Kim Gordon stopped by Jimmy Kimmel Live! on Wednesday to perform “Bye Bye” from her recent solo album The Collective. Watch the performance below.
The Collective arrived last month as Gordon’s second solo effort, following 2019’s No Home Record. As previewed by singles “Bye Bye” and “I’m a Man,” the record incorporated trap and hip-hop elements into Gordon’s already experimental style. Featuring production from Justin Raisen, the album houses a “beat-driven sound that exudes dark energy but feels inviting at the same time,” as Consequence’s own Sun Noor wrote for the record’s inclusion in our Staff Picks roundup for March.
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Gordon is currently in the midst of a major 2024 tour in support of The Collective. Having just wrapped up the first leg in San Francisco on March 30th, she’ll hit the road once again come summer. Kicking off at...
The Collective arrived last month as Gordon’s second solo effort, following 2019’s No Home Record. As previewed by singles “Bye Bye” and “I’m a Man,” the record incorporated trap and hip-hop elements into Gordon’s already experimental style. Featuring production from Justin Raisen, the album houses a “beat-driven sound that exudes dark energy but feels inviting at the same time,” as Consequence’s own Sun Noor wrote for the record’s inclusion in our Staff Picks roundup for March.
Get Kim Gordon Tickets Here
Gordon is currently in the midst of a major 2024 tour in support of The Collective. Having just wrapped up the first leg in San Francisco on March 30th, she’ll hit the road once again come summer. Kicking off at...
- 4/4/2024
- by Jonah Krueger
- Consequence - Music
Kim Gordon stopped by Jimmy Kimmel Live to perform her recent single, “Bye Bye.” Appearing with a live band, Gordon tore through the fuzzed out, synth-laden track with moody fervor.
“Bye Bye” comes off the former Sonic Youth musician’s second solo LP, The Collective, which dropped in March. The album was produced by Justin Raisen with help from Anthony Paul Lopez, and follows Gordon’s 2019 debut solo LP, No Home Record, which featured the songs “Murdered Out,” “AirBnB,” and “Don’t Play It.”
“It’s essentially a continuation of the last record,...
“Bye Bye” comes off the former Sonic Youth musician’s second solo LP, The Collective, which dropped in March. The album was produced by Justin Raisen with help from Anthony Paul Lopez, and follows Gordon’s 2019 debut solo LP, No Home Record, which featured the songs “Murdered Out,” “AirBnB,” and “Don’t Play It.”
“It’s essentially a continuation of the last record,...
- 4/4/2024
- by Emily Zemler
- Rollingstone.com
To celebrate the 20th anniversary of their commercial breakthrough Good News for People Who Love Bad News, Modest Mouse are prepping a special reissue featuring several previously unreleased recordings.
Good News For People Who Love Bad News: 20th Anniversary Expanded Edition will be released digitally April 5, with eight additional remix tracks, the majority of which are totally new. The remixes come from artists like Mgmt’s Andrew VanWyngarden (“The View”), Jackknife Lee (“Bury Me With It”), Dan the Automator (“Float On”), and Justin Raisen (“The Good Times Are Killing Me...
Good News For People Who Love Bad News: 20th Anniversary Expanded Edition will be released digitally April 5, with eight additional remix tracks, the majority of which are totally new. The remixes come from artists like Mgmt’s Andrew VanWyngarden (“The View”), Jackknife Lee (“Bury Me With It”), Dan the Automator (“Float On”), and Justin Raisen (“The Good Times Are Killing Me...
- 3/22/2024
- by Jon Blistein
- Rollingstone.com
This year marks the 20th anniversary of Modest Mouse’s seminal album, Good News For People Who Love Bad News. Today, to celebrate the occasion, the band has announced a deluxe reissue of the album, featuring eight bonus tracks.
Titled Good News For People Who Love Bad News: 20th Anniversary Expanded Edition, the new release is due out digitally on April 5th and as a 2xLP vinyl set on May 17th via Legacy Recordings, the catalog division of Sony Music Entertainment. Among the bonus tracks are new remixes from Poolside, Jacknife Lee, Dan the Automator, Mgmt’s Andrew VanWyngarden and more. See the full tracklist below.
