Iair Said’s debut feature Most People Die On Sundays has been acquired for France by distributor Jhr Films ahead of its world premiere in Cannes’ Acid programme.
The Argentinian comedy drama is already set for release in Latin America via Star+ (Disney+) and in Spain with A Contracorriente Films.
Said’s short Present Imperfect previously competed for the short film Palme d’Or.
Most People Die On Sundays centres on an overweight 30-something who returns to his native Argentina to reconnect with his mother and his Jewish family. There he embarks on a quest across Buenos Aires to quench his anxiety via driving lessons,...
The Argentinian comedy drama is already set for release in Latin America via Star+ (Disney+) and in Spain with A Contracorriente Films.
Said’s short Present Imperfect previously competed for the short film Palme d’Or.
Most People Die On Sundays centres on an overweight 30-something who returns to his native Argentina to reconnect with his mother and his Jewish family. There he embarks on a quest across Buenos Aires to quench his anxiety via driving lessons,...
- 4/29/2024
- ScreenDaily
Athens-based boutique film outfit Heretic has two titles in the Cannes Acid (Association for the International Distribution of Independent Cinemas) sidebar.
Heretic’s own Greek production, co-produced with North Macedonia’s List Production, “Kyuka Before Summer’s End,” by debut director Kostas Charamountanis, is the opening film of the Acid program. The film follows a family of three, a single father, Babis, and his twin children on the verge of adulthood, Konstantinos and Elsa, who sail to the island of Poros on the family boat for their holidays. In the midst of swimming, sunbathing and making new friends, Konstantinos and Elsa meet, unbeknownst to them, their birth mother Anna who abandoned them when they were babies. The encounter stirs up long-held feelings of resentment in Babis, resulting in a bittersweet coming-of-age journey.
“Kyuka Before Summer’s End” is produced by Danae Spathara, Giorgos Karnavas and Konstantinos Kontovrakis of Heretic, Greece...
Heretic’s own Greek production, co-produced with North Macedonia’s List Production, “Kyuka Before Summer’s End,” by debut director Kostas Charamountanis, is the opening film of the Acid program. The film follows a family of three, a single father, Babis, and his twin children on the verge of adulthood, Konstantinos and Elsa, who sail to the island of Poros on the family boat for their holidays. In the midst of swimming, sunbathing and making new friends, Konstantinos and Elsa meet, unbeknownst to them, their birth mother Anna who abandoned them when they were babies. The encounter stirs up long-held feelings of resentment in Babis, resulting in a bittersweet coming-of-age journey.
“Kyuka Before Summer’s End” is produced by Danae Spathara, Giorgos Karnavas and Konstantinos Kontovrakis of Heretic, Greece...
- 4/16/2024
- by Naman Ramachandran
- Variety Film + TV
San Sebastian’s pix-in-post showcases have often launched standout movies, such as Sebastian Lelio’s “Gloria,” winner of the Films in Progress Award at the 2012 edition, plus notable directors, such as Jayro Bustamante, whose praised debut “Ixcanul” played at the festival in rough cut in 2015 before winning the Alfred Bauer prize for innovation at 2016’s Berlinale, breaking out handsome sales.
San Sebastian’s 2023 Co-Production Forum registers two trends: Films that are genre pics or enrol genre tropes or genre blend; an exploration of identity.
Thus year’s San Sebastian Wip Latam skews in another direction. “The films and stories are very grounded in reality, either by there hybrid formal move between fiction and non-fiction, their singular take on daily matters or the very social issues they address,” Javier Martín, San Sebastian Latin American delegate, told LatAmCinema.com.
Yet genre surfaces in disparate ways: the mix of coming of age, apocalypse...
San Sebastian’s 2023 Co-Production Forum registers two trends: Films that are genre pics or enrol genre tropes or genre blend; an exploration of identity.
Thus year’s San Sebastian Wip Latam skews in another direction. “The films and stories are very grounded in reality, either by there hybrid formal move between fiction and non-fiction, their singular take on daily matters or the very social issues they address,” Javier Martín, San Sebastian Latin American delegate, told LatAmCinema.com.
Yet genre surfaces in disparate ways: the mix of coming of age, apocalypse...
- 9/23/2023
- by Emiliano De Pablos and John Hopewell
- Variety Film + TV
The episode features:Rodrigo Sepúlveda (Chile), a writer, director and producer. Sepúlveda directed successful television productions in the ’80s and ’90s, but it wasn’t until 2002 that he made his feature-film debut. Since then, he has cultivated a humanist filmography that examines love and family ties, as well as the prejudices of Chilean society. In 2020, his film My Tender Matador (Tengo miedo, torero) premiered in Venice's parallel section, Giornate degli Autori. A successful adaptation of Pedro Lemebel's novel, the film stars Alfredo Castro in one of his most brilliant and memorable performances. Julieta Zylberberg (Argentina), an actress who has worked for over twenty years in film, series, television and theater. She made her film debut in The Holy Girl (La niña santa), Lucrecia Martel's second feature film.With sobriety and forcefulness, Zylberberg has played characters that reflect great ambiguity. She has starred in films such as Ana Katz...
- 8/24/2023
- MUBI
Also out this weekend: ’Holy Spider’, ’Alice, Darling’ and ’Dreaming Walls’.
Damien Chazelle’s Babylon is the widest new release at the UK-Ireland box office this weekend, playing at 631 sites for Paramount, and hoping to make a dent on Avatar: The Way Of Water’s box office dominance, after five weeks atop the chart for Disney.
It is Chazelle’s widest release in the territory – beating his Oscar-winning musical La La Land, which opened at 606 sites in 2017 for Lionsgate, and took £5.6m at the box office in its opening weekend, plus £943,751 in previews.
Chazelle’s latest paints a hedonistic portrait of 1920s and 1930s Hollywood,...
Damien Chazelle’s Babylon is the widest new release at the UK-Ireland box office this weekend, playing at 631 sites for Paramount, and hoping to make a dent on Avatar: The Way Of Water’s box office dominance, after five weeks atop the chart for Disney.
It is Chazelle’s widest release in the territory – beating his Oscar-winning musical La La Land, which opened at 606 sites in 2017 for Lionsgate, and took £5.6m at the box office in its opening weekend, plus £943,751 in previews.
Chazelle’s latest paints a hedonistic portrait of 1920s and 1930s Hollywood,...
- 1/20/2023
- by Mona Tabbara
- ScreenDaily
A highly educated middle class teacher moves to a poor area and transforms the lives of his pupils. It’s a saviour fantasy which crops up quite a bit in cinema, and although it can be nicely done, one might reasonably think that there’s not much mileage left in it story-wise. Here Diego Lerman does something quite different, however, by shifting the focus from the impact on the kids to the changes taking place in the teacher himself.
A former university lecturer, Lucio (Juan Minujín) is recently divorced, trying to patch things up with his daughter, settling into a new home and navigating a complicated relationship with his father, the activist and local hero known as El Chileno (Alfredo Castro). It’s because of his father that the kids in his new class are willing to pay him some attention, but that doesn’t amount to much, at least to begin with.
A former university lecturer, Lucio (Juan Minujín) is recently divorced, trying to patch things up with his daughter, settling into a new home and navigating a complicated relationship with his father, the activist and local hero known as El Chileno (Alfredo Castro). It’s because of his father that the kids in his new class are willing to pay him some attention, but that doesn’t amount to much, at least to begin with.
- 1/19/2023
- by Jennie Kermode
- eyeforfilm.co.uk
Juan Minujín as Lucio, hard at work in The Substitute
An Argentinean film which is making waves on the festival circuit around the world, Diego Lerman’s The Substitute follows a teacher, Lucio (Juan Minujín), who finds himself struggling when he moves into a troubled neighbourhood and tests his teaching skills on young people who don’t believe that they have any future worth investing in. Diego has been working hard to promote the film, and is sitting in a café in Madrid when we connect, with the world going by around him. It seems an appropriate setting for a man whose work always has a good deal happening in the background.
This film has a very distinctive visual style, and I ask Diego how important that was in the development of the film and how the story took shape.
“I always think in having an image with layers, different layers,...
An Argentinean film which is making waves on the festival circuit around the world, Diego Lerman’s The Substitute follows a teacher, Lucio (Juan Minujín), who finds himself struggling when he moves into a troubled neighbourhood and tests his teaching skills on young people who don’t believe that they have any future worth investing in. Diego has been working hard to promote the film, and is sitting in a café in Madrid when we connect, with the world going by around him. It seems an appropriate setting for a man whose work always has a good deal happening in the background.
This film has a very distinctive visual style, and I ask Diego how important that was in the development of the film and how the story took shape.
“I always think in having an image with layers, different layers,...
- 1/17/2023
- by Jennie Kermode
- eyeforfilm.co.uk
A poet in Buenos Aires takes up teaching at a tough school and tries to protect his students in Diego Lerman’s cliched, if well-acted, tale
For all that it’s tremendously shot and vehemently acted, this movie from Argentinian director Diego Lerman – about a substitute teacher – is weirdly unsatisfying in terms of the story it has to tell: contrived, cliched, with secondary characters sketched in and a perfunctory and somewhat truncated car-chase climax.
