Grammy® Award-Winning Producer, Guitarist & Singer John Pizzarelli joins Jimmy’s Jazz & Blues Club’s 2022 Schedule of Shows which now includes 9 Nea Jazz Masters, 52 Grammy® Award-Winning Artists, 46 Blues Music Award-Winners, and a comprehensive list of talented musicians with 575+ Grammy® Award Nominations amongst them. Tickets for John Pizzarelli at Jimmy’s Jazz & Blues Club, as well as the current list of 2022 & 2023 shows, can be found on Ticketmaster.com and Jimmy’s Online Event Calendar at: http://www.jimmysoncongress.com/events.
Jimmy’s Jazz & Blues Club Features Grammy® Award-Winning Producer, Guitarist & Singer John Pizzarelli on Thursday December 15 at 8 P.M. World-Renowned Jazz Guitarist John Pizzarelli has been hailed by the Boston Globe for “reinvigorating the Great American Songbook and re-popularizing jazz.”
While plenty of jazz greats influenced his work—Benny Goodman, Les Paul, Zoot Sims, Clark Terry and Slam Stewart, among others—Nat King Cole has been Pizzarelli’s hero and foundation over the last 25+ years.
Jimmy’s Jazz & Blues Club Features Grammy® Award-Winning Producer, Guitarist & Singer John Pizzarelli on Thursday December 15 at 8 P.M. World-Renowned Jazz Guitarist John Pizzarelli has been hailed by the Boston Globe for “reinvigorating the Great American Songbook and re-popularizing jazz.”
While plenty of jazz greats influenced his work—Benny Goodman, Les Paul, Zoot Sims, Clark Terry and Slam Stewart, among others—Nat King Cole has been Pizzarelli’s hero and foundation over the last 25+ years.
- 11/25/2022
- by Music Martin Cid Magazine
- Martin Cid Music
Eddie Daniels/Roger Kellaway: Live at the Library of Congress (Ipo)
The surprising thing about this album is how wild it is. I didn't expect this clarinet/piano duo playing lots of very old standards to shoot off on weird tangents filled with such startling dissonances; I've heard Daniels and Kellaway in separate contexts before this, and they were less adventurous then. They play the themes straightforwardly, but sometimes open those tracks with left-field intros that would make even Erroll Garner smile a bit enviously. And once they get to their solos (mostly in the sense of "featured," in Daniels's case, though Kellaway really is solo and sometimes he drops out to let Daniels fly unaccompanied), you never know whether you're going to hear a sedately prim excursion on bebop-level harmonies or a spurt of exuberance that takes in a wider range of styles. Their reading of Thelonious Monk's "Rhythm-a-ning,...
The surprising thing about this album is how wild it is. I didn't expect this clarinet/piano duo playing lots of very old standards to shoot off on weird tangents filled with such startling dissonances; I've heard Daniels and Kellaway in separate contexts before this, and they were less adventurous then. They play the themes straightforwardly, but sometimes open those tracks with left-field intros that would make even Erroll Garner smile a bit enviously. And once they get to their solos (mostly in the sense of "featured," in Daniels's case, though Kellaway really is solo and sometimes he drops out to let Daniels fly unaccompanied), you never know whether you're going to hear a sedately prim excursion on bebop-level harmonies or a spurt of exuberance that takes in a wider range of styles. Their reading of Thelonious Monk's "Rhythm-a-ning,...
- 4/14/2012
- by SteveHoltje
- www.culturecatch.com
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