Dn recently joined filmmaker Iacopo Carapelli for a intriguing conversation about his branded short You’re On, the latest campaign spot from global brand Ray-Ban. We were taken by Carapelli’s frenetic camerawork and grasp of potent imagery and when we saw another one of his films in our submissions we knew we’d be in for another visual treat. The short, this time around, is a music video for Caterina Barbieri and her song Broken Melody. It’s a beautifully crafted and contemplative film which metaphorically represents the journey of the creative process visually through a portal into an abstract plane populated with picturesque imagery. Dn caught up with Carapelli again to talk over his collaboration with Caterina Barbieri, how he matched her sonic sensibility with equally dynamic images, and the feeling of ecstasy that motivated him through the production process.
How did your working relationship with Caterina Barbieri begin?...
How did your working relationship with Caterina Barbieri begin?...
- 6/8/2022
- by James Maitre
- Directors Notes
Daniela Leyva at La Mitad del Continente (“The Howls”), Andrea Toca at Mexico’s Un Beso Cine (“Human Animals”) and Diana Bustamante at Burning Sas (“Buy Me a Gun”) have teamed to co-produce the vampire drama “The Day is Long and Dark,” the eighth feature from one of Mexico’s most important directors, Julio Hernández Cordón.
“Working with Julio has always been an enthralling experience. With this film there is also a mixture of things that interests me on a narrative level. Julio’s cinema is always a welcomed surprise,” producer and artistic director of the Cartagena International Film Festival Diana Bustamante told Variety.
From his first film “Gasolina” – winner as a project at San Sebastian’s work in progress section in 2007 and one year later at its Horizontes showcase – Hernández’s features have played at festivals including Locarno, Mar del Plata (“I Promise You Anarchy”), San Sebastian and Torino...
“Working with Julio has always been an enthralling experience. With this film there is also a mixture of things that interests me on a narrative level. Julio’s cinema is always a welcomed surprise,” producer and artistic director of the Cartagena International Film Festival Diana Bustamante told Variety.
From his first film “Gasolina” – winner as a project at San Sebastian’s work in progress section in 2007 and one year later at its Horizontes showcase – Hernández’s features have played at festivals including Locarno, Mar del Plata (“I Promise You Anarchy”), San Sebastian and Torino...
- 9/24/2021
- by Emilio Mayorga
- Variety Film + TV
As a New Yorker who has long prided my ability to namecheck most of the experimental art pioneers of the 1960s, I’m embarrassed to say I’d never heard of Steina and Woody Vasulka before watching Hrafnhildur Gunnarsdóttir’s The Vasulka Effect. Sure, I knew of The Kitchen, the legendary performance space the couple founded in 1971. And of course I was familiar with the work of the sound and visual visionaries that the Soho (now West Chelsea) institution provided a platform for — from Philip Glass and Laurie Anderson to Nam June Paik and Bill Viola. I’d just never connected a […]
The post “They Live and Breathe Video, So We Just Completely Fit in with the Fixtures”: Hrafnhildur Gunnarsdóttir on her Doc NYC-debuting The Vasulka Effect first appeared on Filmmaker Magazine.
The post “They Live and Breathe Video, So We Just Completely Fit in with the Fixtures”: Hrafnhildur Gunnarsdóttir on her Doc NYC-debuting The Vasulka Effect first appeared on Filmmaker Magazine.
- 11/11/2020
- by Lauren Wissot
- Filmmaker Magazine - Blog
As a New Yorker who has long prided my ability to namecheck most of the experimental art pioneers of the 1960s, I’m embarrassed to say I’d never heard of Steina and Woody Vasulka before watching Hrafnhildur Gunnarsdóttir’s The Vasulka Effect. Sure, I knew of The Kitchen, the legendary performance space the couple founded in 1971. And of course I was familiar with the work of the sound and visual visionaries that the Soho (now West Chelsea) institution provided a platform for — from Philip Glass and Laurie Anderson to Nam June Paik and Bill Viola. I’d just never connected a […]
The post “They Live and Breathe Video, So We Just Completely Fit in with the Fixtures”: Hrafnhildur Gunnarsdóttir on her Doc NYC-debuting The Vasulka Effect first appeared on Filmmaker Magazine.
The post “They Live and Breathe Video, So We Just Completely Fit in with the Fixtures”: Hrafnhildur Gunnarsdóttir on her Doc NYC-debuting The Vasulka Effect first appeared on Filmmaker Magazine.
