France’s Precarious Film Festival Workers Collective has warned that the Cannes Film Festival and France’s other major film events will be at “risk” due to a widescale exodus from the industry by festival staffers after plans they drew up to resolve their ongoing pay dispute were “rejected” by the French culture and labor ministries.
The collective, which includes staffers from the Cannes Film Festival alongside workers from other festivals across France met with Cannes Film Festival management, the Cnc, the French Ministries of Labor and Culture, the Cgt, and France’s other major entertainment unions this week in Cannes to discuss a plan to streamline the complex hiring and compensation process for French festival workers.
In a statement sent to Deadline, the collective said “Despite the urgency of the situation shared by all parties,” the French Ministries of Culture and Labor “rejected any hypothesis of exceptional or transitional...
The collective, which includes staffers from the Cannes Film Festival alongside workers from other festivals across France met with Cannes Film Festival management, the Cnc, the French Ministries of Labor and Culture, the Cgt, and France’s other major entertainment unions this week in Cannes to discuss a plan to streamline the complex hiring and compensation process for French festival workers.
In a statement sent to Deadline, the collective said “Despite the urgency of the situation shared by all parties,” the French Ministries of Culture and Labor “rejected any hypothesis of exceptional or transitional...
- 5/24/2024
- by Zac Ntim
- Deadline Film + TV
It has been a big week for beloved musical The Umbrellas of Cherbourg at the Cannes Film Festival, where it won the 1964 Palme d’Or and went on to international acclaim and five Oscar nominations and served as one of the key inspirations for Damien Chazelle’s La La Land.
The film got a special 60th anniversary Cannes Classics screening Thursday of the exquisitely new restoration at the Agnes Varda Theatre, which is named after the late director and is also wife of late Cherbourg writer-director Jacques Demy. This week also has seen the world premieres of two documentaries related to the film here. On Saturday night at the Buñuel Theatre in the Palais came the premiere of Once Upon a Time: Michel Legrand, an extensive two-hour documentary on the late great composer of Cherbourg and so much more.
Then on Wednesday night, also at the Buñuel, was the unveiling...
The film got a special 60th anniversary Cannes Classics screening Thursday of the exquisitely new restoration at the Agnes Varda Theatre, which is named after the late director and is also wife of late Cherbourg writer-director Jacques Demy. This week also has seen the world premieres of two documentaries related to the film here. On Saturday night at the Buñuel Theatre in the Palais came the premiere of Once Upon a Time: Michel Legrand, an extensive two-hour documentary on the late great composer of Cherbourg and so much more.
Then on Wednesday night, also at the Buñuel, was the unveiling...
- 5/23/2024
- by Pete Hammond
- Deadline Film + TV
It’s been 30 years since a film from India has been selected in the main competition at Cannes, but that finally changed this year.
Recent editions of Sundance, Tribeca, and Toronto have included riveting and even Oscar-nominated documentaries and features. In fact, Mira Nair’s “Monsoon Wedding” won the Golden Lion at Venice more than two decades ago. Granted, Cannes has recently programmed South Asian gems in other sections, such as the Queer Palm-winning “Joyland” from Pakistan in Un Certain Regard in 2022, or Anurag Kashyap’s “Kennedy” in Midnight last year. But would the South Asian drought in the main competition ever end?
Many were ecstatic last month when “All We Imagine as Light”, Mumbai-based Payal Kapadia’s narrative directorial debut, was announced in the competition lineup alongside legendary Cannes regulars: European heavyweights such as Jacques Audiard and Yorgos Lanthimos, American auteurs David Cronenberg and Paul Schrader, and Asian visionary Jia Zhangke.
Recent editions of Sundance, Tribeca, and Toronto have included riveting and even Oscar-nominated documentaries and features. In fact, Mira Nair’s “Monsoon Wedding” won the Golden Lion at Venice more than two decades ago. Granted, Cannes has recently programmed South Asian gems in other sections, such as the Queer Palm-winning “Joyland” from Pakistan in Un Certain Regard in 2022, or Anurag Kashyap’s “Kennedy” in Midnight last year. But would the South Asian drought in the main competition ever end?
Many were ecstatic last month when “All We Imagine as Light”, Mumbai-based Payal Kapadia’s narrative directorial debut, was announced in the competition lineup alongside legendary Cannes regulars: European heavyweights such as Jacques Audiard and Yorgos Lanthimos, American auteurs David Cronenberg and Paul Schrader, and Asian visionary Jia Zhangke.
- 5/23/2024
- by Ritesh Mehta
- Indiewire
A handful of competition premieres just made their way to the Palais to mixed results as the festival starts to wind down, the Cannes Marche du Film shutters Wednesday, and guests pack it up and head home.
In his second time competing for the Palme d’Or after “Red Rocket” three years ago, Sean Baker debuted the spectacularly alive and even exasperating “Anora” (Neon), starring Mikey Madison (“Better Things”) in a breakout, brilliant-from-the-gate lead performance as sex worker Ani. Living paycheck to paycheck in Queens while working as an exotic dancer in Manhattan, she meets a wealthy Russian, Timothée Chalamet-esque Ivan. He pays Ani $15,000 to be his “very horny girlfriend” for a week of debauchery in Vegas and in his remote Brooklyn cocaine mansion. They end up getting married impromptu, much to the unhappiness of Ivan’s parents, who make their return to the U.S. from Russia to get the marriage canceled.
In his second time competing for the Palme d’Or after “Red Rocket” three years ago, Sean Baker debuted the spectacularly alive and even exasperating “Anora” (Neon), starring Mikey Madison (“Better Things”) in a breakout, brilliant-from-the-gate lead performance as sex worker Ani. Living paycheck to paycheck in Queens while working as an exotic dancer in Manhattan, she meets a wealthy Russian, Timothée Chalamet-esque Ivan. He pays Ani $15,000 to be his “very horny girlfriend” for a week of debauchery in Vegas and in his remote Brooklyn cocaine mansion. They end up getting married impromptu, much to the unhappiness of Ivan’s parents, who make their return to the U.S. from Russia to get the marriage canceled.
- 5/22/2024
- by Ryan Lattanzio
- Indiewire
Gary Oldman took the opportunity to clarify his comments about his acting in the “Harry Potter” franchise during the Cannes press conference for his new film, “Parthenope,” on Wednesday.
When asked about a prior comment in which he disses his performance as Sirius Black as “mediocre,” Oldman said he didn’t mean to “disparage anyone out there who are fans of ‘Harry Potter’ and the films and the character who I think is much beloved.”
“What I meant by that is, as any artist or any actor or painter, you are always hypercritical of your own work,” he continued. “If you’re not, and you’re satisfied with what you’re doing, that would be death to me. If I watched a performance of myself and thought, ‘My God, I’m fantastic in this,’ that would be a sad day.”
He continued, “There was such secrecy that was shrouded around the novels,...
When asked about a prior comment in which he disses his performance as Sirius Black as “mediocre,” Oldman said he didn’t mean to “disparage anyone out there who are fans of ‘Harry Potter’ and the films and the character who I think is much beloved.”
“What I meant by that is, as any artist or any actor or painter, you are always hypercritical of your own work,” he continued. “If you’re not, and you’re satisfied with what you’re doing, that would be death to me. If I watched a performance of myself and thought, ‘My God, I’m fantastic in this,’ that would be a sad day.”
He continued, “There was such secrecy that was shrouded around the novels,...
- 5/22/2024
- by Ellise Shafer
- Variety Film + TV
Iranian filmmaker Mohammad Rasoulof is set to attend the Cannes premiere of his latest feature, The Seed Of The Sacred Fig, after receiving an eight-year prison sentence from Iranian authorities and fleeing his home country.
Speculation had been rife that the dissident director would attend the festival when the film receives its world premiere in Competition on Friday (May 24), having found asylum in Germany, but Cannes’ general delegate Thierry Fremaux has now confirmed his attendance.