Lucio (Juan Minujín) is a divorced poet and critic in Buenos Aires who winds up having to take a substitute teaching job in a tough inner-city school teaching literature to glowering kids. Lucio’s dad, nicknamed “The Chilean” and played by the veteran Chilean actor Alfredo Castro, is a local community worker and cafe owner with connections to the mayor. Lucio’s dad is also a fierce enemy of a local drug-dealing mobster called El Perro,...
For all that it’s tremendously shot and vehemently acted, this movie from Argentinian director Diego Lerman – about a substitute teacher – is weirdly unsatisfying in terms of the story it has to tell: contrived, cliched, with secondary characters sketched in and a perfunctory and somewhat truncated car-chase climax.
Lucio (Juan Minujín) is a divorced poet and critic in Buenos Aires who winds up having to take a substitute teaching job in a tough inner-city school teaching literature to glowering kids. Lucio’s dad, nicknamed “The Chilean” and played by the veteran Chilean actor Alfredo Castro, is a local community worker and cafe owner with connections to the mayor. Lucio’s dad is also a fierce enemy of a local drug-dealing mobster called El Perro,...
- 1/17/2023
- by Peter Bradshaw
- The Guardian - Film News
The recent success of Cannes Directors’ Fortnight urban noir “Ashkal” from helmer Youssef Chebbi, and the 2021 international feature Oscar nomination for the provocative art world drama “The Man Who Sold His Skin” from director Kaouther Ben Hania reignited industry interest in projects from Tunisian directors. The Cairo Film Connection’s work-in-progress section supports this interest by offering the first Arab world look at “Red Path,” the second feature from Tunisian theater and cinema helmer Lotfi Achour (“Burning Hope”). The production is very different in style and genre from those of his aforementioned compatriots.
Inspired by real events and deeply rooted in a particular social context, “Red Path” is set in an extremely poor and isolated region of Tunisia’s northwest where, in 2015, terrorists attacked two young shepherds. They decapitated the older boy and commanded his younger cousin to bring the severed head back to the family as a gruesome message.
Inspired by real events and deeply rooted in a particular social context, “Red Path” is set in an extremely poor and isolated region of Tunisia’s northwest where, in 2015, terrorists attacked two young shepherds. They decapitated the older boy and commanded his younger cousin to bring the severed head back to the family as a gruesome message.
- 11/11/2022
- by Alissa Simon
- Variety Film + TV
Urban Sales has boarded a pair of 3D animated features, “Fox & Hare Save the Forest” and “Into the Wonderwoods” in time for the American Film Market.
Vincent Paronnaud, who directed the prize-winning “Persepolis,” helms “Into the Wonderwoods” alongside Alexis Ducord (“Zombilennium”). Pic is produced by animation banners Je Suis Bien Content (“Persepolis”) and Gaoshan Pictures.
Budgeted at 10 million, “Into the Wonderwoods” is based on a comic book that Paronnaud created under the pseudonym Winshluss.
The family film (pictured) follows 10-year-old Angelo, who dreams of becoming an explorer and a zoologist. When he hits the road with his family to visit his beloved granny, his distracted parents leave him behind at a rest stop. Left to his own devices, Angelo decides to cut through the forest in search of his family. He enters a dark and mysterious world inhabited by strange creatures, some friendlier than others.
Set to premiere in 2024, “Into...
Vincent Paronnaud, who directed the prize-winning “Persepolis,” helms “Into the Wonderwoods” alongside Alexis Ducord (“Zombilennium”). Pic is produced by animation banners Je Suis Bien Content (“Persepolis”) and Gaoshan Pictures.
Budgeted at 10 million, “Into the Wonderwoods” is based on a comic book that Paronnaud created under the pseudonym Winshluss.
The family film (pictured) follows 10-year-old Angelo, who dreams of becoming an explorer and a zoologist. When he hits the road with his family to visit his beloved granny, his distracted parents leave him behind at a rest stop. Left to his own devices, Angelo decides to cut through the forest in search of his family. He enters a dark and mysterious world inhabited by strange creatures, some friendlier than others.
Set to premiere in 2024, “Into...
- 11/2/2022
- by Elsa Keslassy
- Variety Film + TV
Chliean auteur reunites with screenwriter Steven Knight, Komplizen Film.
Angelina Jolie will portray the legendary opera singer Maria Callas in Maria for Chilean auteur Pablo Larrain, who is reteaming with his Spencer screenwriter Steven Knight.
Larrain’s Fablua Pictures is producing with The Apartment Picture and Komplizen Film, with whom he also partnered on Spencer.
Maria will be based on true accounts and tells the tumultuous and ultimately tragic story of the life of the American-born Greek soprano Maria Callas, “relived and re-imagined” during her final days in 1970’s Paris.
Larrain has come to specialise in intensely personal, interior portraits...
Angelina Jolie will portray the legendary opera singer Maria Callas in Maria for Chilean auteur Pablo Larrain, who is reteaming with his Spencer screenwriter Steven Knight.
Larrain’s Fablua Pictures is producing with The Apartment Picture and Komplizen Film, with whom he also partnered on Spencer.
Maria will be based on true accounts and tells the tumultuous and ultimately tragic story of the life of the American-born Greek soprano Maria Callas, “relived and re-imagined” during her final days in 1970’s Paris.
Larrain has come to specialise in intensely personal, interior portraits...
- 10/21/2022
- by Jeremy Kay
- ScreenDaily
The film has screened at Toronto and San Sebastian
Sovereign has secured UK and Ireland rights to Diego Lerman’s Argentinian thriller The Substitute from Urban Sales.
Set in Buenos Aires, the film follows a substitute teacher who becomes caught in a conflict between a drug gang and one of his students.
‘The Substitute’: San Sebastian Review
After a world premiere at Toronto The Substitute screened in competition in San Sebastian, winning the best supporting actor award for Renata Lerman. She stars with Juan Minujín, Alfredo Castro, Barbara Lennie and Lucas Arrua
The producers are El Campo Cine; Italy...
Sovereign has secured UK and Ireland rights to Diego Lerman’s Argentinian thriller The Substitute from Urban Sales.
Set in Buenos Aires, the film follows a substitute teacher who becomes caught in a conflict between a drug gang and one of his students.
‘The Substitute’: San Sebastian Review
After a world premiere at Toronto The Substitute screened in competition in San Sebastian, winning the best supporting actor award for Renata Lerman. She stars with Juan Minujín, Alfredo Castro, Barbara Lennie and Lucas Arrua
The producers are El Campo Cine; Italy...
- 10/21/2022
- by Ellie Calnan
- ScreenDaily
Colombian filmmaker Laura Mora has clinched the Golden Shell in the main competition of the 70th San Sebastian Film Festival with her latest feature The Kings of the World (Los reyes del mundo).
Billed as a subversive tale of disobedience, friendship, and dignity, the film follows five boys living on the streets of Medellín who set out on a journey in search of the promised land. The film is a Colombian co-production with Luxembourg, France, Mexico, and Norway.
This is the third year running that a film helmed by a woman has taken home the Golden Shell following Dea Kulumbegashvili’s Beginning in 2020 and Alina Grigore’s Blue Moon last year. This is also the first time a Colombian production has picked up San Sebastian’s top prize in the festival’s seven decades.
In other main competition awards, Japanese writer Genki Kawamura picked up the Silver Shell for Best...
Billed as a subversive tale of disobedience, friendship, and dignity, the film follows five boys living on the streets of Medellín who set out on a journey in search of the promised land. The film is a Colombian co-production with Luxembourg, France, Mexico, and Norway.
This is the third year running that a film helmed by a woman has taken home the Golden Shell following Dea Kulumbegashvili’s Beginning in 2020 and Alina Grigore’s Blue Moon last year. This is also the first time a Colombian production has picked up San Sebastian’s top prize in the festival’s seven decades.
In other main competition awards, Japanese writer Genki Kawamura picked up the Silver Shell for Best...
- 9/24/2022
- by Zac Ntim
- Deadline Film + TV
Other winners include Genki Kawamura’s ‘A Hundred Flowers’ and China’s ‘A Woman’.
Colombian director Laura Mora’s second film The Kings Of The World has won the Golden Shell award for best film at the 70th edition of the San Sebastian International Film Festival (Ssiff).
Scroll down for full list of winners
A Colombian co-production with Luxembourg, France, Mexico and Norway, the film follows five street kids from Medellin who venture into the countryside in search of the land that one of them inherited. Film Factory Entertainment handles international sales. Mora’s debut was 2017 Toronto and San Sebastian selection Killing Jesus.
Colombian director Laura Mora’s second film The Kings Of The World has won the Golden Shell award for best film at the 70th edition of the San Sebastian International Film Festival (Ssiff).
Scroll down for full list of winners
A Colombian co-production with Luxembourg, France, Mexico and Norway, the film follows five street kids from Medellin who venture into the countryside in search of the land that one of them inherited. Film Factory Entertainment handles international sales. Mora’s debut was 2017 Toronto and San Sebastian selection Killing Jesus.
- 9/24/2022
- by Elisabet Cabeza
- ScreenDaily
Spanish fest has more Latin American films and projects than ever before.