- 11/11/2020
- by Lauren Wissot
- Filmmaker Magazine-Director Interviews
Shy of breathless revelations, this documentary about the sylph of steel is a strong introduction into Natalia Osipova’s magic
Film-maker Gerald Fox has made documentaries about artists Bill Viola and Marc Quinn, and directed an interesting feature adaptation of Edward St Aubyn’s book Mother’s Milk. Now he gives us this lucid, high-minded study of the 33-year-old Russian ballerina Natalia Osipova, principal dancer of the Royal Ballet.
She is shown in rehearsal for classical roles, but also combining this with a bold and exploratory approach to contemporary work, collaborating with dancers such as Jonathan Goddard and developing new pieces such as Arthur Pita’s wackily comic yet disturbing Mother, which requires Osipova to dance alongside a babushka figure that is a bit like the mother in Alfred Hitchcock’s Psycho.
Film-maker Gerald Fox has made documentaries about artists Bill Viola and Marc Quinn, and directed an interesting feature adaptation of Edward St Aubyn’s book Mother’s Milk. Now he gives us this lucid, high-minded study of the 33-year-old Russian ballerina Natalia Osipova, principal dancer of the Royal Ballet.
She is shown in rehearsal for classical roles, but also combining this with a bold and exploratory approach to contemporary work, collaborating with dancers such as Jonathan Goddard and developing new pieces such as Arthur Pita’s wackily comic yet disturbing Mother, which requires Osipova to dance alongside a babushka figure that is a bit like the mother in Alfred Hitchcock’s Psycho.
- 6/6/2019
- by Peter Bradshaw
- The Guardian - Film News
The Video Essay is a joint project of Mubi and Filmadrid Festival Internacional de Cine. Film analysis and criticism found a completely new and innovative path with the arrival of the video essay, a relatively recent form that already has its own masters and is becoming increasingly popular. The limits of this discipline are constantly expanding; new essayists are finding innovative ways to study the history of cinema working with images. With this non-competitive section of the festival both Mubi and Filmadrid will offer the platform and visibility the video essay deserves. The six selected works will be shown during the dates of Filmadrid on Mubi’s cinema publication, the Notebook. There will also be a free public screening of the selected works during the festival. The selection was made by the programmers of Mubi and Filmadrid.Solar Quadrantby Luis LechosaSolar Quadrant reflects on the gaze of the sun in cinema.
- 6/13/2018
- MUBI
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.
Allure (Carlos Sanchez and Jason Sanchez)
Capturing the complexity of abuse is tough to accomplish when mainstream audiences clamor for black and white delineations between predator and prey. Some go the horror route for metaphorical terror focusing on the pursuer while others go dramatic for the helplessness of a victim unable to break free. Writer/directors (and photographers) Carlos Sanchez and Jason Sanchez chose to throw out convention, using...
Allure (Carlos Sanchez and Jason Sanchez)
Capturing the complexity of abuse is tough to accomplish when mainstream audiences clamor for black and white delineations between predator and prey. Some go the horror route for metaphorical terror focusing on the pursuer while others go dramatic for the helplessness of a victim unable to break free. Writer/directors (and photographers) Carlos Sanchez and Jason Sanchez chose to throw out convention, using...
- 3/16/2018
- by Jordan Raup
- The Film Stage
Shot over 12 years, this unobtrusive documentary follows the superstar artist as he makes his monumental video installations, Mary and Martyrs, for St Paul’s Cathedral
It will do no good to Bill Viola’s reputation as one of the most important American artists of his generation to be caught in an unguarded moment after a long day’s filming, skipping down a hill yelping: “The best! That was the best of the best!”
This respectful, unobtrusive documentary shot on-and-off over 12 years, follows Viola as he plans and films his crowning glories: Mary and Martyrs, the two monumental video installations on permanent display at St Paul’s Cathedral (described by the Guardian’s Jonathan Jones as “a blast of hi-tech Caravaggio”).
Continue reading...
It will do no good to Bill Viola’s reputation as one of the most important American artists of his generation to be caught in an unguarded moment after a long day’s filming, skipping down a hill yelping: “The best! That was the best of the best!”
