- 9/12/2022
- by Etan Vlessing
- The Hollywood Reporter - Movie News
‘Creature’ is based on an original concept and choreography by Akram Khan.
BFI Distribution has picked up UK filmmaker Asif Kapadia’s Creature for distribution in the UK and Ireland, with a theatrical release planned for February 24 2023.
The deal was negotiated with the English National Ballet.
It is based on an original concept and choreography by UK choreographer and dancer, Akram Khan. Khan’s Creature was inspired by Georg Büchner’s 19th-century play about a lonely German soldier, Woyzeck. Kapadia’s film is based on Khan’s 2021 stage production, that follows an outsider’s search for belonging, set in a dilapidated former Arctic research station.
BFI Distribution has picked up UK filmmaker Asif Kapadia’s Creature for distribution in the UK and Ireland, with a theatrical release planned for February 24 2023.
The deal was negotiated with the English National Ballet.
It is based on an original concept and choreography by UK choreographer and dancer, Akram Khan. Khan’s Creature was inspired by Georg Büchner’s 19th-century play about a lonely German soldier, Woyzeck. Kapadia’s film is based on Khan’s 2021 stage production, that follows an outsider’s search for belonging, set in a dilapidated former Arctic research station.
- 8/30/2022
- by Mona Tabbara
- ScreenDaily
Disney+ has commissioned a doc on the sensational ‘Wagatha Christie’ legal case, another on fashion magazine Vogue and a Keanu Reeves-voiced Formula 1 series as part of its UK slate.
In total, the streamer’s Director of Unscripted Content, Emea Sean Doyle has commissioned five unscripted series, which will premiere on Disney+ in Emea and Asia Pacific. Full details of the slate can be found below.
“Our aim was to find brilliant once-in-a-lifetime stories that showcase a wide range of subjects; and these latest projects truly deliver on that promise,” said Doyle. “We’re working with our elite creative partners on this slate, reflecting the UK’s status as an unscripted powerhouse and establishing Disney+ as a destination for unscripted titles.”
Disney+ plans to create 60 local productions by 2024 as it seeks to up its global subscriber base.
Toplining today’s orders, Wagatha Christie (working title) will recall the libel...
In total, the streamer’s Director of Unscripted Content, Emea Sean Doyle has commissioned five unscripted series, which will premiere on Disney+ in Emea and Asia Pacific. Full details of the slate can be found below.
“Our aim was to find brilliant once-in-a-lifetime stories that showcase a wide range of subjects; and these latest projects truly deliver on that promise,” said Doyle. “We’re working with our elite creative partners on this slate, reflecting the UK’s status as an unscripted powerhouse and establishing Disney+ as a destination for unscripted titles.”
Disney+ plans to create 60 local productions by 2024 as it seeks to up its global subscriber base.
Toplining today’s orders, Wagatha Christie (working title) will recall the libel...
- 8/26/2022
- by Jesse Whittock
- Deadline Film + TV
The highly-anticipated “Wagatha Christie” documentary with Coleen Rooney is set to air on Disney+ the streamer confirmed today.
Unveiling its scripted slate at the Edinburgh TV Festival, Disney+ also announced a slate of high-end original unscripted titles. In addition to “Wagatha Christie” (working title) the platform is set to premiere docs from Keanu Reeves about Formula 1 (which Variety first revealed in July), Asif Kapadia about London’s alternative capital Camden Town, Bear Grylls’ about Spencer Matthews’s missing brother, and Conde Nast with an inside look at Vogue featuring Anna Wintour and Edward Enninful.
Sean Doyle, director of unscripted content, Emea, for Disney+, commissioned the five projects, which will premiere on Disney+ in Emea and Asia Pacific and Star+ in Latin America.
“Our aim was to find brilliant once-in-a-lifetime stories that showcase a wide range of subjects; and these latest projects truly deliver on that promise,” said Doyle. “We...
Unveiling its scripted slate at the Edinburgh TV Festival, Disney+ also announced a slate of high-end original unscripted titles. In addition to “Wagatha Christie” (working title) the platform is set to premiere docs from Keanu Reeves about Formula 1 (which Variety first revealed in July), Asif Kapadia about London’s alternative capital Camden Town, Bear Grylls’ about Spencer Matthews’s missing brother, and Conde Nast with an inside look at Vogue featuring Anna Wintour and Edward Enninful.
Sean Doyle, director of unscripted content, Emea, for Disney+, commissioned the five projects, which will premiere on Disney+ in Emea and Asia Pacific and Star+ in Latin America.
“Our aim was to find brilliant once-in-a-lifetime stories that showcase a wide range of subjects; and these latest projects truly deliver on that promise,” said Doyle. “We...
- 8/26/2022
- by K.J. Yossman
- Variety Film + TV
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