Hong Kong’s biggest ever local hit A Guilty Conscience was named best film at the 42nd Hong Kong Film Awards (Hkfa), while Mad Fate’s Soi Cheang took best director and The Goldfinger swept six awards including best actor for Tony Leung.
A Guilty Conscience producer Bill Kong received the top award on stage from acclaimed Japanese director Hirokazu Kore-eda. That was the only win on the night for the courtroom drama, which went into the awards ceremony with 10 nominations.
Scroll down for full winners list
Murder mystery Mad Fate scooped three awards comprising best screenplay, best editing and best director for Cheang.
A Guilty Conscience producer Bill Kong received the top award on stage from acclaimed Japanese director Hirokazu Kore-eda. That was the only win on the night for the courtroom drama, which went into the awards ceremony with 10 nominations.
Scroll down for full winners list
Murder mystery Mad Fate scooped three awards comprising best screenplay, best editing and best director for Cheang.
- 4/15/2024
- ScreenDaily
Legal drama A Guilty Conscience took the top award for best film at this year’s Hong Kong Film Awards, while crime thriller The Goldfinger was the biggest winner overall with six prizes, including best actor for Tony Leung Chiu-wai.
A Guilty Conscience, produced by Edko Films, holds the record for the highest-grossing Hong Kong film ever with a gross of around $15M. It tells the story of a lawyer trying to free a client convicted due to his own negligence, who has to go up against one of Hong Kong’s most powerful business families.
Emperor Motion Pictures’ The Goldfinger, about one of Hong Kong’s biggest financial scandals, also picked up awards for best cinematography, best art direction, best costume and make-up design, best sound design and best visual effects.
In Broad Daylight, about a reporter exposing cases of abuse in a care home, scooped three acting awards for actress Jennifer Yu,...
A Guilty Conscience, produced by Edko Films, holds the record for the highest-grossing Hong Kong film ever with a gross of around $15M. It tells the story of a lawyer trying to free a client convicted due to his own negligence, who has to go up against one of Hong Kong’s most powerful business families.
Emperor Motion Pictures’ The Goldfinger, about one of Hong Kong’s biggest financial scandals, also picked up awards for best cinematography, best art direction, best costume and make-up design, best sound design and best visual effects.
In Broad Daylight, about a reporter exposing cases of abuse in a care home, scooped three acting awards for actress Jennifer Yu,...
- 4/15/2024
- by Liz Shackleton
- Deadline Film + TV
Lawrence Kan’s newsroom drama In Broad Daylight leads the pack going into the 42nd Hong Kong Film Awards with 16 nominations.
The feature, which follows an undercover journalist who exposes the abuse of residents in a nursing home, secured nods in all but three of the 19 categories. It marks the second feature by Kan and proved the fourth highest grossing local film in 2023.
Scroll down for full list of nominations
Also gaining multiple nominations was Nick Cheuk’s emotive drama Time Still Turns The Pages and Felix Chong’s financial crime extravaganza The Goldfinger, which secured 12 nods apiece, while Jack Ng...
The feature, which follows an undercover journalist who exposes the abuse of residents in a nursing home, secured nods in all but three of the 19 categories. It marks the second feature by Kan and proved the fourth highest grossing local film in 2023.
Scroll down for full list of nominations
Also gaining multiple nominations was Nick Cheuk’s emotive drama Time Still Turns The Pages and Felix Chong’s financial crime extravaganza The Goldfinger, which secured 12 nods apiece, while Jack Ng...
- 2/6/2024
- ScreenDaily
Exclusive: MakerVille, the recently launched entertainment subsidiary of Hong Kong media group Pccw, is set to make a splash at Filmart, unveiling an ambitious slate of movies and premium series, following its debut feature Mad Fate, which had its world premiere at Berlin film festival.
Lofai Lo, MakerVille’s CEO and former General Manager of Pccw’s free-to-air channel ViuTV, sat down with Deadline to talk through the slate and outline the company’s production strategy. In addition to movies with international appeal, which Hong Kong has long been known for, he aims to put local creators on the map with a slate of high-end Cantonese and Mandarin-language TV series that can travel beyond Hong Kong.
“We produce around 2,000 hours of programming a year for ViuTV, and while most is targeted at the local market, it’s allowed us to create an incubator structure where we can experiment with new ideas,...
Lofai Lo, MakerVille’s CEO and former General Manager of Pccw’s free-to-air channel ViuTV, sat down with Deadline to talk through the slate and outline the company’s production strategy. In addition to movies with international appeal, which Hong Kong has long been known for, he aims to put local creators on the map with a slate of high-end Cantonese and Mandarin-language TV series that can travel beyond Hong Kong.