This year’s San Sebastian InternationaI Film Festival has the highest number of Latin American films across its official selection and marketplaces than ever before, according to festival director José Luis Rebordinos.
The line-up includes three titles in official selection: two from Argentinian directors - Manuel Abramovich’s Pornomelancolia and Diego Lerman’s The Substitute – and The Wonder from Chilean director Sebastian Lelio.
“It’s a very good moment for Latin America cinema for both quantity and the high quality of the proposals,” says Rebordinos.
Argentina in focus...
This year’s San Sebastian InternationaI Film Festival has the highest number of Latin American films across its official selection and marketplaces than ever before, according to festival director José Luis Rebordinos.
The line-up includes three titles in official selection: two from Argentinian directors - Manuel Abramovich’s Pornomelancolia and Diego Lerman’s The Substitute – and The Wonder from Chilean director Sebastian Lelio.
“It’s a very good moment for Latin America cinema for both quantity and the high quality of the proposals,” says Rebordinos.
Argentina in focus...
- 9/21/2022
- by Emilio Mayorga
- ScreenDaily
Festival runs October 12-23.
Jafar Panahi’s No Bears, Alice Diop’s Saint Omer, and Sergei Loznitsa’s The Natural History Of Destruction are among the international competitions line-up at the 58th Chicago International Film Festival next month.
This year’s competitions include 10 films receiving their North American premiere and 17 getting their US premiere as the entries vie for the festival’s Gold Hugo award in the categories of international feature, international documentary, and new directors.
The festival runs October 12-23. The full international competition line-ups are below.
Playing in International Feature Competition are: The Beasts (Sp-Fr), Rodrigo Sorogoyen, US premiere; Before,...
Jafar Panahi’s No Bears, Alice Diop’s Saint Omer, and Sergei Loznitsa’s The Natural History Of Destruction are among the international competitions line-up at the 58th Chicago International Film Festival next month.
This year’s competitions include 10 films receiving their North American premiere and 17 getting their US premiere as the entries vie for the festival’s Gold Hugo award in the categories of international feature, international documentary, and new directors.
The festival runs October 12-23. The full international competition line-ups are below.
Playing in International Feature Competition are: The Beasts (Sp-Fr), Rodrigo Sorogoyen, US premiere; Before,...
- 9/16/2022
- by Jeremy Kay
- ScreenDaily
Paris-based Urban Sales has boarded Diego Lerman’s “The Substitute” (“El Suplente”) which will have its world premiere at Toronto followed by San Sebastian.
“The Substitute” tells the story of Lucio (Minujín), a prestigious university professor who starts working as a substitute teacher at a high school in the suburbs of Buenos Aires, where he grew up. Through tales, novels and poetry, he tries to distract his class from the harsh reality of their everyday lives. But soon, he must step out of his professional duties when Dylan, one of his students, is threatened by a local drug kingpin.
One of Argentina’s leading filmmakers, Lerman won this year’s Locarno’s Silver Leopard award for “Suddenly.” He’s best known for directing “A Sort of Family” which played at Toronto, won best screenplay at San Sebastian and was acquired by Netflix; as well as “Refugiado” and “Invisible” which played...
“The Substitute” tells the story of Lucio (Minujín), a prestigious university professor who starts working as a substitute teacher at a high school in the suburbs of Buenos Aires, where he grew up. Through tales, novels and poetry, he tries to distract his class from the harsh reality of their everyday lives. But soon, he must step out of his professional duties when Dylan, one of his students, is threatened by a local drug kingpin.
One of Argentina’s leading filmmakers, Lerman won this year’s Locarno’s Silver Leopard award for “Suddenly.” He’s best known for directing “A Sort of Family” which played at Toronto, won best screenplay at San Sebastian and was acquired by Netflix; as well as “Refugiado” and “Invisible” which played...
- 8/25/2022
- by Elsa Keslassy
- Variety Film + TV
The 18th Santiago Int’l Film Festival (Sanfic) is paying tribute to Chile’s most internationally renowned and arguably hardest working actor, the peripatetic Alfredo Castro who will attend Sanfic’s inauguration Aug. 14 to receive his lifetime achievement award and kick off a retrospective of his films.
Also a playwright and theater director, Castro has worked across Europe and Latin America, acting in French, Spanish, Portuguese and a number of accents and dialects from Latin America, including neutral Spanish. “I haven’t worked in English but I certainly hope to one day,” he says. Meanwhile, he has won a boatload of awards from festivals and award events across the world.
Yet, he would also be high up the order of figures who have helped shape Chile’s post-Pinochet film, theater and now TV scene into one of the most vibrant, surprising and constantly questioning of any country in Latin America.
Also a playwright and theater director, Castro has worked across Europe and Latin America, acting in French, Spanish, Portuguese and a number of accents and dialects from Latin America, including neutral Spanish. “I haven’t worked in English but I certainly hope to one day,” he says. Meanwhile, he has won a boatload of awards from festivals and award events across the world.
Yet, he would also be high up the order of figures who have helped shape Chile’s post-Pinochet film, theater and now TV scene into one of the most vibrant, surprising and constantly questioning of any country in Latin America.
- 8/11/2022
- by Anna Marie de la Fuente
- Variety Film + TV
The WhaleWAVELENGTHS - FEATURESConcrete Valley (Antoine Bourges)De Humani Corporis Fabrica (Véréna Paravel, Lucien Castaing-Taylor)Dry Ground BurningHorse Opera (Moyra Davey)Pacifiction (Albert Serra)Queens of the Qing Dynasty (Ashley McKenzie)Unrest (Cyril Schäublin)Will-o’-the-Wisp (João Pedro Rodrigues)Wavelenghths - SHORTSAfter Work (Céline Condorelli, Ben Rivers)Bigger on the Inside (Angelo Madsen Minax)Eventide (Sharon Lockhart)F1ghting Looks Different 2 Me Now (Fox Maxy)Fata Morgana (Tacita Dean)Hors-titre (Wiame Haddad)I Thought the World of You (Kurt Walker)Moonrise (Vincent Grenier)The Newest Olds (Pablo Mazzolo)Puerta a Puerta (Jessica Sarah Rinland, Luis Arnías )The Time That Separates Us (Parastoo Anoushahpour)What Rules the Invisible (Tiffany Sia)Gala PRESENTATIONSAlice, Darling (Mary Nighy)Black Ice (Hubert Davis)The Greatest Beer Run Ever (Peter Farrelly)Butcher’s Crossing (Gabe Polsky)The Hummingbird (Francesca Archibugi)Hunt (Jung-jae Lee)A Jazzman’s Blues (Tyler Perry)Kacchey Limbu (Shubham Yogi)Moving On (Paul Weitz)Paris Memories...
- 8/4/2022
- MUBI
Click here to read the full article.
The 70th San Sebastián Film Festival unveiled its competition line-up Tuesday, with new works from award-winning directors Sebastián Lelio, Hong Sang-soo and Ulrich Seidl in the running for the 2022 Golden Shell.
Chilean filmmaker Lelio, who won an Oscar for best international feature with A Fantastic Woman (2017), will premiere his latest, The Wonder, in San Sebastián. The period drama, based on the Emma Donoghue novel, is set in mid-19th century Ireland and stars Florence Pugh, Ciarán Hinds, Tom Burke and Toby Jones.
The prolific Hong Sang-Soo, who just won the Jury Prize in Berlin in February for The Novelist’s Film, brings his latest minimalist drama, Walk Up, to the Spanish festival. The plot involves a middle-aged film director and his estranged daughter who are being shown around a building owned by an interior designer.
Seidl, the Austrian director who has made a career...
The 70th San Sebastián Film Festival unveiled its competition line-up Tuesday, with new works from award-winning directors Sebastián Lelio, Hong Sang-soo and Ulrich Seidl in the running for the 2022 Golden Shell.
Chilean filmmaker Lelio, who won an Oscar for best international feature with A Fantastic Woman (2017), will premiere his latest, The Wonder, in San Sebastián. The period drama, based on the Emma Donoghue novel, is set in mid-19th century Ireland and stars Florence Pugh, Ciarán Hinds, Tom Burke and Toby Jones.
The prolific Hong Sang-Soo, who just won the Jury Prize in Berlin in February for The Novelist’s Film, brings his latest minimalist drama, Walk Up, to the Spanish festival. The plot involves a middle-aged film director and his estranged daughter who are being shown around a building owned by an interior designer.
Seidl, the Austrian director who has made a career...
- 8/2/2022
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Lelio makes his San Sebastian competition debut with The Wonder starring Florence Pugh.
Films from Sebastián Lelio and Hong Sang-soo are among the new titles to be selected in competition at this year’s San Sebastian Film Festival (September 16-24).
Lelio, whose A Fantastic Woman won the Academy Award for best foreign-language film in 2017, makes his San Sebastian competition debut with The Wonder. Adapted from Emma Donoghue’s novel set in a 19th-century Irish town, it stars Florence Pugh, Ciarán Hinds, Tom Burke, Toby Jones and Niamh Algar.
Cannes and Berlin prize winner Hong San-soo will make his second appearance...
Films from Sebastián Lelio and Hong Sang-soo are among the new titles to be selected in competition at this year’s San Sebastian Film Festival (September 16-24).