“We are particularly touched to welcome [Rasoulof] here as a filmmaker,” Fremaux said in a statement to Agence France-Presse (Afp).
Our joy will be that of...
Speculation had been rife that the dissident director would attend the festival when the film receives its world premiere in Competition on Friday (May 24), having found asylum in Germany, but Cannes’ general delegate Thierry Fremaux has now confirmed his attendance.
“We are particularly touched to welcome [Rasoulof] here as a filmmaker,” Fremaux said in a statement to Agence France-Presse (Afp).
Our joy will be that of...
- 5/22/2024
- ScreenDaily
Paolo Sorrentino embraced the stars of his latest film “Parthenope,” including Gary Oldman, Celeste Della Porta and Stefania Sandrelli, as the film received a 9.5-minute standing ovation at Cannes Film Festival on Tuesday night.
Tears streamed down the face of Della Porta, who plays the title character, and Sorrentino looked visibly moved as he addressed the crowd.
“For me, this movie is a celebration of the journey of my life,” he said. “I want to thank [Cannes general delegate] Thierry Fremaux for the beginning of my journey in cinema 20 years ago.”
His film “The Consequences of Love” premiered at Cannes two decades ago, and the Italian auteur has certainly made his mark on the festival since. He won the festival’s jury prize in 2008 for “Il Divo” and the prize of the ecumenical jury in 2011 for “This Must Be the Place.” Sorrentino has now had seven films compete for the prestigious Palme d’Or.
Tears streamed down the face of Della Porta, who plays the title character, and Sorrentino looked visibly moved as he addressed the crowd.
“For me, this movie is a celebration of the journey of my life,” he said. “I want to thank [Cannes general delegate] Thierry Fremaux for the beginning of my journey in cinema 20 years ago.”
His film “The Consequences of Love” premiered at Cannes two decades ago, and the Italian auteur has certainly made his mark on the festival since. He won the festival’s jury prize in 2008 for “Il Divo” and the prize of the ecumenical jury in 2011 for “This Must Be the Place.” Sorrentino has now had seven films compete for the prestigious Palme d’Or.
- 5/21/2024
- by Nick Vivarelli and Ellise Shafer
- Variety Film + TV
The first time Donna Langley came to the Cannes Film Festival she was a junior executive working on 1999’s “Austin Powers: The Spy Who Shagged Me.”
“I had just been promoted and I was fortunate enough to get picked to come on this trip to be part of the support team, and it was great! It was very different to this experience, I will say,” Langley said, eliciting a laugh from the well-heeled crowd at the Kering Women in Motion dinner, held at the Place de la Castre high above the Croisette. “[But] we had the time of our lives. We were just in so much awe to be in the cinema capital of the world.”
Indeed, the chairman of NBC Universal Studio Group no longer needs to share an apartment with four other young women — especially not one situated behind the fancy hotels. After all — and as Cannes president Iris Knobloch...
“I had just been promoted and I was fortunate enough to get picked to come on this trip to be part of the support team, and it was great! It was very different to this experience, I will say,” Langley said, eliciting a laugh from the well-heeled crowd at the Kering Women in Motion dinner, held at the Place de la Castre high above the Croisette. “[But] we had the time of our lives. We were just in so much awe to be in the cinema capital of the world.”
Indeed, the chairman of NBC Universal Studio Group no longer needs to share an apartment with four other young women — especially not one situated behind the fancy hotels. After all — and as Cannes president Iris Knobloch...
- 5/21/2024
- by Angelique Jackson
- Variety Film + TV
Illustrations by Maddie Fischer.For more Cannes 2024 coverage, subscribe to the Weekly Edit newsletter.In a welcome twist, the most pressing questions I heard on my way to Cannes this year didn’t concern the festival lineups but events that seemed to transcend them. In the days leading up to the opening night, Sous les écrans la dèche, a collective of festival workers, announced it would be striking over salary increases and unemployment benefits; as I type, the strikes haven’t materialized, nor has the rumored list of new sexual abuse allegations about men in the French film industry. “Last year, as you know, we had some polemics,” artistic director Thierry Frémaux told the press on the eve of the fest, hinting at the decision to open the 2023 edition with Maïwenn’s Jeanne du Barry, a film that would have been forgotten a lot faster than it was had it...
- 5/21/2024
- MUBI
After a week of small and impromptu demonstrations, Cannes Film Festival workers are set to hold talks this afternoon with festival management, the Cnc, and France’s other major entertainment unions about how to resolve their ongoing dispute over pay and worker benefits.
The last-minute meeting is being held here in Cannes. Other attendees include representatives from the French Ministries of Labor and Culture, Carrefour des Festivals, the Cannes Festival sidebar sections, the Cgt, and the Cfdt. We’re told the central topic of discussion will be how to streamline the complex hiring and compensation process for French festival workers.
The attending Cannes Film Festival workers belong to the Precarious Film Festival Workers Collective, an unofficial union of French festival workers, which has been organizing the small demonstrations here in Cannes. The group welcomed news of today’s meeting in a statement shared with Deadline but told us it still...
The last-minute meeting is being held here in Cannes. Other attendees include representatives from the French Ministries of Labor and Culture, Carrefour des Festivals, the Cannes Festival sidebar sections, the Cgt, and the Cfdt. We’re told the central topic of discussion will be how to streamline the complex hiring and compensation process for French festival workers.
The attending Cannes Film Festival workers belong to the Precarious Film Festival Workers Collective, an unofficial union of French festival workers, which has been organizing the small demonstrations here in Cannes. The group welcomed news of today’s meeting in a statement shared with Deadline but told us it still...
- 5/21/2024
- by Zac Ntim
- Deadline Film + TV
On Sunday night, May 19, under a starry Cannes night, Kering held their Women In Motion dinner bestowing NBCUniversal Studios Group chairman and chief content officer Dame Donna Langley with the Women In Motion Award, and Malaysian director Amanda Nell Eu was presented the Young Talent Award. Langley is the first British woman to run a major Hollywood studio, and Kering awarded these women for their ability to expand opportunities and networks for women and people of color in the film industry.
Held at Place de la Castre in Cannes, the event drew celebrities who attended in the name of women making breakthroughs in film. Notable names in attendance were Julianne Moore, Uma Thurman, Catherine Deneuve, Isabelle Huppert, Michelle Yeoh, Lily Gladstone, Zoe Saldaña, Eva Green, Judith Godrèche and directors Greta Gerwig and Justine Triet.
Speaking to The Hollywood Reporter before the dinner, actress and producer Salma Hayek, wife of Kering...
Held at Place de la Castre in Cannes, the event drew celebrities who attended in the name of women making breakthroughs in film. Notable names in attendance were Julianne Moore, Uma Thurman, Catherine Deneuve, Isabelle Huppert, Michelle Yeoh, Lily Gladstone, Zoe Saldaña, Eva Green, Judith Godrèche and directors Greta Gerwig and Justine Triet.
Speaking to The Hollywood Reporter before the dinner, actress and producer Salma Hayek, wife of Kering...
- 5/20/2024
- by Allyson Portee
- The Hollywood Reporter - Movie News
It seemed appropriate that the location for the annual Women in Motion dinner in Cannes should be at Place de la Castre, atop Suquet Hill where victors of yore could survey their domain. It was certainly the case that honored guest Dame Donna Langley had captured the castle.
Cannes Film Festival president Iris Knobloch struck the right note when when she remarked to the NBCUniversal Studio Group Chair and Chief Content Officer, and other guests, that “you are sometimes introduced as one of the most powerful women in Hollywood, but in reality you are one of the most powerful people in Hollywood, regardless of gender.”
And it’s true.
Knobloch continued, ”Yes, women can be great leaders, just like you. Yes, woman can be successful, just like you. Yes, women can take risks, just like you. And yes, women can manage 10-figure budgets, just like you.”