“We produce around 2,000 hours of programming a year for ViuTV, and while most is targeted at the local market, it’s allowed us to create an incubator structure where we can experiment with new ideas,...
- 3/14/2023
- by Liz Shackleton
- Deadline Film + TV
The Berlin Film Festival is once again finding house room for Hong Kong’s most commercially successful enfant terrible, Soi Cheang, aka Cheang Pou Soi, who previously brought film noir “Limbo” to the Berlinale.
This time he attends with “Mad Fate,” a film about destiny that may be Cheang’s most bloodthirsty, but which the director says is intended to be inspirational. It plays in the Berlinale Special section.
Born in Macau, Cheang developed his career at the feet of Ringo Lam, Andrew Lau, Joe Ma, Wilson Yip and Johnnie To, the great stylists of the crime and action film genre across the Pearl River estuary in Hong Kong. To, who is on the Berlin jury this year, is also a producer on “Mad Fate” through his Makerville label.
“Essentially the story is about a fortune teller who meets a young man who has this really strong desire to commit murder.
This time he attends with “Mad Fate,” a film about destiny that may be Cheang’s most bloodthirsty, but which the director says is intended to be inspirational. It plays in the Berlinale Special section.
Born in Macau, Cheang developed his career at the feet of Ringo Lam, Andrew Lau, Joe Ma, Wilson Yip and Johnnie To, the great stylists of the crime and action film genre across the Pearl River estuary in Hong Kong. To, who is on the Berlin jury this year, is also a producer on “Mad Fate” through his Makerville label.
“Essentially the story is about a fortune teller who meets a young man who has this really strong desire to commit murder.
- 2/18/2023
- by Patrick Frater
- Variety Film + TV
by Renee Ng
Normally pinned for their gritty gangster tales, Johnnie To and Wai Ka-fai’s efforts in romance and slapstick have often been sidelined. But as loveable titles “Fat Choi Spirit” and “Turn Left, Turn Right” have proved, the directing/producing duo are indeed dai lous (big brothers) of many genres. “Fat Choi Spirit”, following the tradition of Hong Kong gambler flicks, and like its title: spirit of endless wealth, is the hilarious gift that keeps on giving.
on Amazon by clicking on the image below
Similar to the iconic “God of Gamblers” franchise, we have the pleasure of following an impossibly great player. Andy, played by Andy Lau himself, will do anything for a game of mahjong. But Andy is no addict, he’s actually got a gift: he possesses the divine favor of Guanyin. Thus, he is simply unable to draw a bad tile...
Normally pinned for their gritty gangster tales, Johnnie To and Wai Ka-fai’s efforts in romance and slapstick have often been sidelined. But as loveable titles “Fat Choi Spirit” and “Turn Left, Turn Right” have proved, the directing/producing duo are indeed dai lous (big brothers) of many genres. “Fat Choi Spirit”, following the tradition of Hong Kong gambler flicks, and like its title: spirit of endless wealth, is the hilarious gift that keeps on giving.
on Amazon by clicking on the image below
Similar to the iconic “God of Gamblers” franchise, we have the pleasure of following an impossibly great player. Andy, played by Andy Lau himself, will do anything for a game of mahjong. But Andy is no addict, he’s actually got a gift: he possesses the divine favor of Guanyin. Thus, he is simply unable to draw a bad tile...
- 2/15/2023
- by Guest Writer
- AsianMoviePulse
Johnnie To will produce the first feature from Pccw-owned entertainment firm.
MakerVille, a new entertainment subsidiary of Hong Kong’s Pccw, has revealed that its first film production will be murder mystery Seer, produced by Johnnie To and directed by Soi Cheang.
At the official launch of MakerVille in Hong Kong yesterday (April 27), To and Cheang took to the stage to discuss the new project, which has wrapped production, alongside producer and co-screenwriter Yau Nai-hoi and producer Elaine Chu.
Seer‘s cast is led by Lam Ka Tung, who has received two best actor nominations for the upcoming Hong...
MakerVille, a new entertainment subsidiary of Hong Kong’s Pccw, has revealed that its first film production will be murder mystery Seer, produced by Johnnie To and directed by Soi Cheang.
At the official launch of MakerVille in Hong Kong yesterday (April 27), To and Cheang took to the stage to discuss the new project, which has wrapped production, alongside producer and co-screenwriter Yau Nai-hoi and producer Elaine Chu.
Seer‘s cast is led by Lam Ka Tung, who has received two best actor nominations for the upcoming Hong...