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Along with news of the reissue, Modest Mouse have shared a video for the track “The World At Large/Stiff Animal Fantasy” that was previously only available on the DVD side of the Good News For People Who Love Bad News DualDisc.
Titled Good News For People Who Love Bad News: 20th Anniversary Expanded Edition, the new release is due out digitally on April 5th and as a 2xLP vinyl set on May 17th via Legacy Recordings, the catalog division of Sony Music Entertainment. Among the bonus tracks are new remixes from Poolside, Jacknife Lee, Dan the Automator, Mgmt’s Andrew VanWyngarden and more. See the full tracklist below.
Get Modest Mouse Tickets Here
Along with news of the reissue, Modest Mouse have shared a video for the track “The World At Large/Stiff Animal Fantasy” that was previously only available on the DVD side of the Good News For People Who Love Bad News DualDisc.
- 3/22/2024
- by Jo Vito
- Consequence - Music
Kim Gordon has revealed her new sophomore solo album, The Collective. Stream it below.
Featuring icy, industrial, and hip-hop centric sonics, Kim Gordon narrates the scenes of The Collective with a stream-of-consciousness, collage-esque lyrical style. The album was produced by Justin Raisen, who has worked extensively with Lil Yachty, Yves Tumor, and Angel Olsen, and produced Gordon’s last album, 2019’s No Home Record.
The Sonic Youth co-founder previewed The Collective earlier this year with the laundry-list lead single “Bye Bye,” which we named as a “fucking banger” in our Song of the Week column, and the toxic masculinity-skewering “I’m a Man.” She also shared the noisy, mantra-heavy “Psychedelic Orgasm” this week. Stream Kim Gordon’s The Collective below.
Kim Gordon is also embarking on a major 2024 tour in support of The Collective, adding new dates in North America, the UK, and Europe this week to her schedule. After...
Featuring icy, industrial, and hip-hop centric sonics, Kim Gordon narrates the scenes of The Collective with a stream-of-consciousness, collage-esque lyrical style. The album was produced by Justin Raisen, who has worked extensively with Lil Yachty, Yves Tumor, and Angel Olsen, and produced Gordon’s last album, 2019’s No Home Record.
The Sonic Youth co-founder previewed The Collective earlier this year with the laundry-list lead single “Bye Bye,” which we named as a “fucking banger” in our Song of the Week column, and the toxic masculinity-skewering “I’m a Man.” She also shared the noisy, mantra-heavy “Psychedelic Orgasm” this week. Stream Kim Gordon’s The Collective below.
Kim Gordon is also embarking on a major 2024 tour in support of The Collective, adding new dates in North America, the UK, and Europe this week to her schedule. After...
- 3/8/2024
- by Paolo Ragusa
- Consequence - Music
Listen closely: On “Principles,” the jarring penultimate track of Kim Gordon’s new solo album, The Collective, are the words she’s wailing “an actress of life”? Or is that last word “light” or “lies” or “live” or something else? The line transmits differently if you listen to it on a big stereo, expensive headphones, a beach speaker, shitty AirPods, and shittier iPhone speakers, since she’s buried it so deeply in atmospheric reverb and industrial clanging. You gotta open up your earholes. With vocals mixed so opaquely, listening to...
- 3/7/2024
- by Kory Grow
- Rollingstone.com
Kim Gordon has shared “I’m a Man,” the latest single from her forthcoming album, The Collective.
With dissonant guitars, waves of crushing sound, and a skittering hip-hop beat courtesy of producer Justin Raisen, Kim Gordon takes aim at masculine identity on “I’m a Man.” She repeats the song’s titular claim throughout, describing a man’s psychological perspective and defense mechanisms. “It’s not my fault/ I’m not bringing home the juice/ I’m not bringing home the bacon,” she mutters, later asking “So what if I like a big truck/ Giddy up, giddy up/ Don’t call me toxic/ Just because I like a little butt.”