(L-r) Bryan Lourd, Salma Hayek,...
Cannes Film Festival president Iris Knobloch struck the right note when when she remarked to the NBCUniversal Studio Group Chair and Chief Content Officer, and other guests, that “you are sometimes introduced as one of the most powerful women in Hollywood, but in reality you are one of the most powerful people in Hollywood, regardless of gender.”
And it’s true.
Knobloch continued, ”Yes, women can be great leaders, just like you. Yes, woman can be successful, just like you. Yes, women can take risks, just like you. And yes, women can manage 10-figure budgets, just like you.”
(L-r) Bryan Lourd, Salma Hayek,...
- 5/20/2024
- by Baz Bamigboye
- Deadline Film + TV
by Cláudio Alves
Coralie Fargeat's The Substance is a body horror shocker.
Half of the Cannes Main Competition has screened, and it seems we're in a year of big swings and even bigger faceplants. Divisive titles aplenty, the most acclaimed films of the festival appear to be located in parallel sections rather than Thierry Frémaux's selection. Even so, Jia Zhangke's Caught by the Tides has confirmed itself as the critics' favorite, though that only extends to writers already fond of the director's oeuvre. The documentary-fiction hybrid made no new converts. Jacques Audiard dazzled audiences with the trans-themed Mexican musical Emilia Perez, and while some critics are ecstatic, others loathe the thing. Reactions are more pointedly adverse to Kirill Serebrennikov's Limonov biopic, while Coralie Fargeat's The Substance has elicited equal pans and praise. Some folks online are trying to characterize the body horror's critical divide as a battle of the sexes,...
Coralie Fargeat's The Substance is a body horror shocker.
Half of the Cannes Main Competition has screened, and it seems we're in a year of big swings and even bigger faceplants. Divisive titles aplenty, the most acclaimed films of the festival appear to be located in parallel sections rather than Thierry Frémaux's selection. Even so, Jia Zhangke's Caught by the Tides has confirmed itself as the critics' favorite, though that only extends to writers already fond of the director's oeuvre. The documentary-fiction hybrid made no new converts. Jacques Audiard dazzled audiences with the trans-themed Mexican musical Emilia Perez, and while some critics are ecstatic, others loathe the thing. Reactions are more pointedly adverse to Kirill Serebrennikov's Limonov biopic, while Coralie Fargeat's The Substance has elicited equal pans and praise. Some folks online are trying to characterize the body horror's critical divide as a battle of the sexes,...
- 5/20/2024
- by Cláudio Alves
- FilmExperience
Many were left scratching their heads when Cannes topper Thierry Frémaux made The Substance a part of the competition (and conversation) and the reason being that while the midnight films are a welcome inclusion in the overall line-up of the fest they are indeed a rarity in the competition line-up. Perhaps as he suggested Titane influenced his decision. Coralie Fargeat moved into English language terrain with her sophomore feature and judging by last night’s reaction this will indeed draw a strong … reaction among patrons. Filmed at the beginning of 2022, Demi Moore and Margaret Qualley get top billing in what is a two-handed serve – Dennis Quaid is a supporting character (who replaced Ray Liotta).…...
- 5/20/2024
- by Eric Lavallée
- IONCINEMA.com
Demi Moore made her debut in the Cannes Film Festival’s official selection Sunday evening with the competition title The Substance. The much-anticipated blood-splattered horror thriller from French director Coralie Fargeat was met with 13-minute ovation, the longest for a title so far at this year’s festival.
The applause was consistent from the minute the credits hit the screen on the pic, which also stars Margaret Qualley and Dennis Quaid. It is billed as a body horror with a feminist take, revolving around a new product called The Substance that promises to transform people in the best version of themselves of their dreams. It’s an offer that comes with a twist.
Although The Substance premiere screening started late by 20 minutes, there was thunderous applause for the movie by the time it wrapped around 1 a.m., with rhythmic clapping for this big comeback movie from Moore.
Moore, Qualley and...
The applause was consistent from the minute the credits hit the screen on the pic, which also stars Margaret Qualley and Dennis Quaid. It is billed as a body horror with a feminist take, revolving around a new product called The Substance that promises to transform people in the best version of themselves of their dreams. It’s an offer that comes with a twist.
Although The Substance premiere screening started late by 20 minutes, there was thunderous applause for the movie by the time it wrapped around 1 a.m., with rhythmic clapping for this big comeback movie from Moore.
Moore, Qualley and...
- 5/19/2024
- by Nancy Tartaglione and Anthony D'Alessandro
- Deadline Film + TV
The Cannes Film Festival keeps on chugging, with more acquisitions, more premieres and an honorary Palme d’Or awarded to a studio for the first time.
The Glorious Return of Jacques Audiard
French filmmaker Jacques Audiard is a consistent staple at Cannes. His film “A Prophet” won the Grand Prix in 2010, 2012’s “Rust and Bone” competed for the Palme d’Or and 2015’s “Deephan” won the Palme d’Or. The last time Audiard was at Cannes in 2021, his smaller “Paris, 13th District” competed for the Palme d’Or.
Now he’s back with “Emilia Pérez,” a musical crime comedy about an escaped Mexican cartel leader undergoing gender-affirming surgery that stars Karla Sofía Gascón, Selena Gomez, Zoe Saldaña and Édgar Ramírez. And judging by the response to the film, it sounds like he has a good shot at Cannes’ top prize once again.
The film “landed the loudest, most enthusiastic standing ovation,...
The Glorious Return of Jacques Audiard
French filmmaker Jacques Audiard is a consistent staple at Cannes. His film “A Prophet” won the Grand Prix in 2010, 2012’s “Rust and Bone” competed for the Palme d’Or and 2015’s “Deephan” won the Palme d’Or. The last time Audiard was at Cannes in 2021, his smaller “Paris, 13th District” competed for the Palme d’Or.
Now he’s back with “Emilia Pérez,” a musical crime comedy about an escaped Mexican cartel leader undergoing gender-affirming surgery that stars Karla Sofía Gascón, Selena Gomez, Zoe Saldaña and Édgar Ramírez. And judging by the response to the film, it sounds like he has a good shot at Cannes’ top prize once again.
The film “landed the loudest, most enthusiastic standing ovation,...
- 5/19/2024
- by Drew Taylor
- The Wrap
Thierry Frémaux sure does like mister Kirill Serebrennikov. Since showcasing The Student in 2016’s Un Certain Regard section, the Russian filmmaker (in exile) has been a fixture in the competition section (there was even the rumor he might showcase his two of his 2024 releases) with 2018’s Leto, 2021’s Petrov’s Flu and 2022’s Tchaikovsky’s Wife. In what was a complicated shoot due to the war, Liminov: The Ballad stars Ben Whishaw as Limonov.
Gist: Based on the novel by Emmanuel Carrère, this is about the revolutionary militant, a thug, an underground writer, a butler to a millionaire in Manhattan.…...
Gist: Based on the novel by Emmanuel Carrère, this is about the revolutionary militant, a thug, an underground writer, a butler to a millionaire in Manhattan.…...
- 5/19/2024
- by Eric Lavallée
- IONCINEMA.com
Sony brought together a multiverse’s worth of its filmmakers past and present together Friday at Cannes for a dinner celebrating the 100th anniversary of Columbia Pictures.
The attendees at Mamo Michelangelo included Cannes jury president and Barbie director Greta Gerwig (who made Little Women for Columbia), Spider-Man: Into the Spider-Verse Oscar winners Phil Lord and Chris Miller, Bad Boys: Ride or Die directors Adil El Arbi and Bilall Fallah, Chloe Zhao, whose The Rider was distributed by Sony Pictures Classics, Anyone But You director Will Gluck and Kraven the Hunter filmmaker J.C. Chandor.
