Severin’s October offerings include this investigation of Euro-weirdness curated with academic purpose and clarity by Kier-La Janisse, evoking the name of her book from 2012. The thesis is the representation of women in filmic horror — except that in these strange experiences, hysteria transforms into a liberating form of empowerment: Identikit, I Like Bats, Footsteps and The Other Side of the Underneath. Elizabeth Tayor and Florinda Bolkan are the top stars in the collection, two of which bear the cinematography of Vittorio Storaro. The final film is a totally different, experimental experience. Ms. Janisse’s introductions connect the dots for these filmworks that envigorate and disturb.
House of Psychotic Women
Blu-ray
Severin Films
1972 – 1986 / Color / 1:85 + 1:66 + 1:85 + 1:33 / 102 + 81 + 96 + 111 min. / Street Date October 25, 2022 / Available from Severin Films / 104.95
Starring: Elizabeth Taylor; Katarzyna Walter; Florinda Bolkan; Sheila Allen, Ann Lynn, Penny Slinger, Jane Arden .
Directed by Giuseppe Patroni Griffi; Grzegorz Warchol; Luigi Bazzoni; Jane...
House of Psychotic Women
Blu-ray
Severin Films
1972 – 1986 / Color / 1:85 + 1:66 + 1:85 + 1:33 / 102 + 81 + 96 + 111 min. / Street Date October 25, 2022 / Available from Severin Films / 104.95
Starring: Elizabeth Taylor; Katarzyna Walter; Florinda Bolkan; Sheila Allen, Ann Lynn, Penny Slinger, Jane Arden .
Directed by Giuseppe Patroni Griffi; Grzegorz Warchol; Luigi Bazzoni; Jane...
- 10/11/2022
- by Glenn Erickson
- Trailers from Hell
By Lee Pfeiffer
Charles Cohen, the founder of the Cohen Film Collection, not only finances and distributes acclaimed independent films, but he also controls the rights to an impressive number of largely forgotten British films. Instead of letting them languish, Cohen has invested in bringing some of these titles to Blu-ray with stunning new transfers. The latest release is a Blu-ray double feature consisting of two modestly-budgeted murder-themed sagas. First- and most impressive- is "Cast a Dark Shadow", a 1955 noirish production with up-and-comer Dirk Bogarde in the lead role. He plays Edward Bare, a handsome and charismatic young man who, when we first meet him, is improbably newly wed to Monica (Mona Washbourne), an elderly woman with a sizable fortune who Edward dotes over and manipulates. Monica's lawyer Phillip Mortimer (Robert Flemyng) smells a rat but Monica is too delusional to believe Edward is manipulating her. When she turns up...
Charles Cohen, the founder of the Cohen Film Collection, not only finances and distributes acclaimed independent films, but he also controls the rights to an impressive number of largely forgotten British films. Instead of letting them languish, Cohen has invested in bringing some of these titles to Blu-ray with stunning new transfers. The latest release is a Blu-ray double feature consisting of two modestly-budgeted murder-themed sagas. First- and most impressive- is "Cast a Dark Shadow", a 1955 noirish production with up-and-comer Dirk Bogarde in the lead role. He plays Edward Bare, a handsome and charismatic young man who, when we first meet him, is improbably newly wed to Monica (Mona Washbourne), an elderly woman with a sizable fortune who Edward dotes over and manipulates. Monica's lawyer Phillip Mortimer (Robert Flemyng) smells a rat but Monica is too delusional to believe Edward is manipulating her. When she turns up...
- 5/11/2021
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
“The Ruler Of Ambrosia”
By Raymond Benson
Director John Schlesinger emerged from the so-called British New Wave, or “Free Cinema Movement,” of the late 1950s/early 60s, that was typified by pictures made by maverick filmmakers working with low budgets and concentrating on working-class heroes in often bleak settings of smaller towns around Britain.
