“I like a challenge, which is why I signed on,” Alfre Woodard reveals to Gold Derby in her exclusive interview about acting on the new drama “See” for Apple TV+ (watch the video above). She continues, “I was a Girl Scout for 10 years of my life and I went to camp every summer, so I love the outdoors, but I had never been in such a survival mode outside as I was in shooting ‘See’. We joked about it, but the part that came easiest to us was acting. Just staying alive was the challenge!”
SEEour interview with “See” cinematographer Jo Willems.
Having filmed on location deep in the forests of British Columbia during winter for the eight episodes of the first season, the show moved to Ontario this year for its second. Woodard teases, “It jumps ahead, but not far, I think. We were only three episodes in when...
SEEour interview with “See” cinematographer Jo Willems.
Having filmed on location deep in the forests of British Columbia during winter for the eight episodes of the first season, the show moved to Ontario this year for its second. Woodard teases, “It jumps ahead, but not far, I think. We were only three episodes in when...
- 6/29/2020
- by Riley Chow
- Gold Derby
“The thing that we really tried to achieve was just to keep a very naturalistic look for the whole show,” original director of photography Jo Willems reveals in his exclusive interview with Gold Derby about the cinematography of “See” (watch the video above), which is set six centuries from now, when humans are blind and live primitively in tribes. “The tricky thing about the show that you have to understand is nobody can see, nobody has vision, so people don’t really need light to see, so as a cinematographer, that’s quite a tricky beginning, as people don’t need windows, people don’t need lights, candles.”
“It was really important to use the sun in a strategic way,” Willems notes as such for how he set out to achieve a look that was “quite lush — colorful, where nature has taken over again.” He adds about working on the Apple TV+ drama,...
“It was really important to use the sun in a strategic way,” Willems notes as such for how he set out to achieve a look that was “quite lush — colorful, where nature has taken over again.” He adds about working on the Apple TV+ drama,...
- 4/28/2020
- by Riley Chow
- Gold Derby
As Rial (Wunmi Mosaku) sits in a hospital, a doctor (Emily Taaffe) takes her blood and notices marks on her skin. One is on her arm; the other, the right side of her neck. The patient explains that her South Sudanese village had two tribes and, due to her not being part of just one, she wears both their respective symbols. Then her eyes lightly focus and she explains: “I survive by belonging nowhere.” There’s a lot of scary stuff going on in Remi Weekes’ feature debut His House, but the most thorough one is the idea that belonging and thriving are mutually exclusive.
Rial, as it so happens, has just immigrated to suburban England with her husband, Bol (Sope Dirisu). She hasn’t been particularly eager to assimilate. He, on the other hand, is much more so. “We’re good people,” he reassures British government agents (Matt Smith...
Rial, as it so happens, has just immigrated to suburban England with her husband, Bol (Sope Dirisu). She hasn’t been particularly eager to assimilate. He, on the other hand, is much more so. “We’re good people,” he reassures British government agents (Matt Smith...
- 2/1/2020
- by Matt Cipolla
- The Film Stage
Writer, producer, director and horror mega-fan Mick Garris assembles a cadre of like minds to create “Nightmare Cinema.” This anthology feature is basically a two-hour, big-screen version of the several macabre TV anthology series he’s been involved with since the mid-’80s “Amazing Stories.” Comprising five directors’ tales linked by the inimitable Mickey Rourke as a diabolical projectionist, this feature falls short of Garris’ greatest effort in that vein: His all-star 2005-07 cable pet project “Masters of Horror.” Each segment here has strengths and weaknesses. If there are no outright duds, there’s no real triumph either. But the whole is certainly diverse, lively and reference-packed enough to please horror fans attracted to this kind of enterprise, which are so often (see last year’s “Tales From the Hood 2”) so, so much worse. Cranked Up Films is releasing to 25 U.S. screens and on demand June 21.
Things get off...
Things get off...
- 6/21/2019
- by Dennis Harvey
- Variety Film + TV
“Imagine a world evolved, designed and built to be experienced without sight; we did and it yielded a world — the world of ‘See,’” actor Jason Momoa said at an Apple keynote that previewed the launch of the commercial-free, paid-subscription streaming-video Apple TV+ service platform. “See” was among its upcoming shows highlighted in a sizzle reel presented at the Steve Jobs Theater in California. Click through our photo gallery above to see the nine shots of “See” that the video revealed.