Entrepreneur and film producer Charles Finch hosted the dinner with Tom Rothman, chairman & CEO of Sony Pictures Entertainment’s Motion Picture Group.
During the dinner, Rothman gave a toast in which he wandered among the tables, pointing out specific talent and giving a nod to their contributions to the studio, name checking Ghostbusters: Afterlife director Jason Reitman...
The attendees at Mamo Michelangelo included Cannes jury president and Barbie director Greta Gerwig (who made Little Women for Columbia), Spider-Man: Into the Spider-Verse Oscar winners Phil Lord and Chris Miller, Bad Boys: Ride or Die directors Adil El Arbi and Bilall Fallah, Chloe Zhao, whose The Rider was distributed by Sony Pictures Classics, Anyone But You director Will Gluck and Kraven the Hunter filmmaker J.C. Chandor.
Entrepreneur and film producer Charles Finch hosted the dinner with Tom Rothman, chairman & CEO of Sony Pictures Entertainment’s Motion Picture Group.
During the dinner, Rothman gave a toast in which he wandered among the tables, pointing out specific talent and giving a nod to their contributions to the studio, name checking Ghostbusters: Afterlife director Jason Reitman...
- 5/19/2024
- by Aaron Couch
- The Hollywood Reporter - Movie News
Demi Moore hit the Cannes red carpet on Friday for the first time in nearly 30 years, having last attended with then-husband Bruce Willis for the premiere of The Fifth Element in 1997. This year is all about Moore as she has a film in the competition courtesy of Coralie Fargeat’s The Substance and official duties on behalf of Chopard.
It was the latter commitment that brought her to the Palais last night. Moore joined the luxury jeweler’s co-president and artistic director Caroline Scheufele and rising stars Mike Faist and Sophie Wilde ahead of the late-night Trophée Chopard gala ceremony at Carlton Beach. Moore was tapped to serve as the godmother of the festivities, a role that saw her take the stage and present the trophies, which are given to next-generation talents. Faist is coming off the success of Challengers and before that, Steven Spielberg’s West Side Story. Wilde...
It was the latter commitment that brought her to the Palais last night. Moore joined the luxury jeweler’s co-president and artistic director Caroline Scheufele and rising stars Mike Faist and Sophie Wilde ahead of the late-night Trophée Chopard gala ceremony at Carlton Beach. Moore was tapped to serve as the godmother of the festivities, a role that saw her take the stage and present the trophies, which are given to next-generation talents. Faist is coming off the success of Challengers and before that, Steven Spielberg’s West Side Story. Wilde...
- 5/18/2024
- by Chris Gardner
- The Hollywood Reporter - Movie News
Nicolas Cage soaked up the applause as his new trippy psychological thriller “The Surfer” scored a six-minute standing ovation at a Cannes Film Festival midnight screening on Friday night.
Cage appeared to be having a ball, beaming from ear to ear and waving across the room as cheers erupted around the Palais for the film, a wild, mind-bending adventure that sees the fan favorite hit the sort of deranged peaks not witnessed on screen since “Mandy.” At one point he took the mic to ask how to say “eat the rat” in French — a line from the film (and likely to become a meme) — roaring “mangez le rat!” to the delight of the crowd.
Cage also used the opportunity while on the mic and standing next to Thierry Fremaux to claim that, back in 2021, he’d phoned the Cannes director to ask if his drama “Pig” could premiere in at the festival.
Cage appeared to be having a ball, beaming from ear to ear and waving across the room as cheers erupted around the Palais for the film, a wild, mind-bending adventure that sees the fan favorite hit the sort of deranged peaks not witnessed on screen since “Mandy.” At one point he took the mic to ask how to say “eat the rat” in French — a line from the film (and likely to become a meme) — roaring “mangez le rat!” to the delight of the crowd.
Cage also used the opportunity while on the mic and standing next to Thierry Fremaux to claim that, back in 2021, he’d phoned the Cannes director to ask if his drama “Pig” could premiere in at the festival.
- 5/18/2024
- by Alex Ritman and Ellise Shafer
- Variety Film + TV
Illustrations by Maddie Fischer.As part of our Cannes 2024 coverage, we invited critics, filmmakers, and programmers to give their first impressions of the festival. Sign up for the Weekly Edit to receive exclusive reports from the Croisette straight to your inbox.Giovanni Marchini CamiaThe reconstruction of Napoléon, as seen by Abel Gance, was the first film to play at this year’s festival—after the Berlinale’s TinyHouse, this is symbolism at its most ready-made. Impossible to watch this inordinately glorious, inordinately chauvinistic film at Cannes without thinking of Thierry Frémaux, the festival world’s very own Napoleon, the man everyone loves to hate. As rumors of an impending labor strike and #MeToo bombshell crescendoed ahead of that evening’s opening ceremony, no image could have been more fitting than Napoleon braving a furious storm on a rickety fishing boat, a French flag fashioned into a sail as his only lifeline.
- 5/17/2024
- MUBI
The world premiere of Agathe Riedinger’s Wild Diamond in Cannes Competition is the only one by a first-time filmmaker and heralds Riedinger as part of a new wave of French female directors to arrive en force on the Croisette.
The film explores western society’s obsession with beauty and fame and the omnipresence of social media through the story of a 19 year-old girl who sets out to earn a spot on a reality TV show.
Also in Competitoin is France-born Coralie Fargeat’s second feature The Substance. The body horror is produced by the UK’s Working Title Films and stars Demi Moore,...
The film explores western society’s obsession with beauty and fame and the omnipresence of social media through the story of a 19 year-old girl who sets out to earn a spot on a reality TV show.
Also in Competitoin is France-born Coralie Fargeat’s second feature The Substance. The body horror is produced by the UK’s Working Title Films and stars Demi Moore,...
- 5/17/2024
- ScreenDaily
“Last year, as you know, we had a few polemics,” admitted Cannes General Delegate Thierry Fremaux at the opening of the 77th edition on Tuesday. “This year we decided to host a festival without polemics to make sure that the main interest for us all to be here is cinema.” With ignorance this willful, you have to laugh. Cannes has gotten so used to sweeping its problems under the rug that no one seems to know when, how, or if the Sous les Écrans la Dèche strike–-which would affect some 200 projectionists, programmers, floor managers, and press officers working the […]
The post Cannes 2024: The Second Act, An Unfinished Film and Wild Diamond first appeared on Filmmaker Magazine.
The post Cannes 2024: The Second Act, An Unfinished Film and Wild Diamond first appeared on Filmmaker Magazine.
- 5/16/2024
- by Blake Williams
- Filmmaker Magazine - Blog
“Last year, as you know, we had a few polemics,” admitted Cannes General Delegate Thierry Fremaux at the opening of the 77th edition on Tuesday. “This year we decided to host a festival without polemics to make sure that the main interest for us all to be here is cinema.” With ignorance this willful, you have to laugh. Cannes has gotten so used to sweeping its problems under the rug that no one seems to know when, how, or if the Sous les Écrans la Dèche strike–-which would affect some 200 projectionists, programmers, floor managers, and press officers working the […]
The post Cannes 2024: The Second Act, An Unfinished Film and Wild Diamond first appeared on Filmmaker Magazine.
The post Cannes 2024: The Second Act, An Unfinished Film and Wild Diamond first appeared on Filmmaker Magazine.
- 5/16/2024
- by Blake Williams
- Filmmaker Magazine-Director Interviews
The most awaited film this year at the Cannes Film Festival, Francis Ford Coppola’s Megalopolis, had its world premiere Thursday night, with the dystopian epic decades in the making landing a seven-minute standing ovation.
Coppola, the 85-year-old director and five-time Oscar winners, bowed as the lights came up inside the Grand Theatre Lumiere. He was congratulated by his Cotton Club star Richard Gere and got a hug from Cannes boss Thierry Fremaux as the ovation carried on.