Lelio, whose A Fantastic Woman won the Academy Award for best foreign-language film in 2017, makes his San Sebastian competition debut with The Wonder. Adapted from Emma Donoghue’s novel set in a 19th-century Irish town, it stars Florence Pugh, Ciarán Hinds, Tom Burke, Toby Jones and Niamh Algar.
Cannes and Berlin prize winner Hong San-soo will make his second appearance...
- 8/2/2022
- by Orlando Parfitt
- ScreenDaily
Sebastian Lelio’s “Wonder,” starring “Black Widow’s” Florence Pugh, “Winter Boy” with Juliette Binoche and directors Hong Sang-soo and Ulrich Seidl will compete in main competition at September’s San Sebastian Film Festival, the biggest film event in the Spanish-speaking world.
In “Wonder,” the latest from Academy Award winning director Lelio (“A Fantastic Woman”),Pugh plays an English nurse brought in to the Irish Midlands in 1862 to observe the alleged miracle of girls going months without food.
Binoche co-stars in “Winter Boy,” from resilient French auteur Christophe Honoré who won at Cannes Un Certain Regard with 2019’s “On a Magical Night.” Hong Sang-soo, the prolific South Korean director, will present “Walk Up,” a film which is billed as taking a gently delightful new perspective on themes dear to his poetics.
Seidl’s “Sparta” forms part of a diptych with 2022 Berlin competition contender “Rimini,” both movies turning on men who cannot escape their past.
In “Wonder,” the latest from Academy Award winning director Lelio (“A Fantastic Woman”),Pugh plays an English nurse brought in to the Irish Midlands in 1862 to observe the alleged miracle of girls going months without food.
Binoche co-stars in “Winter Boy,” from resilient French auteur Christophe Honoré who won at Cannes Un Certain Regard with 2019’s “On a Magical Night.” Hong Sang-soo, the prolific South Korean director, will present “Walk Up,” a film which is billed as taking a gently delightful new perspective on themes dear to his poetics.
Seidl’s “Sparta” forms part of a diptych with 2022 Berlin competition contender “Rimini,” both movies turning on men who cannot escape their past.
- 8/2/2022
- by John Hopewell
- Variety Film + TV
San Sebastián Film Festival Lineup: Sebastián Lelio And Hong Sang-Soo Debut New Works In Competition
The San Sebastián Film Festival has revealed the line-up for its latest edition, which is due to unfold from September 16-24.
The festival, which is celebrating its 70th anniversary, will be the European premiere of Chilean filmmaker Sebastián Lelio’s highly-anticipated latest feature The Wonder based on Emma Donoghue’s novel starring Florence Pugh alongside an ensemble cast including Ciarán Hinds, Tom Burke, Toby Jones, Elaine Cassidy, and Niamh Algar.
South Korean filmmaker Hong Sang-soo will also debut his latest offering Top / Walk Up in competition. The film follows the interactions of a middle-aged moviemaker. This will be the South Korean filmmaker’s second participation in the Official Selection.
Other titles due to debut at the festival include French director Christophe Honoré’s new flick Winter Boy, Portuguese director Marco Martins’s Great Yarmouth-Provisional Figures, and veteran Japanese producer Genki Kawamura’s directorial debut A Hundred Flowers.
The latest movie...
The festival, which is celebrating its 70th anniversary, will be the European premiere of Chilean filmmaker Sebastián Lelio’s highly-anticipated latest feature The Wonder based on Emma Donoghue’s novel starring Florence Pugh alongside an ensemble cast including Ciarán Hinds, Tom Burke, Toby Jones, Elaine Cassidy, and Niamh Algar.
South Korean filmmaker Hong Sang-soo will also debut his latest offering Top / Walk Up in competition. The film follows the interactions of a middle-aged moviemaker. This will be the South Korean filmmaker’s second participation in the Official Selection.
Other titles due to debut at the festival include French director Christophe Honoré’s new flick Winter Boy, Portuguese director Marco Martins’s Great Yarmouth-Provisional Figures, and veteran Japanese producer Genki Kawamura’s directorial debut A Hundred Flowers.
The latest movie...
- 8/2/2022
- by Zac Ntim
- Deadline Film + TV
After teasing a number of titles in one-off announcements, including Steven Spielberg’s The Fabelmans, TIFF has now unveiled their full Gala and Special Presentations lineup. Selections include Hong Sangsoo’s second new feature of 2022, Walk Up, plus Martin McDonagh’s The Banshees Of Inisherin, Sarah Polley’s Women Talking, Sam Mendes’ Empire of Light, the Vicky Krieps-led Corsage, Park Chan-wook’s Decision to Leave, the Jennifer Lawrence-led Causeway, Joanna Hogg’s The Eternal Daugther, Mark Mylod’s The Menu, Henry Selick’s Wendell & Wild, Darren Aronofsky’s The Whale, and more.
See the lineup below.
Gala Presentations 2022
*Previously announced
Alice, Darling Mary Nighy | Canada, USA
World Premiere
Black Ice Hubert Davis | Canada
World Premiere
Butcher’s Crossing Gabe Polsky | USA
World Premiere
The Greatest Beer Run Ever Peter Farrelly | USA
World Premiere
The Hummingbird Francesca Archibugi | Italy, France
World Premiere
Hunt Lee Jung-jae | South Korea
North American...
See the lineup below.
Gala Presentations 2022
*Previously announced
Alice, Darling Mary Nighy | Canada, USA
World Premiere
Black Ice Hubert Davis | Canada
World Premiere
Butcher’s Crossing Gabe Polsky | USA
World Premiere
The Greatest Beer Run Ever Peter Farrelly | USA
World Premiere
The Hummingbird Francesca Archibugi | Italy, France
World Premiere
Hunt Lee Jung-jae | South Korea
North American...
- 7/28/2022
- by Leonard Pearce
- The Film Stage
Toronto Film Festival: Tyler Perry, Peter Farrelly, Catherine Hardwicke Films Set for Gala Treatment
Click here to read the full article.
The 2022 Toronto Film Festival has added world premieres for Tyler Perry’s new Netflix film, A Jazzman’s Blues; Peter Farrelly’s Vietnam War movie The Greatest Beer Run Ever, which stars Russell Crowe and Zac Efron; and the Catherine Hardwicke dramatic thriller Prisoner’s Daughter, starring Kate Beckinsale and Brian Cox.
As TIFF unveiled 18 Gala program titles to screen in Roy Thomson Hall, the festival booked red carpet launches for Hubert Davis’s Black Ice, a documentary about Black hockey players executive produced by Drake; Alice, Darling, director Mary Nighy’s psychological thriller led by Anna Kendrick; Gabe Polsky’s frontier epic Butcher’s Crossing, which stars Nicolas Cage; and Francesca Archibugi’s The Hummingbird, toplined by Nanni Moretti, Berenice Bejo and Pierfrancesco Favino.
Toronto is returning for a 47th edition to run Sept. 8 to 18 that will be in-person, with Hollywood stars on red carpets...
The 2022 Toronto Film Festival has added world premieres for Tyler Perry’s new Netflix film, A Jazzman’s Blues; Peter Farrelly’s Vietnam War movie The Greatest Beer Run Ever, which stars Russell Crowe and Zac Efron; and the Catherine Hardwicke dramatic thriller Prisoner’s Daughter, starring Kate Beckinsale and Brian Cox.
As TIFF unveiled 18 Gala program titles to screen in Roy Thomson Hall, the festival booked red carpet launches for Hubert Davis’s Black Ice, a documentary about Black hockey players executive produced by Drake; Alice, Darling, director Mary Nighy’s psychological thriller led by Anna Kendrick; Gabe Polsky’s frontier epic Butcher’s Crossing, which stars Nicolas Cage; and Francesca Archibugi’s The Hummingbird, toplined by Nanni Moretti, Berenice Bejo and Pierfrancesco Favino.
Toronto is returning for a 47th edition to run Sept. 8 to 18 that will be in-person, with Hollywood stars on red carpets...
- 7/28/2022
- by Etan Vlessing
- The Hollywood Reporter - Movie News
Eighteen galas, 45 special presentations unveiled for 47th edition of Toronto festival.
Stephen Frears’ drama The Lost King starring Sally Hawkins and Steve Coogan, Shekhar Kapur’s comedy What’s Love Got to Do With It? with Lily James and Emma Thompson and Apple’s Jennifer Lawrence drama Causeway from Lila Neugebauer are among this year’s gala and special presentations for the Toronto International Film Festival.
Further previously unannounced world premiere selections include Richard Eyre’s hospital drama Allelujah (pictured) from Pathé with Jennifer Saunders and Judi Dench, Oscar-winner Jessica Chastain in Tobias Lindholm’s Netflix true-life crime drama The Good Nurse,...
Stephen Frears’ drama The Lost King starring Sally Hawkins and Steve Coogan, Shekhar Kapur’s comedy What’s Love Got to Do With It? with Lily James and Emma Thompson and Apple’s Jennifer Lawrence drama Causeway from Lila Neugebauer are among this year’s gala and special presentations for the Toronto International Film Festival.
Further previously unannounced world premiere selections include Richard Eyre’s hospital drama Allelujah (pictured) from Pathé with Jennifer Saunders and Judi Dench, Oscar-winner Jessica Chastain in Tobias Lindholm’s Netflix true-life crime drama The Good Nurse,...