Billy Liar, based on the novel by Keith Waterhouse and the stage play by Waterhouse and Willis Hall (with a screenplay by Waterhouse and Hall), was Schlesinger’s second film, and it is an exhilarating demonstration of the director’s confidence and talent. Schlesinger would go on to direct such classics as Darling (1965) and Midnight Cowboy (1969).
Filmed in widescreen black and white, the tale focuses on Billy Fisher a young man who still lives with his stodgy parents and a grandmother in a Yorkshire town. He juggles three girlfriends and a job at a mortuary that he hates,...
By Raymond Benson
Director John Schlesinger emerged from the so-called British New Wave, or “Free Cinema Movement,” of the late 1950s/early 60s, that was typified by pictures made by maverick filmmakers working with low budgets and concentrating on working-class heroes in often bleak settings of smaller towns around Britain.
Billy Liar, based on the novel by Keith Waterhouse and the stage play by Waterhouse and Willis Hall (with a screenplay by Waterhouse and Hall), was Schlesinger’s second film, and it is an exhilarating demonstration of the director’s confidence and talent. Schlesinger would go on to direct such classics as Darling (1965) and Midnight Cowboy (1969).
Filmed in widescreen black and white, the tale focuses on Billy Fisher a young man who still lives with his stodgy parents and a grandmother in a Yorkshire town. He juggles three girlfriends and a job at a mortuary that he hates,...
- 4/28/2020
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Do you ever lapse into daydream fantasies to escape from everyday life? Tom Courtenay and John Schlesinger changed their destinies and that of Julie Christie with this brilliant (black?) comedy about what ought to be a tragic situation. The frustrated Billy rebels against his dull routine with outrageous lies and chicanery, but hasn’t the courage to strike forth on his own — even when invited to do so by the girl of his dreams. Schlesinger’s delightful directorial style applies brash New Wave editing to Billy’s grandiose ‘Walter Mitty’ fantasies.
Billy Liar
Blu-ray
Kl Studio Classics
1963 / B&w / 2:35 widescreen / 98 min. / Street Date April 28, 2020 / available through Kino Lorber / 29.95
Starring: Tom Courtenay, Julie Christie, Wilfred Pickles, Mona Washbourne, Ethel Griffies, Finlay Currie.
Cinematography: Denys N. Coop
Film Editor: Roger Cherrill
Original Music: Richard Rodney Bennett
Written by Keith Waterhouse, Willis Hall from their play
Produced by Joseph Janni
Directed by...
Billy Liar
Blu-ray
Kl Studio Classics
1963 / B&w / 2:35 widescreen / 98 min. / Street Date April 28, 2020 / available through Kino Lorber / 29.95
Starring: Tom Courtenay, Julie Christie, Wilfred Pickles, Mona Washbourne, Ethel Griffies, Finlay Currie.
Cinematography: Denys N. Coop
Film Editor: Roger Cherrill
Original Music: Richard Rodney Bennett
Written by Keith Waterhouse, Willis Hall from their play
Produced by Joseph Janni
Directed by...
- 4/21/2020
- by Glenn Erickson
- Trailers from Hell
This article marks Part 1 of the 21-part Gold Derby series analyzing Meryl Streep at the Oscars. Join us as we look back at Meryl Streep’s nominations, the performances that competed with her, the results of each race and the overall rankings of the contenders.
Prior to 1978, Meryl Streep was best-known for her acclaimed New York stage work. She made five Broadway appearances between 1975 and 1977, including a turn in “A Memory of Two Mondays/27 Wagons Full of Cotton” (1976) that brought Streep her first – and to date, only – Tony Award nomination. Her sole big screen appearance was a small, albeit memorable, turn opposite Jane Fonda in “Julia” (1977).
Streep’s name recognition increased significantly in 1978. First, there was her much-heralded performance in the epic NBC miniseries “Holocaust” that resulted in an Emmy Award. It was her second-ever appearance in a feature film, however – and in a Best Picture Academy Awards winner, no...