- 4/28/2022
- by Silvia Wong
- ScreenDaily
Even though he had gained quite a reputation for himself before, it was not until the release of titles such as “The Mission” that Johnnie To received major international attention. While the action genre as well as the image of the killer is perhaps forever linked to the name of John Woo, over the course of his career, To has created his very own interpretation of this figure, his existence in the shadows of society and his ambivalent nature. As the director reflects in his career in an interview with “The Skinny”, he admits that making an action film was not an easy undertaking, given the lack of investors at the end of the 90s. At the same time, and although he ran out of money, he also admits there was a sense of freedom with a project such as this, an idea to make something aware of its roots but also quite unique.
- 1/17/2020
- by Rouven Linnarz
- AsianMoviePulse
Trivisa was a big winner at this year’s Hong Kong Film Awards but judging by the number of new talents whose films were nominated and awarded, the Hong Kong film industry was perhaps the biggest winner of all, as a fresh new wave that could revitalize Hong Kong cinema has finally arrived. Trivisa won a total of five awards, including Best Film, Best Director, Best Screenplay, Best Actor and Best Editing. The film was made with the support of Hong Kong auteur Johnnie To, who co-produced with Yau Nai Hoi (screenwriter of The Mission, Ptu and Election, and future successor of To’s production company Milkyway Image) and gave three new directors (Frank Hui, Jevons Au and Vicky Wong) the opportunity to make this crime...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 4/17/2017
- Screen Anarchy
Plot
Three dangerous criminal rivals cross the border from China to Hong Kong in search of fortunes.
Starring Gordan Lam,Richie Jen, Jordan Chan and featuring 3 directors : Frank Hui ,Jevons Au Man-Kit,Vicky Wong, Trivisa is set to premier at the Berlin International Film Festival .
Trailer
Source: Media Asia
Johnnie To and Yau Nai Hoi last teamed up for the excellent ‘Eye in the Sky‘, so we have high hopes for this one.
Johnnie To will be back in the directors chair later this year ( Office, Three )...
Three dangerous criminal rivals cross the border from China to Hong Kong in search of fortunes.
Starring Gordan Lam,Richie Jen, Jordan Chan and featuring 3 directors : Frank Hui ,Jevons Au Man-Kit,Vicky Wong, Trivisa is set to premier at the Berlin International Film Festival .
Trailer
Source: Media Asia
Johnnie To and Yau Nai Hoi last teamed up for the excellent ‘Eye in the Sky‘, so we have high hopes for this one.
Johnnie To will be back in the directors chair later this year ( Office, Three )...
- 1/31/2016
- by The Tiger
- AsianMoviePulse
The 33rd Hong Kong Film Awards is expected to be a hell of a show with some great films going head to head. Leading the way with nominations is The Grand Master with 14, followed by Unbeatable (Dante Lam).
There were complaints last year, that the show didn’t live up to expectations, mainly due to the fact the movie Cold Wars, won nearly every award. Best actor award see the likes of these guys going head to head, Tony Leung (The Grandmaster), Louis Koo (The White Storm) and also Anthony Wong (Ip Man: The Final Fight).
Take a look at the list and comment who you think will win. The winners will be announced on April 13.
Best Film:
- The Grandmaster
- Journey to the West: Conquering the Demons
- The Way We Dance
- The White Storm
- Unbeatable
Best Director:
- Wong Kar Wai (The Grandmaster)
- Johnnie To...
There were complaints last year, that the show didn’t live up to expectations, mainly due to the fact the movie Cold Wars, won nearly every award. Best actor award see the likes of these guys going head to head, Tony Leung (The Grandmaster), Louis Koo (The White Storm) and also Anthony Wong (Ip Man: The Final Fight).
Take a look at the list and comment who you think will win. The winners will be announced on April 13.
Best Film:
- The Grandmaster
- Journey to the West: Conquering the Demons
- The Way We Dance
- The White Storm
- Unbeatable
Best Director:
- Wong Kar Wai (The Grandmaster)
- Johnnie To...