The series’ opening three episodes were directed by Francis Lawrence, who is best known for directing “The Hunger Games” films, but who previously won the Best Music Video Grammy for directing Lady Gaga’s “Bad Romance.” Lawrence reteamed with his “The Hunger Games” cinematographer Jo Willems, who was recently robbed of the Best One-Hour Cinematography Emmy for “American Gods.” Based on the brief footage shown on Monday, “See” looks to...
The series’ opening three episodes were directed by Francis Lawrence, who is best known for directing “The Hunger Games” films, but who previously won the Best Music Video Grammy for directing Lady Gaga’s “Bad Romance.” Lawrence reteamed with his “The Hunger Games” cinematographer Jo Willems, who was recently robbed of the Best One-Hour Cinematography Emmy for “American Gods.” Based on the brief footage shown on Monday, “See” looks to...
- 3/27/2019
- by Riley Chow
- Gold Derby
Sparrows are said to be social creatures. They live in colonies, flocks with others. In addition, sparrows are primarily carnivorous by nature i.e. they are meat eaters. While novelist Jason Matthews, a former Central Intelligence Agency operative, came up with the title Red Sparrow, it’s director Francis Lawrence who seems to be taking the most joy in connecting the “social” interactions and carnivorous aspects of the bird to the lead of the story.
There are times where the body can be a platform for that which is beautiful and grotesque. This can most notably be seen in the films of David Cronenberg. Lawrence and cinematographer Jo Willems (who worked together on the last few Hunger Games films) begin by presenting this theme in Grand Guignol fashion with a beautifully staged turned tragically horrific ballet. And that’s just the beginning, just you wait. From there, the story frequently...
There are times where the body can be a platform for that which is beautiful and grotesque. This can most notably be seen in the films of David Cronenberg. Lawrence and cinematographer Jo Willems (who worked together on the last few Hunger Games films) begin by presenting this theme in Grand Guignol fashion with a beautifully staged turned tragically horrific ballet. And that’s just the beginning, just you wait. From there, the story frequently...
- 3/1/2018
- by Michael Haffner
- WeAreMovieGeeks.com
With Jennifer Lawrence’s Katniss Everdeen hanging up her bow and arrow and Francis Lawrence now free of the shackles of adhering to the demands of hit source material, Red Sparrow is a clear pivot into more mature, merciless terrority for the duo. Reteaming with his star of The Hunger Games, the entire film feels like an exercise in proving they can handle material that’s not only darker, but rife with prevalent commentary both on the politics of today and the psychological and physical toll of sexual assault. While there’s a blunt effect to tackling such issues in a frank manner, the direction doesn’t the have the formal daring of something like Tinker, Tailor, Soldier, Spy and the script is a few shades shy of the wit contained in the ‘70s spy thrillers it pays homage to.
Though advertised in the Atomic Blonde vein, this is a...
Though advertised in the Atomic Blonde vein, this is a...
- 2/16/2018
- by Jordan Raup
- The Film Stage
An icy Russian espionage tale that would have looked right at home in Cold War-era thrillers of the ‘50s and ‘60s, “Red Sparrow” explores the recurrence of queasy U.S.-Russian relations in the wake of the presidential election by giving it a human face. It turns out that the bad guys look a lot like us — or, rather, like Jennifer Lawrence, who manages the tricky proposition of adopting a Russian accent with a surprising degree of effectiveness, embodying a badass post-Soviet spy who uses her sexuality like a weapon. Director Francis Lawrence compliments the performance with an atmosphere of unease similar to his work on “The Hunger Games,” but this time, the sense of a desperate world and a woman trapped by its twisted rituals hits all too close to home.
Though it wanders a lot in its bloated running time and doesn’t quite stick the landing, the...
Though it wanders a lot in its bloated running time and doesn’t quite stick the landing, the...
- 2/16/2018
- by Eric Kohn
- Indiewire
The gods must be crazy. Changes are already underway on Starz' American Gods TV show adaptation. The drama just began shooting in Toronto, in late April. Per Deadline, Sean Harris has left the role of Mad Sweeney, for personal reasons. Additionally, director of photography Brendan Glavin has been replaced with Jo Willems.