And yet, similar to her last single “Bye Bye,” Gordon begins to dismantle some of these ideas as she goes along. “I’d like to shave my beard just so/ Manicure my nails/ Put on a skirt/ But at the...
With dissonant guitars, waves of crushing sound, and a skittering hip-hop beat courtesy of producer Justin Raisen, Kim Gordon takes aim at masculine identity on “I’m a Man.” She repeats the song’s titular claim throughout, describing a man’s psychological perspective and defense mechanisms. “It’s not my fault/ I’m not bringing home the juice/ I’m not bringing home the bacon,” she mutters, later asking “So what if I like a big truck/ Giddy up, giddy up/ Don’t call me toxic/ Just because I like a little butt.”
And yet, similar to her last single “Bye Bye,” Gordon begins to dismantle some of these ideas as she goes along. “I’d like to shave my beard just so/ Manicure my nails/ Put on a skirt/ But at the...
- 2/15/2024
- by Paolo Ragusa
- Consequence - Music
Kim Gordon is prepping her second solo album. On Tuesday, the former Sonic Youth vocalist released her solo track “Bye Bye” as she announced that she’ll release her second LP, The Collective, on March 8.
“I’ve been waiting so long to share this song and video with you all. It was made with love and fun,” Gordon said on Instagram Tuesday. “I hope you like it. Love Kim.”
The music video stars Gordon’s daughter Coco Gordon Moore as she runs through a suburban town, stopping by a pay...
“I’ve been waiting so long to share this song and video with you all. It was made with love and fun,” Gordon said on Instagram Tuesday. “I hope you like it. Love Kim.”
The music video stars Gordon’s daughter Coco Gordon Moore as she runs through a suburban town, stopping by a pay...
- 1/16/2024
- by Tomás Mier
- Rollingstone.com
Kim Gordon has announced her second solo studio album. The Collective is out on March 8th via Matador, and the Sonic Youth musician is celebrating the news with the lead single “Bye Bye” as well as a batch of 2024 tour dates.
Gordon’s follow-up to her 2019 debut No Home Record brought her back to producer Justin Raisen, whose knack for dub and hip-hop leaning beats intermingle with Gordon’s best-in-class rock songwriting.
Those colliding genres are especially evident on the rumbling, ear-splitting “Bye Bye.” You would probably never guess it was a Kim Gordon song until her droning voice comes in, rattling off what sounds like her to-do list before a big trip: “Buy a suitcase, take pants to the cleaner,” she raps. “Call the vet, call the groomer/ Call the dog sitter.”
Before long, roaring guitars come in, almost as if signaling anxiety about travel — or something more sinister.
Gordon’s follow-up to her 2019 debut No Home Record brought her back to producer Justin Raisen, whose knack for dub and hip-hop leaning beats intermingle with Gordon’s best-in-class rock songwriting.
Those colliding genres are especially evident on the rumbling, ear-splitting “Bye Bye.” You would probably never guess it was a Kim Gordon song until her droning voice comes in, rattling off what sounds like her to-do list before a big trip: “Buy a suitcase, take pants to the cleaner,” she raps. “Call the vet, call the groomer/ Call the dog sitter.”
Before long, roaring guitars come in, almost as if signaling anxiety about travel — or something more sinister.
- 1/16/2024
- by Abby Jones
- Consequence - Music
When Teezo Touchdown popped up on two songs on Drake’s For All the Dogs — “Amen” and the wild falsetto outro of “7969 Santa” — they were just the latest in a series of high-profile, attention-grabbing guest spots for the Texas-born singer/rapper. That’s him crooning in a cartoonish British accent on “Modern Jam,” one of the best tracks on Travis Scott’s Utopia, and taking the first verse on Lil Yachty’s Tame Impala-like “The Ride” from Let’s Start Here.
In the new episode of Rolling Stone Music Now,...
In the new episode of Rolling Stone Music Now,...
- 10/10/2023
- by Brian Hiatt
- Rollingstone.com
Spoon have released a new song, “My Babe,” from their upcoming album, Lucifer on the Sofa, set to arrive Feb. 11 via Matador Records.