- 2/7/2014
- by kingofkungfu
- AsianMoviePulse
Wong Kar Wai's The Grandmaster has been named Best Film by the Hong Kong Film Critics Society, while its female star Zhang Ziyi was voted Best Actress. Johnnie To's Drug War won the Best Director and Best Screenplay awards, and Nick Cheung was named Best Actor for Dante Lam's Unbeatable.Here's the full list of winners:Best Film - The Grandmaster (dir. Wong Kar Wai)Best Director - Johnnie To - Drug WarBest Actor - Nick Cheung - UnbeatableBest Actress - Zhang Ziyi - The GrandmasterBest Screenplay - Wai Ka Fai , Yau Nai Hoi , Chen Weibin , Yu Xi - Drug WarIn addition to Wong Kar Wai's The Grandmaster, the Hkfcs presented a short list of 6 Hong Kong films from the 49 released last year, to which...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 1/13/2014
- Screen Anarchy
It’s remake time again, as the 2007 Milkyway outing “Eye in the Sky” from director Yau Nai Hoi and producers Johnnie To and Tsui Siu Ming gets a Korean makeover in “Cold Eyes”. The film was directed by duo Jo Eui Seok (“The World of Silence”) and Kim Byung Seo (a noted cinematographer who recently worked on the likes of “Dangerous Liaisons” and “Hindsight”), and stars Sol Kyung Gu (“Public Enemy”), Jung Woo Sung (“Reign of Assassins”), and Han Hyo Ju (“Masquerade”) in the roles originally played by Simon Yam, Tony Leung Ka Fai and Kate Tsui. Pulling in more than five million admissions at the local box office, the film was one of the biggest Korean hits of 2013, and also proved popular with the critics, Han Hyo Ju winning Best Actress at the Blue Dragon Awards – all of which is no mean feat for a remake. The film kicks...
- 12/20/2013
- by James Mudge
- Beyond Hollywood
Stars: Hyo-ju Han, Woo-sung Jung, Jun-Ho Lee, Kyung-gu Sol, Simon Yam | Written by Kin-Yee Au, Ui-seok Jo, Nai-Hoi Yau | Directed by Ui-seok Jo, Byung-seo Kim
Review by Scott Clark of Cinehouse
One of the most accomplished and stand-out features at Toronto International Film festival this year is the slick, fierce, and ingenious Korean thriller Cold Eyes.
A bank robbery and the induction of a fresh faced operative to a shadowy police surveillance team, I’m a sucker for a concise, fast-paced opening and Cold Eyes has a great one in the vein of Heat and The Dark Knight… Actually Cold Eyes emulates a hundred films like these in its consistently thrilling flow of events, its use of characters who are at the top of their game, and its beautifully shot sprawling urban space. The film flits from point to point pulling at the quickly unravelling thread of a ensemble of...
Review by Scott Clark of Cinehouse
One of the most accomplished and stand-out features at Toronto International Film festival this year is the slick, fierce, and ingenious Korean thriller Cold Eyes.
A bank robbery and the induction of a fresh faced operative to a shadowy police surveillance team, I’m a sucker for a concise, fast-paced opening and Cold Eyes has a great one in the vein of Heat and The Dark Knight… Actually Cold Eyes emulates a hundred films like these in its consistently thrilling flow of events, its use of characters who are at the top of their game, and its beautifully shot sprawling urban space. The film flits from point to point pulling at the quickly unravelling thread of a ensemble of...
- 9/23/2013
- by Guest
- Nerdly
Drug War
Directed by Johnnie To
Written by Ryker Chan, Ka-Fai Wai, Nai-Hoi Yau, Xi Yu
China/Hong Kong, 2012
Drug War begins on an impromptu note: a man foaming at the mouth and barely in control of his vehicle thunderously crashes into a local restaurant after fleeing from a drug house. This is followed by a highway sting where a few low level drug traffickers are caught; one man exchanges furious obscenities with his police captor, which are immediately closed off with a response of “I didn’t betray you; I busted you.” Drug War succeeds in never backing off this initial thrust and heightened interplay. The story of cops and criminals predates most, but master director Johnnie To’s latest plays out like an innovative trailblazer and modern spectacle all at once.
Equipped with a hardened zeal and a swift set of genre kinetics, Drug War is close to...
Directed by Johnnie To
Written by Ryker Chan, Ka-Fai Wai, Nai-Hoi Yau, Xi Yu
China/Hong Kong, 2012
Drug War begins on an impromptu note: a man foaming at the mouth and barely in control of his vehicle thunderously crashes into a local restaurant after fleeing from a drug house. This is followed by a highway sting where a few low level drug traffickers are caught; one man exchanges furious obscenities with his police captor, which are immediately closed off with a response of “I didn’t betray you; I busted you.” Drug War succeeds in never backing off this initial thrust and heightened interplay. The story of cops and criminals predates most, but master director Johnnie To’s latest plays out like an innovative trailblazer and modern spectacle all at once.
Equipped with a hardened zeal and a swift set of genre kinetics, Drug War is close to...