Reportedly, Harris had only completed a few scenes. They will be reshot, when Mad Sweeney is recast. The cast of American Gods also includes: Emily Browning, Ian McShane, Ricky Whittle, Yetide Badaki, Bruce Langley, Crispin Glover, Jonathan Tucker, Cloris Leachman, Peter Stormare, Chris Obi, and Mousa Kraish.
Read More…...
Reportedly, Harris had only completed a few scenes. They will be reshot, when Mad Sweeney is recast. The cast of American Gods also includes: Emily Browning, Ian McShane, Ricky Whittle, Yetide Badaki, Bruce Langley, Crispin Glover, Jonathan Tucker, Cloris Leachman, Peter Stormare, Chris Obi, and Mousa Kraish.
Read More…...
- 5/9/2016
- by TVSeriesFinale.com
- TVSeriesFinale.com
Starz’s American Gods is getting Mad all over again.
The upcoming series based on Neil Gaiman’s beloved fantasy novel will recastMad Sweeney, our sister site Deadline reports, after portrayer Sean Harris had to exit the series for personal reasons.
RelatedAmerican Gods: Cloris Leachman Joins Cast as Eldest Zorya Sister
In the Bryan Fuller/Michael Green-led adaptation of the book, Shadow is a recently released convict who becomes employed by a mysterious figure named Mr. Wednesday (Deadwood‘s Ian McShane). As the two men travel the United States, Shadow becomes aware that a war is imminent...
The upcoming series based on Neil Gaiman’s beloved fantasy novel will recastMad Sweeney, our sister site Deadline reports, after portrayer Sean Harris had to exit the series for personal reasons.
RelatedAmerican Gods: Cloris Leachman Joins Cast as Eldest Zorya Sister
In the Bryan Fuller/Michael Green-led adaptation of the book, Shadow is a recently released convict who becomes employed by a mysterious figure named Mr. Wednesday (Deadwood‘s Ian McShane). As the two men travel the United States, Shadow becomes aware that a war is imminent...
- 5/6/2016
- TVLine.com
There are changes in front of and behind the camera on American Gods, Starz’s upcoming straight-to-series adaptation of Neil Gaiman's acclaimed contemporary fantasy novel, which began shooting two weeks ago in Toronto. One of the main roles, Mad Sweeney, will be recast after British actor Sean Harris had to pull out for personal reasons and return home. Additionally, original director of photography Brendan Glavin has been replaced with Jo Willems (Hunger Games: Catching F…...
- 5/6/2016
- Deadline TV
The Hunger Games: Mockingjay – Part 2
Written by Danny Strong and Jon Kilik
Directed by Francis Lawrence
U.S.A., 2015
The anticipation that comes with the release of the final installment of a massively popular and beloved film franchise is always palpable. The Return of the King, Revenge of the Sith (Star Wars fans, at the very least, were still excited in 2005, and they are numerous), Harry Potter and the Deathly Hallows: Part 2, and The Twilight Saga: Breaking Dawn – Part 2; each franchise had the respective studio behind it bombastically announcing the arrival of the final chapter. How would the storyline conclude? Where would characters that audiences had come to love see their journeys end? Here we are once again, this time with the concluding episode of the Hunger Games series, one that has, it should be noted, proven to be refreshingly consistent with respect to the quality of its entries.
Written by Danny Strong and Jon Kilik
Directed by Francis Lawrence
U.S.A., 2015
The anticipation that comes with the release of the final installment of a massively popular and beloved film franchise is always palpable. The Return of the King, Revenge of the Sith (Star Wars fans, at the very least, were still excited in 2005, and they are numerous), Harry Potter and the Deathly Hallows: Part 2, and The Twilight Saga: Breaking Dawn – Part 2; each franchise had the respective studio behind it bombastically announcing the arrival of the final chapter. How would the storyline conclude? Where would characters that audiences had come to love see their journeys end? Here we are once again, this time with the concluding episode of the Hunger Games series, one that has, it should be noted, proven to be refreshingly consistent with respect to the quality of its entries.
- 11/19/2015
- by Edgar Chaput
- SoundOnSight
The Games They Play: Collins’ Ya Dystopia Trudges On and On
As is now customary in the designed business model of franchise movie making, the last novel of dystopic Ya trilogy The Hunger Games has been divided into two installments, spread a year apart in order to keep interest alive. If the second film of the series, Catching Fire (2013), felt like a bigger budget rehash of basically everything that already happened in the first film, Mockingjay: Part 1 is at least interesting for its drifting away from the formulaic model already established, yet it feels something like a misnomer of a film, more of an extended prologue to a finale rather an actual ‘part’ deserving of its own distinction.
