Yes, there's a big disparity in the lengths of these reviews. It's not intended to slight albums 2-4; they all gave me great joy, and, I am sure, will continue to. But the scope of the first box set here is vastly broader, and thus each ensemble featured on it requires explanation. And of course I assume you're familiar with the styles of Miles Davis, Thelonious Monk, and Keith Jarrett.
1. William Parker: Wood Flute Songs (Aum Fidelity)
Eight discs proving that Parker is not only the supreme bassist of the current avant jazz world, he is also a fine and prolific composer and leads some of the scene's greatest bands, most notably on these 2006-2012 concert recordings his quartet with alto saxophonist Rob Brown, trumpeter Lewis "Flip" Barnes, and drummer Hamid Drake, who are at the core of every band featured here.
That quartet is captured at peak form...
1. William Parker: Wood Flute Songs (Aum Fidelity)
Eight discs proving that Parker is not only the supreme bassist of the current avant jazz world, he is also a fine and prolific composer and leads some of the scene's greatest bands, most notably on these 2006-2012 concert recordings his quartet with alto saxophonist Rob Brown, trumpeter Lewis "Flip" Barnes, and drummer Hamid Drake, who are at the core of every band featured here.
That quartet is captured at peak form...
- 1/17/2014
- by SteveHoltje
- www.culturecatch.com
Gil Evans, perhaps the second-greatest arranger in jazz after Duke Ellington, was born Ian Ernest Gilmore Green on May 13, 1912 in Toronto, Canada (Evans was his stepfather's name). Though best known for his collaborations with Miles Davis, Evans released many great albums as a bandleader and created a highly influential style that changed the course of jazz history.
Though self-taught, by age 21 Evans was leading a big band that became the house group at the Rendezvous Ballroom in Balboa Beach. Eventually it was fronted and then led by singer Skinnay Ennis, and Claude Thornhill joined Evans in providing arrangements for them. Thornhill then moved to New York to start his own band, and in 1941 invited Evans to New York to write arrangements. Soon Evans's arrangements with their lush, hazy, floating textures defined the Thornhill style.
Though theoretically a swing band, the Thornhill ensemble was one of the most progressive big bands of its time,...
Though self-taught, by age 21 Evans was leading a big band that became the house group at the Rendezvous Ballroom in Balboa Beach. Eventually it was fronted and then led by singer Skinnay Ennis, and Claude Thornhill joined Evans in providing arrangements for them. Thornhill then moved to New York to start his own band, and in 1941 invited Evans to New York to write arrangements. Soon Evans's arrangements with their lush, hazy, floating textures defined the Thornhill style.
Though theoretically a swing band, the Thornhill ensemble was one of the most progressive big bands of its time,...
- 5/13/2012
- by SteveHoltje
- www.culturecatch.com
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