Prior to 1978, Meryl Streep was best-known for her acclaimed New York stage work. She made five Broadway appearances between 1975 and 1977, including a turn in “A Memory of Two Mondays/27 Wagons Full of Cotton” (1976) that brought Streep her first – and to date, only – Tony Award nomination. Her sole big screen appearance was a small, albeit memorable, turn opposite Jane Fonda in “Julia” (1977).
Streep’s name recognition increased significantly in 1978. First, there was her much-heralded performance in the epic NBC miniseries “Holocaust” that resulted in an Emmy Award. It was her second-ever appearance in a feature film, however – and in a Best Picture Academy Awards winner, no...
- 1/29/2018
- by Andrew Carden
- Gold Derby
Yvonne Monlaur: Cult horror movie actress & Bond Girl contender was featured in the 1960 British classics 'Circus of Horrors' & 'The Brides of Dracula.' Actress Yvonne Monlaur dead at 77: Best remembered for cult horror classics 'Circus of Horrors' & 'The Brides of Dracula' Actress Yvonne Monlaur, best known for her roles in the 1960 British cult horror classics Circus of Horrors and The Brides of Dracula, died of cardiac arrest on April 18 in the Paris suburb of Neuilly-sur-Seine. Monlaur was 77. According to various online sources, she was born Yvonne Thérèse Marie Camille Bédat de Monlaur in the southwestern town of Pau, in France's Pyrénées-Atlantiques department, on Dec. 15, 1939. Her father was poet and librettist Pierre Bédat de Monlaur; her mother was a Russian ballet dancer. The young Yvonne was trained in ballet and while still a teenager became a model for Elle magazine. She was “discovered” by newspaper publisher-turned-director André Hunebelle,...
- 4/27/2017
- by Andre Soares
- Alt Film Guide
Marília Pêra: Actress starred in Brazilian movie classic 'Pixote.' Marília Pêra: Brazilian film, TV and stage star Remembering Brazilian stage, television, and film star Marília Pêra, whose acting and singing career spanned more than five decades. Pêra died of lung cancer on Dec. 5, '15, in Rio de Janeiro. Born Marília Soares Pêra on Jan. 22, 1943, in Rio, she was 72 years old. 'Pixote' prostitute Internationally, Marília Pêra is best known as the loud, vulgar prostitute Sueli, who becomes acquainted with São Paulo street kid Fernando Ramos da Silva in Hector Babenco's well-received social drama Pixote / Pixote: A Lei do Mais Fraco (1981),[1] a fierce indictment of Brazilian society's utter disregard for its disadvantaged members. In one pivotal – and widely talked about scene – she lets the titular character (da Silva, at the time 12 years old)[2] suckle her breast. In another, she pulls down her panties and sits in...
- 2/11/2016
- by Andre Soares
- Alt Film Guide
Glenda Jackson: Actress and former Labour MP. Two-time Oscar winner and former Labour MP Glenda Jackson returns to acting Two-time Best Actress Academy Award winner Glenda Jackson set aside her acting career after becoming a Labour Party MP in 1992. Four years ago, Jackson, who represented the Greater London constituency of Hampstead and Highgate, announced that she would stand down the 2015 general election – which, somewhat controversially, was won by right-wing prime minister David Cameron's Conservative party.[1] The silver lining: following a two-decade-plus break, Glenda Jackson is returning to acting. Now, Jackson isn't – for the time being – returning to acting in front of the camera. The 79-year-old is to be featured in the Radio 4 series Emile Zola: Blood, Sex and Money, described on their website as a “mash-up” adaptation of 20 Emile Zola novels collectively known as "Les Rougon-Macquart."[2] Part 1 of the three-part Radio 4 series will be broadcast daily during an...