This respectful, unobtrusive documentary shot on-and-off over 12 years, follows Viola as he plans and films his crowning glories: Mary and Martyrs, the two monumental video installations on permanent display at St Paul’s Cathedral (described by the Guardian’s Jonathan Jones as “a blast of hi-tech Caravaggio”).
Continue reading...
- 11/3/2017
- by Cath Clarke
- The Guardian - Film News
Dani Leventhal's PlatonicThis review, I think, might best be understood as an example of “slow criticism.” This is a term coined by Filmkrant editor Dana Linssen to describe “wayward articles,” ones that have a personal or political element that is somehow not timely. We can imagine that the reverse of this is “fast criticism,” the up-to-the-minute report from a film festival, the 140-character response tweeted out the minute the first press screening is over. These thoughts are not timely. The Whitney Biennial closed on June 11th, and the film program screened its final program on May 21st. So although I expect many of these films to have a life long after their appearance at the Whitney, I am not providing any kind of late-breaking news flash from the film or art world by writing about these works in this forum.But in a way, that is the point. Even...
- 8/1/2017
- MUBI
Fierce, committed and above all, tough — these are the words that collaborators use to describe producer Robin O’Hara, a longtime fixture of the New York independent film scene, who died suddenly last week after complications from cancer treatment.
When O’Hara’s business and life partner Scott Macaulay of Forensic Films posted the sad news on Facebook last Wednesday, hundreds of prominent filmmakers, former crewmembers, and friends from across the independent film world offered an outpouring of condolences, remembrances, and testimonies about O’Hara’s importance in nurturing their art and their careers.
As “Saving Face” director Alice Wu wrote, “She was brilliant and mercurial and hilarious and terrifying. She gave no fucks — unless she did give a fuck — and then she gave everything. Anyone who has been lucky enough to be in her orbit never lets go. She pushed us all … and we became better people.”
Echoing Wu,...
When O’Hara’s business and life partner Scott Macaulay of Forensic Films posted the sad news on Facebook last Wednesday, hundreds of prominent filmmakers, former crewmembers, and friends from across the independent film world offered an outpouring of condolences, remembrances, and testimonies about O’Hara’s importance in nurturing their art and their careers.
As “Saving Face” director Alice Wu wrote, “She was brilliant and mercurial and hilarious and terrifying. She gave no fucks — unless she did give a fuck — and then she gave everything. Anyone who has been lucky enough to be in her orbit never lets go. She pushed us all … and we became better people.”
Echoing Wu,...
- 3/20/2017
- by Anthony Kaufman
- Indiewire
Folks in the Brooklyn area are in for a treat. Nitehawk Cinema is hosting a screening of the highly anticipated horror anthology, Xx. Also in today’s Horror Highlights: the Twenty Twenty-Four screening details, Shriekfest 2017 call for submissions, Tyler Perry’s Boo! A Madea Halloween home media info, a new trailer for Diane, and Child Eater release details.
Nitehawk Cinema’s Brooklyn Xx Screening Details: “Nitehawk presents a preview and midnite screenings of the new all female-helmed horror anthology, Xx. We also ask the Xx directors to select a couple of their influential films for midnite screenings and they chose: Michael Haneke’s The White Ribbon and Mary Lambert’s Pet Sematary.”
To learn more, visit Nitehawk Cinema’s official website.
———
Twenty Twenty-Four North American Premiere Details: “We have two screenings in San Francisco, hosted by San Francisco Independent Film Festival. Twenty Twenty-Four is making its North American premiere at...
Nitehawk Cinema’s Brooklyn Xx Screening Details: “Nitehawk presents a preview and midnite screenings of the new all female-helmed horror anthology, Xx. We also ask the Xx directors to select a couple of their influential films for midnite screenings and they chose: Michael Haneke’s The White Ribbon and Mary Lambert’s Pet Sematary.”
To learn more, visit Nitehawk Cinema’s official website.
———
Twenty Twenty-Four North American Premiere Details: “We have two screenings in San Francisco, hosted by San Francisco Independent Film Festival. Twenty Twenty-Four is making its North American premiere at...
