Studio takeovers have been the talk of the town in Hollywood for some time. It’s been less a discussion of if control will be ceded to new companies and more a conversation about who is buying, and why. Will it be studios taking over other studios, or, perhaps, tech giants elbowing further into the industry?
This week the megadeal fever was kickstarted again as it was floated that Warner Bros. Discovery has expressed interest in a tie-up with Paramount Global, following a meeting between Warners CEO David Zaslav and Paramount CEO Bob Bakish in New York last Tuesday. Such a merger would be historic, especially since the rolling back of the 1948 consent decrees that ended in major studios divesting in their theater chains.
Given that such a merger would (once again) reshape the Hollywood landscape, it’s worth remembering the first time Warner Bros. was involved in a mega...
This week the megadeal fever was kickstarted again as it was floated that Warner Bros. Discovery has expressed interest in a tie-up with Paramount Global, following a meeting between Warners CEO David Zaslav and Paramount CEO Bob Bakish in New York last Tuesday. Such a merger would be historic, especially since the rolling back of the 1948 consent decrees that ended in major studios divesting in their theater chains.
Given that such a merger would (once again) reshape the Hollywood landscape, it’s worth remembering the first time Warner Bros. was involved in a mega...
- 12/22/2023
- by Chris Yogerst
- The Hollywood Reporter - Movie News
“You know, it’s funny, I went to the other side of the tracks, didn’t I?” admits Leslie Iwerks as she begins talking about the four-part docuseries “100 Years of Warner Bros.: The Stuff That Dreams Are Made Of” that she directed for Max. Why the other side? Because the Oscar and Emmy nominee grew up as the daughter of longtime Disney executive Don Iwerks and granddaughter of Ub Iwerks, the Disney animation legend who worked side-by-side with Walt Disney and co-created Mickey Mouse. Yet here Leslie was tasked with putting together the ultimate history of a studio (Warner Bros.) that has long been a chief competitor of Disney. How did that happen? Her 2019 documentary “The Imagineering Story” that told the tale of Disney Imagineering came to the attention of the Warner Bros. folks. “They really liked it and asked if I could do something similar for them (to celebrate their 100th),” Iwerks says.
- 6/15/2023
- by Ray Richmond
- Gold Derby
The Warner brothers — Harry, Sam, Albert and Jack — were different from Hollywood’s other movie moguls in the industry’s early years. They were shrewd, brash, outspoken and passionate in ways that deviated from the industry norm. The most publicly consistent brother was Harry, a stoic businessman and proud immigrant. Sam was the technical visionary who was gone too soon. Albert largely avoided the public eye, although he served as a loyal ambassador to the family brand. Jack was the wild child, the entertainer, the sometimes unpredictable one.
Those talents served them well during a transitional time for what would become the filmed entertainment industry. The year 1903 marked that transition, moving from what historian Tom Gunning calls a “cinema of attractions,” based on simple spectatorship of an event, to narrative storytelling, which allowed audiences to get lost in what they saw onscreen. There was only one way to test the...
Those talents served them well during a transitional time for what would become the filmed entertainment industry. The year 1903 marked that transition, moving from what historian Tom Gunning calls a “cinema of attractions,” based on simple spectatorship of an event, to narrative storytelling, which allowed audiences to get lost in what they saw onscreen. There was only one way to test the...
- 4/4/2023
- by Chris Yogerst
- The Hollywood Reporter - Movie News
Today marks the 75th anniversary of the Waldorf Declaration, which on November 25, 1947, officially launched the Hollywood Blacklist. On that day, the heads of the major studios, with a few notable exceptions, agreed after a contentious two-day conference at the Waldorf-Astoria in New York City to ban the Hollywood Ten and to not “knowingly” employ Communists.
And so began one of the darkest chapters in Hollywood’s history.
Related Story Hollywood Blacklist: 75th Anniversary Of The Waldorf Declaration – Photo Gallery Related Story Donald Anthony St. Claire Dies: 'The Amazing Race' Oldest Competitor Was 87 Related Story Irene Cara Remembered By Colleagues, Friends And Fans
Just a few weeks earlier, the Hollywood Ten had denounced and refused to cooperate with the House Un-American Activities Committee and later were sent to federal prison for contempt of Congress.
“We will forthwith discharge or suspend without compensation those in our employ,” the Waldorf Declaration stated,...
And so began one of the darkest chapters in Hollywood’s history.
Related Story Hollywood Blacklist: 75th Anniversary Of The Waldorf Declaration – Photo Gallery Related Story Donald Anthony St. Claire Dies: 'The Amazing Race' Oldest Competitor Was 87 Related Story Irene Cara Remembered By Colleagues, Friends And Fans
Just a few weeks earlier, the Hollywood Ten had denounced and refused to cooperate with the House Un-American Activities Committee and later were sent to federal prison for contempt of Congress.
“We will forthwith discharge or suspend without compensation those in our employ,” the Waldorf Declaration stated,...
- 11/25/2022
- by David Robb
- Deadline Film + TV
Exclusive: WarnerMedia has revamped its content innovation hub WarnerMedia OneFifty, relaunching a redesigned platform focused on highlighting new content and projects from underrepresented creators. The new site features a bulked up content acquisitions and projects slate, including its recent acquisition of Tomer Shushan’s White Eye, which is nominated this year for the Live-Action Short Oscar.
The platform aims to highlight and invest in out-of-the-box ideas from creators with unique voices who will develop content across the spectrum spanning features, series, digital, animation, documentary, interactive, VR/Ar, music, transmedia, experimental, immersive and more.
“WarnerMedia OneFifty discovers nontraditional content sources by leaning into the surrounding cultural landscape and collaborating with a collection of curated storytellers to shape projects highlighting what’s next in creativity and innovation,” said Axel Caballero, head of WarnerMedia OneFifty. “Stories are developed differently by taking smart, daring creative risks and making small, astute investments in original projects...
The platform aims to highlight and invest in out-of-the-box ideas from creators with unique voices who will develop content across the spectrum spanning features, series, digital, animation, documentary, interactive, VR/Ar, music, transmedia, experimental, immersive and more.
“WarnerMedia OneFifty discovers nontraditional content sources by leaning into the surrounding cultural landscape and collaborating with a collection of curated storytellers to shape projects highlighting what’s next in creativity and innovation,” said Axel Caballero, head of WarnerMedia OneFifty. “Stories are developed differently by taking smart, daring creative risks and making small, astute investments in original projects...
- 4/13/2021
- by Patrick Hipes
- Deadline Film + TV
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