Languishing in the bowels of the underground District 13, long thought extinct, Katniss Everdeen (Jennifer Lawrence) is now being recruited by this district’s leader, President Alma Coin (Julianne Moore) and surprise...
As is now customary in the designed business model of franchise movie making, the last novel of dystopic Ya trilogy The Hunger Games has been divided into two installments, spread a year apart in order to keep interest alive. If the second film of the series, Catching Fire (2013), felt like a bigger budget rehash of basically everything that already happened in the first film, Mockingjay: Part 1 is at least interesting for its drifting away from the formulaic model already established, yet it feels something like a misnomer of a film, more of an extended prologue to a finale rather an actual ‘part’ deserving of its own distinction.
Languishing in the bowels of the underground District 13, long thought extinct, Katniss Everdeen (Jennifer Lawrence) is now being recruited by this district’s leader, President Alma Coin (Julianne Moore) and surprise...
- 11/19/2014
- by Nicholas Bell
- IONCINEMA.com
Arriving on home release on March 17, the Hunger Games: Catching Fire Blu-ray and 2-disc DVD set go beyond the usual thrifty bonus feature content for a deep dive into the making of the sequel.
A nine-part behind-the-scenes documentary, which runs over two hours, takes fans through the entire production process - from hiring Francis Lawrence to replace Gary Ross right through to the preparation for the two-part Mockingjay adaptation.
Here are nine things we uncovered from Catching Fire's bumper making-of doc...
The biggest decision the Catching Games producers had to make was who to hire to replace Gary Ross.
Franchise producer Nina Jacobson admitted that losing Ross after The Hunger Games was a big loss, and she was left pondering: "Who else's instincts can I trust?"
She quickly turned to Francis Lawrence (I Am Legend), who was in the middle of finishing work on Kiefer Sutherland pilot Touch. The filmmaker met with Jacobson,...
A nine-part behind-the-scenes documentary, which runs over two hours, takes fans through the entire production process - from hiring Francis Lawrence to replace Gary Ross right through to the preparation for the two-part Mockingjay adaptation.
Here are nine things we uncovered from Catching Fire's bumper making-of doc...
The biggest decision the Catching Games producers had to make was who to hire to replace Gary Ross.
Franchise producer Nina Jacobson admitted that losing Ross after The Hunger Games was a big loss, and she was left pondering: "Who else's instincts can I trust?"
She quickly turned to Francis Lawrence (I Am Legend), who was in the middle of finishing work on Kiefer Sutherland pilot Touch. The filmmaker met with Jacobson,...
- 3/10/2014
- Digital Spy
The Hunger Games: Catching Fire
Written by Michael Arndt (as Michael deBruyn) and Simon Beaufoy
Directed by Francis Lawrence
USA, 2013
With I Am Legend and Constantine in his filmography, two not entirely successful features but both ones with impressive sequences here and there, director Francis Lawrence would seem an adequate fit for a populist sci-fi or fantasy franchise instalment. Established fans of either Suzanne Collins’ Hunger Games novels or Gary Ross’ first film adaptation can rest easy regarding Lawrence being given the keys to the remaining films in the series, à la David Yates with the Harry Potter franchise: Catching Fire is a very strong blockbuster, an improvement on its predecessor, and Lawrence’s most consistently effective effort to date.
Part of that improvement comes through Lawrence’s better credentials with action sequences and stylisation, Gary Ross having received a lot of flak from many (though not all) for the...
Written by Michael Arndt (as Michael deBruyn) and Simon Beaufoy
Directed by Francis Lawrence
USA, 2013
With I Am Legend and Constantine in his filmography, two not entirely successful features but both ones with impressive sequences here and there, director Francis Lawrence would seem an adequate fit for a populist sci-fi or fantasy franchise instalment. Established fans of either Suzanne Collins’ Hunger Games novels or Gary Ross’ first film adaptation can rest easy regarding Lawrence being given the keys to the remaining films in the series, à la David Yates with the Harry Potter franchise: Catching Fire is a very strong blockbuster, an improvement on its predecessor, and Lawrence’s most consistently effective effort to date.
