The Toronto Black Film Festival is back for the 11th year of amplifying Black voices in cinema, with this year’s edition featuring 125 movies from 20 different countries.
Presented by Td Bank Group in collaboration with Global News, this year’s Tbff is celebrating the return of in-person programming while maintaining an online component, with a goal of inspiring the next generation of Black artists in film and beyond!
The 2023 edition of Canada’s largest celebration of Black History Month through film features a star-studded roster of talent that includes Letitia Wright, Josh O’Connor, Columbus Short, Keith David, Ledisi, Colin Kaepernick, Rickey Jackson, Don Lemmon, Ossie Davis, Karen Pittman, Corey Stoll, Cesária Évora and many more.
Read More: The 10th Annual Toronto Black Film Festival To Start With Keke Palmer, Common’s ‘Alice’
The Festival’s opening night will take place on Wednesday, Feb 15 at the Isabel Bader Theatre with the...
Presented by Td Bank Group in collaboration with Global News, this year’s Tbff is celebrating the return of in-person programming while maintaining an online component, with a goal of inspiring the next generation of Black artists in film and beyond!
The 2023 edition of Canada’s largest celebration of Black History Month through film features a star-studded roster of talent that includes Letitia Wright, Josh O’Connor, Columbus Short, Keith David, Ledisi, Colin Kaepernick, Rickey Jackson, Don Lemmon, Ossie Davis, Karen Pittman, Corey Stoll, Cesária Évora and many more.
Read More: The 10th Annual Toronto Black Film Festival To Start With Keke Palmer, Common’s ‘Alice’
The Festival’s opening night will take place on Wednesday, Feb 15 at the Isabel Bader Theatre with the...
- 2/11/2023
- by Brent Furdyk
- ET Canada
WestEnd Films and Cinephil are teaming up for a feature documentary on the late Cape Verdean singer Cesária Évora.
Directed by Portuguese filmmaker Ana Sofia Fonseca, the film — simply titled “Cesária Évora” — is described as a multifaceted portrait of the singer, who “leveraged her international fame to empower her community” on the African island of São Vicente, which is part of the Cape Verde archipelago. The film will have its world premiere at SXSW, with WestEnd and Cinephil repping worldwide rights.
The two companies recently partnered on “Afghanistan,” which was announced during the 2021 American Film Market.
Grammy winner Évora, who died at the age of 70 in 2011, rose to international fame in the mid ‘90s with her melancholic morna ballads thanks to the tireless work of her manager José da Silva, who took her from a Lisbon club to world stages like the Hollywood Bowl. Never before-seen footage unearthed by director...
Directed by Portuguese filmmaker Ana Sofia Fonseca, the film — simply titled “Cesária Évora” — is described as a multifaceted portrait of the singer, who “leveraged her international fame to empower her community” on the African island of São Vicente, which is part of the Cape Verde archipelago. The film will have its world premiere at SXSW, with WestEnd and Cinephil repping worldwide rights.
The two companies recently partnered on “Afghanistan,” which was announced during the 2021 American Film Market.
Grammy winner Évora, who died at the age of 70 in 2011, rose to international fame in the mid ‘90s with her melancholic morna ballads thanks to the tireless work of her manager José da Silva, who took her from a Lisbon club to world stages like the Hollywood Bowl. Never before-seen footage unearthed by director...
- 2/28/2022
- by Manori Ravindran
- Variety Film + TV
Sheryl Crow, Nick Cave, King Crimson, Dio, XXXTentacion, Tanya Tucker, Chumbawamba, Courtney Barnett, Cesária Évora and Mojo Nixon — together again for the first time: These are some of the highly diverse subjects of a slate of music documentaries set to unspool at the South by Southwest Film Festival in Austin March 11-20.
The 16 movies represented in the “24 Beats Per Second” lineup are nearly all world premieres, in a film festival that skews toward SXSW’s original roots as a pure music festival by always carving out a special category for features that chronicle musicians or music scenes.
The music doc coming into the festival with probably the highest level of fan anticipation is , which promises to have director Sabaah Folayan offering “a sensitive portrayal” of a precocious, highly controversial, Soundcloud-based rapper “whose acts of violence, raw musical talent and open struggles with mental health left an indelible mark on...
The 16 movies represented in the “24 Beats Per Second” lineup are nearly all world premieres, in a film festival that skews toward SXSW’s original roots as a pure music festival by always carving out a special category for features that chronicle musicians or music scenes.
The music doc coming into the festival with probably the highest level of fan anticipation is , which promises to have director Sabaah Folayan offering “a sensitive portrayal” of a precocious, highly controversial, Soundcloud-based rapper “whose acts of violence, raw musical talent and open struggles with mental health left an indelible mark on...
- 2/3/2022
- by Chris Willman
- Variety Film + TV
Esbjørn Hazelius and Johan Hedin – the pragmatically named duo Hazelius Hedin – are soundchecking on the summit of Hafstadfjellet, 700 meters above the small town of Førde (rhymes with “murda,” approximately) on Norway’s west coast. To attend the show, you must hike up a steep switchback – an hour-long trek, if you’re in good shape – or a far steeper staired trail, so perilous even experienced climbers foreswear it; the descent must be taken in large part backwards. There’s one alternative, if you have a special permit, as the musicians and...
- 7/17/2018
- by Will Hermes
- Rollingstone.com
For the second time this year, my festival coverage is interrupted by an uncomfortable abscess on my tail-bone. It is not a particularly serious condition but it is very painful, in particular when I sit down. The only position that is remotely comfortable is lying on my stomach, which is not very conducive to the festival experience. I was speaking with my friend about it, and they told me “when the body is sick, sometimes it’s trying to communicate something to you”. I guess that means my body would rather I be the subject of a David Cronenberg body horror than watch one. Luckily people have been helpful and supportive and I still have access to a number of films, I’m just a little more sluggish than normal. Instead of fitting in my writing between screenings and after late nights of partying, I’m writing between doctor’s visits and periods of recovery.
