New Wave director Claude Chabrol goes off in an odd direction with this Francophone adaptation of Hamlet. Convinced that his father was murdered, the heir to an estate behaves like a madman as he sets out to unmask the killers. The ‘castle’ is a country manse guarded by thugs as a precaution against the signeur’s striking union workers. Special added attraction: the stars to see are Alida Valli and Juliette Mayniel of Eyes without a Face.
Ophélia
Blu-ray
Olive Films
1963 / B&W / 1:66 widescreen / 104 min. / Street Date April 25, 2017 / available through the Olive Films website / 29.95
Starring: Alida Valli, Juliette Mayniel, Claude Cerval, André Jocelyn, Robert Burnier, Jean-Louis Maury, Sacha Briquet, Liliane Dreyfus (David), Pierre Vernier.
Cinematography: Jacques Rabier, Jean Rabier
Film Editor: Jacques Gaillard
Original Music: Pierre Jansen
Written by Claude Chabrol, Paul Gégauff, Martial Matthieu from a play by William Shakespeare
Produced and Directed by Claude Chabrol
I suppose...
Ophélia
Blu-ray
Olive Films
1963 / B&W / 1:66 widescreen / 104 min. / Street Date April 25, 2017 / available through the Olive Films website / 29.95
Starring: Alida Valli, Juliette Mayniel, Claude Cerval, André Jocelyn, Robert Burnier, Jean-Louis Maury, Sacha Briquet, Liliane Dreyfus (David), Pierre Vernier.
Cinematography: Jacques Rabier, Jean Rabier
Film Editor: Jacques Gaillard
Original Music: Pierre Jansen
Written by Claude Chabrol, Paul Gégauff, Martial Matthieu from a play by William Shakespeare
Produced and Directed by Claude Chabrol
I suppose...
- 4/25/2017
- by Glenn Erickson
- Trailers from Hell
We are here to continue with news from Cannes. We just learned that The Festival de Cannes will welcome Jean-Paul Belmondo on Tuesday 17 May with a special evening held in his honour. That definitely sounds great, and if anybody deserves to have a special night at this year’s Cannes, it’s Mr. Belmondo, I hope you all agree.
Since the late 1950s, Jean-Paul Belmondo has encapsulated the very best of popular cinema (Philippe de Broca, Henri Verneuil, Gérard Oury, Georges Lautner, Jacques Deray), ably blending this with the glorious art-house cinema of the ‘60s and ‘70s. (Jean-Luc Godard, Jean-Pierre Melville, François Truffaut, Claude Lelouch and Alain Resnais, not to mention Vittorio Sica and Alberto Lattuada).
That Man from Rio, Breathless, Pierrot le Fou, Léon Morin,Priest, Mississippi Mermaid, Le Magnifique, Stavisky and Borsalino are just a few examples of his extraordinary range.
Or, as Gilles Jacob and Thierry Frémaux...
Since the late 1950s, Jean-Paul Belmondo has encapsulated the very best of popular cinema (Philippe de Broca, Henri Verneuil, Gérard Oury, Georges Lautner, Jacques Deray), ably blending this with the glorious art-house cinema of the ‘60s and ‘70s. (Jean-Luc Godard, Jean-Pierre Melville, François Truffaut, Claude Lelouch and Alain Resnais, not to mention Vittorio Sica and Alberto Lattuada).
That Man from Rio, Breathless, Pierrot le Fou, Léon Morin,Priest, Mississippi Mermaid, Le Magnifique, Stavisky and Borsalino are just a few examples of his extraordinary range.
Or, as Gilles Jacob and Thierry Frémaux...
- 4/1/2011
- by Fiona
- Filmofilia
The Festival de Cannes will welcome Jean-Paul Belmondo on Tuesday 17 May with a special evening held in his honour. “We are delighted that he has agreed to attend this gala evening in celebration of his talent and career. His range and personal charisma, the precision of his acting, his cocky wit, the ease with which he carries himself have made him, along with Jean Gabin and Michel Simon, one of the greatest French actors of all time, a fact to which many films bear ample witness. No doubt the entire panoply of French actors, headed by his Conservatory friends Jean Rochefort, Claude Rich, Pierre Vernier and Jean-Pierre Marielle, will want to walk up that Cannes staircase to celebrate ‘Bébel’ to the sound of the rapturous applause of his diehard fans,” say Gilles Jacob and Thierry Frémaux. The time has certainly come to celebrate this extraordinarily talented French actor. Since the late 1950s,...
- 3/30/2011
- by MIKE FLEMING
- Deadline
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