Said Coppola to the crowd finally: “Thank you all so much — it is impossible to find words how I feel.” He then introduced those around him — including his granddaughter and son and collaborator Roman Coppola and sister Talia Shire. He called his cast “family” and emphasized the movie’s end message: “We should pledge allegiance to our families…that children should inherit a beautiful world from us.”
Coppola gives a speech after...
Coppola, the 85-year-old director and five-time Oscar winners, bowed as the lights came up inside the Grand Theatre Lumiere. He was congratulated by his Cotton Club star Richard Gere and got a hug from Cannes boss Thierry Fremaux as the ovation carried on.
Said Coppola to the crowd finally: “Thank you all so much — it is impossible to find words how I feel.” He then introduced those around him — including his granddaughter and son and collaborator Roman Coppola and sister Talia Shire. He called his cast “family” and emphasized the movie’s end message: “We should pledge allegiance to our families…that children should inherit a beautiful world from us.”
Coppola gives a speech after...
- 5/16/2024
- by Nancy Tartaglione, Anthony D'Alessandro and Baz Bamigboye
- Deadline Film + TV
Francis Ford Coppola’s long-gestating and much-discussed sci-fi epic Megalopolis had its world premiere on Thursday night at the Cannes Film Festival, and was greeted with a 10-minute standing ovation inside the Grand Lumiere Theatre, as he gave a hug to each of his his principal stars — among them Nathalie Emmanuel, Adam Driver, Aubrey Plaza and Giancarlo Esposito — and threw his hat into the cheering crowd.
Coppola, who lost his wife Eleanor last month, eventually interrupted the applause to take a microphone and introduce the members of his family who were with him, including his son, Roman Coppola, and sister, Talia Shire, both of whom worked on the film. He then said of his other collaborators on the film: “They were all my family. And in fact, as [Driver’s character] Cesar says [in the film], ‘We are all one family.'”
Added the filmmaker: “The most important thing we have, the most...
Coppola, who lost his wife Eleanor last month, eventually interrupted the applause to take a microphone and introduce the members of his family who were with him, including his son, Roman Coppola, and sister, Talia Shire, both of whom worked on the film. He then said of his other collaborators on the film: “They were all my family. And in fact, as [Driver’s character] Cesar says [in the film], ‘We are all one family.'”
Added the filmmaker: “The most important thing we have, the most...
- 5/16/2024
- by Scott Feinberg
- The Hollywood Reporter - Movie News
We kicked off the competition of twenty-two films with a debut feature, which is worth noting given the rarity of newbies in the competition section. It marks two consecutive years for a first feature from a female filmmaker, following Ramata-Toulaye Sy’s Banel & Adama being selected for 2023. Perhaps this signals a new philosophical trend by Thierry Frémaux? Part of a very small French presence in the Palme d’Or comp this year, Agathe Riedinger‘s Wild Diamond (aka Diamant brute) was shot in May of last year and it was produced by Priscilla Bertin and Judith Nora for Silex Films.…...
- 5/16/2024
- by Eric Lavallée
- IONCINEMA.com
Get in touch to send in cinephile news and discoveries. To keep up with our latest features, sign up for the Weekly Edit newsletter and follow us @mubinotebook on Twitter and Instagram.NEWSThere Is No Evil.Facing eight years in prison, Mohammad Rasoulof has fled Iran for Europe and may even be in Cannes next week for the premiere of The Seed of the Sacred Fig. In a statement, he concludes, “Many people helped to make this film. My thoughts are with all of them, and I fear for their safety and well-being.”The US 10th Circuit Court of Appeals has ruled against Netflix in a case determining whether a video excerpted for Tiger King (2020–21) constituted fair use. The ruling may have far-reaching implications for documentary makers.Cannesa rumored list of ten alleged abusers in the film industry has not yet materialized, but Cannes reportedly has a crisis management team...
- 5/15/2024
- MUBI
Another year, another Cannes Film Festival. The 77th Festival International du Film de Cannes has begun this week in the South of France in the lovely beach city of Cannes on the Mediterranean coast. We're back again, along with thousands (and thousands) of film critics, journalists, cinephiles, industry members, filmmakers, students, and more. Cannes remains the Biggest film festival in the world, not only with the most prestigious line-up and the most attendees. It's always an exciting time, just to be here in the midst of it all. In the weeks leading up to Cannes, it's particularity challenging to gauge whether everyone is actually excited about coming back, or if there's some other controversy or snag that will disrupt the festival... With its pandemic years now in the rear-view, Cannes is powering forward with another full-on, fireworks-filled two week celebration of the power of cinema. Artistic director Thierry Frémaux also...
- 5/15/2024
- by Alex Billington
- firstshowing.net
Unlike Cannes’ industry-catered competition section, the festival’s independent sidebar Directors’ Fortnight defines itself around audience outreach.
Headquartered halfway down the Croisette, equidistant from the Palais des Festivals, where the official selection screens for an industry-only crowd, Fortnight embraces the sprawl. The 56th edition programs 21 features and another eight shorts from May 15-25 (starting with Sophie Fillières’ posthumous “This Life of Mine”) while bringing select titles to many theaters far from the main drag.
That same selection will also offer the easiest point of access for so many locals, for whom Fortnight is often synonymous with Cannes, and who can always count on a 30-minute Q&a after each screening. Further afield, however, that clarity of identity begins to fade.
For one thing, the showcase doesn’t have a recognizable pitchman. In the time since Thierry Frémaux took over the official selection in 2004, Directors’ Fortnight has seen four artistic directors come and go,...
Headquartered halfway down the Croisette, equidistant from the Palais des Festivals, where the official selection screens for an industry-only crowd, Fortnight embraces the sprawl. The 56th edition programs 21 features and another eight shorts from May 15-25 (starting with Sophie Fillières’ posthumous “This Life of Mine”) while bringing select titles to many theaters far from the main drag.
That same selection will also offer the easiest point of access for so many locals, for whom Fortnight is often synonymous with Cannes, and who can always count on a 30-minute Q&a after each screening. Further afield, however, that clarity of identity begins to fade.
For one thing, the showcase doesn’t have a recognizable pitchman. In the time since Thierry Frémaux took over the official selection in 2004, Directors’ Fortnight has seen four artistic directors come and go,...
- 5/15/2024
- by Ben Croll
- Indiewire
Cannes Film Festival president Iris Knobloch kicked off her mandate last year with a banner edition that saw the premieres of Oscar-winners “The Zone of Interest” and “Anatomy of a Fall.”
Ever since, Knobloch — who is the former boss of WarnerMedia France and Germany — has been discreetly collaborating with festival director Thierry Frémaux to lure U.S. studios and talent on the Croisette. And while the film business’ state of mind is rather gloomy, Cannes opened on a vibrant note Tuesday night with a tribute to Meryl Streep, who hadn’t been at Cannes since “A Cry in the Dark,” for which she won best actress in 1989. The ceremony also celebrated “Barbie” director Greta Gerwig, who is presiding over the competition jury.
In an interview with Variety at the start of the festival, a cheerful Knobloch said the presence of Gerwig, Streep and “Call My Agent!” star Camille Cottin (who...
Ever since, Knobloch — who is the former boss of WarnerMedia France and Germany — has been discreetly collaborating with festival director Thierry Frémaux to lure U.S. studios and talent on the Croisette. And while the film business’ state of mind is rather gloomy, Cannes opened on a vibrant note Tuesday night with a tribute to Meryl Streep, who hadn’t been at Cannes since “A Cry in the Dark,” for which she won best actress in 1989. The ceremony also celebrated “Barbie” director Greta Gerwig, who is presiding over the competition jury.
In an interview with Variety at the start of the festival, a cheerful Knobloch said the presence of Gerwig, Streep and “Call My Agent!” star Camille Cottin (who...