- 7/28/2022
- by Jeremy Kay
- ScreenDaily
The 2022 TIFF lineup features new films from Tyler Perry, Peter Farrelly, Sam Mendes, Catherine Hardwicke, Martin McDonagh, Sarah Polley, Henry Selick, Stephen Frears and many more.
In all, 18 Galas and 45 Special Presentations were unveiled as part of the 47th Annual Toronto International Film Festival lineup, with 38 of the total films announced on Thursday slated to world premiere at the festival.
Among the Gala presentations are Farrelly’s “The Greatest Beer Run Ever,” his follow-up film after winning the audience prize at TIFF for “Green Book.” There’s also Tyler Perry’s “A Jazzman’s Blues,” Paul Weitz’s “Moving On” with Jane Fonda, and “Sidney” from Reginald Hudlin.
Those join previously announced titles such as “The Woman King” starring Viola Davis and the opening night film “The Swimmers” from Sally El Hosaini. Lee Jung-jae’s “Hunt,” which first premiered at Cannes, will also receive a Gala presentation, as will “The Son” from Florian Zeller,...
In all, 18 Galas and 45 Special Presentations were unveiled as part of the 47th Annual Toronto International Film Festival lineup, with 38 of the total films announced on Thursday slated to world premiere at the festival.
Among the Gala presentations are Farrelly’s “The Greatest Beer Run Ever,” his follow-up film after winning the audience prize at TIFF for “Green Book.” There’s also Tyler Perry’s “A Jazzman’s Blues,” Paul Weitz’s “Moving On” with Jane Fonda, and “Sidney” from Reginald Hudlin.
Those join previously announced titles such as “The Woman King” starring Viola Davis and the opening night film “The Swimmers” from Sally El Hosaini. Lee Jung-jae’s “Hunt,” which first premiered at Cannes, will also receive a Gala presentation, as will “The Son” from Florian Zeller,...
- 7/28/2022
- by Brian Welk
- The Wrap
El Suplente
Now at the half dozen mark in his feature film career, Argentinean filmmaker Diego Lerman had Rotterdam support a couple of his short and feature films but the most notable items have so far been the Cannes Directors’ Fortnight selected The Invisible Eye (2020) and 2014’s Refugiado. For his six feature, Lerman teams with Barbara Lennie (Jaime Rosales’ Petra), Alfredo Castro and Juan Minujín (The Two Popes). We believe the project was formerly Literature Teacher but now going by El Suplente, this Argentina/Brazil production just began lensing last month.
Gist: We’ll need to wait for more news on the logline for this item.…...
Now at the half dozen mark in his feature film career, Argentinean filmmaker Diego Lerman had Rotterdam support a couple of his short and feature films but the most notable items have so far been the Cannes Directors’ Fortnight selected The Invisible Eye (2020) and 2014’s Refugiado. For his six feature, Lerman teams with Barbara Lennie (Jaime Rosales’ Petra), Alfredo Castro and Juan Minujín (The Two Popes). We believe the project was formerly Literature Teacher but now going by El Suplente, this Argentina/Brazil production just began lensing last month.
Gist: We’ll need to wait for more news on the logline for this item.…...
- 1/7/2022
- by Eric Lavallée
- IONCINEMA.com
Argentina’s Aleph Cine, led by Fernando Sokolowicz, one of the country’s most established film producers, has taken an undisclosed co-production stake in Romina Paula’s project “Gente de noche” (“People by Night”), produced by New Argentine Cinema icon Diego Dubcovsky at Varsovia Films.
Selected for San Sebastian Festival’s 9th Europe-Latin America Co-Production Forum, “Gente” marks Paula’s return to the Spanish festival after winning the 2019 Horizontes Award with her feature debut “Again Once Again” and co-directing 2020 Official Section omnibus player “Unlimited Edition.”
Toplining Agustina Muñoz (“Viola”) and Margarita Molfino (“Wild Tales”), the project follows Agustina, a woman who travels with her newborn baby to Selva Misionera to meet her wife’s family.
Selva Misionera owes its name to the Jesuit missions that began in the 17th Century in Guaraní territory -comprising current northeastern Argentina plus Uruguay, Paraguay, Bolivia and Brazil- by the Society of Jesus to evangelize the region.
Selected for San Sebastian Festival’s 9th Europe-Latin America Co-Production Forum, “Gente” marks Paula’s return to the Spanish festival after winning the 2019 Horizontes Award with her feature debut “Again Once Again” and co-directing 2020 Official Section omnibus player “Unlimited Edition.”
Toplining Agustina Muñoz (“Viola”) and Margarita Molfino (“Wild Tales”), the project follows Agustina, a woman who travels with her newborn baby to Selva Misionera to meet her wife’s family.
Selva Misionera owes its name to the Jesuit missions that began in the 17th Century in Guaraní territory -comprising current northeastern Argentina plus Uruguay, Paraguay, Bolivia and Brazil- by the Society of Jesus to evangelize the region.
- 9/9/2021
- by Emiliano De Pablos
- Variety Film + TV
Madrid — Berlin-based Pluto Film has acquired international sales rights to “Las Mil y Una” (“One in a Thousand”), the second feature by Argentina’s Clarisa Navas and one of the first titles ti be announced for the Panorama section of this year’s Berlinale.
A world premiere at the Berlinale, “One in a Thousand” marks the latest production by Diego Dubcovsky, whose credits take in foundation movies of the so-called New Argentine Cinema (“Garaje Olimpo”) to multiple hits from Daniel Burman such as Berlin double Silver Bear winner “The Lost Embrace,” and features by Walter Salles (“The Motorcycle Diaries”), Cesc Gay (“Truman”), Benjamín Naishtat (“The Movement”) and Diego Lerman (“Meanwhile”).
Also written by Navas, “One in a Thousand” marks the director’s follow-up to debut feature “Today Match at 3,” about a feisty girls’ soccer team from a village outside Navas’ native Corrientes, northern Argentina. It already underscored the director’s...
A world premiere at the Berlinale, “One in a Thousand” marks the latest production by Diego Dubcovsky, whose credits take in foundation movies of the so-called New Argentine Cinema (“Garaje Olimpo”) to multiple hits from Daniel Burman such as Berlin double Silver Bear winner “The Lost Embrace,” and features by Walter Salles (“The Motorcycle Diaries”), Cesc Gay (“Truman”), Benjamín Naishtat (“The Movement”) and Diego Lerman (“Meanwhile”).
Also written by Navas, “One in a Thousand” marks the director’s follow-up to debut feature “Today Match at 3,” about a feisty girls’ soccer team from a village outside Navas’ native Corrientes, northern Argentina. It already underscored the director’s...
- 1/9/2020
- by John Hopewell
- Variety Film + TV
Jan Naszewski’s New Europe Film Sales has debuted the trailer for Argentinian film “The Lunchroom” (Planta Permanente), winner of the best actress award at Mar del Plata Film Festival, ahead of the Ventana Sur market. It is director Ezequiel Radusky’s second pic following “The Owners,” which played in Critics’ Week at Cannes.
The film is the story of Lila, who for 30 years has been a cleaner in a provincial municipality building. She’s an important figure in the office’s close-knit society because of the unofficial staff cafeteria, which she runs together with her friend Marcela. When Lila gets the opportunity to refurbish the lunchroom and run it officially as the boss, this elevation of her status causes Marcela’s envy and starts a slow decay of the office’s delicate status quo.
“The Lunchroom” was produced by Nicolas Avruj and Diego Lerman at Argentina’s Campo Cine,...
The film is the story of Lila, who for 30 years has been a cleaner in a provincial municipality building. She’s an important figure in the office’s close-knit society because of the unofficial staff cafeteria, which she runs together with her friend Marcela. When Lila gets the opportunity to refurbish the lunchroom and run it officially as the boss, this elevation of her status causes Marcela’s envy and starts a slow decay of the office’s delicate status quo.
“The Lunchroom” was produced by Nicolas Avruj and Diego Lerman at Argentina’s Campo Cine,...
- 12/2/2019
- by Leo Barraclough
- Variety Film + TV
Jan Naszewski’s sales outlet New Europe Film Sales has signed a world sales deal for the Mar del Plata Film Festival competition title “The Lunchroom” (Planta Permanente), directed by Ezequiel Radusky, which it is selling at Afm. It’s Radusky’s second film after “The Owners,” which played in Cannes’ Critics’ Week.
The film centers on Lila, who is a cleaner in a municipal building and runs an unofficial staff cafeteria with her friend Marcela. When Lila gets the chance to run it officially as the boss, this elevation provokes Marcela’s envy, and unsettles the delicate balance in the life of the office block.
Nicolas Avruj, who produces alongside Diego Lerman for Campo Cine in Argentina, said: “A job where you cannot be fired can be paradise, but it can also be hell. ‘The Lunchroom’ is a funny dark film where we have the chance to rejoice with...
The film centers on Lila, who is a cleaner in a municipal building and runs an unofficial staff cafeteria with her friend Marcela. When Lila gets the chance to run it officially as the boss, this elevation provokes Marcela’s envy, and unsettles the delicate balance in the life of the office block.