- 2/1/2017
- by Tamika Jones
- DailyDead
Patricia Cronin's work has been exhibited in solo shows at the Venice Biennale; Musei Capitolini, Centrale Montemartini Museo; Newcomb Art Gallery, Tulane University; Brooklyn Museum; and the American Academy in Rome Art Gallery. Her work has been included in group shows NYC 1993: Experimental, Jet Set, Trash and No Star, New Museum; Watch Your Step, Flag Art Foundation; and Sh(out): Contemporary Art and Human Rights, Gallery of Modern Art, Glasgow, Scotland. Cronin is the recipient of the Rome Prize from the American Academy in Rome and two Pollock Krasner Foundation Grants. She has also received support from the New York Foundation for the Arts, the Louis Comfort Tiffany Foundation, and Anonymous Was A Woman. Cronin's works are in numerous collections including National Gallery of Art, Washington; Perez Art Museum Miami; and the Gallery of Modern Art and Kelvingrove Art Galleries and Museum in Glasgow. She is the author...
- 10/14/2015
- by bradleyrubenstein
- www.culturecatch.com
Jake Gyllenhaal and Margot Robbie are testing new waters—literally! The beautiful Australian actress graces the cover of W's December/January issue, while the handsome Nigthcrawler actor covers the December 2014 Art issue—and both photo shoots were done under water! Photographer and video artist Bill Viola, who is known for using water in his work, snapped both stars submerged in a tank in his Long Beach, Calif., studio. Robbie revealed in her interview that she prepared ahead of time for the wet photo op. "I've been practicing in my bathtub," the 24-year-old admitted. "I'm so excited. I've been holding my breath to see how long I can go without turning...
- 11/21/2014
- E! Online
She broke onto the scene thanks to her role in “Wolf of Wall Street” and now Margot Robbie is gracing the cover of W Magazine’s December 2014 issue.
The Australian beauty posed completely underwater in a stunning Donna Karen dress for the shoot with artist Bill Viola. Before taking the dive, Margot told the mag, “I am so excited. I’ve been holding my breath to see how long I can go without turning blue.”
Meanwhile, the 24-year-old discussed scoring the role in Martin Scorsese’s Oscar-nominated film. After the director contacted her to come in for an audition, she arrived in New York City dressed in jeans and boots.
“The casting director took one look at me and said, ‘Go down the street and buy the tightest dress and highest heels you can find,’ ” Robbie recalled. “ ‘That is Naomi.’ I came back dressed like that and read for Marty and Leo.
The Australian beauty posed completely underwater in a stunning Donna Karen dress for the shoot with artist Bill Viola. Before taking the dive, Margot told the mag, “I am so excited. I’ve been holding my breath to see how long I can go without turning blue.”
Meanwhile, the 24-year-old discussed scoring the role in Martin Scorsese’s Oscar-nominated film. After the director contacted her to come in for an audition, she arrived in New York City dressed in jeans and boots.
“The casting director took one look at me and said, ‘Go down the street and buy the tightest dress and highest heels you can find,’ ” Robbie recalled. “ ‘That is Naomi.’ I came back dressed like that and read for Marty and Leo.
- 11/20/2014
- GossipCenter
The Oscar-winning director of 12 Years a Slave has pushed back the boundaries of film because of the fearlessness that comes with a background in art
When the director Steve McQueen was an art student learning basic film-making skills at Goldsmiths College, London, he joked he was already aiming for the time when his name would eclipse that of his glamorous namesake, star of The Great Escape and Bullitt. "One day," he told his tutor, Professor Will Brooker, "when people talk about Steve McQueen, I am going to be the first person they think of."
Now, with an Oscar for his film 12 Years a Slave, the transition from Turner prizewinning artist to celebrated director has been made in style. It is a path to cinematography also taken by the British artist Sam Taylor-Wood, nominated for a Turner prize in 1998 and now editing her high-profile film of the erotic bestseller Fifty Shades of Grey.
When the director Steve McQueen was an art student learning basic film-making skills at Goldsmiths College, London, he joked he was already aiming for the time when his name would eclipse that of his glamorous namesake, star of The Great Escape and Bullitt. "One day," he told his tutor, Professor Will Brooker, "when people talk about Steve McQueen, I am going to be the first person they think of."
Now, with an Oscar for his film 12 Years a Slave, the transition from Turner prizewinning artist to celebrated director has been made in style. It is a path to cinematography also taken by the British artist Sam Taylor-Wood, nominated for a Turner prize in 1998 and now editing her high-profile film of the erotic bestseller Fifty Shades of Grey.