- 5/15/2024
- by Elsa Keslassy
- Variety Film + TV
In Quentin Dupieux’s new satirical comedy The Second Act, which kicked off the Cannes Film Festival on Tuesday night, the pic takes poke at myriad culture wars, including France’s latest #MeToo movement. Asked front and center about her take on the latest wave, the pic’s star Léa Seydoux said “It’s a wonderful thing that women are speaking out. It’s about high time they did.”
“This change has been taking place. The film also plays with this idea. It also talks about very current events, and this movement where women are now speaking out and that was a fundamental importance of that change to take place,” said the 007 actress.
“I see there’s been a change, we’ve moved on,” said Seydoux, who came up as a young actress in the biz.
Later expounding, the actress emphasized the changes she’s seen in the industry due...
“This change has been taking place. The film also plays with this idea. It also talks about very current events, and this movement where women are now speaking out and that was a fundamental importance of that change to take place,” said the 007 actress.
“I see there’s been a change, we’ve moved on,” said Seydoux, who came up as a young actress in the biz.
Later expounding, the actress emphasized the changes she’s seen in the industry due...
- 5/15/2024
- by Anthony D'Alessandro
- Deadline Film + TV
Léa Seydoux addressed France’s growing #MeToo movement at the Cannes Film Festival press conference for Quentin Dupieux’s comedy “The Second Act,” which opened the fest on Tuesday night.
“It’s a wonderful thing that women are now speaking out. Things are clearly changing and it was high time it did,” she said. “I have the impression that this change has indeed taken place. The film also plays with this idea, it also talks about very current events and this movement, where women are now speaking out, and that was of fundamental importance for this change to take place.”
Seydoux continued, “#MeToo is very important. It’s a very serious issue. However, I think it is also necessary to be able to talk about it with humor. In the film, this is highlighted in a very funny way.”
Addressing the impact of #MeToo on the way actresses are treated on set,...
“It’s a wonderful thing that women are now speaking out. Things are clearly changing and it was high time it did,” she said. “I have the impression that this change has indeed taken place. The film also plays with this idea, it also talks about very current events and this movement, where women are now speaking out, and that was of fundamental importance for this change to take place.”
Seydoux continued, “#MeToo is very important. It’s a very serious issue. However, I think it is also necessary to be able to talk about it with humor. In the film, this is highlighted in a very funny way.”
Addressing the impact of #MeToo on the way actresses are treated on set,...
- 5/15/2024
- by Ellise Shafer and Elsa Keslassy
- Variety Film + TV
Cannes Film Festival kicked off its 77th edition with opening night film The Second Act, an apt title for the French event that kicked off with clear skies and a festive mood after days of looming strikes, #MeToo rumours and a high tension geopolitical landscape.
General delegate Thierry Fremaux set the tone for the evening by walking casually to the Lumiere theatre with microphone in hand with a simple “good evening everyone - Quentin Dupieux” as the director and his starry cast including Lea Seydoux and Louis Garrel took their seats.
French actress Camille Cottin emceed the evening with a blend of humour and sarcasm,...
General delegate Thierry Fremaux set the tone for the evening by walking casually to the Lumiere theatre with microphone in hand with a simple “good evening everyone - Quentin Dupieux” as the director and his starry cast including Lea Seydoux and Louis Garrel took their seats.
French actress Camille Cottin emceed the evening with a blend of humour and sarcasm,...
- 5/14/2024
- ScreenDaily
The 77th edition of the Cannes Film Festival is officially underway in the South of France as A-listers, auteurs and America’s most revered actress, Meryl Streep, converged at the Palais’ Grand Theatre Lumiere on Tuesday for a typically glamorous opening ceremony.
The anticipation was as thick as the clouds in the sky on Tuesday as rain was not the only threat hanging over the start of this year’s festival. From a possible strike and a fresh #MeToo discussion in France to the ongoing conflict in Gaza, festival officials have faced many questions in the days and hours leading up to Tuesday night. During his annual kick-off press conference, festival boss Thierry Fremaux sidestepped looming issues and tried to center the main attraction and the core mission of delivering world-class cinema. “We are trying to have a festival without these polemics,” he said, encouraging people (particularly the press) to...
The anticipation was as thick as the clouds in the sky on Tuesday as rain was not the only threat hanging over the start of this year’s festival. From a possible strike and a fresh #MeToo discussion in France to the ongoing conflict in Gaza, festival officials have faced many questions in the days and hours leading up to Tuesday night. During his annual kick-off press conference, festival boss Thierry Fremaux sidestepped looming issues and tried to center the main attraction and the core mission of delivering world-class cinema. “We are trying to have a festival without these polemics,” he said, encouraging people (particularly the press) to...
- 5/14/2024
- by Chris Gardner
- The Hollywood Reporter - Movie News
After a frenzied day of covert organizing and internal discussions, members of the Precarious Film Festival Workers Collective (Le Collectif des précaires des festivals de cinéma) staged an impromptu rooftop protest at Tuesday’s Cannes Film Festival opening-night gala.
Members of the group snuck onto the roof of the Palais where they dropped a sign with their motto Sous les écrans la dèche. At the same time, another group of demonstrators from the collective began a second protest on the ground. They held a sign with the same message and began chanting and blowing whistles to draw attention.
Local armed police immediately descended on the ground protesters and snatched the banner away after a brief tussle with the protestors. There were around a dozen protesters on the roof and a dozen more on the ground. You can see footage from the dramatic tug between the protesters and police below.
Members of the group snuck onto the roof of the Palais where they dropped a sign with their motto Sous les écrans la dèche. At the same time, another group of demonstrators from the collective began a second protest on the ground. They held a sign with the same message and began chanting and blowing whistles to draw attention.
Local armed police immediately descended on the ground protesters and snatched the banner away after a brief tussle with the protestors. There were around a dozen protesters on the roof and a dozen more on the ground. You can see footage from the dramatic tug between the protesters and police below.
- 5/14/2024
- by Zac Ntim and Nada Aboul Kheir
- Deadline Film + TV
Cannes – The jury president is almost always center stage at the official jury press conference, but with a Cannes Film Festival facing a number of political headwinds this year’s ringleader was truly in the crossfire. Luckily, Greta Gerwig was more than up to the challenge. And, frankly, we’d expect nothing less.
Read More: Cannes head Thierry Frémaux tackles Iran, #MeToo, a potential strike and the threat of “Polemics”
Despite a jury that features Lily Gladstone, J.A.
Continue reading Cannes: Greta Gerwig Says Global #MeToo Movement Continues In The “Correct Direction” at The Playlist.
Read More: Cannes head Thierry Frémaux tackles Iran, #MeToo, a potential strike and the threat of “Polemics”
Despite a jury that features Lily Gladstone, J.A.
Continue reading Cannes: Greta Gerwig Says Global #MeToo Movement Continues In The “Correct Direction” at The Playlist.
- 5/14/2024
- by Gregory Ellwood
- The Playlist
The 2024 Cannes Film Festival competition jury, led by president Greta Gerwig, met the international press Tuesday — and it didn’t take long before the assembled stars were urged to address the various fraught political issues swirling around this year’s edition of the world’s most glamorous film fest.
On the eve of the 77th festival, Cannes artistic director Thierry Frémaux had set the tone by attempting to distance the event from hot-button topics, saying at his own press conference on Monday, “We are trying to have a festival without these polemics. In Cannes, the politics should be on the screen.”
The French festival head, who has served in his role since 2001, noted how coverage of Cannes has changed over his tenure, as the international media’s interest has shifted from the films on exhibition to an expectation that the festival be responsive to surrounding social issues. That was certainly the case Tuesday,...
On the eve of the 77th festival, Cannes artistic director Thierry Frémaux had set the tone by attempting to distance the event from hot-button topics, saying at his own press conference on Monday, “We are trying to have a festival without these polemics. In Cannes, the politics should be on the screen.”
