The Award Awards has revealed its judging chairs and revealed new categories focusing on media and PR.
The announcement:
Award, Australia’s pre-eminent body representing creatives, is pleased to confirm that Jwt’s Lo Sheung Yan, known as Mayan among his peers, will be leading the judging of the 2013 Award Awards.
Mayan is currently Jwt’s Asia Pacific Creative Council’s Chairman. In the industry since 1996, Mayan has helped Jwt collect accolades such as AdFest’s Network Agency of the Year in 2008, Media Spikes and Adfest’s Network Agency of the Year in 2009, as well as securing its first gold Clio and first grand prix at Cannes 2011 during his tenure.
Craig Davis, Chairman of Award said: “No one knows more about creativity in Asia than Mayan. He’s shown the world repeatedly how good Asian creativity can be. And, with his deep understanding of the Chinese market, he will be a wonderful contributor to Circus.
The announcement:
Award, Australia’s pre-eminent body representing creatives, is pleased to confirm that Jwt’s Lo Sheung Yan, known as Mayan among his peers, will be leading the judging of the 2013 Award Awards.
Mayan is currently Jwt’s Asia Pacific Creative Council’s Chairman. In the industry since 1996, Mayan has helped Jwt collect accolades such as AdFest’s Network Agency of the Year in 2008, Media Spikes and Adfest’s Network Agency of the Year in 2009, as well as securing its first gold Clio and first grand prix at Cannes 2011 during his tenure.
Craig Davis, Chairman of Award said: “No one knows more about creativity in Asia than Mayan. He’s shown the world repeatedly how good Asian creativity can be. And, with his deep understanding of the Chinese market, he will be a wonderful contributor to Circus.
- 1/29/2013
- by mumbrella
- Encore Magazine
Clemenger Bbdo Melbourne was named agency of the year at the Melbourne Advertising & Design Club Awards tonight.
The agency won top honours for the second year running. However, rival Gpy&R Melbourne – which won more lions at Cannes this year than any Australian agency – did not enter for the second consecutive year. Last year, Patts Ecd Ben Coulson cited cost reasons for not supporting the event, which is Melbourne’s top awards show.
The awards list in full:
The Adstream Award for Agency of the Year
Winner
Clemenger Bbdo Melbourne
The Madc Award for Best in Show
Winner
Guilt Trips V/Line Agency McCann
The Madc Award for Lifetime Achievement
Winner
Scott Whybin, Whybin Tbwa
The Blackley Award for Creative Leader of the Year
Winner
Jason Williams, Leo Burnett
The Madc Award for Client of the Year
Winner
Carlton United Brewers
The Exit Films Award for Best Junior
Winners
Jono...
The agency won top honours for the second year running. However, rival Gpy&R Melbourne – which won more lions at Cannes this year than any Australian agency – did not enter for the second consecutive year. Last year, Patts Ecd Ben Coulson cited cost reasons for not supporting the event, which is Melbourne’s top awards show.
The awards list in full:
The Adstream Award for Agency of the Year
Winner
Clemenger Bbdo Melbourne
The Madc Award for Best in Show
Winner
Guilt Trips V/Line Agency McCann
The Madc Award for Lifetime Achievement
Winner
Scott Whybin, Whybin Tbwa
The Blackley Award for Creative Leader of the Year
Winner
Jason Williams, Leo Burnett
The Madc Award for Client of the Year
Winner
Carlton United Brewers
The Exit Films Award for Best Junior
Winners
Jono...
- 10/4/2012
- by Robin Hicks
- Encore Magazine
An ad from the New Zealand Transport Authority highlights the damage done to a driver’s internal organs in a car crash.
Called ‘Flying Objects’, the spot also uses slow motion footage of loose objects in a car hitting the dashboard.
The ad targets everyday drivers and their passengers stressing that even with the best protection and safest cars, they are still vulnerable to injury in a crash.
Clemenger Bbdo Wellington created the campaign.
Philip Andrew, the agency’s Ecd told Mumbrella: “Our client the transport authority sees the roads as a machine we get to move around on. They have a principal of ‘safer journeys’.”
“In almost all cars these days airbags and Asb breaks are standard. Cars have become safer but we wanted to show people they were still vulnerable if traveling faster than the limits. I think the most important thing that has resonated with this ad is the truth,...
Called ‘Flying Objects’, the spot also uses slow motion footage of loose objects in a car hitting the dashboard.
The ad targets everyday drivers and their passengers stressing that even with the best protection and safest cars, they are still vulnerable to injury in a crash.
Clemenger Bbdo Wellington created the campaign.
Philip Andrew, the agency’s Ecd told Mumbrella: “Our client the transport authority sees the roads as a machine we get to move around on. They have a principal of ‘safer journeys’.”
“In almost all cars these days airbags and Asb breaks are standard. Cars have become safer but we wanted to show people they were still vulnerable if traveling faster than the limits. I think the most important thing that has resonated with this ad is the truth,...
- 3/14/2012
- by Colin Delaney
- Encore Magazine
The Sweet Shop director Melanie Bridge is behind the camera for a new TV ad for Dulux paint in New Zealand.
The agency behind the ad was Clemenger Bbdo Wellington.
Bridge noted: “The key thing that we always had to ask ourselves was whether it was believable that
it had been created for real,” said Melanie. “We wanted it to look like the couple had
actually painted and stop-framed the animation on their house themselves.”
Credits:
Agency: Clemenger Bbdo Wellington
Client: Dulux
Title: ‘Weather’
Executive Creative Director: Philip Andrew
Art Director: Brigid Alkema
Copywriter: Mitch Alison
Producer: Martin Gray
Production Company: The Sweet Shop
Director: Melanie Bridge
Producer: Cindy Kavanagh
Dop: Ian McCarroll
VFX Supervisor: Glen Atkin
Post Production: Digipost...
The agency behind the ad was Clemenger Bbdo Wellington.
Bridge noted: “The key thing that we always had to ask ourselves was whether it was believable that
it had been created for real,” said Melanie. “We wanted it to look like the couple had
actually painted and stop-framed the animation on their house themselves.”
Credits:
Agency: Clemenger Bbdo Wellington
Client: Dulux
Title: ‘Weather’
Executive Creative Director: Philip Andrew
Art Director: Brigid Alkema
Copywriter: Mitch Alison
Producer: Martin Gray
Production Company: The Sweet Shop
Director: Melanie Bridge
Producer: Cindy Kavanagh
Dop: Ian McCarroll
VFX Supervisor: Glen Atkin
Post Production: Digipost...
- 3/14/2012
- by Robin Hicks
- Encore Magazine
“Cajun Dialect For Actors”? Really, True Blood? That’s the best you can do? It’s kind of amazing that Rene, a.k.a. Drew Marshall, has been able to kill fang-bangers for so long with his Big Box Of Incriminating Stuff sitting within a child’s reach. Along with the fang-banging videos and dialect CD, why not just throw in the bloody knife or the strangulation belt for good measure? He was smart to find a dim bulb like Arlene for cover; with her two kids and spotty romantic history, she’s a lot like Rita is to Dexter on Dexter, a woman so emotionally damaged that she’s well-nigh oblivious to her man’s shortcomings. In any case, it’s no small irony that the most convincingly Cajun character in the entire cast was the one with the fake accent. But that’s nitpicking. Looking at the larger picture,...
- 11/24/2008
- avclub.com
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