Part of that improvement comes through Lawrence’s better credentials with action sequences and stylisation, Gary Ross having received a lot of flak from many (though not all) for the...
- 11/22/2013
- by Josh Slater-Williams
- SoundOnSight
The Hunger Games: Catching Fire won’t open in the U.S. until Nov. 22, but the sequel to last year’s box-office smash had its world premiere in London on Monday night. “Everything is much bigger,” Jennifer Lawrence said on the red carpet. “Everything is intensified. … The stakes are much higher.”
The early reviews seemed to agree with Lawrence, for better and worse — but mostly for the better. “Catching Fire is leaner, gutsier and smarter,” wrote Time Out London. “In hand-to-hand combat, it would have the first film on the floor, trapped in a headlock, whimpering for mercy. Over two-and-a-half heart-pounding hours,...
The early reviews seemed to agree with Lawrence, for better and worse — but mostly for the better. “Catching Fire is leaner, gutsier and smarter,” wrote Time Out London. “In hand-to-hand combat, it would have the first film on the floor, trapped in a headlock, whimpering for mercy. Over two-and-a-half heart-pounding hours,...
- 11/12/2013
- by Jeff Labrecque
- EW - Inside Movies
The second big-screen installment of Suzanne Collins' Ya trilogy sees Jennifer Lawrence return as the heroic Katniss Everdeen with new faces Philip Seymour Hoffman, Jena Malone, Jeffrey Wright and Sam Claflin joining the franchise.
As faithful as Argos or Old Yeller, Snowy or Hachiko, The Hunger Games: Catching Fire runs no risk of disappointing its absolutely ravenous target audience. Serving up everything from Suzanne Collins' eventful second installment in her trilogy about teenage warrior and rebel Katniss Everdeen that fans could possibly want to see, this is a safe, serviceable, carefully crafted action drama in which the subversive seeds planted in the first story take welcome root. As before, Jennifer Lawrence is the superb center of it all and the massive success of this Lionsgate release is as certain as the turning of the Earth.
At this point, the franchise's clout is likely mightier than it was 20 months ago,...
As faithful as Argos or Old Yeller, Snowy or Hachiko, The Hunger Games: Catching Fire runs no risk of disappointing its absolutely ravenous target audience. Serving up everything from Suzanne Collins' eventful second installment in her trilogy about teenage warrior and rebel Katniss Everdeen that fans could possibly want to see, this is a safe, serviceable, carefully crafted action drama in which the subversive seeds planted in the first story take welcome root. As before, Jennifer Lawrence is the superb center of it all and the massive success of this Lionsgate release is as certain as the turning of the Earth.
At this point, the franchise's clout is likely mightier than it was 20 months ago,...
- 11/12/2013
- by Todd McCarthy
- The Hollywood Reporter - Movie News
Director: Neil Burger.
Writers: Leslie Dixon and Alan Glynn.
If an acid trip to the Twilight Zone is in order, Limitless explores the boundaries of neither the real nor the imagined. It looks at the human potential of what one can be. Instead of designing a super soldier, science looks to awaken the subconscious when one is hopped up on a fictional drug, Nzt.
The message this film delivers about drug use borders on satire. If that is good, then the statement it makes about where humanity will go next is definitely the stuff of science fiction.
But this film is also a thriller. It explores Eddie Morra’s (Bradley Cooper) climb to fame. With the help of Nzt and some dirty mob money, he becomes a financial genius in the high stakes game of the New York Stock Exchange. When his millions draws the attention of corporate mogul, Carl...
Writers: Leslie Dixon and Alan Glynn.
If an acid trip to the Twilight Zone is in order, Limitless explores the boundaries of neither the real nor the imagined. It looks at the human potential of what one can be. Instead of designing a super soldier, science looks to awaken the subconscious when one is hopped up on a fictional drug, Nzt.
The message this film delivers about drug use borders on satire. If that is good, then the statement it makes about where humanity will go next is definitely the stuff of science fiction.
But this film is also a thriller. It explores Eddie Morra’s (Bradley Cooper) climb to fame. With the help of Nzt and some dirty mob money, he becomes a financial genius in the high stakes game of the New York Stock Exchange. When his millions draws the attention of corporate mogul, Carl...
