Exclusive: Australian streamer Stan has today unveiled a 25-strong slate, adding scripted titles from Matchbox Pictures and the producers behind Colin From Accounts, acquisitions from the UK and U.S. and a new version of Drag Race to its ranks.
Content from the likes of All3Media, AMC, Banijay, the BBC, Fremantle, ITV, Lionsgate, Universal Internatational Studios, Paramount, Sony and Warner Bros Discovery is on the slate, which was showcased at the iconic Sydney Opera House as Stan’s latest salvo in Australia’s competitive streaming market.
Among the key scripted originals is Critical Incident, a psychological crime thriller from Matchbox, the Australian production subsidiary of Universal Studio Group-owned Universal International Studios. Written by Sarah Bassiuoni (The Secrets She Keeps), it recently completed production in Western Sydney, with major production investment from Screen Australia.
The six-part show depicts life in the Western suburbs of Sydney and delves into the complex...
Content from the likes of All3Media, AMC, Banijay, the BBC, Fremantle, ITV, Lionsgate, Universal Internatational Studios, Paramount, Sony and Warner Bros Discovery is on the slate, which was showcased at the iconic Sydney Opera House as Stan’s latest salvo in Australia’s competitive streaming market.
Among the key scripted originals is Critical Incident, a psychological crime thriller from Matchbox, the Australian production subsidiary of Universal Studio Group-owned Universal International Studios. Written by Sarah Bassiuoni (The Secrets She Keeps), it recently completed production in Western Sydney, with major production investment from Screen Australia.
The six-part show depicts life in the Western suburbs of Sydney and delves into the complex...
- 3/12/2024
- by Jesse Whittock
- Deadline Film + TV
Shelley Birse has taken home the Australian Writers’ Guild’s (Awg) 2020 John Hinde Award for Science Fiction Writing for Stan Original series The Commons.
Birse, the creator of the show, receives $10,000 for the drama which offers a glimpse into a not-too-distant future where climate change and biotechnology raise important ethical questions for humanity.
The annual award, first presented in 2008, is funded by a bequest from the late film critic John Hinde. It was Hinde’s wish that future generations of Australian science-fiction screenwriters be nurtured through industry opportunities.
Highly commended in the produced category were Antony Webb’s Awgie-nominated short film Carmentis and episode 13 of The Unlisted, written by Mithila Gupta.
David Peterson’s feature script Untethered won in the unproduced category.
The screenplay follows a former refugee on a mission to Mars who must confront her lack of trust in her crew when their ship is damaged and grapple...
Birse, the creator of the show, receives $10,000 for the drama which offers a glimpse into a not-too-distant future where climate change and biotechnology raise important ethical questions for humanity.
The annual award, first presented in 2008, is funded by a bequest from the late film critic John Hinde. It was Hinde’s wish that future generations of Australian science-fiction screenwriters be nurtured through industry opportunities.
Highly commended in the produced category were Antony Webb’s Awgie-nominated short film Carmentis and episode 13 of The Unlisted, written by Mithila Gupta.
David Peterson’s feature script Untethered won in the unproduced category.
The screenplay follows a former refugee on a mission to Mars who must confront her lack of trust in her crew when their ship is damaged and grapple...
- 12/3/2020
- by Staff Writer
- IF.com.au
Toby Nalbandian and Greg Schmidt.
Financing feature films is going to be even harder after the pandemic, prompting Truant Pictures’ Toby Nalbandian and Greg Schmidt to offer some practical advice to genre filmmakers.
In a nutshell: Come up with compelling ideas for contained films on low budgets without sacrificing quality. Try to stick to a budget of $3 million, which could be scaled up to $8 million if Netflix or other international players come on board.
The founders of Animal Logic’s genre film and TV production arm surveyed the state of the industry yesterday in an Australians in Film webinar moderated by Krista Carpenter.
The La-based firm is developing 10 features and two TV series and is in the process of financing four of those projects, Nalbandian tells If.
Schmidt, who learned his craft from horror-master Wes Craven and filmmaker Lawrence Kasdan, offered this advice: “Make the most contained, low budget, compelling film you can,...
Financing feature films is going to be even harder after the pandemic, prompting Truant Pictures’ Toby Nalbandian and Greg Schmidt to offer some practical advice to genre filmmakers.
In a nutshell: Come up with compelling ideas for contained films on low budgets without sacrificing quality. Try to stick to a budget of $3 million, which could be scaled up to $8 million if Netflix or other international players come on board.
The founders of Animal Logic’s genre film and TV production arm surveyed the state of the industry yesterday in an Australians in Film webinar moderated by Krista Carpenter.
The La-based firm is developing 10 features and two TV series and is in the process of financing four of those projects, Nalbandian tells If.
Schmidt, who learned his craft from horror-master Wes Craven and filmmaker Lawrence Kasdan, offered this advice: “Make the most contained, low budget, compelling film you can,...
- 4/16/2020
- by The IF Team
- IF.com.au
Truant Pictures development and production executives Toby Nalbandian and Greg Schmidt.