Nicolas Avruj, who produces alongside Diego Lerman for Campo Cine in Argentina, said: “A job where you cannot be fired can be paradise, but it can also be hell. ‘The Lunchroom’ is a funny dark film where we have the chance to rejoice with...
- 11/8/2019
- by Leo Barraclough
- Variety Film + TV
The new projects by Asier Altuna, César Díaz, Pablo Giorgelli, Diego Lerman and Mariana Rondón are among those chosen to be presented to film professionals from 22 to 25 September. Sixteen projects from twelve countries have been selected for the 8th Europe-Latin America Co-Production Forum, San Sebastián International Film Festival's platform for promoting new audiovisual projects between European and Latin American film. Taking place from 22 to 25 September, the forum will host the pitching session of the projects selected, as well as the other five chosen for the fifth edition of the Ikusmira Berriak residencies programme, which will be followed by one-to-one meetings with their producers and directors, coinciding with Films in Progress 36 and the third edition of Glocal in Progress (read news). From among the projects selected, eleven will be first or second films, including The Judges (Los jueces), by Guatemala's César Díaz, whose debut film, Our...
Madrid — Diego Lerman’s “Literature Teacher,” Asier Altuna’s “Karmele,” Benjamín Avila’s “The Cardinal” and Mariana Rondón’s “Zafari” will pitch at the 8th San Sebastian Europe-Latin American Co-production Forum, now firmly established as, along with Ventana Sur, the key art film meet exploring that axis.
Featuring new projects from other name auteurs from the region- Pablo Giorgelli, Neto Villalobos, for example – as well as top producers working Europe Latin American production – Tu Vas Voir, Campo Cine, Patagonik, Malbicho Cine, Tarea Fina – the Forum, running Sept.22-25, will attract most of San Sebastian’s now 2,000-plus industry delegates, while offering a glimpse of the market trends now forging the regions’ filmmaking.
Here, for starters, are three:
1.Step Up In Scale Or Mainstream Ambitions
One is a step up in scale, or move towards the mainstream. After winning the Cannes Festival’s Camera d’Or for best first feature with “Las Acacias,...
Featuring new projects from other name auteurs from the region- Pablo Giorgelli, Neto Villalobos, for example – as well as top producers working Europe Latin American production – Tu Vas Voir, Campo Cine, Patagonik, Malbicho Cine, Tarea Fina – the Forum, running Sept.22-25, will attract most of San Sebastian’s now 2,000-plus industry delegates, while offering a glimpse of the market trends now forging the regions’ filmmaking.
Here, for starters, are three:
1.Step Up In Scale Or Mainstream Ambitions
One is a step up in scale, or move towards the mainstream. After winning the Cannes Festival’s Camera d’Or for best first feature with “Las Acacias,...
- 8/13/2019
- by John Hopewell
- Variety Film + TV
Sold by Charades, and released in France by Memento Films Distribution, “Hogar” (Maternal), the awaited fiction feature debut of Italy’s Maura Delpero, sees different forms of female desire collide and collude.
Teen mother Lu takes off from Hogar, a religious residence for single teen mothers, to live with her boyfriend, abandoning Nina, her little daughter; Sister Paola, who arrives at Hogar to take her final vows discovers her maternal instincts looking after Nina; another teen resident, Fatima – who comes from a violent home – where she may well have been raped by her mother’s boyfriend – is pregnant by her second child, begins to accept motherhood.
World premiering in Locarno’s main International Competition on Aug. 9, and winner of the Arte International Prize, adjudicated by Arte France Cinema, at San Sebastian’s 2016 Co-Production Forum, “Maternal” is shot with delicacy and democracy. Everybody has a different take on maternity. Under Delpero’s humanistic gaze,...
Teen mother Lu takes off from Hogar, a religious residence for single teen mothers, to live with her boyfriend, abandoning Nina, her little daughter; Sister Paola, who arrives at Hogar to take her final vows discovers her maternal instincts looking after Nina; another teen resident, Fatima – who comes from a violent home – where she may well have been raped by her mother’s boyfriend – is pregnant by her second child, begins to accept motherhood.
World premiering in Locarno’s main International Competition on Aug. 9, and winner of the Arte International Prize, adjudicated by Arte France Cinema, at San Sebastian’s 2016 Co-Production Forum, “Maternal” is shot with delicacy and democracy. Everybody has a different take on maternity. Under Delpero’s humanistic gaze,...
- 8/9/2019
- by John Hopewell
- Variety Film + TV
Having seen large success with Cannes Critics’ Week and Annecy Cristal winner “I Lost My Body,” Paris-based Charades has confirmed its acquisition of international sales rights to “Maternal” (“Hogar”), written and directed by Italy’s Maura Delpero.
The awaited fiction feature debut of Delpero, a documentary filmmaker whose won a Donatello Award nomination for dock-feature “Nadja e Sveta,” “Maternal” will world premiere in main international competition at this year’s Locarno Festival, whose lineup was announced this Wednesday morning.
Memento Films Distribution, whose more recent releases include “Une Intime Conviction” and “Everybody Knows,” will handle “Maternal’s” distribution in France.
A second Charades sales title, already announced,“The Girl with a Bracelet,” will also world premiere at Locarno, this time in its Piazza Grande strand, which highlights potential audience-friendly movies and crossover fare.
Already scooping multiple awards at top development programs, such as the Arte International Prize, adjudicated by Arte France Cinema,...
The awaited fiction feature debut of Delpero, a documentary filmmaker whose won a Donatello Award nomination for dock-feature “Nadja e Sveta,” “Maternal” will world premiere in main international competition at this year’s Locarno Festival, whose lineup was announced this Wednesday morning.
Memento Films Distribution, whose more recent releases include “Une Intime Conviction” and “Everybody Knows,” will handle “Maternal’s” distribution in France.
A second Charades sales title, already announced,“The Girl with a Bracelet,” will also world premiere at Locarno, this time in its Piazza Grande strand, which highlights potential audience-friendly movies and crossover fare.
Already scooping multiple awards at top development programs, such as the Arte International Prize, adjudicated by Arte France Cinema,...
- 7/17/2019
- by John Hopewell
- Variety Film + TV
Monos
Alejandro Landes’ sophomore feature, kidnap thriller Monos, features an international cast as a Colombian-Argentinean-Uruguayan-Dutch-German co-production. Landes produces alongside Fernando Epstein, Cristina Landes, Santiagao A. Zapata, and a slew of co-producers (including Diego Lerman and Nicolas Avruj of Campo Cine). Filmed in Colombia, the feature stars Julianne Nicholson (also serving as associate producer), Moisés Arias, Julian Giraldo, and Sofía Buenaventura. Landes’ 2011 debut Porfirio premiered at the Cannes Film Festival in Directors’ Fortnight.
Gist: Co-written by Argentina’s Alexis Dos Santos, a group of child revolutionary soldiers hold an American woman captive atop a desolate mountaintop.…...
Alejandro Landes’ sophomore feature, kidnap thriller Monos, features an international cast as a Colombian-Argentinean-Uruguayan-Dutch-German co-production. Landes produces alongside Fernando Epstein, Cristina Landes, Santiagao A. Zapata, and a slew of co-producers (including Diego Lerman and Nicolas Avruj of Campo Cine). Filmed in Colombia, the feature stars Julianne Nicholson (also serving as associate producer), Moisés Arias, Julian Giraldo, and Sofía Buenaventura. Landes’ 2011 debut Porfirio premiered at the Cannes Film Festival in Directors’ Fortnight.
Gist: Co-written by Argentina’s Alexis Dos Santos, a group of child revolutionary soldiers hold an American woman captive atop a desolate mountaintop.…...
- 1/3/2019
- by Nicholas Bell
- IONCINEMA.com
Official Competition Jury: Alexander Payne, Bet Rourich, Agnes Johansen, Francesca Cima, Nahuel Perez Biscayart, Rossy de Palma Photo: Courtesy of San Sebastian Film Festival Downsizing director Alexander Payne has been announced as the jury president for the 66th San Sebastian Film Festival.
The helmer of films including Sideways and Nebraska will be joined on the Official Competition jury by 42 Beats actor Nahuel Pérez Biscayart and Women On The Verge Of A Nervous Breakdown star Rossy de Palma, alongside Adult Life Skills and Songbird cinemtographer Bet Rourich. Producers Francesca Cima (The Great Beauty) and Agnes Johansen (Jar City) will also take part, with a seventh juror still to be named.
In a refreshing change from many festivals, female talent also dominates the New Directors award jury, with Thelma producer Katrin Pors named president, alongside Refugiado director Diego Lerman, artist Imma Merino, scriptwriter Léa Mysius (Ismael's Ghosts) and Sydney Film Festival director Nashen Moodley.
The helmer of films including Sideways and Nebraska will be joined on the Official Competition jury by 42 Beats actor Nahuel Pérez Biscayart and Women On The Verge Of A Nervous Breakdown star Rossy de Palma, alongside Adult Life Skills and Songbird cinemtographer Bet Rourich. Producers Francesca Cima (The Great Beauty) and Agnes Johansen (Jar City) will also take part, with a seventh juror still to be named.
