Generally, I hate synth-pop. Ok, that’s not entirely true; as a child of the 80’s, I have a very uncomfortable, and warm place in my heart for classic synth-pop, but the modern derivatives make me break out in hives, cold sweats, and odd esoteric rashes. Synth-pop, as a rule, horrifies me; warranting a review of it for Fangoria. If something terrifies you, however titillating the experience may be, it is definitely worthy of mentioning it here.
However, -as with any endeavor --talent shows through time and again; breaking down the barriers and pre-dispositions we fabricate for ourselves. Such has been the case with Germany’s And One. Formed in 1989, after a chance meeting between Chris Ruiz and Steve Naghavi in a Berlin disco, And One has acquired a tremendous body of work -and added an even larger amount of vibrancy to the world of synth-pop -transcending the limitations of...
However, -as with any endeavor --talent shows through time and again; breaking down the barriers and pre-dispositions we fabricate for ourselves. Such has been the case with Germany’s And One. Formed in 1989, after a chance meeting between Chris Ruiz and Steve Naghavi in a Berlin disco, And One has acquired a tremendous body of work -and added an even larger amount of vibrancy to the world of synth-pop -transcending the limitations of...
- 3/21/2009
- Fangoria
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