- 7/9/2013
- by Ty Landis
- SoundOnSight
Cheung played by Andy Lau (House of Flying Daggers, Infernal Affairs, Fulltime Killer), is a man whose cancer is in the advanced stages, with a maximum of 4 weeks to live. Cheung however has a few scores left to settle and does not intend to sit around and pass into death quietly. He sets about executing an elaborate plan to see his scores settled. This starts a 78 hour game of cat and mouse between him and hard boiled cop Inspector Ho played by Ching Wan Lau (Colour of the Truth, Full Alert, Return to a Better Tomorrow).
Running Out Of Time was written by French writing team Julien Carbon and Lauraunt Courtiaud and then further adapted into the Chinese screenplay by Nai-Hoi Yau whose writing credits include Ptu and The Bare-Footed Kid. Although French the writers are long time fans of Hong Kong cinema and have created a great plot with...
Running Out Of Time was written by French writing team Julien Carbon and Lauraunt Courtiaud and then further adapted into the Chinese screenplay by Nai-Hoi Yau whose writing credits include Ptu and The Bare-Footed Kid. Although French the writers are long time fans of Hong Kong cinema and have created a great plot with...
- 3/5/2010
- by Leigh
- Latemag.com/film
Chicago – Horror, action, drama, and comedy - HollywoodChicago.com’s DVD Round-Up has it all. Where else can you read about the latest from internationally acclaimed auteur Peter Greenaway and the newest Mos Def comedy in one column? These are the recently released titles that you might have missed when you last updated your Netflix queue. See if any of them grab you enough to deal with “Very Long Wait”.
All four titles - “Deadgirl,” “Next Day Air,” “Nightwatching,” and “Triangle” - were released on September 15th, 2009.
“Deadgirl”
Photo credit: Mpi Synopsis: “Daringly original and genre-busting, Deadgirl is an odyssey into the soul of our alienated youth that takes the conventions of the horror and coming-of-age movies and turns them on their heads.
When high school misfits Rickie and Jt decide to ditch school and find themselves lost in the crumbling facility of a nearby abandoned hospital, they come face-to-face...
All four titles - “Deadgirl,” “Next Day Air,” “Nightwatching,” and “Triangle” - were released on September 15th, 2009.
“Deadgirl”
Photo credit: Mpi Synopsis: “Daringly original and genre-busting, Deadgirl is an odyssey into the soul of our alienated youth that takes the conventions of the horror and coming-of-age movies and turns them on their heads.
When high school misfits Rickie and Jt decide to ditch school and find themselves lost in the crumbling facility of a nearby abandoned hospital, they come face-to-face...
- 9/29/2009
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
[Our thanks to Christopher Bourne for the following review.]
From Johnnie To’s mighty Milkyway Image film factory comes Eye in the Sky, Yau Nai Hoi’s tense and visually dynamic cat-and-mouse thriller which often gives the viewer a Big Brother view of the characters. Yau, a screenwriter of many of Johnnie To’s best films (Running Out of Time, The Mission, Ptu, Running On Karma, Throw Down, the Election films), makes his debut as a director with this film. While Yau’s set pieces lack the visual flair of To’s films, as a whole Eye in the Sky is a lean, limber piece of entertainment that is a worthy addition to the impressive films emerging from this great production house.
From Johnnie To’s mighty Milkyway Image film factory comes Eye in the Sky, Yau Nai Hoi’s tense and visually dynamic cat-and-mouse thriller which often gives the viewer a Big Brother view of the characters. Yau, a screenwriter of many of Johnnie To’s best films (Running Out of Time, The Mission, Ptu, Running On Karma, Throw Down, the Election films), makes his debut as a director with this film. While Yau’s set pieces lack the visual flair of To’s films, as a whole Eye in the Sky is a lean, limber piece of entertainment that is a worthy addition to the impressive films emerging from this great production house.
- 6/18/2009
- by Todd Brown
- Screen Anarchy
HONG KONG -- It was almost a clean sweep for director Johnnie To's dark and brooding police drama PTU at the 8th annual Golden Bauhinia Awards on Sunday. The film, about a police team's quest to find a colleague's missing gun over the course of one night, brushed aside stiff competition from Infernal Affairs II and Infernal Affairs III to win six out of eight awards up for grabs. PTU was named best film, To picked up the honors for best director, and the film's star, Simon Yam, recently seen as the villain in Lara Croft: The Cradle of Life, beat frontrunner Andy Lau for the best actor award. Yam and Lau will also be battling it out Sunday at the Hong Kong Film Awards. Meanwhile PTU's Lam Suet and Maggie Siu were named best supporting actor and supporting actress, respectively. Writers Yau Nai-hoi and Au Kin-yi took home the trophy for best screenplay.
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