In a refreshing change from many festivals, female talent also dominates the New Directors award jury, with Thelma producer Katrin Pors named president, alongside Refugiado director Diego Lerman, artist Imma Merino, scriptwriter Léa Mysius (Ismael's Ghosts) and Sydney Film Festival director Nashen Moodley.
- 9/7/2018
- by Amber Wilkinson
- eyeforfilm.co.uk
Vivo Film, Italian indie known for recent standout titles such as “Nico, 1988” and “Daughter of Mine,” has boarded Abel Ferrara’s long-gestating “Siberia” as its main producer.
The Rome-based shingle headed by Marta Donzelli and Gregorio Paonessa also has several pics by emerging Italian directors in the pipeline including “Dafne,” a drama centered around a young woman who suffers from Down syndrome which will start shooting in Tuscany in June.
Ferrara announced “Siberia” in Cannes three years ago calling it an exploration of the language of dreams and a vehicle for Willem Dafoe. It’s about the introspective voyage of a man who lives in an isolated cabin on a snow-capped mountain. Since then “Siberia” long languished, but Vivo Film has teamed up with German producer Philipp Kreuzer’s Maze Pictures to co-produce the pic and The Match Factory has taken world sales. They are also in talks with Sundance...
The Rome-based shingle headed by Marta Donzelli and Gregorio Paonessa also has several pics by emerging Italian directors in the pipeline including “Dafne,” a drama centered around a young woman who suffers from Down syndrome which will start shooting in Tuscany in June.
Ferrara announced “Siberia” in Cannes three years ago calling it an exploration of the language of dreams and a vehicle for Willem Dafoe. It’s about the introspective voyage of a man who lives in an isolated cabin on a snow-capped mountain. Since then “Siberia” long languished, but Vivo Film has teamed up with German producer Philipp Kreuzer’s Maze Pictures to co-produce the pic and The Match Factory has taken world sales. They are also in talks with Sundance...
- 5/21/2018
- by Nick Vivarelli
- Variety Film + TV
Like everything else, Miami is bigger than it used to be. At 5.5 million, the burgeoning Miami-Dade population is the eighth largest metro area in the U.S. You hear Spanish everywhere, from the glitzy Vegas-level Faena Hotel — resplendent wth full-length lobby murals from Pedro Almodovar’s poster designer Juan Gatti, a stuffed peacock, and Damien Hirst’s $15-million 14K gold-painted mastodon skeleton encased in glass perilously close to the ocean — to the famed neon-deco restorations lining Collins Avenue on South Beach, Little Havana’s Ball & Chain, the wild grafitti art at Wynwood Walls and a gut-busting range of South American restaurants, from Chile to Peru.
And you hear Spanish at Miami-Dade College’s sprawling Miami Film Festival, which — after eight years under director Jaie Laplante — leans into its Ibero-American identity via a strong program dominated by Spanish-language films amid a diverse array of narratives, shorts and documentaries.
Headquartered at Belle...
And you hear Spanish at Miami-Dade College’s sprawling Miami Film Festival, which — after eight years under director Jaie Laplante — leans into its Ibero-American identity via a strong program dominated by Spanish-language films amid a diverse array of narratives, shorts and documentaries.
Headquartered at Belle...
- 3/20/2018
- by Anne Thompson
- Thompson on Hollywood
Like everything else, Miami is bigger than it used to be. At 5.5 million, the burgeoning Miami-Dade population is the eighth largest metro area in the U.S. You hear Spanish everywhere, from the glitzy Vegas-level Faena Hotel — resplendent wth full-length lobby murals from Pedro Almodovar’s poster designer Juan Gatti, a stuffed peacock, and Damien Hirst’s $15-million 14K gold-painted mastodon skeleton encased in glass perilously close to the ocean — to the famed neon-deco restorations lining Collins Avenue on South Beach, Little Havana’s Ball & Chain, the wild grafitti art at Wynwood Walls and a gut-busting range of South American restaurants, from Chile to Peru.
And you hear Spanish at Miami-Dade College’s sprawling Miami Film Festival, which — after eight years under director Jaie Laplante — leans into its Ibero-American identity via a strong program dominated by Spanish-language films amid a diverse array of narratives, shorts and documentaries.
Headquartered at Belle...
And you hear Spanish at Miami-Dade College’s sprawling Miami Film Festival, which — after eight years under director Jaie Laplante — leans into its Ibero-American identity via a strong program dominated by Spanish-language films amid a diverse array of narratives, shorts and documentaries.
Headquartered at Belle...
- 3/20/2018
- by Anne Thompson
- Indiewire
Outsider Pictures to release in Us on March 23.
Diego Lerman’s A Sort Of Family (Una Especie de Familia) won the $40,000 Knight Competition grand jury prize for best film as Argentine entries flourished at the 35th annual Miami Film Festival.
A Sort Of Family, nominated for eight Argentinian Academy Awards, was joined the winners’ podium by Pablo Solarz’s Argentina-Spain co-production The Last Suit (El Ultimo Traje), which took the audience award for best feature and opens in the Us this week through Outsider Pictures.
The Audience Award for best short film went to The Driver Is Red, a true-crime...
Diego Lerman’s A Sort Of Family (Una Especie de Familia) won the $40,000 Knight Competition grand jury prize for best film as Argentine entries flourished at the 35th annual Miami Film Festival.
A Sort Of Family, nominated for eight Argentinian Academy Awards, was joined the winners’ podium by Pablo Solarz’s Argentina-Spain co-production The Last Suit (El Ultimo Traje), which took the audience award for best feature and opens in the Us this week through Outsider Pictures.
The Audience Award for best short film went to The Driver Is Red, a true-crime...
- 3/20/2018
- by Jenn Sherman
- ScreenDaily
Chicago – The Chicago International Film Festival is a competitive fest, and the 53rd edition presented its awards on October 20th, 2017, at the AMC River East Theatre in Chicago. The winner of the Gold Hugo as Best Film was “A Sort of Family” (Argentina), directed by Diego Lerman.
The 53rd Chicago International Film Festival Awards Night was October 20th, 2017
Photo credit: Patrick McDonald for HollywoodChicago.com
The awards event was hosted by entertainment reporter Bill Zwecker of the Chicago Sun-Times and FOX32. Presenters included Artistic Director Mimi Plauché, programmers Anthony Kaufman and Sam Flancher, plus various jury members. Local treasures Chaz Ebert of RogerEbert.com and Festival Founder Michael Kutza joined in as presenters. The Festival’s highest honor is the Gold Hugo, named for the mythical God of Discovery.
International Feature Film Competition
“A Sort of Family,” Directed by Diego Lerman
Photo credit: Chicago International Film Festival
The Gold Hugo...
The 53rd Chicago International Film Festival Awards Night was October 20th, 2017
Photo credit: Patrick McDonald for HollywoodChicago.com
The awards event was hosted by entertainment reporter Bill Zwecker of the Chicago Sun-Times and FOX32. Presenters included Artistic Director Mimi Plauché, programmers Anthony Kaufman and Sam Flancher, plus various jury members. Local treasures Chaz Ebert of RogerEbert.com and Festival Founder Michael Kutza joined in as presenters. The Festival’s highest honor is the Gold Hugo, named for the mythical God of Discovery.
International Feature Film Competition
“A Sort of Family,” Directed by Diego Lerman
Photo credit: Chicago International Film Festival
The Gold Hugo...
- 10/21/2017
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
A Sort of Family sees Argentinian director Diego Lerman returning to the motherhood theme he explored so successfully in his multiple award-winning domestic violence drama Refugee. Again infusing his story with thriller elements, Lerman delivers a rewarding, well-crafted and accessible piece where the characters come first, and despite the film’s sensitive and balanced reflection on the adoption theme, it’s the raw, emotional showdowns of its two superbly-played female protagonists, one rich and one poor, which will linger longest in the memory. Further festival play and limited theatrical distribution are Family’s likeliest homes.
The lengthy opening scene shows Malena (much-lauded Spaniard...
The lengthy opening scene shows Malena (much-lauded Spaniard...
- 9/9/2017
- by Jonathan Holland
- The Hollywood Reporter - Movie News
Films from Olivier Nakache and Éric Toledano, Alexandros Avranas and Diego Lerman added to competition line-up.
Further competition titles for the 2017 San Sebastian Film Festival (22-30 September) have been announced, including The Disaster Artist.
Written, directed and starring James Franco, the project tells the story of Tommy Wiseau’s infamous cult film The Room. It will also appear at the Toronto International Film Festival.
Other titles competing for the Golden Shell include Diego Lerman’s A Sort Of Family (Una Especie De Familia); Love Me Not from Alexandros Avranas; Barbara Albert’s Mademoiselle Paradis; and The Lion Sleeps Tonight from Nobuhiro Suwa.
Olivier Nakache and Éric Toledano’s C’est La Vie!, Ivana Mladenovic’s Soldiers. Story From Ferentari and Matt Porterfield’s Sollers Point have also been announced.
Alexandros Avranas won the best director Silver Lion at Venice for Miss Violence in 2013. Diego Lerman’s Suddenly won the Silver Leopard at the Locarno Festival in 2002.
Nakache...