“My Babe” begins as a practically wistful ballad, but the song follows its plucky lead acoustic riff to a far punchier place that feels perfect for either an arena or a garage: “Oh, I would get locked up/Hold my breath, sing my heart out/Beat my chest for my babe,” wails Britt Daniel. “Let our hearts beat in time/Let the love go on and on now/My babe.
“My Babe” begins as a practically wistful ballad, but the song follows its plucky lead acoustic riff to a far punchier place that feels perfect for either an arena or a garage: “Oh, I would get locked up/Hold my breath, sing my heart out/Beat my chest for my babe,” wails Britt Daniel. “Let our hearts beat in time/Let the love go on and on now/My babe.
- 2/8/2022
- by Jon Blistein
- Rollingstone.com
L.A.-based songwriter Lawrence Rothman addresses childhood abuse and trauma head on in their stunning new song and video “Thrash the West.” The moody, atmospheric track features Amanda Shires on harmony vocals.
“Thrash the West” is the latest preview of Rothman’s upcoming album, Good Morning America, due July 16th. The project includes collaborations with Shires, Katie Pruitt, Caroline Rose, and Lucinda Williams, who sings on the track “Decent Man,” released late last year.
“‘Thrash the West’ details how I came to terms with the childhood trauma of sexual abuse from a teacher,...
“Thrash the West” is the latest preview of Rothman’s upcoming album, Good Morning America, due July 16th. The project includes collaborations with Shires, Katie Pruitt, Caroline Rose, and Lucinda Williams, who sings on the track “Decent Man,” released late last year.
“‘Thrash the West’ details how I came to terms with the childhood trauma of sexual abuse from a teacher,...
- 4/14/2021
- by Joseph Hudak
- Rollingstone.com
Things were looking good for Spoon as spring arrived in Austin, Texas, this year. After a few months of spirited sessions at drummer Jim Eno’s studio, the long-running indie-rock heroes were getting close to the finish line on their 10th studio album. The songs were sounding tight, and the band was feeling loose. “I’d say we had 70 or 80 percent of the record done,” recalls frontman Britt Daniel, 49. “We were recording right up until March 10th. And then March 11th was when this whole mess kicked into high gear.
- 9/14/2020
- by Simon Vozick-Levinson
- Rollingstone.com
Three songwriters have filed a countersuit against Lizzo, reasserting their claim that they helped write the pop star’s breakout smash “Truth Hurts,” but were not properly credited on the song.
The suit was filed by brothers Justin and Jeremiah Raisen, and Justin “Yves” Rothman, who claim “Truth Hurts” emerged from a writing session with Lizzo and Jesse Saint John that produced a song called “Healthy.” They allege that “Healthy” contained elements that later appeared in “Truth Hurts,” including the memorable line, “I just took a DNA test, turns out I’m 100 percent that bitch.
The suit was filed by brothers Justin and Jeremiah Raisen, and Justin “Yves” Rothman, who claim “Truth Hurts” emerged from a writing session with Lizzo and Jesse Saint John that produced a song called “Healthy.” They allege that “Healthy” contained elements that later appeared in “Truth Hurts,” including the memorable line, “I just took a DNA test, turns out I’m 100 percent that bitch.
- 2/28/2020
- by Jon Blistein
- Rollingstone.com
Lizzo is finally speaking out after being hit with plagiarism accusations over her single, "Truth Hurts." The 31-year-old singer took to social media on Oct. 23 to share a statement addressing the songwriters who claim that she lifted her popular lyric, "I just took a DNA test, turns out I'm 100 percent that bitch," from a song she wrote with them in 2017.
"As I've stated before, in 2017, while working on a demo, I saw a meme that resonated with me, a meme that made me feel like 100% that bitch," she explained. "I sang that line in the demo, and I later used the line in 'Truth Hurts.' The men who now claim a piece of 'Truth Hurts' did not help me write any part of the song. They had nothing to do with the line or how I chose to sing it. There was no one in the room when I wrote 'Truth Hurts,...