- 3/17/2011
- by noreply@blogger.com (Ed Sum)
- 28 Days Later Analysis
Our sister site Coming Soon got an unconfirmed tip that Elizabeth Banks ( The Uninvited , Slither ) is in talks to play the female lead opposite Bradley Cooper in director Neil Burger's Dark Fields . The film, based on the book by Alan Glynn, follows a down-and-out writer (Cooper) who gets his hands on a top-secret pharmaceutical drug that makes one smarter. He experiences sudden financial and social success but soon discovers that the drug has lethal and lasting side effects. Before long, mysterious antagonists are pursuing him. The production has also brought on director of photography Jo Willems ( 30 Days of Night ), VFX guru Christopher Scollard ( Fight Club ) and production designer Carlos Barbosa ( "24" ). Leslie Dixon ( The Thomas Crown Affair ), who wrote...
- 2/27/2010
- shocktillyoudrop.com
ComingSoon.net has received an unconfirmed tip that Elizabeth Banks ( Role Models , Betty Brant in the "Spider-Man" movies) is in talks to play the female lead opposite Bradley Cooper in director Neil Burger's Dark Fields . The film, based on the book by Alan Glynn, follows a down-and-out writer (Cooper) who gets his hands on a top-secret pharmaceutical drug that makes one smarter. He experiences sudden financial and social success but soon discovers that the drug has lethal and lasting side effects. Before long, mysterious antagonists are pursuing him. The production has also brought on director of photography Jo Willems ( 30 Days of Night ), VFX guru Christopher Scollard ( Fight Club ) and production designer Carlos Barbosa ("24"). Leslie Dixon ( The...
- 2/27/2010
- Comingsoon.net
After enduring both 'Bride Wars' and 'He's Just Not That Into You' I went into 'Confessions of a Shopaholic' expecting it to be the best of the bunch, although I didn't think it would blow the doors off.
Sure, it is still pushing female stereotypes with an emphasis on shopping, but the always enjoyable Isla Fisher is not only pleasing to the eye, but fun to watch at the same time so how bad could it really be. Unfortunately the answer to that question is bad, and I mean really bad. 'Bride Wars' began with a premise that was doomed from the outset and 'He's Just Not That Into You' unabashedly hates women and did nothing to hide it. But 'Confessions of a Shopaholic' has such a softball storyline it is astonishing how the film actively tries to get worse and worse as it plays on.
Sure, it is still pushing female stereotypes with an emphasis on shopping, but the always enjoyable Isla Fisher is not only pleasing to the eye, but fun to watch at the same time so how bad could it really be. Unfortunately the answer to that question is bad, and I mean really bad. 'Bride Wars' began with a premise that was doomed from the outset and 'He's Just Not That Into You' unabashedly hates women and did nothing to hide it. But 'Confessions of a Shopaholic' has such a softball storyline it is astonishing how the film actively tries to get worse and worse as it plays on.
- 3/20/2009
- by mihirkula
- India.com
Isla Fisher in Confessions of a Shopaholic
Photo: Touchstone Pictures After enduring both Bride Wars and He's Just Not That Into You I went into Confessions of a Shopaholic expecting it to be the best of the bunch, although I didn't think it would blow the doors off. Sure, it is still pushing female stereotypes with an emphasis on shopping, but the always enjoyable Isla Fisher is not only pleasing to the eye, but fun to watch at the same time so how bad could it really be. Unfortunately the answer to that question is bad, and I mean really bad. Bride Wars began with a premise that was doomed from the outset and He's Just Not That Into You unabashedly hates women and did nothing to hide it. But Confessions of a Shopaholic has such a softball storyline it is astonishing how the film actively tries to get worse...
Photo: Touchstone Pictures After enduring both Bride Wars and He's Just Not That Into You I went into Confessions of a Shopaholic expecting it to be the best of the bunch, although I didn't think it would blow the doors off. Sure, it is still pushing female stereotypes with an emphasis on shopping, but the always enjoyable Isla Fisher is not only pleasing to the eye, but fun to watch at the same time so how bad could it really be. Unfortunately the answer to that question is bad, and I mean really bad. Bride Wars began with a premise that was doomed from the outset and He's Just Not That Into You unabashedly hates women and did nothing to hide it. But Confessions of a Shopaholic has such a softball storyline it is astonishing how the film actively tries to get worse...
- 2/13/2009
- by Brad Brevet
- Rope of Silicon
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