- 3/9/2014
- by Vanessa Thorpe
- The Guardian - Film News
Neither of us is old enough to have been fooled by the Trojan Horse (see Wikipedia). But we each have been working in public television decades enough to remember the days when distribution was handled by physically transporting bulky 2-inch videotapes from station to station -- "bicycled" was the word -- and much of the broadcast day and night was devoted to blackboard lectures, string quartets and lessons in Japanese brush painting: The old educational television versions of reality TV.
Yet it also was a time of innovation and creativity. As the system evolved we saw bold experiments like Pbl - the Public Broadcasting Laboratory and Al Perlmutter's The Great American Dream Machine, each a predecessor to the commercial TV magazine shows 60 Minutes and 20/20. The TV Lab, jointly run by David Loxton at Wnet in New York and Fred Barzyk at Wgbh in Boston, nurtured and encouraged the first generation...
Yet it also was a time of innovation and creativity. As the system evolved we saw bold experiments like Pbl - the Public Broadcasting Laboratory and Al Perlmutter's The Great American Dream Machine, each a predecessor to the commercial TV magazine shows 60 Minutes and 20/20. The TV Lab, jointly run by David Loxton at Wnet in New York and Fred Barzyk at Wgbh in Boston, nurtured and encouraged the first generation...
- 3/23/2012
- by Bill Moyers
- Aol TV.
As Godard once said of Jerry Lewis, Denis Côté is "a very good framer, like great painters. He has a lot of sense of geometry." In Bestiaire, Côté trains the viewer's eye right from the opening sequence, in which three artists, one sitting, the other two standing before their easels on either side of her, sketch a doe. It might take a moment for the realization to sink in that the doe is dead; she's been stuffed and mounted in an eerily life-like pose. I have to wonder, too, if the artists weren't chosen for their radically different approaches. One concentrates on establishing the form of the animal, another on the texture of the fur.
What follows is a series of compositions whose dominating principle is the frame. For the most part, Côté does not set out to arrange these compositions in such a way that they'll kick the mind...
What follows is a series of compositions whose dominating principle is the frame. For the most part, Côté does not set out to arrange these compositions in such a way that they'll kick the mind...
- 2/10/2012
- MUBI
Judi Dench will receive the Japanese Art Association's Praemium Imperiale in recognition of her contribution to acting. Dench was announced as one of five Praemium Imperiale Laureates alongside British sculptor Anish Kapoor, artist Bill Viola, Japanese composer Seiji Ozawa and architect Ricardo Legoretta during a ceremony held in London this week. The laureates also attended a special reception thrown by Queen Elizabeth II in their honor at Buckingham Palace. Dench commented that she took great pride in receiving the Praemium Imperiale, saying: "I feel overwhelmed. I've been to Japan twice with the RSC [Royal Shakespeare Company] and I made a lot of really good friends." The actress (more)...
- 7/13/2011
- by By Justin Harp
- Digital Spy
I just found out the other day that the American Film Institute (AFI) used to give out an annual Maya Deren Independent Film and Video Artists Award to celebrate achievements in underground and non-commercial independent filmmaking.
Information about this award is difficult to come by, so I thought I’d post up all of the recipients in one easy to browse list on Bad Lit. While I’m sure AFI has kept records of the award — and hopefully have video somewhere of the recipients accepting it, if there were indeed award ceremonies — none of that is currently live on their website.
I compiled the list of winners, which is posted below, from records on the Internet Movie Database (IMDb). I’m just going under the assumption that the IMDb info is indeed correct. However, I believe it is as I did happen to find some corroboration on some of the...
Information about this award is difficult to come by, so I thought I’d post up all of the recipients in one easy to browse list on Bad Lit. While I’m sure AFI has kept records of the award — and hopefully have video somewhere of the recipients accepting it, if there were indeed award ceremonies — none of that is currently live on their website.
I compiled the list of winners, which is posted below, from records on the Internet Movie Database (IMDb). I’m just going under the assumption that the IMDb info is indeed correct. However, I believe it is as I did happen to find some corroboration on some of the...
- 1/22/2010
- by Mike Everleth
- Underground Film Journal
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Cinema Retro has received the following press release from the British Film Institute regarding their program of events for the month of December at the Southbank theatre facility in London. For full info and tickets visit the web site by clicking here.
Blonde Venus, one of the films screened as part of the Von Sternberg tribute.