The French festival head, who has served in his role since 2001, noted how coverage of Cannes has changed over his tenure, as the international media’s interest has shifted from the films on exhibition to an expectation that the festival be responsive to surrounding social issues. That was certainly the case Tuesday,...
- 5/14/2024
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
With rumors of a bombshell #MeToo report about the French cinema industry knocking on the door of the Cannes Film Festival, this year’s jury president Greta Gerwig on Tuesday acknowledged the wave that’s out there in a way that festival boss Thierry Frémaux didn’t want to address at his press conference the day before.
“I think people in the community of movies telling their stories and changing things for the better is only good,” said the Barbie filmmaker at a press conference introducing the jury just hours before the festival’s opening night begins. “I’ve seen substantial changes in the American film community; I think it’s important to expand the conversation.”
“It’s only moving things in the correct direction, keeping those lines of communication open,” said Gerwig about a press member’s query as to whether the current #MeToo climate is France is impacting the festival.
“I think people in the community of movies telling their stories and changing things for the better is only good,” said the Barbie filmmaker at a press conference introducing the jury just hours before the festival’s opening night begins. “I’ve seen substantial changes in the American film community; I think it’s important to expand the conversation.”
“It’s only moving things in the correct direction, keeping those lines of communication open,” said Gerwig about a press member’s query as to whether the current #MeToo climate is France is impacting the festival.
- 5/14/2024
- by Anthony D'Alessandro and Melanie Goodfellow
- Deadline Film + TV
Greta Gerwig addressed the growing #MeToo movement in France at the jury press conference on opening day of this year’s Cannes Film Festival.
“I think people in the community of movies telling us stories and trying to change things for the better is only good,” Gerwig said when asked how she felt about #MeToo-related rumors swirling ahead of the festival. “I have seen substantive change in the American film community, and I think it’s important that we continue to expand that conversation. So I think it’s only moving everything in the correct direction to keep those lines of communication open.”
Gerwig is serving as the president of this year’s competition jury, which will be awarding the prestigious Palme d’Or at the end of the 11-day festival that kicks off on Tuesday night. The jury is comprised of Spanish filmmaker J. A. Bayona, Turkish actress and screenwriter Ebru Ceylan,...
“I think people in the community of movies telling us stories and trying to change things for the better is only good,” Gerwig said when asked how she felt about #MeToo-related rumors swirling ahead of the festival. “I have seen substantive change in the American film community, and I think it’s important that we continue to expand that conversation. So I think it’s only moving everything in the correct direction to keep those lines of communication open.”
Gerwig is serving as the president of this year’s competition jury, which will be awarding the prestigious Palme d’Or at the end of the 11-day festival that kicks off on Tuesday night. The jury is comprised of Spanish filmmaker J. A. Bayona, Turkish actress and screenwriter Ebru Ceylan,...
- 5/14/2024
- by Matt Donnelly, Tatiana Siegel and Ellise Shafer
- Variety Film + TV
The Cannes Film Festival is bracing for a tumultuous 77th edition. As wars rage in Gaza and Ukraine, attendees and organizers anticipate protests, politically charged speeches and pins and flags that signal solidarity with Palestinian civilians, Israeli hostages and Ukrainians looking for more military assistance from the West as they try to fend off the Russian invasion.
But if the festival has its way, there will be none of that. The city of Cannes preemptively banned protests along the Croisette and its surroundings during the 11-day festival. Likewise, the festival hired private security to trail the Competition jurors including Eva Green and Lily Gladstone to keep activists from approaching them. And while the festival was initially amenable to a plan for Arab filmmakers to wear pins showing support for the Palestinians under siege in Gaza, it changed course and will not take part in the distribution of them as well...
But if the festival has its way, there will be none of that. The city of Cannes preemptively banned protests along the Croisette and its surroundings during the 11-day festival. Likewise, the festival hired private security to trail the Competition jurors including Eva Green and Lily Gladstone to keep activists from approaching them. And while the festival was initially amenable to a plan for Arab filmmakers to wear pins showing support for the Palestinians under siege in Gaza, it changed course and will not take part in the distribution of them as well...
- 5/14/2024
- by Tatiana Siegel and Elsa Keslassy
- Variety Film + TV
Rolling out the red carpet at the Cannes Film Festival where #MeToo controversies threaten to cause disruption. Photo: Courtesy of Cannes Film Festival Festival director Thierry Frémaux on the eve of the Festival: 'This year we decided to host a festival without polemics to make sure that the main interest for us all to be here is cinema' Photo: Richard Mowe Ahead of tonight’s official opening of the Cannes Film Festival with Quentin Dupieux’s wacky comedy The Second Act, Festival director Thierry Frémaux held his traditional pre-match kick-off media gathering yesterday (13 May) at which he addressed concerns in particular the #MeToo murmurings and how they might affect the festival.
With outspoken Meryl Streep due to be given a career achievement Palme d’Or as part of tonight’s opening ceremony and the UK’s similarly fearless Andrea Arnold due to be honoured by the Directors’ Fortnight as well...
With outspoken Meryl Streep due to be given a career achievement Palme d’Or as part of tonight’s opening ceremony and the UK’s similarly fearless Andrea Arnold due to be honoured by the Directors’ Fortnight as well...
- 5/14/2024
- by Richard Mowe
- eyeforfilm.co.uk
Thierry Fremaux skirted politically charged questions and tried to shift the focus back to the films amid an onslaught of questions from global media about looming festival worker strikes and #MeToo rumours on the eve of Cannes’ kickoff on Monday afternoon.
“Before, we only talked about cinema. Our biggest concern was the films – will they be loved or will they be hated?” Cannes’ general delegate recalled.
While he hinted at the backlash over the selection of Maiwenn’s Jeanne Du Barry starring Johnny Depp to open last year’s festival – “Last year it’s no secret there were controversies” – he explained that this year,...
“Before, we only talked about cinema. Our biggest concern was the films – will they be loved or will they be hated?” Cannes’ general delegate recalled.
While he hinted at the backlash over the selection of Maiwenn’s Jeanne Du Barry starring Johnny Depp to open last year’s festival – “Last year it’s no secret there were controversies” – he explained that this year,...
- 5/13/2024
- ScreenDaily
Cannes – About 20 minutes after the global press left Thierry Frémaux‘s press conference, they received a news release that Iranian filmmaker Mohammad Rasoulof had left his country without permission following confirmation of an eight-year prison sentence. Rasoulof’s latest movie, “The Seed of A Sacred Pig,” is in competition at Cannes this year. Less than an hour before this news broke, Frémaux repeated numerous times that he hoped for a festival “without polemics”.
Continue reading Cannes Head Thierry Frémaux Tackles Iran, #MeToo, A Potential Strike & The Threat Of “Polemics” at The Playlist.
Continue reading Cannes Head Thierry Frémaux Tackles Iran, #MeToo, A Potential Strike & The Threat Of “Polemics” at The Playlist.
- 5/13/2024
- by Gregory Ellwood
- The Playlist
As a #MeToo wave looked to rock the 77th Cannes Film Festival with rumors swirling that filmmakers with films at the event would be tagged, Thierry Frémaux emphasized his event isn’t about polemics, rather the picture that’s on the screen. If there are controversies during Cannes “we try to avoid them” he said today during an afternoon presser.
“Last year, as you know, we had a few polemics, and we realized it, and so this year we decided to host a festival without polemics to make sure that the main interest for us all to be here is cinema,” Frémaux said. “So if there are other polemics, it doesn’t concern us.”
“It’s about the movies and whether they deserve or not, in aesthetic or artistic terms, to be there,” Frémaux said. “There is no ideology guiding the selection committee.”
“We would like to have a festival without polemics,...
“Last year, as you know, we had a few polemics, and we realized it, and so this year we decided to host a festival without polemics to make sure that the main interest for us all to be here is cinema,” Frémaux said. “So if there are other polemics, it doesn’t concern us.”
