Playing a boisterous Bohemian, a debonair prince, or a cheerfully irresponsible student, who intentionally provokes his father and fiancee in a court hearing, a rustic, or a rollicking romantic lead with a swagger that Dev Anand, Shammi Kapoor, and Rajesh Khanna could envy, came natural to him. Yet, in popular memory, Dilip Kumar is only synonymous with the dejected, despondent and (usually) doomed hero.
In his 57 films over his half-century-plus stint in the Hindi film industry, Dilip Kumar is chiefly remembered as the ‘Tragedy King’, battered down by unrequited love, social or political pressure, or other inexorable circumstances.
Whether it was as lush Devdas in the eponymous 1955 film, the unfortunate Prince Marcus of “Yahudi” (1958), the eventually subdued rebellious Prince Salim in “Mughal-e-Azam” (1960), the star-crossed Dilip of “Andaz” (1949), and so on, there was usually no happy ending for him.
In his second phase, where he switched to playing more mature roles,...
In his 57 films over his half-century-plus stint in the Hindi film industry, Dilip Kumar is chiefly remembered as the ‘Tragedy King’, battered down by unrequited love, social or political pressure, or other inexorable circumstances.
Whether it was as lush Devdas in the eponymous 1955 film, the unfortunate Prince Marcus of “Yahudi” (1958), the eventually subdued rebellious Prince Salim in “Mughal-e-Azam” (1960), the star-crossed Dilip of “Andaz” (1949), and so on, there was usually no happy ending for him.
In his second phase, where he switched to playing more mature roles,...
- 12/11/2022
- by Glamsham Bureau
- GlamSham
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.