- 10/17/2014
- by Justine Smith
- SoundOnSight
World-renowned singer Cesária Évora died from cardiorespiratory insufficiency and hypertension today at the Baptista de Sousa Hospital in Mindelo, on the Cape Verde island of São Vicente. She was 70.
The heavy-smoking, heavy-drinking Évora had suffered from numerous health issues in recent years, including a series of strokes in 2008 and undergoing open-heart surgery in May 2010. Last September, she had to cancel several planned concerts after announcing that she was retiring due to ill health.
A former seamstress who grew up in poverty, Évora (born Aug. 27, 1941, in São Vicente) began her career singing "morna" [Portuguese for "lukewarm"] songs in São Vicente's local bars. "Morna" music, which sounds like a mixture of Portugal's soulful fado and Brazil's lively tropical jazz, is the national rhythm of the former Portuguese colony of Cape Verde, a series of volcanic islands off the northwestern coast of Africa.
Évora's international career was launched following the success of the 1988 French-produced album "La...
The heavy-smoking, heavy-drinking Évora had suffered from numerous health issues in recent years, including a series of strokes in 2008 and undergoing open-heart surgery in May 2010. Last September, she had to cancel several planned concerts after announcing that she was retiring due to ill health.
A former seamstress who grew up in poverty, Évora (born Aug. 27, 1941, in São Vicente) began her career singing "morna" [Portuguese for "lukewarm"] songs in São Vicente's local bars. "Morna" music, which sounds like a mixture of Portugal's soulful fado and Brazil's lively tropical jazz, is the national rhythm of the former Portuguese colony of Cape Verde, a series of volcanic islands off the northwestern coast of Africa.
Évora's international career was launched following the success of the 1988 French-produced album "La...
- 12/18/2011
- by Andre Soares
- Alt Film Guide
Lisbon, Portugal (AP) — Cesaria Evora, who started singing as a teenager in the bayside bars of Cape Verde in the 1950s and won a Grammy in 2003 after she took her African islands music to stages across the world, died Saturday. She was 70. Evora, known as the "Barefoot Diva" because she always performed without shoes, died in the Baptista de Sousa Hospital in Mindelo, on her native island of Sao Vicente in Cape Verde, her label Lusafrica said in a statement on its website. It gave no further details. Evora retired in September because of health problems. In recent...
- 12/17/2011
- by Barry Hatton (AP Staff)
- Hitfix
Lisbon, Portugal — Cesaria Evora, who started singing as a teenager in the bayside bars of Cape Verde in the 1950s and won a Grammy in 2003 after she took her African islands music to stages across the world, died Saturday. She was 70.
Evora, known as the "Barefoot Diva" because she always performed without shoes, died in the Baptista de Sousa Hospital in Mindelo, on her native island of Sao Vicente in Cape Verde, her label Lusafrica said in a statement on its website. It gave no further details.
Evora retired in September because of health problems. In recent years she had had several operations, including open-heart surgery last year.
She sang the traditional music of the Cape Verde Islands off West Africa, a former Portuguese colony. She mostly sang in the version of creole spoken there, but even audiences who couldn't understand the lyrics were moved by her stirring renditions, her...
Evora, known as the "Barefoot Diva" because she always performed without shoes, died in the Baptista de Sousa Hospital in Mindelo, on her native island of Sao Vicente in Cape Verde, her label Lusafrica said in a statement on its website. It gave no further details.
Evora retired in September because of health problems. In recent years she had had several operations, including open-heart surgery last year.
She sang the traditional music of the Cape Verde Islands off West Africa, a former Portuguese colony. She mostly sang in the version of creole spoken there, but even audiences who couldn't understand the lyrics were moved by her stirring renditions, her...
- 12/17/2011
- by AP
- Huffington Post
This week, the Criterion Collection releases Letters From Fontainhas: Three Films by Pedro Costa, a rigorous, stunning and internationally acclaimed trilogy spanning 1997 through 2006:
One of the most important artists on the international film scene today, Portuguese director Pedro Costa has been steadily building an impressive body of work since the late eighties. And these are the three films that put him on the map: spare, painterly portraits of battered, largely immigrant lives in the slums of Fontainhas, a neighborhood on the outskirts of Lisbon. Hypnotic, controlled works, Ossos, In Vanda’s Room, and Colossal Youth confirm Costa as a provocative new cinematic poet, one who locates beauty in the most unlikely of places.
From Lisbon, Costa spoke with me about gaining the "strange password, or key to open" the films in this lost-souls trilogy, choosing to lose time as a filmmaker, the peculiarities of screenwriting in a Portuguese creole,...
One of the most important artists on the international film scene today, Portuguese director Pedro Costa has been steadily building an impressive body of work since the late eighties. And these are the three films that put him on the map: spare, painterly portraits of battered, largely immigrant lives in the slums of Fontainhas, a neighborhood on the outskirts of Lisbon. Hypnotic, controlled works, Ossos, In Vanda’s Room, and Colossal Youth confirm Costa as a provocative new cinematic poet, one who locates beauty in the most unlikely of places.
From Lisbon, Costa spoke with me about gaining the "strange password, or key to open" the films in this lost-souls trilogy, choosing to lose time as a filmmaker, the peculiarities of screenwriting in a Portuguese creole,...
- 4/1/2010
- GreenCine Daily
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