"As I've stated before, in 2017, while working on a demo, I saw a meme that resonated with me, a meme that made me feel like 100% that bitch," she explained. "I sang that line in the demo, and I later used the line in 'Truth Hurts.' The men who now claim a piece of 'Truth Hurts' did not help me write any part of the song. They had nothing to do with the line or how I chose to sing it. There was no one in the room when I wrote 'Truth Hurts,...
- 10/24/2019
- by Danielle Jackson
- Popsugar.com
Lizzo has filed a lawsuit against three songwriters who claim they were not properly credited as co-writers on her hit song, “Truth Hurts.”
The lawsuit, obtained by Rolling Stone, comes after brothers Justin and Jeremiah Raisen publicly claimed they were part of an April 2017 writing session with Lizzo that produced a demo, “Healthy,” that included the line, “I just took a DNA test, turns out I’m 100 percent that bitch.” On Instagram, Justin Raisen claimed he and his brother were never properly credited for the song, and that their attempts...
The lawsuit, obtained by Rolling Stone, comes after brothers Justin and Jeremiah Raisen publicly claimed they were part of an April 2017 writing session with Lizzo that produced a demo, “Healthy,” that included the line, “I just took a DNA test, turns out I’m 100 percent that bitch.” On Instagram, Justin Raisen claimed he and his brother were never properly credited for the song, and that their attempts...
- 10/23/2019
- by Jon Blistein
- Rollingstone.com
Lizzo rebuffed claims that she did not properly credit two songwriters on her hit “Truth Hurts” in a note posted on Twitter Wednesday. “That song is my life, and its words are my truth,” the musician wrote.
Last week, songwriting brothers Justin and Jeremiah Raisen claimed that in April 2017 they took part in a writing session with Lizzo, Jesse Saint John and Yves Rothman, during which they all wrote a song called “Healthy” that contained the memorable line, “I just took a DNA test, turns out I’m 100% that bitch.
Last week, songwriting brothers Justin and Jeremiah Raisen claimed that in April 2017 they took part in a writing session with Lizzo, Jesse Saint John and Yves Rothman, during which they all wrote a song called “Healthy” that contained the memorable line, “I just took a DNA test, turns out I’m 100% that bitch.
- 10/23/2019
- by Jon Blistein
- Rollingstone.com
Nasty Cherry are romancing your dad on the cheeky, catchy new song “Music With Your Dad.” This is the band’s fourth official song and will appear on their upcoming debut Ep.
Produced by Justin Raisen (Sky Ferreira, Angel Olsen), “Music With Your Dad” has the quartet detailing their love affair with an older beau. They’re drinking whiskey and being gifted Cadillacs from the dad in question. “He just wants me/He just gets me/He just wants me/Oh,” singer Gabbriette Bechtel sings on the chorus.
Nasty Cherry...
Produced by Justin Raisen (Sky Ferreira, Angel Olsen), “Music With Your Dad” has the quartet detailing their love affair with an older beau. They’re drinking whiskey and being gifted Cadillacs from the dad in question. “He just wants me/He just gets me/He just wants me/Oh,” singer Gabbriette Bechtel sings on the chorus.
Nasty Cherry...
- 10/18/2019
- by Brittany Spanos
- Rollingstone.com
Lizzo is facing a plagiarism claim over her Number One hit “Truth Hurts.” Songwriting brothers Justin and Jeremiah Raisen claim that they were part of an early writing session that produced the memorable line, “I just took a DNA test, turns out I’m 100 percent that bitch.”
In an Instagram post from Tuesday, Justin Raisen claimed that Lizzo, his brother Jeremiah, Jesse Saint John and Yves Rothman penned a tune called “Healthy” in April 2017 while in Raisens’ studio and that the song contained the exact line in question.
“We were...
In an Instagram post from Tuesday, Justin Raisen claimed that Lizzo, his brother Jeremiah, Jesse Saint John and Yves Rothman penned a tune called “Healthy” in April 2017 while in Raisens’ studio and that the song contained the exact line in question.
“We were...