“It’s about the movies and whether they deserve or not, in aesthetic or artistic terms, to be there,” Frémaux said. “There is no ideology guiding the selection committee.”
“We would like to have a festival without polemics,...
- 5/13/2024
- by Anthony D'Alessandro
- Deadline Film + TV
At his annual pre-festival press conference, Cannes artistic director Thierry Frémaux skillfully dogged potentially hot-button topics, including the war in Gaza, #MeToo politics, and the threat of employment strikes disrupting the 77th festival.
Frémaux politely responded to question after question from the international film press on Monday but managed not to address many of the most controversial topics on their minds.
Speaking about Moi Aussi, a short from filmmaker and #MeToo activist Judith Godrèche, which will open this year’s Un Certain Regard section, he spent more time discussing the technical aspects of the film than its subject matter: The thousands of sexual abuse victims who contacted Godrèche after she went public with her own #MeToo story and called out widespread abuse inside the French film industry.
Asked if the festival had, as was reported, hired a crisis management team to deal with possible new #MeToo allegations against filmmakers taking...
Frémaux politely responded to question after question from the international film press on Monday but managed not to address many of the most controversial topics on their minds.
Speaking about Moi Aussi, a short from filmmaker and #MeToo activist Judith Godrèche, which will open this year’s Un Certain Regard section, he spent more time discussing the technical aspects of the film than its subject matter: The thousands of sexual abuse victims who contacted Godrèche after she went public with her own #MeToo story and called out widespread abuse inside the French film industry.
Asked if the festival had, as was reported, hired a crisis management team to deal with possible new #MeToo allegations against filmmakers taking...
- 5/13/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Thierry Fremaux addressed France’s #MeToo reckoning during a press conference on the eve of this year’s Cannes Film Festival.
Following rumors that the French outlet Mediapart is putting together a bombshell report to publish during Cannes with several new #MeToo allegations, there has been much speculation regarding how it will impact the festival.
Alluding to the massive backlash last year over the selection of Maiwenn’s Johnny Depp movie “Jeanne du Barry” on opening night, Fremaux suggested he and Cannes president Iris Knobloch ensured the 77th edition wouldn’t include any obvious red flags, and said the ongoing “polemics” had nothing to do with the festival.
“Last year, as you know, we had a few polemics, and we realized it, and so this year we decided to host a festival without polemics to make sure that the main interest for us all to be here is cinema,” Fremaux said.
Following rumors that the French outlet Mediapart is putting together a bombshell report to publish during Cannes with several new #MeToo allegations, there has been much speculation regarding how it will impact the festival.
Alluding to the massive backlash last year over the selection of Maiwenn’s Johnny Depp movie “Jeanne du Barry” on opening night, Fremaux suggested he and Cannes president Iris Knobloch ensured the 77th edition wouldn’t include any obvious red flags, and said the ongoing “polemics” had nothing to do with the festival.
“Last year, as you know, we had a few polemics, and we realized it, and so this year we decided to host a festival without polemics to make sure that the main interest for us all to be here is cinema,” Fremaux said.
- 5/13/2024
- by Elsa Keslassy and Ellise Shafer
- Variety Film + TV
With a #MeToo expose looking less to rattle the 77th Cannes Film Festival, all agita now seems to lie in whether Cannes Film Festival workers strike or not. Festival Boss Thierry Frémaux in a presser this Am provided an update saying “there are negotiations and we have talked directly with them,” meaning the roughly 200 members of the Collectif des précaires des festivals de cinéma, while adding that the talks going on with the group “aren’t with the festival.”
He emphasized “everyone wants to avoid a strike” and he believed that a settlement would arrive around June. That said, Frémaux didn’t expound on any contingencies for how the festival would proceed if there is a strike — projectionists being a part of the festival group who are seeking better contract terms.
Frémaux statements about a possible strike continued to echo the sympathy expressed by the festival on May 7 in their statement.
He emphasized “everyone wants to avoid a strike” and he believed that a settlement would arrive around June. That said, Frémaux didn’t expound on any contingencies for how the festival would proceed if there is a strike — projectionists being a part of the festival group who are seeking better contract terms.
Frémaux statements about a possible strike continued to echo the sympathy expressed by the festival on May 7 in their statement.
- 5/13/2024
- by Anthony D'Alessandro and Zac Ntim
- Deadline Film + TV
The Olympic flame is coming to the Cannes Film Festival red carpet.
The 77th edition of the Festival de Cannes will serve as a preview for the Paris 2024 Olympic Games with the premiere screening of Mickaël Gamrasni’s documentary “Olympiques! La France des Jeux” on May 21.
Paris 2024, in agreement with the Mairie de Cannes, is offering the flame to the film festival as a preview before it’s officially welcomed by the city of Cannes on June 18 along the Olympic Torch Relay, which began in Marseille on May 8. Sports personalities and athletes will be the guests of honor at the special screening: Tony Estanguet (pictured above), Marie-José Pérec, Thierry Rey, Iliana Rupert, Marie Patouillet, Nélia Barbosa, Alexis Hanquiquant, Christine Caron and Brahim Asloum will flank Paralympic champion Arnaud Assoumani, who will carry the Olympic flame onto the red carpet.
“What a joy it is to welcome such a host of Olympic stars,...
The 77th edition of the Festival de Cannes will serve as a preview for the Paris 2024 Olympic Games with the premiere screening of Mickaël Gamrasni’s documentary “Olympiques! La France des Jeux” on May 21.
Paris 2024, in agreement with the Mairie de Cannes, is offering the flame to the film festival as a preview before it’s officially welcomed by the city of Cannes on June 18 along the Olympic Torch Relay, which began in Marseille on May 8. Sports personalities and athletes will be the guests of honor at the special screening: Tony Estanguet (pictured above), Marie-José Pérec, Thierry Rey, Iliana Rupert, Marie Patouillet, Nélia Barbosa, Alexis Hanquiquant, Christine Caron and Brahim Asloum will flank Paralympic champion Arnaud Assoumani, who will carry the Olympic flame onto the red carpet.
“What a joy it is to welcome such a host of Olympic stars,...
- 5/13/2024
- by Angelique Jackson
- Variety Film + TV
What to expect from Cannes 2024? The global selection offers critics plenty to write about — after all, this is the festival d’auteurs. But this year’s edition may be light on the red carpet glitz that lures celebrities to the Côte d’Azur for eye-popping photo memes and offshore yacht revels. Remember Madonna’s 1991 pointy Gaultier bustier? Elizabeth Taylor holding her white dog as “Cliffhanger” star Sylvester Stallone climbed the steps to meet her at the top? Such viral moments are what Cannes director Thierry Fremaux dreams of.
High-octane stars expected to hit the Palais photo gauntlet include two-time Oscar-winner Emma Stone, who stars in all three stories in competition title “Kinds of Kindness” (Searchlight), Yorgos Lanthimos’ edgy follow-up to $100-million grosser “Poor Things.” Anya Taylor-Joy and Chris Hemsworth will add some sizzle for out-of-competition prequel “Furiosa: A Mad Max Saga” (Warner Bros.), George Miller’s rollercoaster return after 2015’s Oscar-winning “Mad Max: Fury Road.
High-octane stars expected to hit the Palais photo gauntlet include two-time Oscar-winner Emma Stone, who stars in all three stories in competition title “Kinds of Kindness” (Searchlight), Yorgos Lanthimos’ edgy follow-up to $100-million grosser “Poor Things.” Anya Taylor-Joy and Chris Hemsworth will add some sizzle for out-of-competition prequel “Furiosa: A Mad Max Saga” (Warner Bros.), George Miller’s rollercoaster return after 2015’s Oscar-winning “Mad Max: Fury Road.
- 5/10/2024
- by Anne Thompson
- Indiewire
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.