Indie veteran lining up development and production fund.
Rose Ganguzza, the New York producer of summer release Fatima, has unveiled a Rose Pictures development slate that includes new work from the directors of How To Build A Girl and Grudge.
Ganguzza, a veteran of the independent space whose producing credits include Margin Call and Kill Your Darlings, has partnered on the content pipeline for 2021 with Max Born, a producer The Devil All The Time, and Jake Alden Falconer, a producer on summer horror film 1Br.
As Fatima – the film released by Bob and Jeanne Berney’s Picturehouse – ranks in the...
Rose Ganguzza, the New York producer of summer release Fatima, has unveiled a Rose Pictures development slate that includes new work from the directors of How To Build A Girl and Grudge.
Ganguzza, a veteran of the independent space whose producing credits include Margin Call and Kill Your Darlings, has partnered on the content pipeline for 2021 with Max Born, a producer The Devil All The Time, and Jake Alden Falconer, a producer on summer horror film 1Br.
As Fatima – the film released by Bob and Jeanne Berney’s Picturehouse – ranks in the...
- 11/4/2020
- by Jeremy Kay
- ScreenDaily
Indie veteran lining up development and production fund.
Rose Ganguzza, the New York producer of summer release Fatima, has unveiled a Rose Pictures development slate that includes new work from the directors of How To Build A Girl and Grudge.
Ganguzza, a veteran of the independent space whose producing credits include Margin Call and Kill Your Darlings, has partnered on the content pipeline for 2021 with Max Born, a producer The Devil All The Time, and Jake Alden Falconer, a producer on summer horror film 1Br.
As Fatima – the film released by Bob and Jeanne Berney’s Picturehouse – ranks in the...
Rose Ganguzza, the New York producer of summer release Fatima, has unveiled a Rose Pictures development slate that includes new work from the directors of How To Build A Girl and Grudge.
Ganguzza, a veteran of the independent space whose producing credits include Margin Call and Kill Your Darlings, has partnered on the content pipeline for 2021 with Max Born, a producer The Devil All The Time, and Jake Alden Falconer, a producer on summer horror film 1Br.
As Fatima – the film released by Bob and Jeanne Berney’s Picturehouse – ranks in the...
- 11/4/2020
- by Jeremy Kay
- ScreenDaily
“Marvelous Mrs. Maisel” creators Amy Sherman-Palladino and her husband Daniel Palladino are developing a drama series about female abstract artists in the 20th century for Amazon Studios, TheWrap has learned.
The tech giant has optioned the rights to Mary Gabriel’s 2018 book “Ninth Street Women” for the Palladinos to develop as the couple’s latest project under their overall deal with the studio, which they renewed in February.
Here’s the official description for the novel, a New York Times Critics’ Top Book of 2018: Set amid the most turbulent social and political period of modern times, “Ninth Street Women” is the impassioned, wild, sometimes tragic, always exhilarating chronicle of five women, Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell and Helen Frankenthaler, who dared to enter the male-dominated world of twentieth-century abstract painting — not as muses but as artists. These women changed American art and society, tearing up...
The tech giant has optioned the rights to Mary Gabriel’s 2018 book “Ninth Street Women” for the Palladinos to develop as the couple’s latest project under their overall deal with the studio, which they renewed in February.
Here’s the official description for the novel, a New York Times Critics’ Top Book of 2018: Set amid the most turbulent social and political period of modern times, “Ninth Street Women” is the impassioned, wild, sometimes tragic, always exhilarating chronicle of five women, Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell and Helen Frankenthaler, who dared to enter the male-dominated world of twentieth-century abstract painting — not as muses but as artists. These women changed American art and society, tearing up...
- 4/24/2019
- by Jennifer Maas
- The Wrap
The Marvelous Mrs. Maisel’s Emmy-winning EPs, Amy Sherman-Palladino and Daniel Palladino, have designs on the modern art scene, having optioned the non-fiction book Ninth Street Women for their next Amazon project.
Released in 2018, the Mary Gabriel-penned work chronicles the lives of five women — Lee Krasner (wife of Jackson Pollack), Elaine de Kooning (wife of Willem de Kooning), Grace Hartigan, Joan Mitchell and Helen Frankenthaler — “who dared to enter the male-dominated world of 20th-Century abstract painting — not as muses, but as artists,” according to the book’s official logline. “These women changed American art and society, tearing up the prevailing...
Released in 2018, the Mary Gabriel-penned work chronicles the lives of five women — Lee Krasner (wife of Jackson Pollack), Elaine de Kooning (wife of Willem de Kooning), Grace Hartigan, Joan Mitchell and Helen Frankenthaler — “who dared to enter the male-dominated world of 20th-Century abstract painting — not as muses, but as artists,” according to the book’s official logline. “These women changed American art and society, tearing up the prevailing...
- 4/24/2019
- TVLine.com
One Way Ticket: Jacob Lawrence's Migration Series Museum of Modern Art, NYC hrough September 7, 2015
One of the most startling impressions that one takes away from seeing the reunited Migration Series at the Museum of Modern Art is how current the paintings still feel current in a way that Céline still does, or Christopher Isherwood, or John Steinbeck -- documenters of a very specific moment of transition, faithfully recording sensitive observations. Jacob Lawrence’s cycle of sixty paintings on the subject of the Northern Migration is both a landmark work for an artist who was just twenty-three years old when he began it, and it is a work of historical importance in American art of the 20th Century.
Lawrence, who had dropped out of school when he was sixteen, was encouraged by his single mother to take art classes and visit museums. He studied at the Harlem Art Workshop, in the...
One of the most startling impressions that one takes away from seeing the reunited Migration Series at the Museum of Modern Art is how current the paintings still feel current in a way that Céline still does, or Christopher Isherwood, or John Steinbeck -- documenters of a very specific moment of transition, faithfully recording sensitive observations. Jacob Lawrence’s cycle of sixty paintings on the subject of the Northern Migration is both a landmark work for an artist who was just twenty-three years old when he began it, and it is a work of historical importance in American art of the 20th Century.
Lawrence, who had dropped out of school when he was sixteen, was encouraged by his single mother to take art classes and visit museums. He studied at the Harlem Art Workshop, in the...
- 5/20/2015
- by bradleyrubenstein
- www.culturecatch.com
If you thought that Robert De Niro had mellowed in his old age, think again. His new film with Luc Besson is feistily violent and he still hankers after making a sequel to Taxi Driver
To misquote Bananarama, Robert De Niro is waiting inside the hotel room, talking on his phone, though probably not in Italian. I'm outside with the PR, who keeps easing open the door to check if he's done. The publicist is starstruck; he doesn't want to intrude. He explains that he grew up watching De Niro movies and that Taxi Driver is basically the reason he got into this business to begin with. We agree that it's wise to make no mention of this. He might shut the door and lock us out altogether.
De Niro is in town to discuss his new role as an ageing bull in a witness protection programme, and this seems fitting.
To misquote Bananarama, Robert De Niro is waiting inside the hotel room, talking on his phone, though probably not in Italian. I'm outside with the PR, who keeps easing open the door to check if he's done. The publicist is starstruck; he doesn't want to intrude. He explains that he grew up watching De Niro movies and that Taxi Driver is basically the reason he got into this business to begin with. We agree that it's wise to make no mention of this. He might shut the door and lock us out altogether.
De Niro is in town to discuss his new role as an ageing bull in a witness protection programme, and this seems fitting.
- 11/15/2013
- by Xan Brooks
- The Guardian - Film News
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