- 10/16/2019
- by Althea Legaspi
- Rollingstone.com
You know this sadly familiar scenario: Band with three distinctive singers and writers — and a steady, dependable drummer who seems to get along with them all — collapses, and what follows are individual projects with plenty of sterling moments instead of a group record that will never be. The Beatles? Sure, but the same now goes for Sonic Youth. In the aftermath of the group’s collapse following Kim Gordon and Thurston Moore’s startling breakup, we’ve had to make do with solo albums that, at least, played up their individual strengths.
- 10/15/2019
- by David Browne
- Rollingstone.com
Kim Gordon has been making music since the early Eighties, but somehow she just got around to making her first solo album. In her defense, she’s been pretty busy: since the 2011 break-up of Sonic Youth — the enormously influential band she co-founded, wrote, sang and played bass in — she’s released two albums of improvised avant-rock as part of the duo Body/Head, written the universally acclaimed memoir Girl in a Band, flourished as a visual artist and relocated back to Los Angeles after forty years on the East Coast.
- 10/14/2019
- by Jon Dolan
- Rollingstone.com
Kim Gordon unveiled a cacophonous new ripper, “Hungry Baby,” from her forthcoming debut solo album, No Home Record, out October 11th via Matador.
The song boasts pummeling drums, a bass line that could register on the Richter scale and a wash of feedback that Gordon molds into something that teeters on the edge of discordant and melodic.
Her vocals hold the track together as she breathlessly seethes, “I’ll take you in/I’ll put you out/I’ll tell you stories of what you’ve got,” before extending the...
The song boasts pummeling drums, a bass line that could register on the Richter scale and a wash of feedback that Gordon molds into something that teeters on the edge of discordant and melodic.
Her vocals hold the track together as she breathlessly seethes, “I’ll take you in/I’ll put you out/I’ll tell you stories of what you’ve got,” before extending the...
- 10/7/2019
- by Jon Blistein
- Rollingstone.com
As Kim Gordon explains in the new “video” for her song “Air BnB,” the video was supposed to be shot in an actual Air BnB. “Think faux mid-century modern on top of the Hollywood Hills with a great view of the city and lots of grass,” she explains via title card, with the song playing over it.
But Gordon didn’t have the budget, so through title cards, she lays out the whole video treatment and lets the viewer imagine what the clip could’ve been like. (Think Young Thug’s Diy “Wyclef Jean” video,...
But Gordon didn’t have the budget, so through title cards, she lays out the whole video treatment and lets the viewer imagine what the clip could’ve been like. (Think Young Thug’s Diy “Wyclef Jean” video,...
- 9/11/2019
- by Claire Shaffer
- Rollingstone.com
Former Sonic Youth singer Kim Gordon rolled out the details of her debut solo LP No Home Record this morning. The album was recored at the Sphere Ranch in Los Angeles and primarily produced by Justin Raisen. “‘Why a solo record? And why now?,’” Gordon asked in a statement. “I don’t know, but it wouldn’t have happened without the persistence of Justin Raisen. Living in La the last few years it feels like home, but the transience of the place makes it feel sometimes like no home.”
Sonic...
Sonic...
- 8/20/2019
- by Andy Greene
- Rollingstone.com
Kim Gordon unveiled the bruising new single, “Sketch Artist,” from her debut solo album No Home Record, set to arrive October 11th via Matador.
The former Sonic Youth member also sahred a video for “Sketch Artist,” directed by the Berlin-based experimental filmmaker Loretta Fahrenholz. In the clip, Gordon plays a driver for a ride share app called “Unter,” and as she drives passengers — including Broad City star Abbi Jacobson — around nighttime Los Angeles, her cold stare shocks pedestrians on the street into dancing fits.
No Home Record — whose title alludes...
The former Sonic Youth member also sahred a video for “Sketch Artist,” directed by the Berlin-based experimental filmmaker Loretta Fahrenholz. In the clip, Gordon plays a driver for a ride share app called “Unter,” and as she drives passengers — including Broad City star Abbi Jacobson — around nighttime Los Angeles, her cold stare shocks pedestrians on the street into dancing fits.
No Home Record — whose title alludes...
- 8/20/2019
- by Claire Shaffer
- Rollingstone.com
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