- 7/2/2015
- by Andre Soares
- Alt Film Guide
Rex Harrison hat on TCM: ‘My Fair Lady,’ ‘Anna and the King of Siam’ Rex Harrison is Turner Classic Movies’ final "Summer Under the Stars" star today, August 31, 2013. TCM is currently showing George Cukor’s lavish My Fair Lady (1964), an Academy Award-winning musical that has (in my humble opinion) unfairly lost quite a bit of its prestige in the last several decades. Rex Harrison, invariably a major ham whether playing Saladin, the King of Siam, Julius Caesar, the ghost of a dead sea captain, or Richard Burton’s lover, is for once flawlessly cast as Professor Henry Higgins, who on stage transformed Julie Andrews from cockney duckling to diction-master swan and who in the movie version does the same for Audrey Hepburn. Harrison, by the way, was the year’s Best Actor Oscar winner. (See also: "Audrey Hepburn vs. Julie Andrews: Biggest Oscar Snubs.") Following My Fair Lady, Rex Harrison...
- 8/31/2013
- by Andre Soares
- Alt Film Guide
Whew. That title is a mouthful. I know you already know what I mean though, you golden fiends. This very impromptu post is brought to you by a recent Tribeca revival screening of Martin Scorsese's indelible King of Comedy (1983) and this Movie Line interview with Sandra Bernhard herself -- to whom I'm dedicating the list -- who couldn't make it but definitely helped make the movie what it is. My one and only back and forth conversation with Sandra -- over Twitter, the sometimes leveler -- involved how freaking robbed she was for an Oscar nomination for that movie. I couldn't believe I was talking to her but I was not the least bit in doubt that she'd agree with me.
10 Best Non-Nominated Supporting Actress Performances of the 1980s
Honorable Mentions: I think Rosanna Arquette's "Surrender Dorothy" bit in After Hours was quite memorable though the rest of...
10 Best Non-Nominated Supporting Actress Performances of the 1980s
Honorable Mentions: I think Rosanna Arquette's "Surrender Dorothy" bit in After Hours was quite memorable though the rest of...
- 4/24/2013
- by NATHANIEL R
- FilmExperience
"My Fair Lady" is coming to DVD via Paramount Home Entertainment on October 6th. Now, see some wonderful clips including "Wouldn't It Be Loverly" and Eliza singing "The Rain in Spain." The George Cukor-directed film is a multiple Academy Award winner and stars Audrey Hepburn, Rex Harrison, Stanley Holloway, Wilfrid Hyde-White, Gladys Cooper, Jeremy Brett, Theodore Bikel, Mona Washbourne, Isobel Elsom and John Holland. Professor Henry Higgins (Rex Harrison) bets he can refine cockney Eliza Doolittle...an absolute classic.
- 9/30/2009
- Upcoming-Movies.com
As a follow up to the 'Streep at 60' posts I thought I'd leave an open discussion thread for each Streep nomination's competition through the years. Her first came for 1978's The Deer Hunter (my take on her role). The nominees were:
Dyan Cannon, Heaven Can WaitPenelope Milford, Coming HomeMaggie Smith, California Suite
Maureen Stapleton, InteriorsMeryl Streep, The Deer Hunter
The only nomination I've never understood from that shortlist is Milford's in Coming Home (a film I otherwise love). The Golden Globes differed slightly, skipping Smith and Milford to honor Carol Burnett in A Wedding and Mona Washbourne in Stevie. I know there was never a chance that Stockard Channing's classic rendition of "Rizzo" in Grease was going to be shortlisted but it's such a film stealing enduring delight I like to pretend that she was.
My vote would go to Maureen Stapleton, who served Woody Allen's Interiors perfectly,...
Dyan Cannon, Heaven Can WaitPenelope Milford, Coming HomeMaggie Smith, California Suite
Maureen Stapleton, InteriorsMeryl Streep, The Deer Hunter
The only nomination I've never understood from that shortlist is Milford's in Coming Home (a film I otherwise love). The Golden Globes differed slightly, skipping Smith and Milford to honor Carol Burnett in A Wedding and Mona Washbourne in Stevie. I know there was never a chance that Stockard Channing's classic rendition of "Rizzo" in Grease was going to be shortlisted but it's such a film stealing enduring delight I like to pretend that she was.
My vote would go to Maureen Stapleton, who served Woody Allen's Interiors perfectly,...
- 6/16/2009
- by NATHANIEL R
- FilmExperience
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