Further competition titles for the 2017 San Sebastian Film Festival (22-30 September) have been announced, including The Disaster Artist.
Written, directed and starring James Franco, the project tells the story of Tommy Wiseau’s infamous cult film The Room. It will also appear at the Toronto International Film Festival.
Other titles competing for the Golden Shell include Diego Lerman’s A Sort Of Family (Una Especie De Familia); Love Me Not from Alexandros Avranas; Barbara Albert’s Mademoiselle Paradis; and The Lion Sleeps Tonight from Nobuhiro Suwa.
Olivier Nakache and Éric Toledano’s C’est La Vie!, Ivana Mladenovic’s Soldiers. Story From Ferentari and Matt Porterfield’s Sollers Point have also been announced.
Alexandros Avranas won the best director Silver Lion at Venice for Miss Violence in 2013. Diego Lerman’s Suddenly won the Silver Leopard at the Locarno Festival in 2002.
Nakache...
- 8/4/2017
- by orlando.parfitt@screendaily.com (Orlando Parfitt)
- ScreenDaily
The Disaster Artist is heading to San Sebastian Photo: Courtesy of San Sebastian Film Festival San Sebastian Film Festival announced a selection of the films that will compete at its 65th edition this September - including features from James Franco, Alexandros Avranas, Diego Lerman and Barbara Albert.
Other directors in contention for the Golden Shell include Olivier Nakache, Eric Toledano Matt Porterfield and Ivana Mladenovic..
Franco puts himself in front of the camera for his latest film, comedy The Disaster Artist, starring as Tommy Wiseau, the director of the "Citizen Kane of bad movies" The Room. The film showed as a work in progress at SXSW with considerable success and will have its world premiere in Toronto.
Also heading to the festival after a premiere in Canada is Mademoiselle Paradis (Licht), a historical drama about a blind piano prodigy, directed by Austrian filmmaker Albert, who previously competed at the festival...
Other directors in contention for the Golden Shell include Olivier Nakache, Eric Toledano Matt Porterfield and Ivana Mladenovic..
Franco puts himself in front of the camera for his latest film, comedy The Disaster Artist, starring as Tommy Wiseau, the director of the "Citizen Kane of bad movies" The Room. The film showed as a work in progress at SXSW with considerable success and will have its world premiere in Toronto.
Also heading to the festival after a premiere in Canada is Mademoiselle Paradis (Licht), a historical drama about a blind piano prodigy, directed by Austrian filmmaker Albert, who previously competed at the festival...
- 8/4/2017
- by Amber Wilkinson
- eyeforfilm.co.uk
Exclusive: Production company works with Danish debut director but brings in international expertise.
Danish production company Snowglobe, whose co-production credits include festival hits Ralitza Petrova’s Godless and Amat Escalante’s The Untamed, has greenlit its first Danish production.
Martin Skovbjerg’s Sticks & Stones (Brakland) will shoot in July and August on the southern Danish island of Langeland and Funen.
Theatrical distributors already on board are Denmark’s Reel Pictures, Iceland’s Bio Paradis and Norway´s Mer Film.
The story is about a teenage boy from Copenhagen who moves to a provincial area, where he is an outsider until he meets the local 15-year-old alpha male. The pair challenge each other in transgressive actions but when one boy’s family is blamed for a local scandal, their friendship is threatened. Jonas Bjerril and Vilmer Trier Brøgger will star.
The script is based on an original story by writer Christian Gamst Miller-Harris (Follow The Money, Oscar-winning short Helium...
Danish production company Snowglobe, whose co-production credits include festival hits Ralitza Petrova’s Godless and Amat Escalante’s The Untamed, has greenlit its first Danish production.
Martin Skovbjerg’s Sticks & Stones (Brakland) will shoot in July and August on the southern Danish island of Langeland and Funen.
Theatrical distributors already on board are Denmark’s Reel Pictures, Iceland’s Bio Paradis and Norway´s Mer Film.
The story is about a teenage boy from Copenhagen who moves to a provincial area, where he is an outsider until he meets the local 15-year-old alpha male. The pair challenge each other in transgressive actions but when one boy’s family is blamed for a local scandal, their friendship is threatened. Jonas Bjerril and Vilmer Trier Brøgger will star.
The script is based on an original story by writer Christian Gamst Miller-Harris (Follow The Money, Oscar-winning short Helium...
- 5/20/2017
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
goEast winners in Wiesbaden; Polish Film Institute backs Ida producers; Berlin-based A Company launches Ukrainian distributor.
Russian director Aleksandr Kott’s Insight was named Best Film at this year’s goEast Festival of Central and European Cinema (20-26 April) in Wiesbaden, Germany.
The intimate drama charting a love affair between a blind man and his nurse premiered at last year’s Kinotavr festival in Sochi and was also shown at the Black Nights Film Festival in Tallinn.
During the festival, Kott, whose previous films include the 2010 war drama The Brest Fortress and 2014’s Test, confirmed to Screen that his next feature project, Soyuz Spaseniya (Union Of Salvation), will begin shooting from next year for a release date at the end of 2018.
The $10.7m (RUB700m) production from Direktsiya Kino with Russia’s Channel One Television is a historical drama set at the beginning of the 19th century about the founding of secret political society the Decembrists.
This...
Russian director Aleksandr Kott’s Insight was named Best Film at this year’s goEast Festival of Central and European Cinema (20-26 April) in Wiesbaden, Germany.
The intimate drama charting a love affair between a blind man and his nurse premiered at last year’s Kinotavr festival in Sochi and was also shown at the Black Nights Film Festival in Tallinn.
During the festival, Kott, whose previous films include the 2010 war drama The Brest Fortress and 2014’s Test, confirmed to Screen that his next feature project, Soyuz Spaseniya (Union Of Salvation), will begin shooting from next year for a release date at the end of 2018.
The $10.7m (RUB700m) production from Direktsiya Kino with Russia’s Channel One Television is a historical drama set at the beginning of the 19th century about the founding of secret political society the Decembrists.
This...
- 4/27/2016
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Iffr’s new artistic director Bero Beyer brings television back to the big screen in Rotterdam.
Following on from the 2013 strand Signals: Changing Channels, Beyer and former Critics’ Week programmer Léo Soesanto have jointly created Episodic/Epidemic - a new strand that highlights filmmakers working within television formats.
The section sits within Perspectives - an over-arching part of the festival Bero considers as “film-making that detours to the left, to the right and upside down of cinema”.
Both Soesanto and Beyer assert it is not another festival trend, which has seen TV strands such as Berlinale’s Special Series and Toronto’s Primetime, but instead an extension of Iffr’s programming.
“This is at the heart of Rotterdam [Iffr] - we want to celebrate all the ways a filmmaker can express themselves. Whether it’s music, art, gaming, Vr or episodic - we want to find the best way to present different types of storytelling,” said Bero.
A...
Following on from the 2013 strand Signals: Changing Channels, Beyer and former Critics’ Week programmer Léo Soesanto have jointly created Episodic/Epidemic - a new strand that highlights filmmakers working within television formats.
The section sits within Perspectives - an over-arching part of the festival Bero considers as “film-making that detours to the left, to the right and upside down of cinema”.
Both Soesanto and Beyer assert it is not another festival trend, which has seen TV strands such as Berlinale’s Special Series and Toronto’s Primetime, but instead an extension of Iffr’s programming.
“This is at the heart of Rotterdam [Iffr] - we want to celebrate all the ways a filmmaker can express themselves. Whether it’s music, art, gaming, Vr or episodic - we want to find the best way to present different types of storytelling,” said Bero.
A...
- 1/31/2016
- ScreenDaily
Berlinale Co-Production Market matches 36 new feature film projects with international co-production partners .
The 13th edition of the Berlinale Co-Production Market (Feb 14-16) has unveiled the 36 feature film projects from 29 different countries that will look to forge international co-production and financing partnerships.
Among the directors of the selected projects are Ciro Guerra, whose Embrace of the Serpent was presented as a project at a past edition of the market and is nominated for this year’s Best Foreign Language Film at the Academy Awards.
Also included Jasmila Zbanic, winner of the Golden Bear in 2006; Irish director Mark Noonan, who presented his debut film You’re Ugly Too last year at the Berlinale in the Generation Kplus programme and is currently working on his second feature film; as well as a host of other acclaimed directors such as Diego Lerman, Oliver Schmitz, Brandon Cronenberg and Alvaro Brechner.
The latest feature from Roar Uthang, who directed...
The 13th edition of the Berlinale Co-Production Market (Feb 14-16) has unveiled the 36 feature film projects from 29 different countries that will look to forge international co-production and financing partnerships.
Among the directors of the selected projects are Ciro Guerra, whose Embrace of the Serpent was presented as a project at a past edition of the market and is nominated for this year’s Best Foreign Language Film at the Academy Awards.
Also included Jasmila Zbanic, winner of the Golden Bear in 2006; Irish director Mark Noonan, who presented his debut film You’re Ugly Too last year at the Berlinale in the Generation Kplus programme and is currently working on his second feature film; as well as a host of other acclaimed directors such as Diego Lerman, Oliver Schmitz, Brandon Cronenberg and Alvaro Brechner.
The latest feature from Roar Uthang, who directed...
- 1/14/2016
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
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