As U.S. and European sales agents and distributors gather in Buenos Aires next week for Ventana Sur, there will be a very large elephant in the room: the stunning victory in Argentina’s presidential election Sunday of far right Javier Milei, a self-described “anarcho-capitalist.”
Milei won 55.8% of the vote promising to do away with inflation, running at over 140%, as part of “drastic changes” which have included scrapping Argentina’s central bank, dollarizing the economy and slashing public spending by 15% of Gdp.
On the campaign trail, he also promised to abolish Argentina’s Ministry of Culture and national film-tv agency Incaa.
Currently, Argentina also holds the presidency of Ibermedia, the pan-regional fund for Latin America, Spain and Portugal, whose moneys are vital for art-house co-productions.
Incaa also co-organizes Ventana Sur itself with Cannes Film Festival and Market.
A left-leaning Argentine film-tv industry, whether Peronist or not, will take time to digest Milei’s victory.
Milei won 55.8% of the vote promising to do away with inflation, running at over 140%, as part of “drastic changes” which have included scrapping Argentina’s central bank, dollarizing the economy and slashing public spending by 15% of Gdp.
On the campaign trail, he also promised to abolish Argentina’s Ministry of Culture and national film-tv agency Incaa.
Currently, Argentina also holds the presidency of Ibermedia, the pan-regional fund for Latin America, Spain and Portugal, whose moneys are vital for art-house co-productions.
Incaa also co-organizes Ventana Sur itself with Cannes Film Festival and Market.
A left-leaning Argentine film-tv industry, whether Peronist or not, will take time to digest Milei’s victory.
- 11/20/2023
- by John Hopewell
- Variety Film + TV
Madrid-based Latido Films has unveiled a slew of sales during the summer, led by standout deals reached on Daniel Calparsoro’s thriller “All the Names of God” and Gerardo Herrero’s comedy “Under Therapy.”
The announcement comes as the 20 year-old company Latido disclosed early sales deals to Javier Fesser’s “Championext,” the sequel to his comedy blockbuster “Champions”- which has become Spain’s biggest box office hit of 2023, scoring €7.52 million ($8.08 million) and 1.2 million tickets sold through Sept. 3, three weekends after its Aug. 18 release.
Latido deal details add some much needed granularity to the state of the non-English language sales scene as major festivals take place at Venice and now Toronto.
A Bullish Summer
“It has been a good summer for Latido. And we hope for an even better fall,” explained Latido CEO Antonio Saura.
“The way the post-covid market works is not only linked to the market events themselves.
The announcement comes as the 20 year-old company Latido disclosed early sales deals to Javier Fesser’s “Championext,” the sequel to his comedy blockbuster “Champions”- which has become Spain’s biggest box office hit of 2023, scoring €7.52 million ($8.08 million) and 1.2 million tickets sold through Sept. 3, three weekends after its Aug. 18 release.
Latido deal details add some much needed granularity to the state of the non-English language sales scene as major festivals take place at Venice and now Toronto.
A Bullish Summer
“It has been a good summer for Latido. And we hope for an even better fall,” explained Latido CEO Antonio Saura.
“The way the post-covid market works is not only linked to the market events themselves.
- 9/7/2023
- by Emiliano De Pablos
- Variety Film + TV
Latido is bringing onto the Toronto market “The Weasels,” the first live-action film from Argentina’s Juan José Campanella since he won a foreign-language Oscar for “The Secret in Their Eyes” in 2010.
Latido will introduce the film to buyers via what Latido head Antonio Saura describes as a “pre-trailer.”
“The Weasels” reunites the sales agent and most of the high-pedigree production team behind “The Secret in Their Eyes:” Campanella’s Buenos Aires label 100 Bares and top Argentine network Telefe, which is a Viacom Intl. Media Networks company, produce the pic, in co-production with Spain’s Tornasol (“The Man Who Killed Don Quixote”) and Argentina’s Jempsa, whose late head, Jorge Estrada Mora, produced five of Campanella’s films.
“The Weasels” returns Campanella to the semi-comedic mode, but hardly same comic tone, of 2001’s Oscar-nominated “The Son of the Bride.”
Based on an Argentine classic, 1976’s “Los muchachos de antes no usaban arsénico,...
Latido will introduce the film to buyers via what Latido head Antonio Saura describes as a “pre-trailer.”
“The Weasels” reunites the sales agent and most of the high-pedigree production team behind “The Secret in Their Eyes:” Campanella’s Buenos Aires label 100 Bares and top Argentine network Telefe, which is a Viacom Intl. Media Networks company, produce the pic, in co-production with Spain’s Tornasol (“The Man Who Killed Don Quixote”) and Argentina’s Jempsa, whose late head, Jorge Estrada Mora, produced five of Campanella’s films.
“The Weasels” returns Campanella to the semi-comedic mode, but hardly same comic tone, of 2001’s Oscar-nominated “The Son of the Bride.”
Based on an Argentine classic, 1976’s “Los muchachos de antes no usaban arsénico,...
- 9/8/2018
- by John Hopewell
- Variety Film + TV
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