Animal Logic Entertainment’s live-action genre arm Truant Pictures has selected three finalists for its screenplay competition, designed to uncover emerging writing talent in the realms of horror, sci-fi and thriller.
The finalists, chosen from hundreds of submissions, are reported by Truant to “exhibit a unique voice, strong craft and a compelling command of their genre.”
The finalists are:
David Willing & Beth King (Vic) – The Surrogate
When single mother Natalia gives birth despite not being pregnant, she discovers the ghost of a missing child is hell-bent on destroying her family.
Jonathon Green & Anthony O’Connor (Nsw) – Emma After
A ghost girl falls in love with the living boy she’s meant to haunt away.
D.J. McPherson (Vic) – His Name Is Jeremiah
A damaged teen girl from a remote Australian town struggles to adjust when her violent mother is released from jail.
Animal Logic Entertainment’s live-action genre arm Truant Pictures has selected three finalists for its screenplay competition, designed to uncover emerging writing talent in the realms of horror, sci-fi and thriller.
The finalists, chosen from hundreds of submissions, are reported by Truant to “exhibit a unique voice, strong craft and a compelling command of their genre.”
The finalists are:
David Willing & Beth King (Vic) – The Surrogate
When single mother Natalia gives birth despite not being pregnant, she discovers the ghost of a missing child is hell-bent on destroying her family.
Jonathon Green & Anthony O’Connor (Nsw) – Emma After
A ghost girl falls in love with the living boy she’s meant to haunt away.
D.J. McPherson (Vic) – His Name Is Jeremiah
A damaged teen girl from a remote Australian town struggles to adjust when her violent mother is released from jail.
- 11/17/2019
- by jkeast
- IF.com.au
Toby Nalbandian and Greg Schmidt.
Animal Logic Entertainment’s live action genre arm Truant Pictures today launched a screenplay competition designed to discover new talent.
The call-out is for any writers who are Australian citizens or permanent residents and who earned no more than $30,000 from fiction screenwriting in the past 12 months.
The scripts must be in the genres of horror, science fiction and/or thriller.
The winner will receive $5,000 cash, a hot desk for one week at Truant Pictures’ Sydney office and mentorship from Truant’s development and production executives Toby Nalbandian and Greg Schmidt.
Two finalists will each receive $1,000 cash and all three will be read and given notes from one of the three judges: Stuart Beattie, Yolanda Ramke (Cargo) and Zak Hilditch, plus written feedback from La-based ex-pat Aussie script consultant Tim Schildberger.
Entries opened today and can be submitted until September 2, with the winners announced in November.
Animal Logic Entertainment’s live action genre arm Truant Pictures today launched a screenplay competition designed to discover new talent.
The call-out is for any writers who are Australian citizens or permanent residents and who earned no more than $30,000 from fiction screenwriting in the past 12 months.
The scripts must be in the genres of horror, science fiction and/or thriller.
The winner will receive $5,000 cash, a hot desk for one week at Truant Pictures’ Sydney office and mentorship from Truant’s development and production executives Toby Nalbandian and Greg Schmidt.
Two finalists will each receive $1,000 cash and all three will be read and given notes from one of the three judges: Stuart Beattie, Yolanda Ramke (Cargo) and Zak Hilditch, plus written feedback from La-based ex-pat Aussie script consultant Tim Schildberger.
Entries opened today and can be submitted until September 2, with the winners announced in November.
- 6/30/2019
- by The IF Team
- IF.com.au
Political thriller The Code took the major Awgie award as well as the trophy for best original miniseries at the Australian Writers. Guild awards on Friday night.
The six-hour series, which premieres on ABC on September 21, is written by Blake Ayshford, Shelley Birse and Justin Monjo and produced by Playmaker Media. The major Awgie recognises the best of the night's winners across stage, screen, new media and radio.
The feature film award went to Adelaide writer Matthew Cormack for his first debut feature 52 Tuesdays, the gender-bending drama hailed as .bold and structurally adventurous..
Winner of the best documentary prize was Sally McKenzie for A Woman.s Journey Into Sex.
Andrew Knight was rewarded for his script for Essential Media and Entertainment.s telemovie The Broken Shore, adapted from the Peter Temple novel. Writer/director Peter Duncan won best TV series script for Essential.s Rake.
Niki Aken and Felicity Packard...
The six-hour series, which premieres on ABC on September 21, is written by Blake Ayshford, Shelley Birse and Justin Monjo and produced by Playmaker Media. The major Awgie recognises the best of the night's winners across stage, screen, new media and radio.
The feature film award went to Adelaide writer Matthew Cormack for his first debut feature 52 Tuesdays, the gender-bending drama hailed as .bold and structurally adventurous..
Winner of the best documentary prize was Sally McKenzie for A Woman.s Journey Into Sex.
Andrew Knight was rewarded for his script for Essential Media and Entertainment.s telemovie The Broken Shore, adapted from the Peter Temple novel. Writer/director Peter Duncan won best TV series script for Essential.s Rake.
Niki Aken and Felicity Packard...
- 9/5/2014
- by Don Groves
- IF.com.au
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