Arthouse Audit: Openers Struggle as ‘Love & Friendship’ and ‘The Lobster’ Flourish
Box Office Preview: ‘X-Men: Apocalypse’ Set to Crush ‘Alice’ Sequel
Screen Talk: How the Cannes Festival Will Impact the Rest of the Year
Woody Allen, Mel Gibson, and More Maligned Auteurs: Should We Forgive Them?
Paul Verhoeven’s ‘Elle’ and Tom Ford’s ‘Nocturnal Animals’ Get Oscar-Friendly Release Dates
The 12 Hottest Box Office Prospects Coming Out of Cannes
How Miranda Otto Dug Into the Juiciest Women’s Role on Television
How George Miller’s Competition Jury Picked the Cannes Winners —and Losers
Related stories'Street Heroines' Profiles Female Graffiti Artists Around the World'Ferris Bueller's Day Off' Finally Gets An Official Soundtrack, 30 Years After Film's Release'The New Yorker Presents': How Alex Gibney and Kahane Cooperman Curated the Amazon Series...
Box Office Preview: ‘X-Men: Apocalypse’ Set to Crush ‘Alice’ Sequel
Screen Talk: How the Cannes Festival Will Impact the Rest of the Year
Woody Allen, Mel Gibson, and More Maligned Auteurs: Should We Forgive Them?
Paul Verhoeven’s ‘Elle’ and Tom Ford’s ‘Nocturnal Animals’ Get Oscar-Friendly Release Dates
The 12 Hottest Box Office Prospects Coming Out of Cannes
How Miranda Otto Dug Into the Juiciest Women’s Role on Television
How George Miller’s Competition Jury Picked the Cannes Winners —and Losers
Related stories'Street Heroines' Profiles Female Graffiti Artists Around the World'Ferris Bueller's Day Off' Finally Gets An Official Soundtrack, 30 Years After Film's Release'The New Yorker Presents': How Alex Gibney and Kahane Cooperman Curated the Amazon Series...
- 5/29/2016
- by Anne Thompson
- Thompson on Hollywood
Arthouse Audit: Openers Struggle as 'Love & Friendship' and 'The Lobster' Flourish
Box Office Preview: 'X-Men: Apocalypse' Set to Crush 'Alice' Sequel
Screen Talk: How the Cannes Festival Will Impact the Rest of the Year
Woody Allen, Mel Gibson, and More Maligned Auteurs: Should We Forgive Them?
Paul Verhoeven's 'Elle' and Tom Ford's 'Nocturnal Animals' Get Oscar-Friendly Release Dates The 12 Hottest Box Office Prospects Coming Out of Cannes How Miranda Otto Dug Into the Juiciest Women's Role on Television How George Miller's Competition Jury Picked the Cannes Winners —and Losers...
Box Office Preview: 'X-Men: Apocalypse' Set to Crush 'Alice' Sequel
Screen Talk: How the Cannes Festival Will Impact the Rest of the Year
Woody Allen, Mel Gibson, and More Maligned Auteurs: Should We Forgive Them?
Paul Verhoeven's 'Elle' and Tom Ford's 'Nocturnal Animals' Get Oscar-Friendly Release Dates The 12 Hottest Box Office Prospects Coming Out of Cannes How Miranda Otto Dug Into the Juiciest Women's Role on Television How George Miller's Competition Jury Picked the Cannes Winners —and Losers...
- 5/29/2016
- by Anne Thompson
- Thompson on Hollywood
HollywoodNews.com: First off, the various articles all chiming with Shock that Chris Nolan is at the top of Warner Bros’ list to helm a new Twilight Zone Movies is pretty funny. Of Course Chris Nolan is on the top of Warner’s list for this project. I’m pretty sure he’s on the top of the list for every single project at Warner Bros, including a Sex and the City prequel and whatever variation on Valentine’s Day and New Year’s Eve they trot out next year (Halloween? Oh wait…). Saying that Chris Nolan is the preferred choice to direct anything at Warner Bros. is like saying that the connoisseurs at Ruth Chris would prefer to have a fillet as opposed to chicken or ribs. He’s the studio’s most valuable resource, and he has delivered the critical and commercial goods on a shockingly consistent level.
- 10/1/2011
- by Scott Mendelson
- Hollywoodnews.com
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