Josef Von Sternberg
This month we will celebrate the career of Josef von Sternberg – one of Hollywood’s most visionary directors – with a complete retrospective of his films. He was the man Marlene Dietrich called her master, and is perhaps best known for Underworld (1927), The Blue Angel (1930) and Macao (1952)
Sally Potter
Sally Potter is one of the UK’s most innovative and original filmmakers, and we look forward to launching our comprehensive study of her career with a screening of Orlando (1993) followed by a Q&A...
Cinema Retro has received the following press release from the British Film Institute regarding their program of events for the month of December at the Southbank theatre facility in London. For full info and tickets visit the web site by clicking here.
Blonde Venus, one of the films screened as part of the Von Sternberg tribute.
Josef Von Sternberg
This month we will celebrate the career of Josef von Sternberg – one of Hollywood’s most visionary directors – with a complete retrospective of his films. He was the man Marlene Dietrich called her master, and is perhaps best known for Underworld (1927), The Blue Angel (1930) and Macao (1952)
Sally Potter
Sally Potter is one of the UK’s most innovative and original filmmakers, and we look forward to launching our comprehensive study of her career with a screening of Orlando (1993) followed by a Q&A...
- 12/1/2009
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Indian filmmaker Mahesh Bhatt and his daughter, actress-turned-director Pooja Bhatt, have been invited by Pope Benedict XVI to attend a papal meeting with artists from around the world in Vatican City this month.
The Bhatts will be among more than 260 artists—representing painting, sculpture, literature, music, dance, architecture, theater, and cinema—at the event, which will be held on November 21st in the Sistine Chapel—a room in the Vatican covered with Michelangelo's frescos, which are arguably the most famous examples of Western art.
Vatican officials said they hope the meeting will improve the Church's relations with the global artistic community and create opportunities for collaboration. While the Catholic Church was once a primary sponsor of art, the two have become, in the words of a Vatican spokesman, "estranged" in modern times, both for ideological and stylistic reasons.
The Vatican chose the invitees based on leadership in their fields, not religious background.
The Bhatts will be among more than 260 artists—representing painting, sculpture, literature, music, dance, architecture, theater, and cinema—at the event, which will be held on November 21st in the Sistine Chapel—a room in the Vatican covered with Michelangelo's frescos, which are arguably the most famous examples of Western art.
Vatican officials said they hope the meeting will improve the Church's relations with the global artistic community and create opportunities for collaboration. While the Catholic Church was once a primary sponsor of art, the two have become, in the words of a Vatican spokesman, "estranged" in modern times, both for ideological and stylistic reasons.
The Vatican chose the invitees based on leadership in their fields, not religious background.
- 11/16/2009
- The Bollywood Ticket
Lynn Shelton recently won the Acura Someone to Watch Award at the 2009 Spirit Awards. She continued her lucky streak with the much-lauded Sundance premiere of her latest film, Humpday, which was picked up for distribution by Magnolia Films. The actors starring in Humpday, including Shelton herself, improvised all the dialogue, and the result is a candid and hilarious tale of two straight men who decide to have sex with each other in the name of art.
By Carolyn Cohagan
Our members love to hear the logistics of how a film gets made. Can you tell me about your shooting schedule and budget?
The budget was very lean. It was under half a million. No one got anything up front. I pulled it together with a lot of in-kind donations. I gave everyone back-end (points) so that when I made money, they made money. I've worked with these guys over the...
By Carolyn Cohagan
Our members love to hear the logistics of how a film gets made. Can you tell me about your shooting schedule and budget?
The budget was very lean. It was under half a million. No one got anything up front. I pulled it together with a lot of in-kind donations. I gave everyone back-end (points) so that when I made money, they made money. I've worked with these guys over the...
- 10/2/2009
- by maint
- Film Independent
The new video for Sulfur from Slipknot's chartbusting album All Hope is Gone made its world premiere on MTV2's Headbanger's Ball this weekend, and if you missed it – or just feel like watching it a few more times – you can catch it right here. Go below & check it out, and let us know what you think! The video was shot last month under the direction of percussionist Shawn "Clown" Crahan and acclaimed promotional artist P.R. Brown. In the clip, frontman Corey Taylor can be seen sporting his new simplified mask design while swimming around with his bandmates in a vat of cloudy liquid. The whole concept is actually based on an installation by video artist Bill Viola entitled Ascension, and...
- 4/20/2009
- FEARnet
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