Drawn on the writer’s personal experience, Nir Bergman’s father-son runaway adventure delivers poignancy through myriad insights
Moving but unsentimental, this Israeli drama is a perfect example of how a cinematic story becomes paradoxically more universal by being very specific about people and places. It explores an intense relationship between father Aharon (Shai Avivi) and his son Uri (Noam Imber), a young man in his 20s; although the word autism barely features here, or at least not in the English subtitles, it’s starkly obvious that Uri is on the spectrum. He can speak, but he’s very attached to his routines, resistant to eat much apart from pasta stars and obsessed with watching Charlie Chaplin films on his portable DVD player; he must have his dad around to help him navigate the world at all times lest there’s any danger he might, for example, step on a snail,...
Moving but unsentimental, this Israeli drama is a perfect example of how a cinematic story becomes paradoxically more universal by being very specific about people and places. It explores an intense relationship between father Aharon (Shai Avivi) and his son Uri (Noam Imber), a young man in his 20s; although the word autism barely features here, or at least not in the English subtitles, it’s starkly obvious that Uri is on the spectrum. He can speak, but he’s very attached to his routines, resistant to eat much apart from pasta stars and obsessed with watching Charlie Chaplin films on his portable DVD player; he must have his dad around to help him navigate the world at all times lest there’s any danger he might, for example, step on a snail,...
- 7/20/2021
- by Leslie Felperin
- The Guardian - Film News
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