It’s hard knowing what to make of Kevin Macdonald’s High & Low: John Galliano. It concerns the controversial fashion designer, his unexpected rise (“the son of a plumber” from Gibraltar), his stratospheric success, his catastrophic fall. For those who may not know: Galliano became the creative director of Christian Dior Se in the mid-90s (Givenchy before that) and developed a style that was both celebrated and imitated by the industry at large. The man himself was regarded as a genius in his own time, and he worked himself (and his right-hand man Steven Robinson) to the bone. His runways were an event unto themselves. The word “revolutionary” was apparently used. Then, in 2011, Galliano’s career came to a screeching halt when he was caught on video at a Paris bar badgering fellow patrons with racist and antisemitic hate speech. He was swiftly fired from his position and arrested for the remarks.
- 3/7/2024
- by Dan Mecca
- The Film Stage
A-listers talk about the flamboyant designer but the film doesn’t press the man himself enough on his most jarring incidents
The strange, and strangely unedifying, story of fashion designer John Galliano is retold by film-maker Kevin Macdonald, who covers the ground and states the facts in an impeccably professional way. Yet this film feels constrained by the obvious need to be diplomatic with Galliano and his A-list supporters to whom Macdonald has intimate access.
Galliano is the brilliant Gibraltarian-British designer whose flamboyant designs electrified the world of couture in the 90s; he was creative director of both Givenchy and Dior in Paris. The acclaim was dazzling but he became seriously overworked, had issues with alcohol and drug use, was under emotional strain following the death of his assistant and friend Steven Robinson, and badly shaken by Alexander McQueen taking his own life. And then, in 2011, video emerged of him,...
The strange, and strangely unedifying, story of fashion designer John Galliano is retold by film-maker Kevin Macdonald, who covers the ground and states the facts in an impeccably professional way. Yet this film feels constrained by the obvious need to be diplomatic with Galliano and his A-list supporters to whom Macdonald has intimate access.
Galliano is the brilliant Gibraltarian-British designer whose flamboyant designs electrified the world of couture in the 90s; he was creative director of both Givenchy and Dior in Paris. The acclaim was dazzling but he became seriously overworked, had issues with alcohol and drug use, was under emotional strain following the death of his assistant and friend Steven Robinson, and badly shaken by Alexander McQueen taking his own life. And then, in 2011, video emerged of him,...
- 3/6/2024
- by Peter Bradshaw
- The Guardian - Film News
The Australian Screen Editors’ Guild has added a new category to include online and new content streams to its awards night and announced the nominees for the 2012 Ase Awards.
The announcement:
The Australian Screen Editors’ (Ase) Guild is dedicated to the pursuit and recognition of excellence in screen editing across all its forms. It aims to highlight the often invisible art of editing to the public while supporting the people who construct our screen narratives frame by frame.
In 2012 the Ase expanded its activities by opening a new Committee in Brisbane, growing the membership base already established in Sydney, Melbourne, Perth and Adelaide, and expanding its year-round program of seminars, screenings, masterclasses, training days and mentorships. This year the Ase also celebrated its 10th anniversary of Accreditation, the highest honour the Guild can bestow on an editor.
The culmination of the Guild’s year happens at the annual Ase Awards,...
The announcement:
The Australian Screen Editors’ (Ase) Guild is dedicated to the pursuit and recognition of excellence in screen editing across all its forms. It aims to highlight the often invisible art of editing to the public while supporting the people who construct our screen narratives frame by frame.
In 2012 the Ase expanded its activities by opening a new Committee in Brisbane, growing the membership base already established in Sydney, Melbourne, Perth and Adelaide, and expanding its year-round program of seminars, screenings, masterclasses, training days and mentorships. This year the Ase also celebrated its 10th anniversary of Accreditation, the highest honour the Guild can bestow on an editor.
The culmination of the Guild’s year happens at the annual Ase Awards,...
- 11/14/2012
- by Colin Delaney
- Encore Magazine
The Australian Screen Editors’ (Ase) Guild has announced its nominees for the 2011 Ellie Awards.
Across seven categories, the Ase Guild recognises achievements in editing across feature film, television, documentary, music videos, commercials and short films.
Blame, Mad Bastards, Oranges and Sunshine and Tomorrow When the War Began, are all up for an award. So to is East West 101, Jandamarra’s War, Spirited, short film Something Fishy, Carlton Draught’s Slo Mo ad and Tim and Jean’s music video for Don’t Stop.
The awards are nicknamed the Ellies after the bronzed elephant statues.
Actor Rob Carlton (Underbelly, Paper Giants) is to host the night. Carlton said he feels the pressure to nail the night: “If you’re an actor, hosting the Awards night for the Screen Editors is a high-stakes business. Get it right and I’m assured lots of smouldering close-ups. Get it wrong and all you...
Across seven categories, the Ase Guild recognises achievements in editing across feature film, television, documentary, music videos, commercials and short films.
Blame, Mad Bastards, Oranges and Sunshine and Tomorrow When the War Began, are all up for an award. So to is East West 101, Jandamarra’s War, Spirited, short film Something Fishy, Carlton Draught’s Slo Mo ad and Tim and Jean’s music video for Don’t Stop.
The awards are nicknamed the Ellies after the bronzed elephant statues.
Actor Rob Carlton (Underbelly, Paper Giants) is to host the night. Carlton said he feels the pressure to nail the night: “If you’re an actor, hosting the Awards night for the Screen Editors is a high-stakes business. Get it right and I’m assured lots of smouldering close-ups. Get it wrong and all you...
- 11/8/2011
- by Colin Delaney
- Encore Magazine
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